Songs like Ain't Nothing Wrong with That by Robert Randolph & The Family Band
Based on a tempo of (+/- 10%) and a similar genre
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Luke Winslow-King
I'm Glad Trouble Don't Last Always
82 bpm • D Maj • 04:17 • -7.12db
48% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
48% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Ollabelle
Get Back Temptation
82 bpm • F min • 02:49 • -9.12db
3% Popularity • 78% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 78% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Maktub
Give Me Some Time
82 bpm • B min • 03:21 • -5db
14% Popularity • 34% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 34% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Los Lonely Boys
Superman
82 bpm • G# Maj • 03:06 • -5.63db
12% Popularity • 50% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 50% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Rob Thomas
Streetcorner Symphony
82 bpm • C# Maj • 04:07 • -3.89db
49% Popularity • 63% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 63% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Robert Randolph & The Family Band
Ain't Nothing Wrong with That
82 bpm • C# Maj • 03:30 • -2.98db
41% Popularity • 70% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 70% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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The Revivalists
Gold To Glass
82 bpm • D min • 03:56 • -7.71db
42% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tedeschi Trucks Band
Do I Look Worried
81 bpm • B min • 04:33 • -7.75db
45% Popularity • 43% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 43% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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O.A.R.
That Was A Crazy Game of Poker
81 bpm • C Maj • 08:42 • -8.66db
46% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Jack White
I'm Shakin'
81 bpm • B min • 03:00 • -10.05db
51% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Bill Champlin
Devil at the Wheel
83 bpm • G# Maj • 04:44 • -8.38db
21% Popularity • 73% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 73% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Robert Randolph & The Family Band
Soul Refreshing
82 bpm • F# min • 03:41 • -7.25db
30% Popularity • 42% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 72% Positiveness
30% Popularity • 42% Danceability • 70% Energy • 10% Liveness
3% Instrumentalness • 72% Positiveness
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Eric Lindell
Give It Time
81 bpm • G Maj • 04:28 • -4db
40% Popularity • 61% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 61% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Ray LaMontagne
Three More Days
84 bpm • A# Maj • 03:36 • -8.36db
52% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Gary Clark Jr.
Come Together
80 bpm • D min • 03:13 • -4.99db
61% Popularity • 45% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 45% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Jesse Roper
Cherry
80 bpm • D# min • 04:18 • -6db
29% Popularity • 50% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 50% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Lenny Kravitz
American Woman
84 bpm • C# Maj • 04:24 • -7.87db
64% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Sheepdogs
I Don't Know - EP Version
80 bpm • D Maj • 03:10 • -5.13db
45% Popularity • 57% Danceability • 64% Energy • 17% Liveness
20% Instrumentalness • 77% Positiveness
45% Popularity • 57% Danceability • 64% Energy • 17% Liveness
20% Instrumentalness • 77% Positiveness
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Dorothy
Raise Hell
80 bpm • F# Maj • 03:01 • -6.4db
59% Popularity • 55% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
59% Popularity • 55% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
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7Horse
Meth Lab Zoso Sticker
80 bpm • C Maj • 03:41 • -3db
50% Popularity • 39% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 39% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Eric Lindell
Lay Back Down
79 bpm • G Maj • 04:34 • -4db
41% Popularity • 52% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 52% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Citizen Cope
Son's Gonna Rise
79 bpm • G Maj • 04:04 • -3.79db
47% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Hanni El Khatib
You Rascal You
85 bpm • F Maj • 02:21 • -7.98db
44% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Fantastic Negrito
A New Beginning
85 bpm • F# min • 03:32 • -6.64db
22% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Robert Randolph & The Family Band
Second Hand Man
79 bpm • B min • 03:03 • -3.64db
40% Popularity • 50% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 50% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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The Raconteurs
Top Yourself
86 bpm • G Maj • 04:25 • -5db
43% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Mingo Fishtrap
Have I
79 bpm • C# min • 03:35 • -7.25db
16% Popularity • 46% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 46% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Blues Saraceno
Evil Ways
86 bpm • A Maj • 03:33 • -5.49db
34% Popularity • 51% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 51% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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X Ambassadors
Jungle
78 bpm • D Maj • 03:09 • -4.46db
58% Popularity • 39% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 39% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Grace Potter
Empty Heart
86 bpm • C Maj • 03:15 • -5.48db
40% Popularity • 69% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 69% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Robert Randolph & The Family Band
Angels
79 bpm • B Maj • 04:02 • -5.82db
10% Popularity • 54% Danceability • 75% Energy • 4% Liveness
1% Instrumentalness • 64% Positiveness
10% Popularity • 54% Danceability • 75% Energy • 4% Liveness
1% Instrumentalness • 64% Positiveness
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Fitz and The Tantrums
Don’t Gotta Work It Out
87 bpm • F min • 04:09 • -6.6db
5% Popularity • 64% Danceability • 89% Energy • 39% Liveness
1% Instrumentalness • 94% Positiveness
5% Popularity • 64% Danceability • 89% Energy • 39% Liveness
1% Instrumentalness • 94% Positiveness
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Rare Earth
I Just Want To Celebrate - Mocean Worker...
