Songs like Air by The Classical Jazz Quartet
Based on a tempo of (+/- 10%) and a similar genre
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Kenny Barron
Seascape - Remastered
97 bpm • D min • 05:29 • -11.36db
11% Popularity • 45% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
11% Popularity • 45% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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Red Garland Trio
Makin' Whoopee - Instrumental
97 bpm • D min • 04:12 • -17.76db
33% Popularity • 63% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
33% Popularity • 63% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
New Jazz-Suite: III. Aria - Golberg Vari...
97 bpm • G Maj • 02:15 • -31.28db
11% Popularity • 35% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 17% Positiveness
11% Popularity • 35% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 17% Positiveness
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The Classical Jazz Quartet
Air
97 bpm • F min • 07:55 • -16.92db
16% Popularity • 59% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
16% Popularity • 59% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
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Astor Piazzolla
Piazzolla: Oblivion
97 bpm • C min • 04:08 • -11.94db
19% Popularity • 15% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
19% Popularity • 15% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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Kenny Barron & Dave Holland
Waltz For Wheeler (Dedicated To Kenny Wh...
97 bpm • B Maj • 06:12 • -26.13db
10% Popularity • 51% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
10% Popularity • 51% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Ray Gallon
Monkey Bars
97 bpm • G# Maj • 05:42 • -15.85db
10% Popularity • 50% Danceability • 38% Energy • 9% Liveness
83% Instrumentalness • 36% Positiveness
10% Popularity • 50% Danceability • 38% Energy • 9% Liveness
83% Instrumentalness • 36% Positiveness
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Carsten Dahl
Somewhere over the Rainbow
96 bpm • G# Maj • 04:36 • -16.83db
42% Popularity • 49% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 36% Positiveness
42% Popularity • 49% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Prelude & Fugue No. 3 in C-Sharp Major, ...
98 bpm • C# Maj • 01:38 • -24.12db
17% Popularity • 45% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 89% Positiveness
17% Popularity • 45% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 89% Positiveness
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Shahin Novrasli
Cry Of Gulchura
98 bpm • F Maj • 03:54 • -18.93db
25% Popularity • 48% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
25% Popularity • 48% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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New York Trio
I Could Have Danced All Night
96 bpm • G Maj • 06:40 • -14db
23% Popularity • 61% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
23% Popularity • 61% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 45% Positiveness
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Charles Lloyd
The Water Is Wide
96 bpm • F Maj • 05:00 • -16.06db
29% Popularity • 46% Danceability • 18% Energy • 10% Liveness
39% Instrumentalness • 35% Positiveness
29% Popularity • 46% Danceability • 18% Energy • 10% Liveness
39% Instrumentalness • 35% Positiveness
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Ray Gallon
Nardis
96 bpm • C Maj • 05:36 • -16.06db
11% Popularity • 44% Danceability • 31% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
11% Popularity • 44% Danceability • 31% Energy • 16% Liveness
89% Instrumentalness • 21% Positiveness
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Ray Bryant
Misty
98 bpm • D Maj • 03:03 • -32.68db
28% Popularity • 49% Danceability • 1% Energy • 15% Liveness
75% Instrumentalness • 21% Positiveness
28% Popularity • 49% Danceability • 1% Energy • 15% Liveness
75% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Prelude & Fugue No. 3 in C-Sharp Minor, ...
