Songs like Ain't Misbehavin' - Instrumental by Hank Jones
Based on a tempo of (+/- 10%) and a similar genre
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Eddie "Lockjaw" Davis
We'll Be Together Again
64 bpm • C Maj • 05:40 • -23db
6% Popularity • 44% Danceability • 6% Energy • 9% Liveness
71% Instrumentalness • 18% Positiveness
6% Popularity • 44% Danceability • 6% Energy • 9% Liveness
71% Instrumentalness • 18% Positiveness
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John Lewis
I Can't Get Started
64 bpm • C Maj • 03:36 • -16.33db
33% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
33% Popularity • 46% Danceability • 12% Energy • 31% Liveness
83% Instrumentalness • 29% Positiveness
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Barry Harris Trio
Bag's Groove
64 bpm • A# Maj • 04:45 • -10db
17% Popularity • 52% Danceability • 44% Energy • 21% Liveness
3% Instrumentalness • 32% Positiveness
17% Popularity • 52% Danceability • 44% Energy • 21% Liveness
3% Instrumentalness • 32% Positiveness
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Hank Jones Trio
How High The Moon
64 bpm • C min • 06:03 • -21.51db
34% Popularity • 52% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
34% Popularity • 52% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Jimmy Giuffre
Lazy Tones
64 bpm • G# Maj • 04:13 • -28.43db
27% Popularity • 47% Danceability • 1% Energy • 11% Liveness
70% Instrumentalness • 34% Positiveness
27% Popularity • 47% Danceability • 1% Energy • 11% Liveness
70% Instrumentalness • 34% Positiveness
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Billy Taylor
Willow Weep for Me
64 bpm • A# min • 03:31 • -15.48db
22% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
22% Popularity • 60% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Kenny Dorham
My Ideal
65 bpm • E min • 05:05 • -25db
43% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
43% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Wes Montgomery Trio
Satin Doll - Take 7
65 bpm • C Maj • 03:56 • -23db
40% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
40% Popularity • 50% Danceability • 12% Energy • 16% Liveness
8% Instrumentalness • 26% Positiveness
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Gabriel Latchin Trio
Polka Dots and Moonbeams
63 bpm • D min • 05:29 • -19.93db
44% Popularity • 58% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 58% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Steve Kuhn
Lover Man
65 bpm • F Maj • 04:10 • -22db
14% Popularity • 53% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
14% Popularity • 53% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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John Coltrane Quartet
You Don't Know What Love Is
65 bpm • F min • 05:11 • -12db
40% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
40% Popularity • 50% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 14% Positiveness
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Miles Davis Quartet
You Don't Know What Love Is
65 bpm • D# Maj • 04:23 • -19.44db
24% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Kenny Dorham
Autumn In New York - Set 1 / Live From C...
63 bpm • F Maj • 04:47 • -14db
33% Popularity • 54% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
33% Popularity • 54% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Gary Peacock Trio
Spartacus
63 bpm • A min • 05:10 • -20.34db
41% Popularity • 34% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
41% Popularity • 34% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Eric Legnini Trio
In a Sentimental Mood
66 bpm • D min • 04:11 • -17.49db
40% Popularity • 60% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
40% Popularity • 60% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Lee Morgan
I Remember Clifford - Rudy Van Gelder Ed...
62 bpm • C min • 07:09 • -9db
49% Popularity • 38% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
49% Popularity • 38% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
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Hank Jones
Monk's Mood
66 bpm • F min • 06:15 • -14.97db
5% Popularity • 39% Danceability • 29% Energy • 20% Liveness
90% Instrumentalness • 11% Positiveness
5% Popularity • 39% Danceability • 29% Energy • 20% Liveness
90% Instrumentalness • 11% Positiveness
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Hank Mobley
I See Your Face Before Me - Remastered
62 bpm • C min • 05:29 • -11.49db
34% Popularity • 41% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
34% Popularity • 41% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Red Garland
Please Send Me Someone To Love
67 bpm • C min • 09:48 • -16db
46% Popularity • 46% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
46% Popularity • 46% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Steve Kuhn
But Beautiful (Road To Rio)
66 bpm • G Maj • 04:25 • -24.15db
20% Popularity • 42% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 12% Positiveness
20% Popularity • 42% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 12% Positiveness
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Sonny Criss
We'll Be Together Again
67 bpm • C Maj • 02:59 • -14.1db
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
35% Popularity • 43% Danceability • 22% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
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McCoy Tyner Trio
Good Morning, Heartache
61 bpm • G min • 05:26 • -13.24db
11% Popularity • 39% Danceability • 30% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
11% Popularity • 39% Danceability • 30% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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Kenny Dorham
Alone Together - Rudy Van Gelder Remaste...
