Songs like Ain't Misbehavin' by Joe Williams
Based on a tempo of (+/- 10%) and a similar genre
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Anita O'Day
Angel Eyes
95 bpm • D# Maj • 03:39 • -21.54db
40% Popularity • 37% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 37% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Joe Williams
When You're Smiling
95 bpm • D# Maj • 02:27 • -20.49db
2% Popularity • 63% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
2% Popularity • 63% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Gene Krupa
How High The Moon
95 bpm • C Maj • 03:16 • -16.14db
28% Popularity • 50% Danceability • 27% Energy • 25% Liveness
7% Instrumentalness • 73% Positiveness
28% Popularity • 50% Danceability • 27% Energy • 25% Liveness
7% Instrumentalness • 73% Positiveness
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Morgana King
Everything I Love
96 bpm • A# Maj • 03:19 • -17.16db
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Dakota Staton
I Hear Music
96 bpm • F min • 02:33 • -6.8db
34% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 73% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Betty Carter
It's A Big Wide Wonderful World
94 bpm • F Maj • 01:50 • -13.19db
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 70% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Joe Williams
If Dreams Come True
96 bpm • C Maj • 03:53 • -22.81db
1% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 55% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Illinois Jacquet
God Bless My Solo
94 bpm • G# Maj • 04:07 • -9.39db
21% Popularity • 72% Danceability • 43% Energy • 15% Liveness
74% Instrumentalness • 74% Positiveness
21% Popularity • 72% Danceability • 43% Energy • 15% Liveness
74% Instrumentalness • 74% Positiveness
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The Ben Webster Quintet
Makin' Whoopee
93 bpm • G# Maj • 04:31 • -19.13db
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
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Camille Howard
Has Your Love Grown Cold? - Vocal
97 bpm • C min • 02:40 • -16db
32% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Dakota Staton
When Lights Are Low
96 bpm • C min • 01:56 • -9db
47% Popularity • 75% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
47% Popularity • 75% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Eartha Kitt
Let's Do It
97 bpm • G# Maj • 03:05 • -20db
51% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Mark Murphy
Fascinating Rhythm
97 bpm • C Maj • 02:04 • -14.36db
19% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Benny Goodman Trio
Lazy River
97 bpm • A min • 03:02 • -16.29db
33% Popularity • 64% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 50% Positiveness
33% Popularity • 64% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 50% Positiveness
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Illinois Jacquet
Bottom's Up
97 bpm • C# Maj • 05:17 • -10.83db
14% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Williams
Keep Your Hand On Your Heart
97 bpm • F# Maj • 03:37 • -14.19db
4% Popularity • 41% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
4% Popularity • 41% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lorez Alexandria
My One And Only Love
93 bpm • F min • 04:28 • -20.07db
20% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Lambert, Hendricks & Ross
Four
98 bpm • D# Maj • 04:13 • -13.54db
10% Popularity • 68% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 68% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Irene Kral
I Let A Song Go Out Of My Heart
98 bpm • G# Maj • 02:43 • -8.11db
27% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 55% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Naomi & Her Handsome Devils
I Know How to Do It
98 bpm • A min • 03:31 • -6.81db
26% Popularity • 73% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 73% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Woody Herman & His Orchestra
Four Others
99 bpm • G# Maj • 02:54 • -6.07db
19% Popularity • 57% Danceability • 55% Energy • 19% Liveness
94% Instrumentalness • 84% Positiveness
19% Popularity • 57% Danceability • 55% Energy • 19% Liveness
94% Instrumentalness • 84% Positiveness
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Joe Williams
If I Could Be With You
93 bpm • F min • 03:23 • -22.55db
1% Popularity • 64% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 64% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Catherine Russell
I Let A Song Go Out Of My Heart
91 bpm • G# Maj • 04:08 • -9.61db
35% Popularity • 65% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 65% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Earl Hines
I Ain't Got Nobody
91 bpm • G Maj • 03:12 • -18.71db
25% Popularity • 63% Danceability • 10% Energy • 27% Liveness
80% Instrumentalness • 39% Positiveness
25% Popularity • 63% Danceability • 10% Energy • 27% Liveness
80% Instrumentalness • 39% Positiveness
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Irene Kral
Memphis In June
92 bpm • G# Maj • 02:55 • -13.85db
29% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Jeri Southern
Weren't We Fools
91 bpm • C Maj • 02:49 • -12.57db
32% Popularity • 25% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 25% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 11% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
36% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
36% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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Joe Williams
It Don't Mean A Thing (If It Ain't Got T...