96 bpm • C# Maj • 03:49 • -22.04db
12% Popularity • 42% Danceability • 31% Energy • 68% Liveness
85% Instrumentalness • 11% Positiveness
12% Popularity • 42% Danceability • 31% Energy • 68% Liveness
85% Instrumentalness • 11% Positiveness
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Marc Copland
Spartacus Love Theme
98 bpm • A min • 07:53 • -25db
34% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
34% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
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Jutta Hipp
Almost Like Being In Love
96 bpm • G min • 06:16 • -11.54db
27% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Ninine Garcia Quintet
Zaïdy
98 bpm • G Maj • 03:35 • -11.08db
37% Popularity • 75% Danceability • 36% Energy • 10% Liveness
20% Instrumentalness • 72% Positiveness
37% Popularity • 75% Danceability • 36% Energy • 10% Liveness
20% Instrumentalness • 72% Positiveness
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Ray Gallon
If I Had You
96 bpm • G# Maj • 06:21 • -19.28db
11% Popularity • 56% Danceability • 17% Energy • 9% Liveness
86% Instrumentalness • 31% Positiveness
11% Popularity • 56% Danceability • 17% Energy • 9% Liveness
86% Instrumentalness • 31% Positiveness
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Sonny Rollins
Blues For Philly Joe - Remastered
96 bpm • F Maj • 06:44 • -7db
35% Popularity • 55% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 55% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Sonny Clark
Dancing In The Dark
96 bpm • D# Maj • 03:29 • -14db
38% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Bill Charlap
The Nearness Of You
99 bpm • G Maj • 07:27 • -17.76db
48% Popularity • 38% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
48% Popularity • 38% Danceability • 13% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
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Joscho Stephan
Seul Ce Soir
98 bpm • C Maj • 05:29 • -9.3db
15% Popularity • 63% Danceability • 26% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
15% Popularity • 63% Danceability • 26% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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Zoot Sims
Suddenly It's Spring
99 bpm • F min • 05:38 • -15db
23% Popularity • 60% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
23% Popularity • 60% Danceability • 23% Energy • 12% Liveness
88% Instrumentalness • 23% Positiveness
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Kenny Barron
Lemuria - Remastered
99 bpm • B min • 04:36 • -10.97db
11% Popularity • 37% Danceability • 53% Energy • 27% Liveness
2% Instrumentalness • 42% Positiveness
11% Popularity • 37% Danceability • 53% Energy • 27% Liveness
2% Instrumentalness • 42% Positiveness
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Eldar Djangirov
'Round Midnight
99 bpm • C# Maj • 06:20 • -25.52db
27% Popularity • 40% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 15% Positiveness
27% Popularity • 40% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 15% Positiveness
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Branford Marsalis Quartet
The Ruby and The Pearl
95 bpm • G min • 08:55 • -15.55db
30% Popularity • 63% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 29% Positiveness
30% Popularity • 63% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 29% Positiveness
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Dave Liebman
Siciliana
95 bpm • G min • 04:31 • -15.91db
14% Popularity • 33% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
14% Popularity • 33% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Vernizzi Jazz Quartet & Corrado Giuffredi
Allemanda
99 bpm • G min • 04:04 • -10.24db
17% Popularity • 56% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
17% Popularity • 56% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
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Kenny Barron Quartet
Invitation
99 bpm • C# Maj • 07:49 • -8.44db
9% Popularity • 56% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 56% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Houston Person
Blues for DP
95 bpm • F min • 05:32 • -13.27db
8% Popularity • 59% Danceability • 14% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
8% Popularity • 59% Danceability • 14% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
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Marcin Wasilewski Trio
Cinema Paradiso
99 bpm • B Maj • 08:30 • -27.58db
22% Popularity • 29% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
22% Popularity • 29% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Nicholas Payton
Big George - Karriem Riggins Remix
94 bpm • G Maj • 05:41 • -12.67db
6% Popularity • 66% Danceability • 50% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
6% Popularity • 66% Danceability • 50% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Eddie Daniels
Awakening
94 bpm • G# Maj • 05:03 • -16.59db
30% Popularity • 42% Danceability • 42% Energy • 7% Liveness
91% Instrumentalness • 23% Positiveness
30% Popularity • 42% Danceability • 42% Energy • 7% Liveness
91% Instrumentalness • 23% Positiveness
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Michael Dease
Milestones
94 bpm • A# min • 06:13 • -8.57db
6% Popularity • 58% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
6% Popularity • 58% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Branford Marsalis Quartet
Cianna
100 bpm • D# Maj • 07:32 • -9.44db
24% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
24% Popularity • 56% Danceability • 45% Energy • 13% Liveness
84% Instrumentalness • 47% Positiveness
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Tobin Mueller
Grandfather Clock
100 bpm • D# Maj • 01:50 • -17.07db
13% Popularity • 67% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
13% Popularity • 67% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
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Red Garland Trio
Rain
94 bpm • G# Maj • 04:14 • -13.33db
39% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
39% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
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Nicholas Payton
Hangin' in and Jivin' - Tomoki Sanders R...