87 bpm • D Maj • 05:00 • -9.46db
12% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Charlie Mars
How I Roll
88 bpm • F# min • 03:23 • -7.77db
30% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Little Axe
Down to the Valley
88 bpm • C# Maj • 05:31 • -6.51db
35% Popularity • 75% Danceability • 67% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
35% Popularity • 75% Danceability • 67% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
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Gary Clark Jr.
The Healing
88 bpm • G min • 04:48 • -7.51db
32% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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The Raconteurs
Old Enough
89 bpm • G Maj • 03:57 • -5db
41% Popularity • 33% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 33% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Nikki & Rich
Dreaming
75 bpm • E min • 03:30 • -4.45db
14% Popularity • 68% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 68% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Max Frost
Good Morning
89 bpm • G# Maj • 02:33 • -4.38db
51% Popularity • 77% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 77% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Allen Stone
Say So
90 bpm • F Maj • 03:32 • -8.56db
30% Popularity • 64% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 64% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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The Revivalists
All My Friends
90 bpm • E min • 03:38 • -4.9db
49% Popularity • 60% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 60% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 36% Positiveness
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Eric Lindell
It's My Pleasure
90 bpm • G Maj • 04:29 • -4.94db
33% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The Sheepdogs
The Way It Is
90 bpm • D Maj • 02:33 • -5db
35% Popularity • 55% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 55% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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R.L. Burnside
Someday Baby
90 bpm • C Maj • 03:16 • -3.8db
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
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Eric Hutchinson
OK, It's Alright with Me
74 bpm • C Maj • 02:31 • -5db
54% Popularity • 53% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 53% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Avett Brothers
Ain't No Man
91 bpm • B Maj • 03:32 • -5.62db
56% Popularity • 79% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 79% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The Civil Wars
Barton Hollow
91 bpm • D Maj • 03:25 • -7.34db
34% Popularity • 40% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 40% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Eric Lindell
Casanova
90 bpm • C Maj • 02:51 • -5.39db
36% Popularity • 65% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 65% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Blues Traveler
Back In The Day
91 bpm • D Maj • 04:03 • -4.76db
28% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Grace Potter & The Nocturnals
Paris (Ooh La La)
91 bpm • E Maj • 03:15 • -2.7db
46% Popularity • 60% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 60% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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The Record Company
On The Move
91 bpm • F min • 04:08 • -3.83db
38% Popularity • 56% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
38% Popularity • 56% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Mingo Fishtrap
Rev. Mccarty's Bbq Shack
91 bpm • G# Maj • 03:22 • -7.52db
14% Popularity • 70% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 70% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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C.C. Adcock
Yall'd Think She'd Be Good 2 Me
91 bpm • A# min • 03:45 • -6.98db
31% Popularity • 59% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 59% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Eric Lindell
Two Bit Town
91 bpm • G Maj • 03:42 • -4.53db
21% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Counting Crows
Hanginaround
91 bpm • C Maj • 04:07 • -7db
58% Popularity • 50% Danceability • 78% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
58% Popularity • 50% Danceability • 78% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
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Dumpstaphunk
Turn This Thing Around
92 bpm • G Maj • 04:48 • -4.39db
22% Popularity • 66% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 66% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Gavin DeGraw
Sweeter
92 bpm • D Maj • 03:43 • -3.4db
41% Popularity • 68% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 68% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Record Company
Off The Ground
92 bpm • G Maj • 04:13 • -4.57db
53% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
53% Popularity • 54% Danceability • 70% Energy • 38% Liveness
22% Instrumentalness • 85% Positiveness
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Karl Denson
Shake It Out
93 bpm • E min • 04:04 • -7db
27% Popularity • 73% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 73% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Anderson East
Find 'Em, Fool 'Em and Forget 'Em
92 bpm • A# min • 02:34 • -6db
27% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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The Meters
Give It What You Can
93 bpm • A Maj • 04:34 • -10.19db
17% Popularity • 73% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 73% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Grace Potter
Look What We've Become
93 bpm • F# min • 03:11 • -5.66db
26% Popularity • 65% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 65% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Everclear
AM Radio
93 bpm • C# Maj • 03:56 • -4db
43% Popularity • 62% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 62% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Better Than Ezra
Extra Ordinary
93 bpm • G Maj • 03:40 • -4.71db
33% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Franti & Spearhead
Say Hey (I Love You)
93 bpm • F min • 03:55 • -4.37db
64% Popularity • 74% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
64% Popularity • 74% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Tedeschi Trucks Band
Anyhow
93 bpm • A Maj • 06:35 • -9.29db
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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Tab Benoit
Shelter Me
93 bpm • D Maj • 05:04 • -11.07db
41% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 72% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Hugo
Bread & Butter
93 bpm • D Maj • 02:59 • -6.72db
40% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Robert Randolph & The Family Band
Homecoming
94 bpm • G# Maj • 03:51 • -5.29db
9% Popularity • 55% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 55% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Audra Mae
Little Red Wagon
94 bpm • G Maj • 03:11 • -6.89db
20% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 64% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Parlor Mob
Can't Keep No Good Boy Down
94 bpm • C Maj • 03:40 • -5.52db
33% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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No Sinner
Boo Hoo Hoo
94 bpm • B Maj • 04:27 • -5.54db
12% Popularity • 44% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 44% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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St. Paul & The Broken Bones
All I Ever Wonder
95 bpm • G min • 03:29 • -8db
41% Popularity • 56% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 56% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Jason Mraz
The Remedy (I Won't Worry)
95 bpm • A# Maj • 04:16 • -4.52db
58% Popularity • 59% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 59% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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K-OS
Crabbuckit
95 bpm • G# Maj • 03:48 • -6.56db
28% Popularity • 83% Danceability • 70% Energy • 5% Liveness
6% Instrumentalness • 76% Positiveness
28% Popularity • 83% Danceability • 70% Energy • 5% Liveness
6% Instrumentalness • 76% Positiveness
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Citizen King
Better Days (And the Bottom Drops Out)
95 bpm • A Maj • 03:27 • -3.31db
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Anderson East
Girlfriend
95 bpm • A# Maj • 02:53 • -4.3db
33% Popularity • 55% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 55% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Everything
Hooch
96 bpm • E Maj • 03:39 • -7db
43% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Lettuce
Do It Like You Do
95 bpm • C Maj • 04:11 • -8.7db
33% Popularity • 75% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
33% Popularity • 75% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Robert Randolph & The Family Band
Simple Man
70 bpm • C min • 03:03 • -8.19db
54% Popularity • 66% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 66% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Heavy
What Makes a Good Man - Kenny Dope Remix
96 bpm • G min • 03:18 • -5.13db
24% Popularity • 68% Danceability • 88% Energy • 19% Liveness
2% Instrumentalness • 92% Positiveness
24% Popularity • 68% Danceability • 88% Energy • 19% Liveness
2% Instrumentalness • 92% Positiveness
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Martin Harley
Ball & Chain
96 bpm • E Maj • 04:29 • -8.57db
19% Popularity • 63% Danceability • 56% Energy • 33% Liveness
1% Instrumentalness • 60% Positiveness
19% Popularity • 63% Danceability • 56% Energy • 33% Liveness
1% Instrumentalness • 60% Positiveness
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The Revivalists
Keep Going
96 bpm • F Maj • 04:14 • -5.42db
52% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Blues Traveler
Carolina Blues
96 bpm • A Maj • 04:44 • -6.05db
44% Popularity • 51% Danceability • 93% Energy • 30% Liveness
6% Instrumentalness • 77% Positiveness
44% Popularity • 51% Danceability • 93% Energy • 30% Liveness
6% Instrumentalness • 77% Positiveness
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The Record Company
Baby I'm Broken
97 bpm • G Maj • 03:35 • -3.34db
34% Popularity • 46% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 56% Positiveness
34% Popularity • 46% Danceability • 83% Energy • 25% Liveness
1% Instrumentalness • 56% Positiveness
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Eric Lindell
If Love Can't Find A Way
97 bpm • A Maj • 03:09 • -4.07db
33% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Calhoon, Brandon
Detroit City
97 bpm • D Maj • 03:39 • -2.7db
8% Popularity • 63% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 63% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Avett Brothers
Satan Pulls The Strings
97 bpm • A min • 03:08 • -3.72db
34% Popularity • 56% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 56% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Mingo Fishtrap
Things Ain't What They Was
97 bpm • C Maj • 04:02 • -8db
33% Popularity • 66% Danceability • 58% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 66% Danceability • 58% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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Tony C. And The Truth
Little Bit More
97 bpm • C Maj • 03:22 • -4.57db
14% Popularity • 67% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 67% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Daniel Merriweather
Chainsaw
98 bpm • C# Maj • 04:04 • -6.19db
9% Popularity • 62% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 62% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Eric Lindell
Let Me Know
97 bpm • D Maj • 04:56 • -7.12db
32% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Debbie Davies
Scratches
98 bpm • G Maj • 05:06 • -7.04db
8% Popularity • 75% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 75% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Eli "Paperboy" Reed
Recess
97 bpm • F Maj • 03:20 • -3.64db
6% Popularity • 63% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
6% Popularity • 63% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Pimps of Joytime
Janxta Funk!
98 bpm • G Maj • 04:16 • -6.26db
33% Popularity • 77% Danceability • 81% Energy • 57% Liveness
1% Instrumentalness • 71% Positiveness
33% Popularity • 77% Danceability • 81% Energy • 57% Liveness
1% Instrumentalness • 71% Positiveness
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St. Paul & The Broken Bones
Like a Mighty River
98 bpm • C min • 03:22 • -4.92db
47% Popularity • 57% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 79% Positiveness
47% Popularity • 57% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 79% Positiveness
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Grace Potter & The Nocturnals
Runaway
98 bpm • F Maj • 03:19 • -3.48db
19% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Robert Randolph & The Family Band
Take The Party
99 bpm • C# Maj • 04:10 • -2.57db
22% Popularity • 51% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 51% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