61 bpm • F min • 03:10 • -20.49db
53% Popularity • 34% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 20% Positiveness
53% Popularity • 34% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 20% Positiveness
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Earl Hines
Fantastic, That's You
68 bpm • C Maj • 04:10 • -19db
43% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
43% Popularity • 47% Danceability • 14% Energy • 11% Liveness
21% Instrumentalness • 18% Positiveness
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Johnny Hodges
Time On My Hands
68 bpm • G# Maj • 02:13 • -19.16db
41% Popularity • 49% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 60% Positiveness
41% Popularity • 49% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 60% Positiveness
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John Lewis
The Bad and the Beautiful
68 bpm • G# Maj • 04:17 • -18db
16% Popularity • 60% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
16% Popularity • 60% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
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Kenny Drew Trio
I Didn't Know What Time It Was
68 bpm • A min • 04:03 • -17.61db
17% Popularity • 48% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
17% Popularity • 48% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
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Hank Jones
Danny Boy
69 bpm • G# Maj • 07:38 • -32.56db
8% Popularity • 28% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
8% Popularity • 28% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Freddie Redd Trio
Beautiful Adela
60 bpm • G Maj • 03:17 • -14.35db
33% Popularity • 70% Danceability • 17% Energy • 26% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 70% Danceability • 17% Energy • 26% Liveness
91% Instrumentalness • 17% Positiveness
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Eric Legnini Trio
Smoke Gets in Your Eyes
69 bpm • A# Maj • 02:46 • -17db
43% Popularity • 47% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
43% Popularity • 47% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Bobby Timmons
Autumn in New York - Bonus Track
69 bpm • F Maj • 02:11 • -16.72db
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 43% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Hampton Hawes Trio
Easy Living
69 bpm • F min • 04:49 • -23db
30% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
30% Popularity • 52% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Jaki Byard
Manhattan
69 bpm • F Maj • 01:57 • -37.55db
26% Popularity • 48% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
26% Popularity • 48% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Hank Jones
Lonely Moments
69 bpm • C min • 04:08 • -17.92db
0% Popularity • 54% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 54% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ray Bryant Trio
Cry Me a River
58 bpm • G min • 03:51 • -15.04db
16% Popularity • 56% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
16% Popularity • 56% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Tommy Flanagan
Bluesette
69 bpm • G Maj • 06:15 • -18.01db
0% Popularity • 42% Danceability • 40% Energy • 7% Liveness
86% Instrumentalness • 36% Positiveness
0% Popularity • 42% Danceability • 40% Energy • 7% Liveness
86% Instrumentalness • 36% Positiveness
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The Instrumentalist
Nocturnal Lament
58 bpm • A min • 05:49 • -24.3db
18% Popularity • 47% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
18% Popularity • 47% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Eric Reed
Everybody Gets the Blues
70 bpm • F# Maj • 03:49 • -20.13db
34% Popularity • 68% Danceability • 13% Energy • 12% Liveness
22% Instrumentalness • 33% Positiveness
34% Popularity • 68% Danceability • 13% Energy • 12% Liveness
22% Instrumentalness • 33% Positiveness
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Hank Mobley
Dam That Dream
71 bpm • A min • 06:10 • -15.73db
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
33% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
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Hank Jones
When Will I Know You?
