Songs like Ain't Nothing You Can Do - Long Version by Andrew Strong
Based on a tempo of (+/- 10%) and a similar genre
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Bruce Willis
Jackpot (Bruno's Bop)
118 bpm • G# Maj • 04:11 • -10.94db
15% Popularity • 64% Danceability • 77% Energy • 41% Liveness
1% Instrumentalness • 48% Positiveness
15% Popularity • 64% Danceability • 77% Energy • 41% Liveness
1% Instrumentalness • 48% Positiveness
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Andrew Strong
Ain't Nothing You Can Do
118 bpm • C Maj • 06:02 • -8.48db
22% Popularity • 68% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 68% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Solomon Burke
Down In The Valley - Live
118 bpm • D Maj • 03:00 • -3.75db
8% Popularity • 69% Danceability • 92% Energy • 81% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 69% Danceability • 92% Energy • 81% Liveness
0% Instrumentalness • 83% Positiveness
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Phil Collins
You Really Got a Hold on Me
118 bpm • A Maj • 03:06 • -6.69db
20% Popularity • 67% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 67% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Fleetwood Mac
My Heart Beat Like a Hammer
117 bpm • A Maj • 02:57 • -10.17db
16% Popularity • 55% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 55% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
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Sad Café
My Oh My
118 bpm • A Maj • 03:55 • -15.45db
23% Popularity • 65% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 65% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Magic Slim & The Teardrops
I'm A Bluesman
119 bpm • C Maj • 05:01 • -6.36db
27% Popularity • 48% Danceability • 69% Energy • 29% Liveness
25% Instrumentalness • 88% Positiveness
27% Popularity • 48% Danceability • 69% Energy • 29% Liveness
25% Instrumentalness • 88% Positiveness
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Andrew Strong
Soul Man
118 bpm • A Maj • 03:18 • -4.59db
13% Popularity • 58% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 58% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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C.C.S.
Walking
117 bpm • C Maj • 03:11 • -11.26db
20% Popularity • 62% Danceability • 63% Energy • 9% Liveness
25% Instrumentalness • 74% Positiveness
20% Popularity • 62% Danceability • 63% Energy • 9% Liveness
25% Instrumentalness • 74% Positiveness
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Jools Holland/Chris Barber/Guy Barker
Anglegrinder Blues
117 bpm • G Maj • 02:55 • -4.39db
11% Popularity • 45% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 45% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
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The Boss
Waiting on a Sunny Day
119 bpm • C Maj • 04:28 • -9db
36% Popularity • 51% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 51% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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The Commitments
In The Midnight Hour
119 bpm • G# Maj • 02:23 • -9.58db
41% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Mick Jagger
Checkin' Up On My Baby
119 bpm • A Maj • 03:21 • -2.76db
25% Popularity • 51% Danceability • 89% Energy • 24% Liveness
1% Instrumentalness • 41% Positiveness
25% Popularity • 51% Danceability • 89% Energy • 24% Liveness
1% Instrumentalness • 41% Positiveness
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Andrew Strong
Ain't Nothin' You Can Do
118 bpm • C Maj • 03:49 • -8.27db
10% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Vintage Trouble
You Better Believe It
117 bpm • A# Maj • 04:10 • -6.24db
5% Popularity • 66% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 66% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Steve Gibbons Band
Mr Jones
117 bpm • A Maj • 04:34 • -5.68db
9% Popularity • 69% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 69% Danceability • 71% Energy • 54% Liveness
0% Instrumentalness • 52% Positiveness
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Kenny Neal
Old Friends
119 bpm • G Maj • 04:37 • -9.85db
23% Popularity • 56% Danceability • 64% Energy • 9% Liveness
10% Instrumentalness • 86% Positiveness
23% Popularity • 56% Danceability • 64% Energy • 9% Liveness
10% Instrumentalness • 86% Positiveness
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Debbie Davies
Rockin' You Baby
119 bpm • E Maj • 03:24 • -7.98db
14% Popularity • 71% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 71% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Omar and The Howlers
Bad Seed
117 bpm • C# min • 03:30 • -6.48db
22% Popularity • 69% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 69% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Andrew Strong
Do You Know What I Mean
117 bpm • D Maj • 03:29 • -8.35db
7% Popularity • 68% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 68% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Creeps
Right Back on Track
117 bpm • A Maj • 03:32 • -4db
16% Popularity • 73% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 73% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Reidar Larsen
Christina
119 bpm • B Maj • 03:44 • -8db
25% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmy Nail
Don't Wanna Go Home
119 bpm • A min • 04:20 • -9.22db
15% Popularity • 62% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 62% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Little Village
The Action
119 bpm • A min • 03:24 • -10.65db
20% Popularity • 86% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 86% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Commitments
Grits Ain't Groceries
119 bpm • C# Maj • 03:44 • -4.56db
29% Popularity • 63% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 63% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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The Blues Brothers
Who's Making Love
119 bpm • A# Maj • 03:32 • -4.52db
34% Popularity • 69% Danceability • 93% Energy • 99% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 69% Danceability • 93% Energy • 99% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Strong
Out of Time
120 bpm • G Maj • 04:23 • -6.34db
21% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Steve Gibbons Band
Johnny Cool
120 bpm • E Maj • 03:55 • -4.73db
12% Popularity • 70% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 70% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Wilmer X
Blå vägen hem
120 bpm • E min • 03:18 • -5.61db
22% Popularity • 68% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 68% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Bachman-Turner Overdrive
You Ain't Seen Nothing Yet - Single Vers...
