Songs like Ain't No Stoppin' Us Now by Luther Vandross
Based on a tempo of (+/- 10%) and a similar genre
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Oleta Adams
Easier To Say Goodbye
112 bpm • G Maj • 06:31 • -8.13db
12% Popularity • 71% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 71% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Odyssey
Inside Out
112 bpm • G Maj • 05:14 • -10db
33% Popularity • 74% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 74% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Phil Fearon & Galaxy
This Kind of Love
112 bpm • C# Maj • 04:19 • -10.26db
24% Popularity • 67% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 67% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Spice Girls
Ain't No Stopping Us Now
112 bpm • A# min • 04:56 • -5.83db
28% Popularity • 69% Danceability • 96% Energy • 89% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 69% Danceability • 96% Energy • 89% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Parker Jr.
I Don't Think That Man Should Sleep Alon...
112 bpm • A# min • 04:14 • -13.83db
25% Popularity • 89% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 89% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Lou Rawls
Now Is The Time For Love
112 bpm • D min • 03:40 • -8.22db
11% Popularity • 74% Danceability • 70% Energy • 9% Liveness
20% Instrumentalness • 60% Positiveness
11% Popularity • 74% Danceability • 70% Energy • 9% Liveness
20% Instrumentalness • 60% Positiveness
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Luther Vandross
Ain't No Stoppin' Us Now
112 bpm • A# min • 04:52 • -8.21db
38% Popularity • 71% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 71% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Odyssey
Inside Out - 12" Version
112 bpm • G Maj • 06:19 • -9.7db
29% Popularity • 72% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 72% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Karyn White
Secret Rendezvous
112 bpm • A# min • 05:37 • -13db
37% Popularity • 73% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 73% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Beverlei Brown
Gonna Get Over You
112 bpm • C min • 04:55 • -6db
36% Popularity • 79% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 79% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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The Real Thing
Whenever You Want My Love
113 bpm • C Maj • 03:28 • -7.42db
29% Popularity • 72% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 72% Danceability • 65% Energy • 42% Liveness
0% Instrumentalness • 90% Positiveness
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Herb Alpert
Diamonds
111 bpm • E Maj • 04:53 • -11db
38% Popularity • 88% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 88% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Luther Vandross
She Loves Me Back
113 bpm • G Maj • 06:08 • -6.77db
29% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Odyssey
Inside Out - Single Mix
113 bpm • G Maj • 03:53 • -10db
35% Popularity • 59% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 59% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Brown
Two Can Play That Game
111 bpm • A# min • 04:59 • -6.94db
31% Popularity • 74% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 74% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Maze
Too Many Games - 2004 Remastered Versio...
111 bpm • G# Maj • 03:59 • -6.63db
18% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Natalie Cole
Mr. Melody
111 bpm • G Maj • 03:06 • -10db
29% Popularity • 47% Danceability • 79% Energy • 47% Liveness
1% Instrumentalness • 45% Positiveness
29% Popularity • 47% Danceability • 79% Energy • 47% Liveness
1% Instrumentalness • 45% Positiveness
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The Real Thing
Whenever You Want My Love
113 bpm • C Maj • 03:31 • -4.33db
11% Popularity • 68% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 68% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Roberta Flack
Oasis
111 bpm • G# Maj • 06:09 • -13.68db
21% Popularity • 64% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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The Temptations
Running
111 bpm • B Maj • 03:29 • -12.67db
10% Popularity • 78% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
10% Popularity • 78% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
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Sharon Redd
Love Is Gonna Get Ya
113 bpm • A min • 04:58 • -12db
28% Popularity • 66% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 66% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Tom Browne
Funkin' for Jamaica - 12" Remix
111 bpm • C# Maj • 05:52 • -9.59db
22% Popularity • 76% Danceability • 80% Energy • 34% Liveness
20% Instrumentalness • 87% Positiveness
22% Popularity • 76% Danceability • 80% Energy • 34% Liveness
20% Instrumentalness • 87% Positiveness
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Elton John
Anyone Who Had A Heart
113 bpm • D# Maj • 04:50 • -8.77db
21% Popularity • 66% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 66% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Oleta Adams
Circle Of One
113 bpm • A# Maj • 03:52 • -11db
30% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Roberta Flack
