Songs like Ain't No Sunshine by Jamie Harrison Guitar
Based on a tempo of (+/- 10%) and a similar genre
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Quinn Sullivan
Buffalo Nickel
136 bpm • G Maj • 08:18 • -6.25db
24% Popularity • 52% Danceability • 66% Energy • 22% Liveness
88% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 66% Energy • 22% Liveness
88% Instrumentalness • 28% Positiveness
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John Byrne
The Judge
136 bpm • B min • 02:51 • -12.71db
11% Popularity • 65% Danceability • 37% Energy • 12% Liveness
84% Instrumentalness • 23% Positiveness
11% Popularity • 65% Danceability • 37% Energy • 12% Liveness
84% Instrumentalness • 23% Positiveness
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Jamie Harrison Guitar
Ain't No Sunshine
136 bpm • C Maj • 04:14 • -9.94db
26% Popularity • 87% Danceability • 39% Energy • 32% Liveness
92% Instrumentalness • 47% Positiveness
26% Popularity • 87% Danceability • 39% Energy • 32% Liveness
92% Instrumentalness • 47% Positiveness
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Tomo Fujita
People Get Ready
136 bpm • D Maj • 03:23 • -10.06db
19% Popularity • 59% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
19% Popularity • 59% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Bangulo
We Will See
136 bpm • G Maj • 05:49 • -6.78db
12% Popularity • 52% Danceability • 65% Energy • 30% Liveness
80% Instrumentalness • 31% Positiveness
12% Popularity • 52% Danceability • 65% Energy • 30% Liveness
80% Instrumentalness • 31% Positiveness
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Bo Ramsey
Blue Earth
136 bpm • D Maj • 03:23 • -16.94db
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
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Guthrie Trapp
Pick Peace
137 bpm • E Maj • 04:21 • -12.81db
16% Popularity • 40% Danceability • 40% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
16% Popularity • 40% Danceability • 40% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
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Eric Blues
Laughing No More
135 bpm • G min • 04:27 • -13.4db
36% Popularity • 59% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
36% Popularity • 59% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Michael Burks
Empty Promises
138 bpm • D min • 06:15 • -3.11db
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Gareth Pearson
Mr. Spontaneous
138 bpm • C min • 02:45 • -12db
20% Popularity • 50% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 96% Positiveness
20% Popularity • 50% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 96% Positiveness
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Joe Satriani
Teardrops
138 bpm • A# min • 04:08 • -9.14db
30% Popularity • 59% Danceability • 36% Energy • 10% Liveness
62% Instrumentalness • 30% Positiveness
30% Popularity • 59% Danceability • 36% Energy • 10% Liveness
62% Instrumentalness • 30% Positiveness
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Eric Johnson
Serinidad
138 bpm • E Maj • 02:21 • -22.37db
24% Popularity • 48% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
24% Popularity • 48% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Vinai Trinateepakdee
That's What I Like
134 bpm • C# Maj • 03:26 • -5.07db
35% Popularity • 66% Danceability • 79% Energy • 43% Liveness
65% Instrumentalness • 69% Positiveness
35% Popularity • 66% Danceability • 79% Energy • 43% Liveness
65% Instrumentalness • 69% Positiveness
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Jamie Harrison Guitar
Slow Dancing in a Burning Room
134 bpm • C# min • 04:51 • -7.84db
30% Popularity • 73% Danceability • 23% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
30% Popularity • 73% Danceability • 23% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Sean Mann
Covered in Rain
138 bpm • A# Maj • 09:40 • -8.75db
20% Popularity • 57% Danceability • 54% Energy • 10% Liveness
60% Instrumentalness • 57% Positiveness
20% Popularity • 57% Danceability • 54% Energy • 10% Liveness
60% Instrumentalness • 57% Positiveness
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Alexis Da Rosa
EfÃmero
138 bpm • D min • 01:45 • -13.17db
40% Popularity • 66% Danceability • 41% Energy • 11% Liveness
48% Instrumentalness • 26% Positiveness
40% Popularity • 66% Danceability • 41% Energy • 11% Liveness
48% Instrumentalness • 26% Positiveness
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Snowy White
Terpisah
134 bpm • E min • 02:20 • -20.8db
17% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Guitar Backing Tracks
A - Slow Blues Backing Track | 46 BPM
138 bpm • A Maj • 10:20 • -11.19db