120 bpm • D Maj • 03:38 • -12.04db
47% Popularity • 51% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 51% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Dr. Feelgood
Let's Have a Party - 2002 Remaster
116 bpm • D Maj • 02:42 • -8.85db
18% Popularity • 77% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 77% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Robert Palmer
All Shook Up
116 bpm • E Maj • 02:46 • -13.34db
34% Popularity • 71% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 71% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Andrew Strong
(She's) Some Kind Of Wonderful
116 bpm • E min • 03:18 • -9.53db
21% Popularity • 67% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 67% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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The Creeps
Lovemagic
116 bpm • E min • 03:02 • -3.85db
16% Popularity • 65% Danceability • 95% Energy • 4% Liveness
5% Instrumentalness • 65% Positiveness
16% Popularity • 65% Danceability • 95% Energy • 4% Liveness
5% Instrumentalness • 65% Positiveness
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Bruce Willis
Can't Leave Her Alone
116 bpm • C Maj • 03:55 • -8.55db
9% Popularity • 72% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 72% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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The Jimmy Rogers All Stars
Blow Wind Blow
120 bpm • A# Maj • 05:00 • -6.26db
23% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 66% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Glenn Frey
Before The Ship Goes Down
116 bpm • A Maj • 04:31 • -8.98db
11% Popularity • 88% Danceability • 69% Energy • 7% Liveness
7% Instrumentalness • 88% Positiveness
11% Popularity • 88% Danceability • 69% Energy • 7% Liveness
7% Instrumentalness • 88% Positiveness
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King King
Can't Keep from Trying
120 bpm • E Maj • 03:43 • -6.51db
13% Popularity • 77% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 77% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Ann Wilson
We Gotta Get Out Of This Place
120 bpm • B min • 03:45 • -5.82db
8% Popularity • 71% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 71% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Wilko Johnson
Can You Please Crawl Out Your Window
120 bpm • A Maj • 03:37 • -3.21db
24% Popularity • 53% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 53% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Andrew Strong
I Heard It Through the Grapevine Live
116 bpm • C Maj • 03:39 • -4.37db
9% Popularity • 71% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 71% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Commitments
Chain Of Fools
116 bpm • G Maj • 02:58 • -12db
35% Popularity • 73% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 73% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Jools Holland, Sam Moore and Sam Brown
Together We Are Strong
120 bpm • F Maj • 03:39 • -4.56db
19% Popularity • 50% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 50% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Clarence Clemons
A Woman's Got the Power
120 bpm • C Maj • 04:22 • -6.99db
9% Popularity • 61% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 61% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Vintage Trouble
Nancy Lee
120 bpm • E min • 03:41 • -4.94db
1% Popularity • 64% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
1% Popularity • 64% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Tommy Castro
Lucky In Love
116 bpm • G Maj • 03:57 • -5.27db
28% Popularity • 63% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 63% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 69% Positiveness
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Moses Wiggins
Tweeter & The Monkey Man
115 bpm • A min • 05:19 • -8.16db
16% Popularity • 72% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 72% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Gibbons Band
In Over My Heart
121 bpm • F# min • 03:10 • -8.32db
9% Popularity • 71% Danceability • 71% Energy • 7% Liveness
3% Instrumentalness • 79% Positiveness
9% Popularity • 71% Danceability • 71% Energy • 7% Liveness
3% Instrumentalness • 79% Positiveness
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Paul Carrack
Silent Running - 2014 Remaster
115 bpm • D min • 07:13 • -10.19db
10% Popularity • 63% Danceability • 49% Energy • 98% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 63% Danceability • 49% Energy • 98% Liveness
0% Instrumentalness • 63% Positiveness
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Bruce Willis
Love Makes The World Go Round
121 bpm • G# Maj • 02:57 • -11.66db
11% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Wilko Johnson
Keep On Loving You
121 bpm • C Maj • 02:57 • -4.95db
16% Popularity • 76% Danceability • 69% Energy • 13% Liveness
4% Instrumentalness • 96% Positiveness
16% Popularity • 76% Danceability • 69% Energy • 13% Liveness
4% Instrumentalness • 96% Positiveness
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The Commitments
Mustang Sally
115 bpm • C# Maj • 04:01 • -10.77db
58% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
58% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Lou Ann Barton
Sugar Coated Love
121 bpm • C# Maj • 03:56 • -11db
33% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 63% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Phil Collins
Papa Was a Rolling Stone
121 bpm • G# Maj • 06:44 • -8.38db
26% Popularity • 77% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 77% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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C.C.S.