Back Together Again
111 bpm • C# min • 09:48 • -11.85db
24% Popularity • 75% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
24% Popularity • 75% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
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Vesta Williams
Once Bitten Twice Shy
111 bpm • C min • 05:59 • -13.78db
25% Popularity • 69% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 69% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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The Manhattans
Crazy
111 bpm • G# min • 04:55 • -12db
33% Popularity • 85% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 85% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Tom Browne
Funkin' for Jamaica
111 bpm • F min • 03:18 • -6.45db
27% Popularity • 80% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 80% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Taja Sevelle
Love Is Contagious
111 bpm • C Maj • 04:37 • -9db
34% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Heatwave
Gangsters of the Groove - Single Version
113 bpm • E Maj • 04:02 • -7db
26% Popularity • 81% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
26% Popularity • 81% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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The Temptations
Treat Her Like A Lady
113 bpm • C Maj • 04:41 • -12.06db
44% Popularity • 77% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 77% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Kenny G
Hi, How Ya Doin'?
113 bpm • C Maj • 05:36 • -7db
21% Popularity • 83% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 83% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Karyn White
The Way I Feel About You
111 bpm • C# Maj • 04:35 • -7.06db
31% Popularity • 67% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 67% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Ashford & Simpson
Street Corner
111 bpm • C Maj • 04:38 • -13.99db
34% Popularity • 75% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 75% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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The Gap Band
Big Fun
113 bpm • A min • 06:48 • -7.63db
36% Popularity • 64% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 64% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Griffin
Serious
113 bpm • B min • 05:00 • -9.84db
21% Popularity • 84% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 97% Positiveness
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The Temptations
Treat Her Like A Lady - Single Version
113 bpm • C Maj • 04:18 • -8.12db
51% Popularity • 79% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 79% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Phil Fearon
What Do I Do
114 bpm • F min • 03:29 • -10db
44% Popularity • 77% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 77% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 91% Positiveness
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Luther Vandross
Sugar and Spice (I Found Me a Girl)
111 bpm • F Maj • 04:57 • -10.8db
46% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Thelma Houston
Saturday Night, Sunday Morning
111 bpm • A# Maj • 03:55 • -7db
37% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Patti Austin
The Heat Of Heat
114 bpm • D Maj • 04:49 • -12.5db
20% Popularity • 76% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 76% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Teena Marie
365
114 bpm • G Maj • 04:20 • -8db
20% Popularity • 70% Danceability • 93% Energy • 58% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 70% Danceability • 93% Energy • 58% Liveness
0% Instrumentalness • 69% Positiveness
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Cameo
Candy - 7" Version
110 bpm • G Maj • 04:23 • -5.42db
34% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Karyn White
Romantic
110 bpm • C# min • 04:07 • -8db
35% Popularity • 68% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 68% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Luther Vandross
It's over Now
114 bpm • C# Maj • 06:10 • -10.16db
27% Popularity • 82% Danceability • 55% Energy • 5% Liveness
3% Instrumentalness • 94% Positiveness
27% Popularity • 82% Danceability • 55% Energy • 5% Liveness
3% Instrumentalness • 94% Positiveness
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Dionne Warwick
How Many Times Can We Say Goodbye
114 bpm • G# Maj • 03:28 • -11.61db
26% Popularity • 35% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 35% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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The Emotions
Flowers
110 bpm • C# Maj • 04:28 • -10.88db
44% Popularity • 73% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 73% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Teena Marie
Square Biz
114 bpm • D Maj • 06:25 • -10.97db
40% Popularity • 77% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 77% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 78% Positiveness
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Patrice Rushen
Forget Me Nots - Remastered
114 bpm • F# min • 04:44 • -6.96db
69% Popularity • 92% Danceability • 46% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