99 bpm • G# Maj • 03:04 • -9.7db
5% Popularity • 59% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
5% Popularity • 59% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Bessie Smith
Me and My Gin
90 bpm • F Maj • 02:53 • -13.03db
7% Popularity • 72% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 72% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Earl Hines
Up jumped the devil
91 bpm • C# Maj • 02:48 • -12.4db
27% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
27% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
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Jimmie Lunceford
Uptown Blues
90 bpm • C Maj • 02:57 • -9.38db
18% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
18% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Sonny Rollins
Manhattan
90 bpm • G# Maj • 04:30 • -16db
37% Popularity • 60% Danceability • 14% Energy • 21% Liveness
9% Instrumentalness • 38% Positiveness
37% Popularity • 60% Danceability • 14% Energy • 21% Liveness
9% Instrumentalness • 38% Positiveness
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Sue Raney
September In The Rain
100 bpm • C min • 02:34 • -15db
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Joe Williams
The Comeback
100 bpm • C min • 05:27 • -15.02db
3% Popularity • 74% Danceability • 26% Energy • 10% Liveness
16% Instrumentalness • 57% Positiveness
3% Popularity • 74% Danceability • 26% Energy • 10% Liveness
16% Instrumentalness • 57% Positiveness
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Art Farmer With The Quincy Jones Orchestra
Sometimes I'm Happy (Bonus Track)
90 bpm • G min • 05:52 • -13.17db
20% Popularity • 66% Danceability • 29% Energy • 14% Liveness
10% Instrumentalness • 74% Positiveness
20% Popularity • 66% Danceability • 29% Energy • 14% Liveness
10% Instrumentalness • 74% Positiveness
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Dorothy Dandridge
It's Easy To Remember
90 bpm • F min • 02:25 • -19.62db
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
22% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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James P. Johnson
A Porter's Love Song To A Cham
101 bpm • F min • 02:45 • -20.34db
38% Popularity • 84% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 78% Positiveness
38% Popularity • 84% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 78% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
25% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Joe Williams
Night Time is the Right Time (To Be with...
90 bpm • B Maj • 05:13 • -12.36db
5% Popularity • 45% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
5% Popularity • 45% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Bessie Smith
Please Help Me Get Him Off My Mind
89 bpm • F Maj • 03:00 • -15.13db
9% Popularity • 64% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 64% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Duke Ellington Orchestra
Don't Get Around Much Any More
89 bpm • F min • 03:23 • -13.64db
11% Popularity • 58% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 58% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Dorothy Dandridge
The Nearness Of You
88 bpm • G Maj • 03:20 • -18.34db
26% Popularity • 42% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 42% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Ella Fitzgerald
On The Sunny Side Of The Street
102 bpm • G Maj • 03:05 • -10.46db
34% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Joe Williams
You Can Depend On Me
100 bpm • C Maj • 03:37 • -22.98db
2% Popularity • 66% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 66% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Slim Gaillard
The Flat Foot Floogie
88 bpm • C Maj • 02:49 • -12db
22% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
22% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
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Members Of The Glenn Miller Orchestra
Moonlight Cocktail
88 bpm • C min • 01:47 • -21.82db
37% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
37% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
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Duke Ellington Orchestra
Let's Get Together
89 bpm • F Maj • 02:38 • -6.69db
11% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Woody Herman
LAURA
88 bpm • D# Maj • 03:16 • -14.08db
14% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
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Earl Hines
Frankie and Johnnie
88 bpm • D min • 02:31 • -10db
28% Popularity • 52% Danceability • 56% Energy • 20% Liveness
25% Instrumentalness • 81% Positiveness
28% Popularity • 52% Danceability • 56% Energy • 20% Liveness
25% Instrumentalness • 81% Positiveness
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Joe Williams
A Woman - Remastered
89 bpm • F# Maj • 02:45 • -22.18db
20% Popularity • 39% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 39% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Gene Ammons
Angel Eyes
88 bpm • C min • 08:48 • -15.13db
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Morgana King
It's Only A Paper Moon
103 bpm • D# Maj • 02:42 • -12db
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Dorothy Dandridge
That Old Feeling
88 bpm • C min • 03:08 • -16db
29% Popularity • 44% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 44% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 21% Positiveness
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Count Basie
Gee Baby, Ain't I Good to You - Remix
103 bpm • C# Maj • 02:31 • -5.99db
5% Popularity • 43% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 43% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Earl Hines
Rosetta
103 bpm • F Maj • 03:06 • -15.74db
16% Popularity • 54% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
16% Popularity • 54% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
28% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
28% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Illinois Jacquet
Star Dust
87 bpm • C# Maj • 03:44 • -12.76db
15% Popularity • 49% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 27% Positiveness
15% Popularity • 49% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 27% Positiveness
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Morgana King
Frankie And Johnny
87 bpm • D# Maj • 02:40 • -12.92db
27% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Mark Murphy
Alone Together
103 bpm • G Maj • 02:59 • -18.18db
13% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Vic Damone
Out of Nowhere
87 bpm • F Maj • 03:42 • -15.99db
25% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Earl Hines
The Girl from Ipanema
87 bpm • F Maj • 02:10 • -13db
19% Popularity • 60% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 69% Positiveness
19% Popularity • 60% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 69% Positiveness
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Helen Humes
Million Dollar Secret
104 bpm • F# Maj • 04:07 • -19.18db
16% Popularity • 65% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 65% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Vulgar Desolation
Mushy Love Song
104 bpm • B min • 03:32 • -5.05db
1% Popularity • 43% Danceability • 95% Energy • 15% Liveness
13% Instrumentalness • 10% Positiveness
1% Popularity • 43% Danceability • 95% Energy • 15% Liveness
13% Instrumentalness • 10% Positiveness
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Count Basie
Every Day I Have The Blues
104 bpm • C# Maj • 05:25 • -12.3db
10% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Illinois Jacquet
Have You Met Miss Jones?