Sixteen Tons
115 bpm • C# Maj • 02:58 • -10.36db
13% Popularity • 64% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 64% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Ray Dylan
Handle me with care
115 bpm • G Maj • 03:51 • -5.93db
21% Popularity • 64% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 64% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Totta Näslund
Down in the Flood
115 bpm • C Maj • 03:04 • -6.13db
12% Popularity • 61% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 61% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Nail
Crocodile Shoes
121 bpm • C Maj • 04:18 • -12db
38% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Louise Hoffsten
Kände Mig Så Vilsen
121 bpm • G Maj • 03:22 • -5.25db
10% Popularity • 53% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
10% Popularity • 53% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
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The Honeydrippers
I Got a Woman - 2006 Remaster
115 bpm • A Maj • 03:00 • -10db
28% Popularity • 79% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 79% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Andrew Strong
Mustang Sally (Live)
121 bpm • A# min • 05:12 • -3.29db
13% Popularity • 70% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 70% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmie Vaughan
Six Strings Down
121 bpm • G Maj • 03:28 • -5.21db
14% Popularity • 72% Danceability • 65% Energy • 91% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 72% Danceability • 65% Energy • 91% Liveness
0% Instrumentalness • 64% Positiveness
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The Robert Cray Band
Night Patrol
115 bpm • A Maj • 04:43 • -11.68db
21% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmy Nail
Country Boy
122 bpm • D# Maj • 03:34 • -5.94db
20% Popularity • 63% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 63% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Bruce Willis
Pep Talk
114 bpm • A# Maj • 04:33 • -8.55db
12% Popularity • 44% Danceability • 94% Energy • 78% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 44% Danceability • 94% Energy • 78% Liveness
0% Instrumentalness • 61% Positiveness
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Bryan Ferry
The Times They are a-Changin'
122 bpm • E Maj • 03:40 • -8.95db
34% Popularity • 71% Danceability • 68% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
34% Popularity • 71% Danceability • 68% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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Mick Hucknall
The Girl That Radiates That Charm
122 bpm • A min • 02:58 • -8.34db
13% Popularity • 73% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 73% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Ian Hunter
Irene Wilde
122 bpm • C Maj • 03:42 • -15.33db
15% Popularity • 58% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
15% Popularity • 58% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Louise Hoffsten
I'll Get By
114 bpm • C Maj • 03:32 • -3.71db
15% Popularity • 57% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
15% Popularity • 57% Danceability • 85% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Andrew Strong
Soul Man (Live)
114 bpm • A Maj • 03:13 • -3.75db
6% Popularity • 76% Danceability • 87% Energy • 73% Liveness
0% Instrumentalness • 75% Positiveness
6% Popularity • 76% Danceability • 87% Energy • 73% Liveness
0% Instrumentalness • 75% Positiveness
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Mike Andersen
Who's Cheating Who
114 bpm • G# Maj • 03:29 • -3.77db
15% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Joe Bonamassa
Riding With The Kings
114 bpm • B min • 04:29 • -5.5db
24% Popularity • 57% Danceability • 90% Energy • 31% Liveness
6% Instrumentalness • 79% Positiveness
24% Popularity • 57% Danceability • 90% Energy • 31% Liveness
6% Instrumentalness • 79% Positiveness
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Mick Hucknall
Baby What You Want Me to Do
122 bpm • A Maj • 02:02 • -6.8db
16% Popularity • 75% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 75% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Little Richard
Operator
122 bpm • A# Maj • 04:53 • -10.83db
9% Popularity • 74% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 74% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Shakin' Stevens
Is a Bluebird Blue?