71 bpm • C Maj • 07:03 • -13.46db
6% Popularity • 46% Danceability • 36% Energy • 15% Liveness
79% Instrumentalness • 11% Positiveness
6% Popularity • 46% Danceability • 36% Energy • 15% Liveness
79% Instrumentalness • 11% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
42% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
42% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Gabriel Latchin Trio
Ill Wind
72 bpm • A# Maj • 05:35 • -14.6db
36% Popularity • 40% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
36% Popularity • 40% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Aldo Romano
Song for Ellis
72 bpm • C# min • 04:25 • -17.16db
44% Popularity • 40% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
44% Popularity • 40% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Cyrus Chestnut
Elegant Flower
72 bpm • B min • 04:44 • -24.5db
26% Popularity • 45% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
26% Popularity • 45% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
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Kenny Barron Trio
Light Blue
73 bpm • F Maj • 04:06 • -16.37db
10% Popularity • 47% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
10% Popularity • 47% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 42% Positiveness
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Hank Jones
But Not for Me
72 bpm • D min • 02:53 • -19.76db
3% Popularity • 39% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
3% Popularity • 39% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
26% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
26% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Roberta Gambarini
You Are There
73 bpm • C Maj • 02:48 • -17.59db
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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John Lewis
Skylark
73 bpm • C# min • 03:10 • -19.22db
28% Popularity • 56% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 39% Positiveness
28% Popularity • 56% Danceability • 5% Energy • 14% Liveness
94% Instrumentalness • 39% Positiveness
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Jimmy Giuffre
Crazy She Calls Me
73 bpm • F min • 04:20 • -23.85db
34% Popularity • 50% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
34% Popularity • 50% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Tal Farlow
Autumn In New York
75 bpm • G min • 05:03 • -21.79db
30% Popularity • 59% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
30% Popularity • 59% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Hank Jones
You Don't Know What Love Is
72 bpm • D min • 04:12 • -20.96db
2% Popularity • 41% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
2% Popularity • 41% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Art Blakey Quartet
Blues Back
74 bpm • C min • 05:19 • -12.31db
31% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Roberta Gambarini
When Lights Are Low
73 bpm • C Maj • 04:57 • -13.59db
4% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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McCoy Tyner Trio
Goodbye
55 bpm • C Maj • 05:46 • -21db
29% Popularity • 42% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
29% Popularity • 42% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Gerry Mulligan & Johnny Hodges
Shady Side
75 bpm • C Maj • 07:04 • -17.66db
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
35% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Gerry Mulligan Quartet
The Nearness Of You
75 bpm • D# Maj • 02:53 • -15.44db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
40% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
40% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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George Van Eps
The Nearness Of You - Instrumental
75 bpm • F min • 06:10 • -23.3db
29% Popularity • 57% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
29% Popularity • 57% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Woody Shaw
It Might As Well Be Spring
75 bpm • D# Maj • 10:06 • -19.94db
11% Popularity • 36% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 27% Positiveness
11% Popularity • 36% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 27% Positiveness
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Elmo Hope Trio
Happy Hour
76 bpm • A# min • 02:52 • -14.62db
37% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
37% Popularity • 57% Danceability • 27% Energy • 11% Liveness
27% Instrumentalness • 75% Positiveness
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Kenny Dorham
Mack The Knife
75 bpm • D min • 03:03 • -17db
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Brad Mehldau Trio
Nearness of You
76 bpm • G min • 06:42 • -19.04db
17% Popularity • 45% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
17% Popularity • 45% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Gerry Mulligan Quartet
Nights At The Turntable
76 bpm • G Maj • 02:55 • -10db
34% Popularity • 56% Danceability • 31% Energy • 29% Liveness
6% Instrumentalness • 55% Positiveness
34% Popularity • 56% Danceability • 31% Energy • 29% Liveness
6% Instrumentalness • 55% Positiveness
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Hank Jones
My Wish
76 bpm • D min • 03:32 • -27db
37% Popularity • 41% Danceability • 4% Energy • 13% Liveness
76% Instrumentalness • 16% Positiveness
37% Popularity • 41% Danceability • 4% Energy • 13% Liveness
76% Instrumentalness • 16% Positiveness
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Eric Legnini Trio
I Fall in Love
76 bpm • F min • 02:45 • -15.56db
46% Popularity • 46% Danceability • 25% Energy • 15% Liveness
81% Instrumentalness • 44% Positiveness
46% Popularity • 46% Danceability • 25% Energy • 15% Liveness
81% Instrumentalness • 44% Positiveness
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Steve Kuhn
Danny Boy
76 bpm • D# Maj • 02:13 • -22.05db
