Songs like Airport Love Theme by Alfred Newman
Based on a tempo of (+/- 10%) and a similar genre
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20th Century Fox Orchestra
Ben Spies on Lovers / Southern Breeze
78 bpm • A# min • 04:39 • -17.83db
0% Popularity • 9% Danceability • 21% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
0% Popularity • 9% Danceability • 21% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Armando Trovajoli
Rossana Waltz
78 bpm • G Maj • 00:52 • -13.94db
12% Popularity • 27% Danceability • 31% Energy • 56% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 27% Danceability • 31% Energy • 56% Liveness
4% Instrumentalness • 8% Positiveness
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Norman Candler
Taking a Chance on Love - Remastered
78 bpm • G Maj • 02:33 • -8db
29% Popularity • 20% Danceability • 37% Energy • 17% Liveness
84% Instrumentalness • 36% Positiveness
29% Popularity • 20% Danceability • 37% Energy • 17% Liveness
84% Instrumentalness • 36% Positiveness
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Alfred Newman
The Seven Year Itch: The Seven Year Itch...
78 bpm • D Maj • 03:15 • -13.68db
3% Popularity • 37% Danceability • 33% Energy • 16% Liveness
14% Instrumentalness • 36% Positiveness
3% Popularity • 37% Danceability • 33% Energy • 16% Liveness
14% Instrumentalness • 36% Positiveness
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Riz Ortolani
More - Modelle in blu
78 bpm • B min • 03:50 • -8db
17% Popularity • 20% Danceability • 40% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
17% Popularity • 20% Danceability • 40% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Marcello Ciorciolini
Ti Guarderò Nel Cuore
78 bpm • B min • 03:50 • -11.68db
9% Popularity • 21% Danceability • 30% Energy • 13% Liveness
58% Instrumentalness • 16% Positiveness
9% Popularity • 21% Danceability • 30% Energy • 13% Liveness
58% Instrumentalness • 16% Positiveness
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Elmer Bernstein
Main Title
78 bpm • A Maj • 03:21 • -18db
24% Popularity • 15% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
24% Popularity • 15% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Les & Larry Elgart
Skyliner
79 bpm • D Maj • 02:12 • -14db
33% Popularity • 75% Danceability • 25% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
33% Popularity • 75% Danceability • 25% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
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Hollyridge Strings
Caroline, No
79 bpm • A# min • 02:09 • -9.01db
17% Popularity • 38% Danceability • 39% Energy • 7% Liveness
39% Instrumentalness • 34% Positiveness
17% Popularity • 38% Danceability • 39% Energy • 7% Liveness
39% Instrumentalness • 34% Positiveness
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Alfred Newman
Airport Love Theme
78 bpm • G# min • 03:32 • -23db
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
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Bruno Nicolai
Una strana voglia di amare
77 bpm • G Maj • 02:15 • -22db
22% Popularity • 10% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 27% Positiveness
22% Popularity • 10% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 27% Positiveness
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Gary Grant
Continue
79 bpm • G min • 03:03 • -21db
26% Popularity • 29% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
26% Popularity • 29% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
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Elmer Bernstein
The Age of Innocence
78 bpm • C min • 04:36 • -10db
24% Popularity • 16% Danceability • 34% Energy • 17% Liveness
87% Instrumentalness • 10% Positiveness
24% Popularity • 16% Danceability • 34% Energy • 17% Liveness
87% Instrumentalness • 10% Positiveness
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Laurent Hess
Why Do You Pass Me By (Vous Qui Passez S...
79 bpm • G Maj • 03:01 • -12.63db
10% Popularity • 22% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
10% Popularity • 22% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Joaquin Borges
I Still See You
79 bpm • A# Maj • 02:50 • -12.03db
11% Popularity • 17% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 17% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Alfred Newman
The Carriage of the Cross
77 bpm • A# min • 02:01 • -15.51db
3% Popularity • 18% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 12% Positiveness
3% Popularity • 18% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 12% Positiveness
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Dave Grusin
The Girl From U.N.C.L.E.