114 bpm • C Maj • 03:18 • -5.84db
13% Popularity • 55% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
13% Popularity • 55% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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Bruce Willis
Youngblood
123 bpm • D Maj • 04:08 • -11.33db
17% Popularity • 72% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 72% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Walter Trout Band
Girl From The North Country - Live
123 bpm • G Maj • 08:10 • -15.94db
17% Popularity • 39% Danceability • 27% Energy • 66% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 39% Danceability • 27% Energy • 66% Liveness
0% Instrumentalness • 20% Positiveness
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Michelle Birkballe
Sweet Nothing
113 bpm • G Maj • 03:01 • -4.46db
12% Popularity • 64% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 64% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Katie Webster
A Little Meat On The Side
123 bpm • D Maj • 03:07 • -10db
32% Popularity • 62% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
32% Popularity • 62% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
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Paul Carrack
Stepping Stone (Single Remix) - Remix,Si...
123 bpm • F# min • 03:22 • -6.82db
22% Popularity • 59% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 59% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Dion
Yo Frankie (She's All Right With Me)
113 bpm • D Maj • 03:35 • -9.55db
11% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Beth Hart
Spirit Of God
113 bpm • G min • 04:52 • -7.62db
24% Popularity • 80% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 80% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Nail
Running Man
123 bpm • G# Maj • 03:39 • -4.8db
17% Popularity • 53% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 53% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Steve Gibbons
Where Was I Last Night
113 bpm • A Maj • 03:24 • -10.96db
11% Popularity • 85% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 85% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Jools Holland and Edwin Starr
Snowflake Boogie
124 bpm • C Maj • 03:34 • -4db
16% Popularity • 57% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 57% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Omar and The Howlers
Snake Rhythm Rock
124 bpm • A Maj • 03:59 • -11.06db
19% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 72% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Dion
What If I Told You
113 bpm • A min • 04:44 • -7.07db
21% Popularity • 71% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 71% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Mojo Blues Band
Wee Baby Blues
124 bpm • D min • 03:13 • -7.84db
24% Popularity • 69% Danceability • 67% Energy • 28% Liveness
1% Instrumentalness • 92% Positiveness
24% Popularity • 69% Danceability • 67% Energy • 28% Liveness
1% Instrumentalness • 92% Positiveness
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Louise Hoffsten
Looking for Mr. God
124 bpm • D Maj • 03:04 • -7.89db
8% Popularity • 60% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
8% Popularity • 60% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
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Climax Blues Band
Fool For The Bright Lights
112 bpm • C Maj • 06:00 • -16.06db
14% Popularity • 70% Danceability • 42% Energy • 65% Liveness
42% Instrumentalness • 66% Positiveness
14% Popularity • 70% Danceability • 42% Energy • 65% Liveness
42% Instrumentalness • 66% Positiveness
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Andrew Strong
When You Open Your Eyes
124 bpm • E Maj • 04:25 • -4.3db
2% Popularity • 54% Danceability • 83% Energy • 59% Liveness
0% Instrumentalness • 58% Positiveness
2% Popularity • 54% Danceability • 83% Energy • 59% Liveness
0% Instrumentalness • 58% Positiveness
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Jimmy Nail
Bitter and Twisted
124 bpm • A Maj • 03:39 • -12.17db
16% Popularity • 56% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 56% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Dion
My Baby Loves To Boogie
124 bpm • E min • 05:19 • -7.15db
18% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bruce Willis
Comin' Right Up
124 bpm • D Maj • 03:29 • -11.3db
20% Popularity • 84% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 84% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Mark Selby
You're Gonna Miss My Love
125 bpm • B min • 04:47 • -5db
28% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Bryan Ferry
A Hard Rain's A-Gonna Fall
125 bpm • D# Maj • 04:15 • -12.96db
26% Popularity • 69% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 69% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Roy Buchanan
The Chokin' Kind
112 bpm • C Maj • 03:16 • -9.76db
34% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 70% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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The Creeps
Ooh - I Like It!
125 bpm • D Maj • 02:57 • -5db
28% Popularity • 67% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 67% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