100 bpm • C# Maj • 03:29 • -10.94db
6% Popularity • 73% Danceability • 70% Energy • 8% Liveness
93% Instrumentalness • 59% Positiveness
6% Popularity • 73% Danceability • 70% Energy • 8% Liveness
93% Instrumentalness • 59% Positiveness
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Bill Charlap
A Foggy Day
94 bpm • D min • 09:04 • -22db
24% Popularity • 53% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 22% Positiveness
24% Popularity • 53% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 22% Positiveness
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Astor Piazzolla
Close your eyes and listen
100 bpm • A min • 04:34 • -14.7db
33% Popularity • 32% Danceability • 15% Energy • 11% Liveness
63% Instrumentalness • 18% Positiveness
33% Popularity • 32% Danceability • 15% Energy • 11% Liveness
63% Instrumentalness • 18% Positiveness
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Arnett Cobb
Blues Around Dusk
100 bpm • G Maj • 08:18 • -19.5db
18% Popularity • 73% Danceability • 12% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
18% Popularity • 73% Danceability • 12% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
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Christoph Willibald Gluck
Orphée & Eurydice: Ballet des ombres he...
100 bpm • A min • 03:58 • -21.26db
11% Popularity • 47% Danceability • 30% Energy • 67% Liveness
90% Instrumentalness • 42% Positiveness
11% Popularity • 47% Danceability • 30% Energy • 67% Liveness
90% Instrumentalness • 42% Positiveness
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Gary Anderson
A Love Like You
94 bpm • D min • 03:32 • -22db
28% Popularity • 48% Danceability • 14% Energy • 19% Liveness
62% Instrumentalness • 43% Positiveness
28% Popularity • 48% Danceability • 14% Energy • 19% Liveness
62% Instrumentalness • 43% Positiveness
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John Scofield
I Will
100 bpm • C Maj • 03:16 • -16db
33% Popularity • 78% Danceability • 12% Energy • 11% Liveness
44% Instrumentalness • 39% Positiveness
33% Popularity • 78% Danceability • 12% Energy • 11% Liveness
44% Instrumentalness • 39% Positiveness
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Stéphane Belmondo
La chanson d'Hélène
94 bpm • G min • 03:37 • -18db
28% Popularity • 44% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
28% Popularity • 44% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Trio X of Sweden
Träumerei
94 bpm • F Maj • 06:20 • -16db
22% Popularity • 50% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
22% Popularity • 50% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 39% Positiveness
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Charles Lloyd
La Llorona
100 bpm • A min • 06:00 • -12.03db
29% Popularity • 43% Danceability • 24% Energy • 9% Liveness
73% Instrumentalness • 7% Positiveness
29% Popularity • 43% Danceability • 24% Energy • 9% Liveness
73% Instrumentalness • 7% Positiveness
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Williamsburg Quartet
I Can't Stop Lovin
94 bpm • B Maj • 04:03 • -20.02db
37% Popularity • 67% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
37% Popularity • 67% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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marcus schinkel trio
Allegretto
100 bpm • C Maj • 04:44 • -13.1db
12% Popularity • 39% Danceability • 66% Energy • 8% Liveness
93% Instrumentalness • 62% Positiveness
12% Popularity • 39% Danceability • 66% Energy • 8% Liveness
93% Instrumentalness • 62% Positiveness
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John Brown
When October Goes
94 bpm • A# Maj • 08:12 • -17.87db
38% Popularity • 36% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
38% Popularity • 36% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Tord Gustavsen Trio
Curves
101 bpm • A Maj • 06:19 • -28.95db
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Ron Carter
Ah, Rio
94 bpm • F Maj • 06:08 • -14.47db
9% Popularity • 52% Danceability • 35% Energy • 21% Liveness
15% Instrumentalness • 46% Positiveness
9% Popularity • 52% Danceability • 35% Energy • 21% Liveness
15% Instrumentalness • 46% Positiveness
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Kyle Eastwood
Per le antiche scale
93 bpm • F min • 03:01 • -15.07db
12% Popularity • 53% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
12% Popularity • 53% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Charlie Rouse
When Sunny Gets Blue
101 bpm • F Maj • 05:48 • -14db
38% Popularity • 55% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
38% Popularity • 55% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Michael Brecker
Midnight Mood
93 bpm • F Maj • 06:23 • -16.88db
42% Popularity • 42% Danceability • 6% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
42% Popularity • 42% Danceability • 6% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
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Barry Harris Trio
All The Things You Are
93 bpm • G# Maj • 05:04 • -13.69db
26% Popularity • 44% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
26% Popularity • 44% Danceability • 25% Energy • 14% Liveness
90% Instrumentalness • 37% Positiveness
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Kenny Barron & Dave Holland
The Oracle
93 bpm • G min • 06:15 • -24db
20% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
20% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Ron Carter
Golden Striker
93 bpm • C Maj • 07:46 • -20.02db
9% Popularity • 47% Danceability • 28% Energy • 70% Liveness
91% Instrumentalness • 42% Positiveness
9% Popularity • 47% Danceability • 28% Energy • 70% Liveness
91% Instrumentalness • 42% Positiveness
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Tommy Flanagan Trio
Delarna
101 bpm • D Maj • 04:43 • -14.83db
34% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
34% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
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Lynne Arriale Trio
A house is not a home
101 bpm • C Maj • 04:48 • -19.42db
10% Popularity • 46% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 20% Positiveness
10% Popularity • 46% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 20% Positiveness
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Coleman Hawkins Quartet
Put On Your Old Grey Bonnet
101 bpm • D# Maj • 09:50 • -12.48db
27% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
27% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Tord Gustavsen Trio
Deep As Love
101 bpm • A min • 05:54 • -26.23db
39% Popularity • 57% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
39% Popularity • 57% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
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Trio X of Sweden
Wedding March
93 bpm • C Maj • 04:12 • -25.93db
24% Popularity • 52% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 24% Positiveness
24% Popularity • 52% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 24% Positiveness
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Ron Carter
Eight
101 bpm • C Maj • 07:02 • -11.28db
7% Popularity • 45% Danceability • 49% Energy • 28% Liveness
38% Instrumentalness • 38% Positiveness
7% Popularity • 45% Danceability • 49% Energy • 28% Liveness
38% Instrumentalness • 38% Positiveness
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Stuff Smith
It's Wonderful
102 bpm • C min • 04:00 • -18.36db
13% Popularity • 66% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 66% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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New York Trio
How High The Moon
102 bpm • G Maj • 07:50 • -12.9db
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Myriam Alter
Still In Love
92 bpm • A min • 06:22 • -16db
15% Popularity • 28% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 28% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Alan Pasqua
Smile
102 bpm • G Maj • 05:33 • -25db
39% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
39% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Pearl Django
Bittersweet
102 bpm • C min • 04:28 • -14db
24% Popularity • 66% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
24% Popularity • 66% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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Sonny Rollins
Where Are You - Remastered
102 bpm • F Maj • 05:10 • -23db
46% Popularity • 55% Danceability • 1% Energy • 16% Liveness
9% Instrumentalness • 13% Positiveness
46% Popularity • 55% Danceability • 1% Energy • 16% Liveness
9% Instrumentalness • 13% Positiveness
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Charlie Haden Quartet West
Blue In Green
102 bpm • D min • 07:21 • -25.27db
15% Popularity • 37% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
15% Popularity • 37% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
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Trio X of Sweden
Vid Frösö kyrka
102 bpm • A# min • 04:57 • -18.99db
42% Popularity • 54% Danceability • 11% Energy • 10% Liveness
65% Instrumentalness • 16% Positiveness
42% Popularity • 54% Danceability • 11% Energy • 10% Liveness
65% Instrumentalness • 16% Positiveness
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Al Di Meola
Oblivion
102 bpm • C min • 06:03 • -13.27db
29% Popularity • 59% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
29% Popularity • 59% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
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Jacob Karlzon
Bubbles
102 bpm • A# min • 05:06 • -24.55db
37% Popularity • 57% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
37% Popularity • 57% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Eddie Daniels
Beautiful Love
92 bpm • D min • 05:40 • -16db
16% Popularity • 46% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
16% Popularity • 46% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
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Sonny Rollins
God Bless the Child
102 bpm • D Maj • 07:27 • -18db
47% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
47% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
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New York Trio
Mona Lisa
102 bpm • D# Maj • 03:40 • -16db
24% Popularity • 50% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
24% Popularity • 50% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Branford Marsalis Quartet
Dinner for One Please, James
102 bpm • G# Maj • 08:02 • -16.99db
23% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
23% Popularity • 45% Danceability • 6% Energy • 28% Liveness
2% Instrumentalness • 14% Positiveness
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T.K. Blue
Frozen Mist - from Wise Eyes of the Elde...