20% Popularity • 77% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
20% Popularity • 77% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Toby Lee
The Search For Happiness
134 bpm • B min • 06:01 • -6.63db
18% Popularity • 66% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 66% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Blackstone
Minor Rock Blues in Am - Backing Track
138 bpm • E min • 02:34 • -6.19db
13% Popularity • 57% Danceability • 88% Energy • 12% Liveness
94% Instrumentalness • 70% Positiveness
13% Popularity • 57% Danceability • 88% Energy • 12% Liveness
94% Instrumentalness • 70% Positiveness
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Dom Martin
Here Comes The River
138 bpm • B Maj • 03:47 • -11.56db
11% Popularity • 51% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
11% Popularity • 51% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Luca Mantovanelli
Misty (Guitar arrangement)
133 bpm • C min • 02:06 • -24.66db
31% Popularity • 44% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
31% Popularity • 44% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Artur Menezes
Devil's Own
139 bpm • A Maj • 06:53 • -5.8db
12% Popularity • 48% Danceability • 64% Energy • 32% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 48% Danceability • 64% Energy • 32% Liveness
1% Instrumentalness • 12% Positiveness
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Jason Becker
Blue
139 bpm • E Maj • 04:46 • -12.6db
33% Popularity • 54% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
33% Popularity • 54% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Mick Clarke
Gypsy Blues
133 bpm • A min • 04:51 • -8db
37% Popularity • 37% Danceability • 39% Energy • 21% Liveness
90% Instrumentalness • 34% Positiveness
37% Popularity • 37% Danceability • 39% Energy • 21% Liveness
90% Instrumentalness • 34% Positiveness
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Carl Verheyen
Dodging The Blues
140 bpm • F# min • 04:22 • -6.39db
33% Popularity • 67% Danceability • 55% Energy • 12% Liveness
50% Instrumentalness • 42% Positiveness
33% Popularity • 67% Danceability • 55% Energy • 12% Liveness
50% Instrumentalness • 42% Positiveness
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Val Monroe
Hideaway
139 bpm • G# Maj • 02:34 • -19.91db
25% Popularity • 66% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
25% Popularity • 66% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Marco Tansini
Black
140 bpm • E min • 06:24 • -6.44db
29% Popularity • 52% Danceability • 50% Energy • 17% Liveness
37% Instrumentalness • 20% Positiveness
29% Popularity • 52% Danceability • 50% Energy • 17% Liveness
37% Instrumentalness • 20% Positiveness
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Real Deal Backingtracks
Smooth Jazz Ballad-C-70bpm
140 bpm • C Maj • 02:26 • -21.88db
19% Popularity • 79% Danceability • 8% Energy • 6% Liveness
88% Instrumentalness • 53% Positiveness
19% Popularity • 79% Danceability • 8% Energy • 6% Liveness
88% Instrumentalness • 53% Positiveness
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Nick Neblo Backing Tracks
Blues Guitar Backing Track in A Minor Ja...
140 bpm • A Maj • 09:54 • -10.17db
18% Popularity • 68% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
18% Popularity • 68% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Claes Nilsson
A Blues for the Worried Minds
140 bpm • E min • 02:44 • -9.46db
28% Popularity • 62% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 31% Positiveness
28% Popularity • 62% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 31% Positiveness
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Ely Jaffe
Midnight Rider
140 bpm • G Maj • 03:04 • -19.12db
12% Popularity • 81% Danceability • 24% Energy • 10% Liveness
52% Instrumentalness • 63% Positiveness
12% Popularity • 81% Danceability • 24% Energy • 10% Liveness
52% Instrumentalness • 63% Positiveness
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Sean Mann
Old Love
132 bpm • A min • 07:01 • -9.7db
20% Popularity • 67% Danceability • 49% Energy • 6% Liveness
74% Instrumentalness • 63% Positiveness
20% Popularity • 67% Danceability • 49% Energy • 6% Liveness
74% Instrumentalness • 63% Positiveness
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Marco Tansini
THE BLUES HOUSE
132 bpm • D min • 02:57 • -12.9db
24% Popularity • 65% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 54% Positiveness
24% Popularity • 65% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 54% Positiveness
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Tom Bailey Backing Tracks
Blues & Soul Guitar Backing Track In E M...
