Songs like Ain't That Loving You by Beres Hammond & U Roy
Based on a tempo of (+/- 10%) and a similar genre
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Lloyd Brown
Stress
144 bpm • A Maj • 04:16 • -4.59db
15% Popularity • 75% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 75% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Yami Bolo
Curly Locks
144 bpm • G# Maj • 03:52 • -7.21db
23% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Louie Culture
Bogus Badge
144 bpm • G Maj • 03:39 • -11.59db
21% Popularity • 80% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 80% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Beenie Man
Kette Drum
144 bpm • C# Maj • 03:53 • -6.25db
29% Popularity • 85% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 85% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Agent Sasco (Assassin)
Mix Up
144 bpm • D Maj • 02:39 • -4.83db
26% Popularity • 74% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 74% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Queen Ifrica
Ghetto Queen
144 bpm • G Maj • 04:00 • -5.38db
14% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Capleton
Stand Tall
144 bpm • C Maj • 03:54 • -7.34db
29% Popularity • 73% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 73% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Beres Hammond & U Roy
Ain't That Loving You
144 bpm • A# Maj • 03:48 • -5db
28% Popularity • 65% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 65% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Louie Culture
Revolution Song
144 bpm • G Maj • 03:36 • -12.41db
7% Popularity • 79% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 79% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Bitty McLean
All that I have
143 bpm • B min • 04:27 • -9.51db
10% Popularity • 74% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 74% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Fiona
From This Moment On
144 bpm • D Maj • 03:41 • -9.13db
15% Popularity • 64% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 64% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Tony Tuff
Mix Me Down
143 bpm • C Maj • 03:33 • -8.53db
26% Popularity • 84% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 84% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Ras Shiloh
Who Can't Hear
143 bpm • F# min • 04:14 • -8db
28% Popularity • 73% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 73% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Beres Hammond
Hold On
143 bpm • A min • 03:48 • -4.11db
26% Popularity • 61% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 61% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Tiger
No Wanga Gut
145 bpm • C# Maj • 03:45 • -3.22db
14% Popularity • 77% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 77% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Bitty McLean
Till My Days Are Gone
143 bpm • E Maj • 04:33 • -8.18db
15% Popularity • 79% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 79% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Norrisman
Home & Away
142 bpm • C Maj • 03:40 • -4db
10% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Kofi
Keep U Satisfied
146 bpm • F# min • 03:51 • -11.22db
30% Popularity • 88% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 88% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Half Pint
Hold On
146 bpm • B min • 04:00 • -9.49db
30% Popularity • 80% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 80% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Pam Hall
Sweetest Sound
142 bpm • F# Maj • 03:36 • -6.71db
17% Popularity • 89% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
17% Popularity • 89% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Leroy Mafia
You Lie
142 bpm • E Maj • 03:47 • -8.05db
17% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 68% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Barry Boom
Dial My Number
142 bpm • G min • 03:39 • -9.1db
21% Popularity • 75% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 75% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Anthony B
Fire Pon Rome
142 bpm • G Maj • 04:04 • -13.75db
21% Popularity • 82% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 82% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Etana
Learn to Love
141 bpm • G# min • 05:22 • -6.88db
22% Popularity • 82% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 82% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Fiona
For You I Will
147 bpm • A# Maj • 03:41 • -8.46db
9% Popularity • 73% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 73% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Norris Man
Home And Away
141 bpm • C Maj • 04:12 • -4db
14% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Richie Spice
Black Like A Tar
141 bpm • D# min • 03:57 • -5.51db
19% Popularity • 84% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 84% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Junior Tucker
Love Of A Lifetime
147 bpm • A Maj • 03:36 • -15.4db
34% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Anthony Malvo
Can't You Stop The Rain
148 bpm • C Maj • 03:37 • -13.92db
8% Popularity • 86% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 86% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Lloyd Brown
Know Yourself
141 bpm • G# min • 05:03 • -7.4db
16% Popularity • 81% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 81% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Warrior King
Virtuous Woman
148 bpm • A# Maj • 03:42 • -6.22db
34% Popularity • 73% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 73% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Kashief Lindo
What Kinda World
149 bpm • C# Maj • 03:37 • -10.16db
13% Popularity • 82% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 82% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Benjy Myaz
Don't Ask My Neighbor
149 bpm • G Maj • 03:58 • -7.43db
9% Popularity • 69% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 69% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Junior Tucker
Move Along
148 bpm • D Maj • 03:43 • -8.77db
11% Popularity • 62% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 62% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Beres Hammond
