Songs like Aimed to Kill - Chill Version by Jade LeMac
Based on a tempo of (+/- 10%) and a similar genre
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Suriel Hess
Hurt Me
120 bpm • G# Maj • 03:02 • -9.65db
43% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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KINGS
skeletons
120 bpm • F# min • 02:30 • -7.61db
47% Popularity • 72% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 72% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Samantha Margret
Feminist GF
120 bpm • G min • 02:28 • -12.96db
31% Popularity • 66% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 66% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Ari Abdul
Sinners
120 bpm • B min • 03:33 • -6.53db
57% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Leyla Blue
Jane Doe
120 bpm • F# min • 02:44 • -5db
42% Popularity • 73% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 73% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jade LeMac
Aimed to Kill - Chill Version
120 bpm • C min • 03:38 • -6db
28% Popularity • 63% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 63% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Chloe Adams
Take Me To Hell
120 bpm • G# Maj • 02:12 • -6db
47% Popularity • 74% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 74% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Austin Giorgio
No Mercy
120 bpm • G min • 03:03 • -5.67db
43% Popularity • 71% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 71% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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GRANT KNOCHE
COLOR ME BLUE
120 bpm • E min • 02:26 • -7.12db
33% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Britton
DECLINED
120 bpm • G# min • 04:16 • -9db
47% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Andrea Russett
Stranger
120 bpm • A min • 02:54 • -7.15db
26% Popularity • 70% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 70% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jade LeMac
Aimed to Kill - Piano Version
120 bpm • C min • 03:38 • -7db
23% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jaira Burns
I Like You Better
120 bpm • C Maj • 02:16 • -7.55db
31% Popularity • 95% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 95% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Austin Giorgio
Somebody to Love
120 bpm • A Maj • 02:49 • -6.44db
30% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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GRANT KNOCHE
YOU DON'T HAVE TO TALK
120 bpm • F# Maj • 02:38 • -7.8db
15% Popularity • 44% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 44% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Stevie Bill
Poison
120 bpm • D min • 02:04 • -6.55db
49% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Andrea Russett
Back To Black
120 bpm • E min • 03:11 • -9.93db
22% Popularity • 73% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 73% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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DEZI
Kleptomaniac
120 bpm • G min • 03:33 • -6.65db
31% Popularity • 55% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 55% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Leyla Blue
It Still Rains in Paradise
120 bpm • D Maj • 02:42 • -10.01db
23% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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NERIAH
Dumpster Fire
120 bpm • C Maj • 02:32 • -18.65db
28% Popularity • 74% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 74% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Nessa Barrett
unnecessary violence
120 bpm • A# min • 03:15 • -9.7db
44% Popularity • 40% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 40% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Stevie Howie
shakes
121 bpm • B min • 03:30 • -11.4db
39% Popularity • 69% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 69% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Xana
Bad Bandit
119 bpm • G min • 02:56 • -5.95db
40% Popularity • 71% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 71% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Haiden Henderson
Good Grief!
121 bpm • G# Maj • 03:00 • -8.98db
29% Popularity • 76% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 76% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Kaylee Lauren
Rollercoaster
118 bpm • F# Maj • 03:27 • -2.39db
12% Popularity • 77% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 77% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Halle Abadi
FLIRT
122 bpm • A# min • 02:10 • -6db
43% Popularity • 80% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 80% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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NEVE
Outside Voices
122 bpm • B min • 02:21 • -3.17db
35% Popularity • 82% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 82% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Leyla Blue
buzzkill
118 bpm • F min • 02:40 • -7.24db
34% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Short
Hooked
118 bpm • G# Maj • 02:28 • -7.36db
55% Popularity • 79% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 79% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Haiden Henderson
Wasted
121 bpm • G Maj • 02:28 • -8.05db
32% Popularity • 76% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 76% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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RIELL
Burn Our Bridges Down
118 bpm • F min • 03:33 • -6db
43% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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RAEGAN
STOCKHOLM
118 bpm • D min • 02:18 • -8.3db
32% Popularity • 71% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 71% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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YDE
People Can Change
123 bpm • C# min • 02:49 • -7.7db
18% Popularity • 45% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 45% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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DEZI
Sinner
123 bpm • A# Maj • 02:54 • -7db
46% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Sam Short
Hooked (Stripped)
118 bpm • A# min • 02:28 • -9.33db
34% Popularity • 62% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 62% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Allegra Jordyn
Monster of Me
123 bpm • B min • 03:25 • -7.04db
22% Popularity • 40% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 40% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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memyself&vi
Dead to You
123 bpm • C min • 02:42 • -6db
31% Popularity • 70% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 70% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Donzell Taggart
House On Fire
123 bpm • B min • 02:14 • -4.85db
39% Popularity • 75% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 75% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Bahari
Bipolar
123 bpm • A Maj • 03:19 • -9db
28% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Sarah Saint James
HOME IS WHERE THE HELL IS
123 bpm • F# min • 02:54 • -7db
21% Popularity • 73% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 73% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Morgan St. Jean
Not All Men
117 bpm • A# min • 02:57 • -5.87db
53% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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FLETCHER
f*** you for ruining new york city for m...