140 bpm • E min • 05:36 • -11.31db
20% Popularity • 80% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
20% Popularity • 80% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Buddaheads Featuring Bb Chung King
Alana
132 bpm • A# min • 06:53 • -9.26db
1% Popularity • 63% Danceability • 43% Energy • 17% Liveness
81% Instrumentalness • 24% Positiveness
1% Popularity • 63% Danceability • 43% Energy • 17% Liveness
81% Instrumentalness • 24% Positiveness
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Mike Dawes
Slow Dancing in a Burning Room (Live)
132 bpm • C# min • 07:16 • -13.61db
25% Popularity • 62% Danceability • 38% Energy • 81% Liveness
26% Instrumentalness • 27% Positiveness
25% Popularity • 62% Danceability • 38% Energy • 81% Liveness
26% Instrumentalness • 27% Positiveness
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Gary O'Slide
Précieuse
141 bpm • D Maj • 03:15 • -16.25db
28% Popularity • 44% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 30% Positiveness
28% Popularity • 44% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 30% Positiveness
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Gary Tunes
Let's Waste Some Time
132 bpm • G min • 03:47 • -11.12db
37% Popularity • 46% Danceability • 35% Energy • 15% Liveness
79% Instrumentalness • 17% Positiveness
37% Popularity • 46% Danceability • 35% Energy • 15% Liveness
79% Instrumentalness • 17% Positiveness
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Brian Grey
Storm Of A Stranger
131 bpm • E min • 04:34 • -7.18db
9% Popularity • 57% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
9% Popularity • 57% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 39% Positiveness
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Brent Mason
My Little Ballerina
141 bpm • D Maj • 03:37 • -16.85db
18% Popularity • 63% Danceability • 21% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
18% Popularity • 63% Danceability • 21% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
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Ely Jaffe
Say Something
141 bpm • D Maj • 03:52 • -6.55db
24% Popularity • 67% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
24% Popularity • 67% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Funkwrench Blues
Lucky Charm
142 bpm • D Maj • 02:43 • -8db
33% Popularity • 33% Danceability • 68% Energy • 58% Liveness
86% Instrumentalness • 63% Positiveness
33% Popularity • 33% Danceability • 68% Energy • 58% Liveness
86% Instrumentalness • 63% Positiveness
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Eric Johnson
S.R.V.
131 bpm • E Maj • 03:03 • -12db
40% Popularity • 60% Danceability • 64% Energy • 9% Liveness
50% Instrumentalness • 63% Positiveness
40% Popularity • 60% Danceability • 64% Energy • 9% Liveness
50% Instrumentalness • 63% Positiveness
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Tommy Emmanuel
Slow Dancing in a Burning Room
130 bpm • E Maj • 03:52 • -10.22db
27% Popularity • 74% Danceability • 43% Energy • 13% Liveness
37% Instrumentalness • 52% Positiveness
27% Popularity • 74% Danceability • 43% Energy • 13% Liveness
37% Instrumentalness • 52% Positiveness
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Deborah Coleman
My Love Belongs To You - Instrumental
130 bpm • A min • 04:13 • -6.29db
16% Popularity • 50% Danceability • 57% Energy • 14% Liveness
64% Instrumentalness • 31% Positiveness
16% Popularity • 50% Danceability • 57% Energy • 14% Liveness
64% Instrumentalness • 31% Positiveness
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Marco Tansini
Blues Garage
142 bpm • D Maj • 04:40 • -12.52db
41% Popularity • 74% Danceability • 21% Energy • 91% Liveness
88% Instrumentalness • 9% Positiveness
41% Popularity • 74% Danceability • 21% Energy • 91% Liveness
88% Instrumentalness • 9% Positiveness
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Mike Dawes
Jump
130 bpm • D Maj • 04:20 • -8db
30% Popularity • 67% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
30% Popularity • 67% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Nobby Reed Project
Sad Daze Blues
142 bpm • E min • 08:16 • -7.83db
18% Popularity • 39% Danceability • 53% Energy • 14% Liveness
62% Instrumentalness • 33% Positiveness
18% Popularity • 39% Danceability • 53% Energy • 14% Liveness
62% Instrumentalness • 33% Positiveness
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Jamie Dupuis
Welcome to the Machine
130 bpm • E min • 04:11 • -13.36db
12% Popularity • 57% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 57% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Drum! Drum! Drum!