Ain't It Good To Know
150 bpm • C Maj • 03:58 • -4.21db
30% Popularity • 67% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 67% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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VC
By His Deeds
150 bpm • A Maj • 04:40 • -7.72db
29% Popularity • 66% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 66% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Romain Virgo
Caress Me
150 bpm • C# Maj • 06:05 • -6.49db
9% Popularity • 72% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 72% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Don Campbell
Rise
150 bpm • G# Maj • 03:47 • -4.47db
9% Popularity • 75% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 75% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Bitty McLean
Got to let go
150 bpm • D Maj • 03:52 • -9.13db
16% Popularity • 86% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 86% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Warrior King
Jah Is Always There
150 bpm • G Maj • 03:48 • -8db
25% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Nerious Joseph
Guidance
138 bpm • C Maj • 03:52 • -15.09db
34% Popularity • 88% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 88% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Ras Shiloh
Unto Zion
138 bpm • A# min • 03:21 • -15db
30% Popularity • 62% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 62% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Sylvia Tella
Happy Home
151 bpm • A Maj • 03:48 • -6db
17% Popularity • 79% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 79% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Beres Hammond & Big Youth
Dancehall Vibes
151 bpm • D Maj • 04:13 • -5.55db
17% Popularity • 72% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 72% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Bitty McLean
One of a kind
151 bpm • G Maj • 03:49 • -9.73db
20% Popularity • 76% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 76% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Romain Virgo
Dark Skin Girl
151 bpm • D# Maj • 04:11 • -1.46db
26% Popularity • 68% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 68% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Mighty Diamonds
Just Can't Figure Out
152 bpm • G Maj • 03:11 • -9db
17% Popularity • 70% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 70% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Bushman
ARMS OF A WOMAN
152 bpm • E min • 03:39 • -6.18db
25% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
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Sandra Cross
Put It On
137 bpm • C Maj • 04:47 • -13.08db
24% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 86% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Beres Hammond
Step Aside
136 bpm • B min • 04:00 • -15.38db
33% Popularity • 84% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 84% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Turbulence
X-Girlfriend
153 bpm • F Maj • 04:05 • -2.23db
30% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 61% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Kofi
Secret Combination
135 bpm • B Maj • 02:59 • -10.03db
16% Popularity • 88% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 88% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Jack Radics
What A Difference
154 bpm • D# min • 03:46 • -13.93db
11% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Don Campbell
I Wish I Could
154 bpm • A Maj • 04:06 • -5.2db
29% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 74% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Peter Hunnigale
Believe in Love
154 bpm • A Maj • 04:10 • -7.43db
20% Popularity • 80% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 80% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Tony Curtis
Jah I Thank You
154 bpm • A Maj • 04:00 • -5.11db
27% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Vivian Jones
Strong Love
154 bpm • F Maj • 04:21 • -10db
27% Popularity • 78% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 78% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Half Pint
Just Be Good
154 bpm • A Maj • 03:54 • -4db
24% Popularity • 76% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 76% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Peetah Morgan
Still The Same
154 bpm • G# Maj • 03:57 • -6.72db
25% Popularity • 67% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 67% Danceability • 62% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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Thriller U
Smile
154 bpm • C# Maj • 03:38 • -17db
13% Popularity • 79% Danceability • 10% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 79% Danceability • 10% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Singing Melody
Special Love
154 bpm • E Maj • 04:05 • -3.82db
14% Popularity • 55% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 55% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Tony Curtis
Hold Me Darling
154 bpm • F Maj • 03:26 • -11db
19% Popularity • 74% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 74% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Leroy Gibbons
Lovers Question
155 bpm • A# Maj • 02:53 • -10db
28% Popularity • 87% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 87% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Half Pint
Just Be Good
154 bpm • A Maj • 03:52 • -6db
46% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
46% Popularity • 74% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Beres Hammond
Full Attention
155 bpm • A Maj • 04:02 • -12.04db
19% Popularity • 63% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 63% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Super Black
Deh Wid You
156 bpm • G min • 03:31 • -5db
0% Popularity • 75% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 75% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Bitty McLean
For you I won't cry
157 bpm • G min • 05:34 • -8.34db
10% Popularity • 77% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 77% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Tony Curtis
Body Calling