28% Popularity • 58% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
28% Popularity • 58% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
46% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
46% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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The Cannonball Adderley Quintet
Stars Fell On Alabama
77 bpm • A# Maj • 06:14 • -15db
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
32% Popularity • 53% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Sonny Criss
Willow Weep For Me
77 bpm • G Maj • 03:50 • -11.02db
35% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
35% Popularity • 59% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Hank Jones
Ain't We Got Fun
77 bpm • D# Maj • 02:41 • -15.95db
1% Popularity • 74% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
1% Popularity • 74% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 67% Positiveness
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Joshua Redman
Turnaround
77 bpm • F Maj • 06:24 • -16db
32% Popularity • 57% Danceability • 17% Energy • 18% Liveness
3% Instrumentalness • 37% Positiveness
32% Popularity • 57% Danceability • 17% Energy • 18% Liveness
3% Instrumentalness • 37% Positiveness
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Tommy Flanagan Trio
You Go To My Head
77 bpm • D# Maj • 04:27 • -21db
40% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
40% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Oscar Pettiford
Rhumblues
77 bpm • A# Maj • 04:27 • -17db
16% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
16% Popularity • 60% Danceability • 17% Energy • 12% Liveness
88% Instrumentalness • 72% Positiveness
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John Lewis
I Remember Clifford
78 bpm • D# Maj • 03:30 • -28.19db
39% Popularity • 47% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
39% Popularity • 47% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 30% Positiveness
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Abbey Lincoln
C'est si bon
78 bpm • E Maj • 05:44 • -19.31db
8% Popularity • 37% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 37% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Joey Alexander
For Wee Folks
78 bpm • F min • 06:28 • -20.83db
27% Popularity • 48% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
27% Popularity • 48% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Shelly Manne
Slowly
78 bpm • F min • 05:33 • -18.16db
29% Popularity • 37% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 34% Positiveness
29% Popularity • 37% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 34% Positiveness
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Duke Pearson
After The Rain
78 bpm • C# min • 04:44 • -14.12db
14% Popularity • 29% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
14% Popularity • 29% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Hank Jones
Oh, I Can't Sit Down
79 bpm • G Maj • 04:02 • -13.9db
1% Popularity • 66% Danceability • 18% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
1% Popularity • 66% Danceability • 18% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
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John Lewis
Two Lyric Pieces
78 bpm • F Maj • 06:13 • -20.35db
10% Popularity • 52% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 52% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Don Byas
Candy
79 bpm • A# Maj • 03:18 • -15.39db
27% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
27% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Jackie McLean
Greasy
79 bpm • D# Maj • 07:25 • -14.2db
34% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Bob Berg
All The Way
79 bpm • C min • 05:35 • -15.61db
43% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
43% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Duke Pearson
Farewell Machelle
78 bpm • C min • 02:48 • -26.67db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Eddie "Lockjaw" Davis
Body and Soul
79 bpm • C# Maj • 04:12 • -20db
9% Popularity • 44% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
9% Popularity • 44% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
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Branford Marsalis Quartet
Conversation Among the Ruins
79 bpm • G min • 08:46 • -11.66db
21% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
21% Popularity • 42% Danceability • 33% Energy • 9% Liveness
57% Instrumentalness • 10% Positiveness
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Roberta Gambarini
Come Sunday
80 bpm • F Maj • 05:02 • -12.39db
4% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Hank Jones
What Will I Tell My Heart
80 bpm • F# Maj • 03:26 • -11.38db
1% Popularity • 76% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 76% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Red Garland
But Not For Me
80 bpm • A# min • 05:52 • -16.79db
38% Popularity • 55% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 43% Positiveness
38% Popularity • 55% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 43% Positiveness
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Barry Harris Trio
Allen's Alley
80 bpm • G# Maj • 02:56 • -14.89db
28% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
28% Popularity • 59% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 79% Positiveness
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Ray Bryant
Moon Faced Starry Eyed
80 bpm • F min • 03:30 • -15.7db
14% Popularity • 54% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 57% Positiveness
14% Popularity • 54% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 57% Positiveness
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Jeremy Pelt
Little Girl Blue
80 bpm • F Maj • 07:17 • -19db
42% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
42% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