124 bpm • C Maj • 04:21 • -8.06db
29% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jade LeMac
Steal My Skin
124 bpm • E min • 02:59 • -3.43db
32% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Andrea Russett
Freezing
124 bpm • F min • 02:23 • -5.92db
43% Popularity • 73% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 73% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Annika Rose
Bruises
124 bpm • G min • 02:56 • -5.46db
23% Popularity • 72% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 72% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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NEVE
Want U Back
124 bpm • G# min • 02:30 • -4.5db
43% Popularity • 80% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 80% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Morgan St. Jean
Television
124 bpm • A min • 03:01 • -7.7db
10% Popularity • 58% Danceability • 45% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 58% Danceability • 45% Energy • 56% Liveness
0% Instrumentalness • 52% Positiveness
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Austin Giorgio
She's an Actor
124 bpm • D Maj • 03:08 • -10.07db
49% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Kylie Muse
Alter Ego
124 bpm • F min • 02:56 • -15.76db
21% Popularity • 56% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 56% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Beth McCarthy
If You Loved Me Right
116 bpm • E Maj • 03:15 • -6db
37% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sami Rose
Enough
116 bpm • B min • 03:02 • -6.72db
25% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sam Short
Naked
124 bpm • G# Maj • 02:13 • -9db
57% Popularity • 86% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 86% Danceability • 50% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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Jade LeMac
Aimed to Kill
124 bpm • C Maj • 03:22 • -2.79db
51% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Zevia
perfect
124 bpm • F Maj • 03:03 • -14.71db
34% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Frawley
Kiss And Tell
116 bpm • D min • 02:32 • -7db
42% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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FLAVIA
Does She Like it Rough?
116 bpm • G# min • 02:51 • -7.45db
41% Popularity • 62% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 62% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 37% Positiveness
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Dylan
Good Enough
125 bpm • G min • 03:21 • -7.56db
36% Popularity • 63% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 63% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Zoe Clark
Last One Standing - Acoustic
125 bpm • C Maj • 02:17 • -4.2db
33% Popularity • 77% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 77% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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NERIAH
Puppet On A String
125 bpm • E min • 02:00 • -8.91db
37% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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YDE
Uncomfortable
125 bpm • A min • 02:54 • -10.16db
18% Popularity • 56% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 56% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Haiden Henderson
Can't Hurt Me
115 bpm • B min • 03:08 • -8.07db
39% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Cam M.