Midwest Rock (Play Along for Drums)
130 bpm • D Maj • 03:23 • -12.28db
15% Popularity • 60% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 60% Positiveness
15% Popularity • 60% Danceability • 35% Energy • 9% Liveness
80% Instrumentalness • 60% Positiveness
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Bass Guitar Instrumentals
Nobody Told Me
130 bpm • A min • 02:59 • -17.97db
21% Popularity • 75% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 61% Positiveness
21% Popularity • 75% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 61% Positiveness
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BluesBiz
Making Love
130 bpm • E Maj • 03:11 • -8.67db
24% Popularity • 73% Danceability • 55% Energy • 7% Liveness
6% Instrumentalness • 55% Positiveness
24% Popularity • 73% Danceability • 55% Energy • 7% Liveness
6% Instrumentalness • 55% Positiveness
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Chill Blues Vibes
Blue Horizon Serenity
130 bpm • G Maj • 01:59 • -18.44db
12% Popularity • 84% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 95% Positiveness
12% Popularity • 84% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 95% Positiveness
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Matthew Scott
Reflection
130 bpm • G# min • 03:28 • -7.9db
28% Popularity • 66% Danceability • 57% Energy • 12% Liveness
44% Instrumentalness • 55% Positiveness
28% Popularity • 66% Danceability • 57% Energy • 12% Liveness
44% Instrumentalness • 55% Positiveness
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Clive Carroll
Bad Cat
130 bpm • D# min • 03:06 • -13db
22% Popularity • 52% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 25% Positiveness
22% Popularity • 52% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 25% Positiveness
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Paul Audia
Dirty Roots
130 bpm • A# min • 04:38 • -12.41db
14% Popularity • 50% Danceability • 41% Energy • 8% Liveness
79% Instrumentalness • 36% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 8% Liveness
79% Instrumentalness • 36% Positiveness
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Vinai Trinateepakdee
Back at One
130 bpm • C# min • 04:13 • -12.35db
14% Popularity • 70% Danceability • 34% Energy • 11% Liveness
80% Instrumentalness • 31% Positiveness
14% Popularity • 70% Danceability • 34% Energy • 11% Liveness
80% Instrumentalness • 31% Positiveness
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Nathaniel Murphy
Tell Me Lies
130 bpm • D Maj • 03:52 • -16.21db
14% Popularity • 55% Danceability • 34% Energy • 14% Liveness
91% Instrumentalness • 30% Positiveness
14% Popularity • 55% Danceability • 34% Energy • 14% Liveness
91% Instrumentalness • 30% Positiveness
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The Marcus King Band
Opie
130 bpm • C Maj • 05:07 • -9.95db
18% Popularity • 61% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
18% Popularity • 61% Danceability • 46% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Lost in Blues
No Water No Wine
129 bpm • D min • 03:50 • -14.53db
39% Popularity • 60% Danceability • 27% Energy • 12% Liveness
66% Instrumentalness • 23% Positiveness
39% Popularity • 60% Danceability • 27% Energy • 12% Liveness
66% Instrumentalness • 23% Positiveness
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Jan Cyrka
Belleville Swing
143 bpm • B min • 01:14 • -8db
35% Popularity • 57% Danceability • 54% Energy • 18% Liveness
78% Instrumentalness • 93% Positiveness
35% Popularity • 57% Danceability • 54% Energy • 18% Liveness
78% Instrumentalness • 93% Positiveness
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Eric Hansen
Message in a Bottle
143 bpm • A Maj • 04:37 • -8.95db
17% Popularity • 47% Danceability • 66% Energy • 9% Liveness
83% Instrumentalness • 63% Positiveness
17% Popularity • 47% Danceability • 66% Energy • 9% Liveness
83% Instrumentalness • 63% Positiveness
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Laszloo
Which One Is Pink?