69% Popularity • 92% Danceability • 46% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
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Steve Arrington
Feel so Real
114 bpm • C Maj • 05:06 • -11db
38% Popularity • 66% Danceability • 75% Energy • 60% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 66% Danceability • 75% Energy • 60% Liveness
0% Instrumentalness • 60% Positiveness
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Phyllis Hyman
Tonight You and Me - Disco Version
114 bpm • F# Maj • 05:22 • -9.37db
12% Popularity • 73% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 73% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 74% Positiveness
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Phil Fearon
I Can Prove It
110 bpm • G min • 03:59 • -10.25db
34% Popularity • 70% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 70% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Patti Austin
(Ooh-Wee) He's Killing Me
110 bpm • D min • 03:27 • -14.11db
25% Popularity • 77% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 77% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Teena Marie
Square Biz
114 bpm • D Maj • 06:40 • -8.09db
38% Popularity • 79% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 79% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Odyssey
Native New Yorker - Rerecorded
110 bpm • C Maj • 03:43 • -14.52db
27% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Evelyn "Champagne" King
I'm In Love - 7" Version
114 bpm • F min • 03:51 • -6.03db
30% Popularity • 86% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
30% Popularity • 86% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
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Beverlei Brown
Somebody Knows How You Feel
110 bpm • C Maj • 04:05 • -3.41db
29% Popularity • 84% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 84% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Leela James
Rise N Shine
110 bpm • E min • 03:41 • -6.3db
34% Popularity • 86% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 86% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Patrice Rushen
Forget Me Nots - Single Version
114 bpm • F# min • 04:04 • -7.74db
51% Popularity • 89% Danceability • 49% Energy • 8% Liveness
12% Instrumentalness • 93% Positiveness
51% Popularity • 89% Danceability • 49% Energy • 8% Liveness
12% Instrumentalness • 93% Positiveness
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The Manhattan Transfer
Spice Of Life - Remastered
110 bpm • F Maj • 03:42 • -10db
37% Popularity • 76% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 76% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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McFadden & Whitehead
Ain't No Stoppin' Us Now
114 bpm • C# Maj • 07:00 • -7.83db
54% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
54% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Luther Vandross
Never Too Much
110 bpm • D Maj • 03:50 • -11.87db
72% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
72% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Teena Marie
I Need Your Lovin'
110 bpm • C Maj • 07:32 • -6.14db
45% Popularity • 67% Danceability • 90% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
45% Popularity • 67% Danceability • 90% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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Carl Carlton
She's A Bad Mama Jama (She's Built, She'...
114 bpm • A min • 03:55 • -6.27db
60% Popularity • 90% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 90% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Evelyn "Champagne" King
I Don't Know If It's Right - 7" Version
114 bpm • E min • 03:45 • -9.1db
18% Popularity • 69% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 69% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Billy Paul
Bring the Family Back
110 bpm • C# Maj • 05:01 • -10.43db
27% Popularity • 75% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 75% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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McFadden & Whitehead
Ain't No Stoppin' Us Now - 12" Version
114 bpm • C# Maj • 10:33 • -8.27db
18% Popularity • 53% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 53% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Kirk Whalum
All I Do
110 bpm • B Maj • 05:02 • -9.56db
42% Popularity • 83% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
42% Popularity • 83% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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Gladys Knight & The Pips
Hero (Wind Beneath My Wings)
114 bpm • G Maj • 03:43 • -13.63db
26% Popularity • 48% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 48% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Luther Vandross
You're the Sweetest One
115 bpm • C Maj • 04:45 • -7db
39% Popularity • 77% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 77% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Spinners
Ghetto Child
109 bpm • D min • 03:50 • -11.65db
36% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Patti Austin
Only A Breath Away
109 bpm • B min • 05:13 • -10.65db
18% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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L.T.D.
(Every Time I Turn Around) Back In Love ...