burn <3
125 bpm • B min • 03:31 • -14db
20% Popularity • 76% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 76% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Zaryah
Invite
125 bpm • D min • 02:26 • -12.31db
31% Popularity • 79% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 79% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Sarah Cothran
Stronger Than Me
125 bpm • D min • 03:13 • -8.36db
43% Popularity • 55% Danceability • 34% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 55% Danceability • 34% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
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Morgan St. Jean
Red Flag (Fuckboy)
125 bpm • D# min • 02:56 • -6.22db
27% Popularity • 84% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 84% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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KINGS
how to kill me
115 bpm • G# Maj • 02:42 • -9.2db
36% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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![Shadows [Tails] cover art](https://i.scdn.co/image/ab67616d00001e0205599be0a6bed2d717d858f9)
CHINCHILLA
Shadows [Tails]
125 bpm • C# Maj • 03:49 • -19db
35% Popularity • 60% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 60% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Beth McCarthy
Crazy for You
115 bpm • F min • 03:09 • -8.29db
26% Popularity • 70% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 70% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Nessa Barrett
dying on the inside - stripped
115 bpm • F# min • 02:54 • -11.38db
39% Popularity • 66% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 66% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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Sarah Cothran
Poor Marionette
125 bpm • G# min • 02:23 • -6.8db
41% Popularity • 60% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 60% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Andrea Russett
Get Out Alive
115 bpm • F# min • 02:35 • -6.09db
44% Popularity • 85% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 85% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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KINGS
boy
115 bpm • G# Maj • 02:56 • -9.2db
34% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Caroline Kole
Tokyo
115 bpm • C min • 02:50 • -4.39db
35% Popularity • 74% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 74% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Bolshiee
hope it kills you
115 bpm • A min • 02:37 • -11.19db
27% Popularity • 45% Danceability • 36% Energy • 26% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 45% Danceability • 36% Energy • 26% Liveness
1% Instrumentalness • 7% Positiveness
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Hannah Hill
Dog In Your Purse
115 bpm • C Maj • 03:28 • -8.71db
28% Popularity • 32% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 32% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Bohnes
Take It out on Me
115 bpm • D# min • 03:38 • -10db
42% Popularity • 47% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 47% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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emlyn
outro (the roof)
126 bpm • G Maj • 02:25 • -6.84db
21% Popularity • 43% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 43% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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GAYLE
god has a sense of humor (dreamy)
126 bpm • D Maj • 02:58 • -9.65db
10% Popularity • 41% Danceability • 43% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 41% Danceability • 43% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
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Henri Werner
Witchcraft
126 bpm • B min • 02:13 • -6.46db
26% Popularity • 67% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 67% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Lilyisthatyou
LSD
115 bpm • B Maj • 02:14 • -5.07db
34% Popularity • 51% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 51% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Sarah Cothran
Me, Myself & I
126 bpm • E min • 02:45 • -6.71db
31% Popularity • 67% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 67% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Jade LeMac
Got Me Obsessed
126 bpm • B min • 03:07 • -5.42db
39% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Ashley Sienna
Damn Those Eyes
126 bpm • D Maj • 03:00 • -6.31db
43% Popularity • 73% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 73% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 29% Positiveness
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Xana
so it's ur birthday
126 bpm • G Maj • 03:42 • -6.93db
34% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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memyself&vi
Getting Even
114 bpm • F# min • 02:40 • -8.55db
20% Popularity • 67% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 67% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Stevie Howie
stalker
114 bpm • D Maj • 02:58 • -10.64db
50% Popularity • 64% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 64% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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J. Maya
Two Roads
126 bpm • D Maj • 02:43 • -9db
48% Popularity • 47% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 47% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Jade LeMac
Narcissistic
126 bpm • C# Maj • 02:50 • -4.11db
39% Popularity • 70% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 70% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Andi
Think You Do
114 bpm • A# Maj • 03:09 • -7.33db
27% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Xana
the blue room interlude
114 bpm • B min • 01:54 • -7.78db
39% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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NERIAH
Expiration Date
127 bpm • G# Maj • 03:18 • -6db
27% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 74% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Lenii
Killin' It
114 bpm • A min • 02:35 • -7.36db
31% Popularity • 49% Danceability • 61% Energy • 61% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 49% Danceability • 61% Energy • 61% Liveness
0% Instrumentalness • 49% Positiveness
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FLAVIA
SEPULVEDA
113 bpm • A# min • 03:18 • -5.9db
32% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Jade LeMac
Meet You In Hell - Chill Version
127 bpm • C min • 02:53 • -4db
26% Popularity • 61% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 61% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Yacht Money
Rainmaker
127 bpm • F# Maj • 03:18 • -6db
28% Popularity • 73% Danceability • 78% Energy • 9% Liveness
4% Instrumentalness • 43% Positiveness
28% Popularity • 73% Danceability • 78% Energy • 9% Liveness
4% Instrumentalness • 43% Positiveness
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Marisa Maino
mistake
128 bpm • A Maj • 03:29 • -5db
19% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jude York
I Kissed a Boy
128 bpm • F# Maj • 03:02 • -5.46db
36% Popularity • 63% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 63% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Rachel Lorin
Future History
112 bpm • C# min • 03:38 • -7.19db
14% Popularity • 38% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 38% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