129 bpm • G min • 04:23 • -8.57db
10% Popularity • 38% Danceability • 48% Energy • 36% Liveness
60% Instrumentalness • 27% Positiveness
10% Popularity • 38% Danceability • 48% Energy • 36% Liveness
60% Instrumentalness • 27% Positiveness
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Tommy Emmanuel
Somebody That I Used to Know
129 bpm • C Maj • 03:35 • -9.78db
18% Popularity • 76% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 65% Positiveness
18% Popularity • 76% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 65% Positiveness
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Mike Dawes
Somebody That I Used to Know
129 bpm • D min • 03:41 • -8.09db
39% Popularity • 67% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 62% Positiveness
39% Popularity • 67% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 62% Positiveness
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Serenity State of Mind
Don't Be Late
129 bpm • E min • 02:46 • -18.04db
28% Popularity • 55% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
28% Popularity • 55% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Aynsley Lister
Soundman
129 bpm • A# min • 03:43 • -5.26db
29% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jan Cyrka
Heart of Mine
144 bpm • G Maj • 01:56 • -7db
35% Popularity • 60% Danceability • 50% Energy • 10% Liveness
71% Instrumentalness • 61% Positiveness
35% Popularity • 60% Danceability • 50% Energy • 10% Liveness
71% Instrumentalness • 61% Positiveness
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Funkwrench Blues
Blues In The Key Of Dog
128 bpm • G Maj • 02:38 • -6db
28% Popularity • 68% Danceability • 69% Energy • 36% Liveness
85% Instrumentalness • 80% Positiveness
28% Popularity • 68% Danceability • 69% Energy • 36% Liveness
85% Instrumentalness • 80% Positiveness
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Tommy Emmanuel
Smells Like Teen Spirit
128 bpm • D min • 04:29 • -9.07db
23% Popularity • 68% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 66% Positiveness
23% Popularity • 68% Danceability • 65% Energy • 12% Liveness
86% Instrumentalness • 66% Positiveness
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Ely Jaffe
Moves Like Jagger
128 bpm • B min • 04:10 • -4.5db
15% Popularity • 60% Danceability • 86% Energy • 16% Liveness
35% Instrumentalness • 76% Positiveness
15% Popularity • 60% Danceability • 86% Energy • 16% Liveness
35% Instrumentalness • 76% Positiveness
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PC Soares
Bourbon Please
144 bpm • C Maj • 05:16 • -14.15db
22% Popularity • 69% Danceability • 27% Energy • 12% Liveness
78% Instrumentalness • 48% Positiveness
22% Popularity • 69% Danceability • 27% Energy • 12% Liveness
78% Instrumentalness • 48% Positiveness
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Jamie Harrison Guitar
Life Without You
128 bpm • B min • 05:31 • -11.22db
16% Popularity • 58% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
16% Popularity • 58% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Roy Ziv
Showtime
145 bpm • C# min • 02:13 • -6.98db
17% Popularity • 28% Danceability • 61% Energy • 55% Liveness
61% Instrumentalness • 62% Positiveness
17% Popularity • 28% Danceability • 61% Energy • 55% Liveness
61% Instrumentalness • 62% Positiveness
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James Cooke
Don't Worry
128 bpm • D# Maj • 04:40 • -8.4db
30% Popularity • 53% Danceability • 36% Energy • 22% Liveness
84% Instrumentalness • 23% Positiveness
30% Popularity • 53% Danceability • 36% Energy • 22% Liveness
84% Instrumentalness • 23% Positiveness
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Tommy Emmanuel
Stevie's Blues
128 bpm • A Maj • 04:21 • -12.15db
13% Popularity • 60% Danceability • 70% Energy • 25% Liveness
80% Instrumentalness • 76% Positiveness
13% Popularity • 60% Danceability • 70% Energy • 25% Liveness
80% Instrumentalness • 76% Positiveness
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Ely Jaffe
Tennessee Whiskey
128 bpm • A Maj • 03:51 • -20.18db
12% Popularity • 62% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 25% Positiveness
12% Popularity • 62% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 25% Positiveness
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Dylan Ryche
The Swamp
145 bpm • G min • 03:31 • -10.69db
14% Popularity • 60% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
14% Popularity • 60% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
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Tom Bailey Backing Tracks
Slow Blues Guitar Backing Track In Cm
127 bpm • C min • 05:57 • -18.28db
20% Popularity • 71% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
20% Popularity • 71% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Franco Morone
Chicago
127 bpm • C# min • 03:45 • -10.32db
13% Popularity • 64% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 49% Positiveness
13% Popularity • 64% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 49% Positiveness
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Erick Turnbull
A.D.D.