109 bpm • G# Maj • 04:40 • -11.86db
42% Popularity • 82% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 91% Positiveness
42% Popularity • 82% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 91% Positiveness
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Elbow Bones And The Racketeers
A Night in New York
109 bpm • C Maj • 05:38 • -5db
29% Popularity • 78% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 78% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Odyssey
Native New Yorker
109 bpm • C# Maj • 03:26 • -6.87db
36% Popularity • 51% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 51% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
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Gladys Knight & The Pips
Taste of Bitter Love
109 bpm • G min • 04:38 • -6db
39% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
39% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Luther Vandross
I Really Didn't Mean It
115 bpm • F# Maj • 05:43 • -13.41db
30% Popularity • 74% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 98% Positiveness
30% Popularity • 74% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 98% Positiveness
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Booker Newberry III
Love Town
115 bpm • B Maj • 05:12 • -9db
45% Popularity • 67% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 67% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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L.T.D.
(Everytime I Turn Around) Back In Love A...
109 bpm • C# Maj • 03:35 • -11.9db
28% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Mathis
Love Never Felt So Good
115 bpm • E min • 04:19 • -8.36db
46% Popularity • 82% Danceability • 72% Energy • 34% Liveness
3% Instrumentalness • 83% Positiveness
46% Popularity • 82% Danceability • 72% Energy • 34% Liveness
3% Instrumentalness • 83% Positiveness
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Kindred The Family Soul
Never Loved You More
115 bpm • A Maj • 03:40 • -7db
27% Popularity • 76% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 76% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Gladys Knight & The Pips
Save the Overtime (For Me)
109 bpm • A Maj • 04:41 • -11db
31% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Patti Austin
Shoot The Moon - Remastered
109 bpm • G Maj • 03:39 • -5.23db
12% Popularity • 77% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 77% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Mather
Caught Up In A Whirlwind - Nigel Lowis A...
109 bpm • B Maj • 07:05 • -12.84db
10% Popularity • 72% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
10% Popularity • 72% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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Rene & Angela
When It Comes To Love
115 bpm • C# Maj • 03:37 • -12.58db
20% Popularity • 78% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Candi Staton
Young Hearts Run Free
115 bpm • G min • 04:08 • -9.3db
70% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
70% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Ashford & Simpson
Count Your Blessings
109 bpm • A Maj • 04:46 • -13.07db
14% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Teena Marie
Behind The Groove
115 bpm • A# Maj • 04:00 • -13db
33% Popularity • 76% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 76% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Emotions
Best of My Love
115 bpm • C Maj • 03:40 • -6.87db
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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Phyllis Hyman
Under Your Spell
115 bpm • B min • 04:37 • -12db
28% Popularity • 80% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 80% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Dennis Edwards
I Thought I Could Handle It
116 bpm • A min • 04:04 • -8.56db
15% Popularity • 83% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 83% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Gladys Knight & The Pips
Taste of Bitter Love - Single Version
109 bpm • G min • 03:42 • -6.58db
13% Popularity • 76% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 76% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Average White Band
Whatcha Gonna Do Fa Me
109 bpm • A min • 05:05 • -10db
30% Popularity • 79% Danceability • 60% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 79% Danceability • 60% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Teena Marie
Behind The Groove
115 bpm • A# Maj • 06:05 • -8db
36% Popularity • 72% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 72% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Ashford & Simpson
It Seems To Hang On - Single Version
116 bpm • B min • 03:39 • -11db
35% Popularity • 66% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 66% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Gill
The Floor
116 bpm • C# Maj • 05:12 • -4.65db
31% Popularity • 80% Danceability • 84% Energy • 16% Liveness
9% Instrumentalness • 39% Positiveness
31% Popularity • 80% Danceability • 84% Energy • 16% Liveness
9% Instrumentalness • 39% Positiveness
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KC & The Sunshine Band
I Betcha Know That
108 bpm • F# Maj • 04:08 • -7.4db
28% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Gladys Knight & The Pips
Love Overboard
108 bpm • D# min • 05:26 • -12db
38% Popularity • 81% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 81% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