103 bpm • A# min • 05:09 • -11.11db
0% Popularity • 44% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
0% Popularity • 44% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Kenny Barron & Dave Holland
In Walked Bud
92 bpm • A# Maj • 06:21 • -22.26db
14% Popularity • 63% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
14% Popularity • 63% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Eddie Daniels
Blue Bossa
91 bpm • F min • 03:23 • -19.08db
28% Popularity • 51% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
28% Popularity • 51% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Brad Hatfield
Slinky Swing
103 bpm • C min • 02:12 • -20.53db
41% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
41% Popularity • 67% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
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Johann Sebastian Bach
Invention No. 13 in A Minor, BWV 784 - A...
91 bpm • G Maj • 03:35 • -22.1db
12% Popularity • 50% Danceability • 34% Energy • 68% Liveness
80% Instrumentalness • 37% Positiveness
12% Popularity • 50% Danceability • 34% Energy • 68% Liveness
80% Instrumentalness • 37% Positiveness
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Lakecia Benjamin
Syeeda's Song Flute
103 bpm • A# min • 06:36 • -7.91db
8% Popularity • 48% Danceability • 57% Energy • 12% Liveness
7% Instrumentalness • 34% Positiveness
8% Popularity • 48% Danceability • 57% Energy • 12% Liveness
7% Instrumentalness • 34% Positiveness
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John Di Martino's Romantic Jazz Trio
Night Flower - Nocturne No. 15 in F mino...
91 bpm • G# Maj • 05:02 • -9.84db
9% Popularity • 38% Danceability • 52% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
9% Popularity • 38% Danceability • 52% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
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Teddy Wilson
As Times Goes By
91 bpm • G# Maj • 03:07 • -16db
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
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Laurent De Wilde
Misterioso
103 bpm • A# min • 04:27 • -22.85db
29% Popularity • 72% Danceability • 19% Energy • 7% Liveness
81% Instrumentalness • 53% Positiveness
29% Popularity • 72% Danceability • 19% Energy • 7% Liveness
81% Instrumentalness • 53% Positiveness
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Kenny Barron
Passion Flower - Instrumental
104 bpm • G# Maj • 07:36 • -18.96db
31% Popularity • 45% Danceability • 23% Energy • 37% Liveness
91% Instrumentalness • 8% Positiveness
31% Popularity • 45% Danceability • 23% Energy • 37% Liveness
91% Instrumentalness • 8% Positiveness
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Bill Charlap
Rockin' Chair
91 bpm • F min • 07:19 • -11db
14% Popularity • 63% Danceability • 32% Energy • 12% Liveness
11% Instrumentalness • 21% Positiveness
14% Popularity • 63% Danceability • 32% Energy • 12% Liveness
11% Instrumentalness • 21% Positiveness
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Charles Lloyd
How Can I Tell You - Live
91 bpm • D# Maj • 09:46 • -12.75db
32% Popularity • 38% Danceability • 30% Energy • 77% Liveness
37% Instrumentalness • 25% Positiveness
32% Popularity • 38% Danceability • 30% Energy • 77% Liveness
37% Instrumentalness • 25% Positiveness
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Russell Malone
Do I Love You
104 bpm • D Maj • 03:16 • -21.12db
34% Popularity • 56% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
34% Popularity • 56% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Eddie Heywood
Hey There
91 bpm • D# Maj • 02:30 • -19.89db
34% Popularity • 68% Danceability • 10% Energy • 13% Liveness
79% Instrumentalness • 25% Positiveness
34% Popularity • 68% Danceability • 10% Energy • 13% Liveness
79% Instrumentalness • 25% Positiveness
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James Carter
'Round Midnight
91 bpm • D# Maj • 06:06 • -15.33db
18% Popularity • 36% Danceability • 21% Energy • 15% Liveness
87% Instrumentalness • 24% Positiveness
18% Popularity • 36% Danceability • 21% Energy • 15% Liveness
87% Instrumentalness • 24% Positiveness
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Tord Gustavsen Trio
Graceful Touch
104 bpm • D min • 03:50 • -27.12db
42% Popularity • 58% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
42% Popularity • 58% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Espen Eriksen Trio
Perfectly Unhappy
104 bpm • G# Maj • 04:41 • -14.77db
19% Popularity • 70% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
19% Popularity • 70% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
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Cyrus Chestnut
Gymnopédie No. 1
104 bpm • G Maj • 06:14 • -21.13db
23% Popularity • 39% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 22% Positiveness
23% Popularity • 39% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 22% Positiveness
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Triosence
Leave Me Here
104 bpm • A# min • 04:03 • -16.88db
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
37% Popularity • 46% Danceability • 26% Energy • 11% Liveness
48% Instrumentalness • 18% Positiveness