127 bpm • E Maj • 01:43 • -13.73db
21% Popularity • 47% Danceability • 47% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
21% Popularity • 47% Danceability • 47% Energy • 11% Liveness
79% Instrumentalness • 76% Positiveness
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Buddy Whittington
Greenwood
126 bpm • E min • 04:09 • -5.99db
33% Popularity • 68% Danceability • 49% Energy • 10% Liveness
53% Instrumentalness • 20% Positiveness
33% Popularity • 68% Danceability • 49% Energy • 10% Liveness
53% Instrumentalness • 20% Positiveness
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Blues Cousins
Love Matters
126 bpm • A min • 04:26 • -7db
31% Popularity • 43% Danceability • 66% Energy • 20% Liveness
70% Instrumentalness • 27% Positiveness
31% Popularity • 43% Danceability • 66% Energy • 20% Liveness
70% Instrumentalness • 27% Positiveness
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David Grissom
Skimming the Surface
126 bpm • A Maj • 04:23 • -8.36db
18% Popularity • 74% Danceability • 76% Energy • 11% Liveness
89% Instrumentalness • 61% Positiveness
18% Popularity • 74% Danceability • 76% Energy • 11% Liveness
89% Instrumentalness • 61% Positiveness
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Aram Bedrosian
Almost Home
126 bpm • C Maj • 02:54 • -12db
17% Popularity • 74% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
17% Popularity • 74% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Rob Tognoni
2.00 A.M.
147 bpm • D# min • 02:52 • -4db
43% Popularity • 60% Danceability • 67% Energy • 15% Liveness
89% Instrumentalness • 92% Positiveness
43% Popularity • 60% Danceability • 67% Energy • 15% Liveness
89% Instrumentalness • 92% Positiveness
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Sean Mann
Dirty Pool
147 bpm • C# min • 07:00 • -8.45db
15% Popularity • 46% Danceability • 60% Energy • 17% Liveness
79% Instrumentalness • 69% Positiveness
15% Popularity • 46% Danceability • 60% Energy • 17% Liveness
79% Instrumentalness • 69% Positiveness
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Drumless Backing Tracks
6/8 Slow Blues Backing Track - 74 bpm | ...
148 bpm • E min • 05:59 • -7.58db
10% Popularity • 66% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 66% Positiveness
10% Popularity • 66% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 66% Positiveness
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Roy Ziv
Nostalgic Dreams
125 bpm • G Maj • 02:57 • -6.37db
19% Popularity • 60% Danceability • 73% Energy • 12% Liveness
60% Instrumentalness • 51% Positiveness
19% Popularity • 60% Danceability • 73% Energy • 12% Liveness
60% Instrumentalness • 51% Positiveness
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Ely Jaffe
When I Was Your Man
148 bpm • C Maj • 03:53 • -4.22db
15% Popularity • 44% Danceability • 65% Energy • 9% Liveness
78% Instrumentalness • 30% Positiveness
15% Popularity • 44% Danceability • 65% Energy • 9% Liveness
78% Instrumentalness • 30% Positiveness
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Jamie Harrison Guitar
Sultans of Swing
148 bpm • D min • 06:56 • -11.29db
21% Popularity • 71% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
21% Popularity • 71% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Tim Pierce
I Made It So
149 bpm • F Maj • 06:19 • -11.9db
12% Popularity • 60% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
12% Popularity • 60% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
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Sean Mann
Knockin' on Heavens Door
125 bpm • F# Maj • 07:52 • -7.85db
23% Popularity • 50% Danceability • 61% Energy • 19% Liveness
80% Instrumentalness • 33% Positiveness
23% Popularity • 50% Danceability • 61% Energy • 19% Liveness
80% Instrumentalness • 33% Positiveness
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Buddy Guy
Rememberin' Stevie
149 bpm • F Maj • 06:58 • -6.89db
38% Popularity • 36% Danceability • 77% Energy • 28% Liveness
76% Instrumentalness • 38% Positiveness
38% Popularity • 36% Danceability • 77% Energy • 28% Liveness
76% Instrumentalness • 38% Positiveness
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Mick Clarke
New Star over Texas
124 bpm • E min • 04:28 • -8.86db
35% Popularity • 44% Danceability • 46% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
35% Popularity • 44% Danceability • 46% Energy • 13% Liveness
89% Instrumentalness • 26% Positiveness
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Matthew Scott
Where You Been
124 bpm • C# Maj • 03:44 • -4.64db
31% Popularity • 54% Danceability • 86% Energy • 17% Liveness
2% Instrumentalness • 40% Positiveness
31% Popularity • 54% Danceability • 86% Energy • 17% Liveness
2% Instrumentalness • 40% Positiveness
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Greg Koch
Goon
124 bpm • G Maj • 04:21 • -5.26db
11% Popularity • 74% Danceability • 88% Energy • 9% Liveness
81% Instrumentalness • 60% Positiveness
11% Popularity • 74% Danceability • 88% Energy • 9% Liveness
81% Instrumentalness • 60% Positiveness