104 bpm • F Maj • 05:56 • -16.56db
12% Popularity • 60% Danceability • 15% Energy • 11% Liveness
50% Instrumentalness • 37% Positiveness
12% Popularity • 60% Danceability • 15% Energy • 11% Liveness
50% Instrumentalness • 37% Positiveness
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James P. Johnson
Honeysuckle Rose
105 bpm • F Maj • 02:40 • -17.09db
34% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
34% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
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Buddy Greco
Gee, Baby, Ain't I Good To You
105 bpm • D# Maj • 03:20 • -13.52db
26% Popularity • 62% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
26% Popularity • 62% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Charlie Barnet
E Bob o Lee Bob
105 bpm • G Maj • 02:29 • -13.81db
18% Popularity • 68% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 68% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Lambert, Hendricks & Ross
Centerpiece
105 bpm • C# Maj • 02:27 • -8db
27% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Morgana King
Down In The Depths
105 bpm • G Maj • 03:10 • -15db
26% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Lorez Alexandria
But Beautiful
105 bpm • C Maj • 04:15 • -17db
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
26% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Illinois Jacquet
Can't We Be Friends?
105 bpm • F min • 06:42 • -16.76db
10% Popularity • 64% Danceability • 12% Energy • 16% Liveness
4% Instrumentalness • 38% Positiveness
10% Popularity • 64% Danceability • 12% Energy • 16% Liveness
4% Instrumentalness • 38% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Vic Damone
I'm Glad There Is You
85 bpm • C min • 02:41 • -17.08db
31% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Lou Donaldson
Over The Rainbow
106 bpm • D# Maj • 07:11 • -20db
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
47% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
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Margaret Whiting
My Foolish Heart
85 bpm • E Maj • 03:07 • -15db
32% Popularity • 32% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 32% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Catherine Russell
You Can't Pull The Wool Over My Eyes
106 bpm • F min • 02:38 • -8.27db
24% Popularity • 71% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 71% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmie Lunceford
Harlem Shout
106 bpm • D Maj • 03:03 • -10.74db
18% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
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Johnny Hodges & His Orchestra
Satin Doll
85 bpm • D Maj • 05:01 • -19db
35% Popularity • 60% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
35% Popularity • 60% Danceability • 6% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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James P. Johnson
If I Could Be With You
106 bpm • C# Maj • 02:46 • -19db
43% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
43% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
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Lambert, Hendricks & Ross
Everybody's Boppin'
85 bpm • G# Maj • 04:11 • -6db
8% Popularity • 50% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 50% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Naomi & Her Handsome Devils
What Can I Say Dear After I Say I'm Sorr...
107 bpm • C Maj • 04:18 • -11.88db
13% Popularity • 68% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 68% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Lorez Alexandria
Show Me
84 bpm • F# Maj • 04:01 • -15db
23% Popularity • 32% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 32% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Mose Allison
Do Nothin' Till You Hear From Me
84 bpm • G# Maj • 03:10 • -16db
33% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 66% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Williams
Fooling Myself
84 bpm • D min • 03:40 • -22.06db
1% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Johnny Hodges & His Orchestra
Ruint
108 bpm • F# Maj • 02:34 • -15.94db
26% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Irene Kral
It Isn't So Good
108 bpm • G# Maj • 02:30 • -6.92db
21% Popularity • 64% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 64% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Gonsalves
Rapscallion In Rab's Canyon
108 bpm • C# Maj • 03:46 • -10.42db
13% Popularity • 72% Danceability • 30% Energy • 27% Liveness
95% Instrumentalness • 49% Positiveness
13% Popularity • 72% Danceability • 30% Energy • 27% Liveness
95% Instrumentalness • 49% Positiveness
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The Big 18
Tuxedo Junction
108 bpm • D# Maj • 04:30 • -19.02db
13% Popularity • 70% Danceability • 27% Energy • 24% Liveness
6% Instrumentalness • 69% Positiveness
13% Popularity • 70% Danceability • 27% Energy • 24% Liveness
6% Instrumentalness • 69% Positiveness
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Caity Gyorgy
The Feeling is Mutual
108 bpm • C min • 04:14 • -8.88db
23% Popularity • 65% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 65% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Joe Williams
Darn That Dream - 2004 Remaster
83 bpm • E Maj • 02:34 • -13.89db
0% Popularity • 31% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 31% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Earl Hines
Blues In Thirds
83 bpm • F Maj • 02:57 • -20.43db
19% Popularity • 64% Danceability • 8% Energy • 11% Liveness
24% Instrumentalness • 61% Positiveness
19% Popularity • 64% Danceability • 8% Energy • 11% Liveness
24% Instrumentalness • 61% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