134 bpm • E Maj • 03:44 • -8.76db
16% Popularity • 82% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 82% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Sandra Cross
I Adore You
132 bpm • F Maj • 03:25 • -13.23db
22% Popularity • 83% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 83% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Everton Blender
I Love Jah Jah
156 bpm • G Maj • 03:33 • -7.06db
34% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 77% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Sammy Levi
Hurting on the Inside
157 bpm • C# Maj • 03:02 • -11.24db
19% Popularity • 75% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 75% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Lloyd Brown
Sharing The Night
158 bpm • C# min • 03:25 • -7.65db
26% Popularity • 67% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 67% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Natural Touch
Gimme Good Loving
131 bpm • A Maj • 03:58 • -9.59db
21% Popularity • 72% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 72% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Deborahe Glasgow
The First
160 bpm • E Maj • 04:14 • -13.07db
31% Popularity • 76% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 76% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Singing Melody
Want You Back
160 bpm • F Maj • 04:02 • -7db
40% Popularity • 70% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
40% Popularity • 70% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
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Everton Blender
Ghetto People Song
158 bpm • A# min • 03:47 • -7.45db
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Half Pint
One Big Family
160 bpm • A Maj • 03:32 • -14.76db
28% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Queen Ifrica
Black Man Redemption
130 bpm • C Maj • 04:27 • -7.3db
16% Popularity • 80% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 80% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Pam Hall
I'll Always Love You
160 bpm • A Maj • 04:01 • -8.15db
29% Popularity • 68% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 68% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Courtney Melody
Modern Girl
160 bpm • C Maj • 03:33 • -4.23db
23% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 75% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Hunnigale
Rub a Dub Style
128 bpm • G# Maj • 03:49 • -5.71db
20% Popularity • 87% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 87% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Everton Blender
Ghetto People Song
159 bpm • A# min • 03:46 • -10db
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Nerious Joseph
Rock Steady Time
128 bpm • A# Maj • 03:59 • -15db
25% Popularity • 97% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 97% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Sanchez
Loneliness
162 bpm • C Maj • 03:48 • -10.7db
35% Popularity • 75% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 75% Danceability • 42% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Pam Hall
I Will Always Love You
160 bpm • A Maj • 03:35 • -14.01db
2% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
2% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Admiral Tibet
Be Mine Tonight
163 bpm • C# Maj • 03:08 • -13.62db
30% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Half Pint
Level The Vibes
162 bpm • C Maj • 03:43 • -13db
28% Popularity • 74% Danceability • 50% Energy • 16% Liveness
4% Instrumentalness • 69% Positiveness
28% Popularity • 74% Danceability • 50% Energy • 16% Liveness
4% Instrumentalness • 69% Positiveness
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Leroy Mafia
There She Goes Again
164 bpm • F# Maj • 03:02 • -14.14db
20% Popularity • 76% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 76% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Barry Boom
Making Love
164 bpm • B Maj • 04:06 • -15.84db
33% Popularity • 81% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 81% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Colin Roach
Champion Sound
164 bpm • F# Maj • 03:39 • -16.45db
8% Popularity • 74% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 74% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Pam Hall
Truly
162 bpm • C Maj • 03:31 • -15.19db
17% Popularity • 64% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 64% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Beres Hammond & U Roy
Putting Up Resistance
164 bpm • A# min • 03:49 • -10.96db
23% Popularity • 81% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 81% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Janet Lee Davis
Walk On By
164 bpm • A min • 03:23 • -7.85db
30% Popularity • 72% Danceability • 66% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
30% Popularity • 72% Danceability • 66% Energy • 4% Liveness
2% Instrumentalness • 94% Positiveness
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Singing Melody
I Wanna Know
164 bpm • C# Maj • 03:48 • -7db
18% Popularity • 71% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 71% Danceability • 53% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
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Lloyd Brown
It's a Love Thing
165 bpm • C# Maj • 05:18 • -16.96db
8% Popularity • 73% Danceability • 25% Energy • 28% Liveness
2% Instrumentalness • 78% Positiveness
8% Popularity • 73% Danceability • 25% Energy • 28% Liveness
2% Instrumentalness • 78% Positiveness
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Beres Hammond & Marcia Griffiths
Live On
165 bpm • D Maj • 03:08 • -4.54db
27% Popularity • 73% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 73% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Super Cat
Big and Ready
165 bpm • C Maj • 03:52 • -8db
28% Popularity • 76% Danceability • 46% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 76% Danceability • 46% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
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Tony Curtis
Heaven Only Knows
165 bpm • B Maj • 03:22 • -6db
31% Popularity • 62% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 62% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