79 bpm • E min • 02:41 • -14.35db
28% Popularity • 44% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 44% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Gianni Ferrio
Elena Elena
77 bpm • C Maj • 03:16 • -15db
26% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 66% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Peter Dennis
Sweet Shake
79 bpm • C Maj • 02:28 • -6.51db
11% Popularity • 42% Danceability • 55% Energy • 19% Liveness
7% Instrumentalness • 69% Positiveness
11% Popularity • 42% Danceability • 55% Energy • 19% Liveness
7% Instrumentalness • 69% Positiveness
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Max Steiner
Scarlett Prepares for the Barbecue
79 bpm • F Maj • 02:21 • -14db
18% Popularity • 27% Danceability • 30% Energy • 35% Liveness
62% Instrumentalness • 32% Positiveness
18% Popularity • 27% Danceability • 30% Energy • 35% Liveness
62% Instrumentalness • 32% Positiveness
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Charlie Byrd
Dindi
79 bpm • F Maj • 03:57 • -21.96db
18% Popularity • 42% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
18% Popularity • 42% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Alfred Newman
Attempted Suicide
77 bpm • G# min • 01:53 • -18.28db
2% Popularity • 18% Danceability • 15% Energy • 17% Liveness
10% Instrumentalness • 3% Positiveness
2% Popularity • 18% Danceability • 15% Energy • 17% Liveness
10% Instrumentalness • 3% Positiveness
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Alex North
A Streetcar Named Desire: Main Title/New...
80 bpm • F# min • 02:30 • -11.36db
16% Popularity • 33% Danceability • 38% Energy • 37% Liveness
65% Instrumentalness • 7% Positiveness
16% Popularity • 33% Danceability • 38% Energy • 37% Liveness
65% Instrumentalness • 7% Positiveness
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Ron Goodwin
The Girl from Corsica
76 bpm • G min • 02:59 • -10.67db
16% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
16% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
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Michel Colombier
Un monsieur distingué
76 bpm • D min • 03:22 • -17db
15% Popularity • 23% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
15% Popularity • 23% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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The Melachrino Strings and Orchestra
The Loveliest Night of the Year
76 bpm • A Maj • 02:45 • -12db
30% Popularity • 15% Danceability • 33% Energy • 6% Liveness
92% Instrumentalness • 23% Positiveness
30% Popularity • 15% Danceability • 33% Energy • 6% Liveness
92% Instrumentalness • 23% Positiveness
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Leonard Rosenman
Ferris Wheel
76 bpm • C Maj • 01:25 • -25.39db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Alfred Newman
Bereavement and Fulfillment
77 bpm • G Maj • 03:16 • -19.61db
3% Popularity • 7% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
3% Popularity • 7% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Paul Misraki
Thème d'amour
80 bpm • D# Maj • 01:36 • -12db
20% Popularity • 18% Danceability • 26% Energy • 14% Liveness
17% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 26% Energy • 14% Liveness
17% Instrumentalness • 8% Positiveness
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George Gershwin
Do, Do, Do
80 bpm • D# Maj • 01:52 • -25db
19% Popularity • 33% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 36% Positiveness
19% Popularity • 33% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 36% Positiveness
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Piero Umiliani
Disgelo
80 bpm • C Maj • 02:27 • -10.96db
22% Popularity • 25% Danceability • 38% Energy • 17% Liveness
75% Instrumentalness • 14% Positiveness
22% Popularity • 25% Danceability • 38% Energy • 17% Liveness
75% Instrumentalness • 14% Positiveness
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Marvin Hamlisch
Theme from "The Swimmer" (Send for Me In...
76 bpm • F min • 03:04 • -16db
14% Popularity • 8% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
14% Popularity • 8% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Leonard Rosenman
Main Title
76 bpm • E min • 02:50 • -17db
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
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Alfred Newman
New York
80 bpm • G# Maj • 02:27 • -8.39db
3% Popularity • 61% Danceability • 58% Energy • 24% Liveness
11% Instrumentalness • 78% Positiveness
3% Popularity • 61% Danceability • 58% Energy • 24% Liveness
11% Instrumentalness • 78% Positiveness
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Bruno Nicolai
Fine di un incubo - Titoli di coda - Rem...
76 bpm • C Maj • 02:21 • -11.81db
17% Popularity • 40% Danceability • 50% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
17% Popularity • 40% Danceability • 50% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
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The Melachrino Strings and Orchestra
In the Blue of the Evening
80 bpm • F Maj • 03:33 • -16db
15% Popularity • 21% Danceability • 26% Energy • 11% Liveness
51% Instrumentalness • 16% Positiveness
15% Popularity • 21% Danceability • 26% Energy • 11% Liveness
51% Instrumentalness • 16% Positiveness
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Max Steiner
I'll Never Be Hungry Again!
80 bpm • C Maj • 06:08 • -14db
16% Popularity • 7% Danceability • 25% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 25% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Billy May & His Orchestra
Heart of Mine
80 bpm • A Maj • 02:22 • -15db
21% Popularity • 21% Danceability • 30% Energy • 16% Liveness
88% Instrumentalness • 20% Positiveness
21% Popularity • 21% Danceability • 30% Energy • 16% Liveness
88% Instrumentalness • 20% Positiveness
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Francis Lai
Thème Mellie
80 bpm • C min • 04:32 • -13.25db
13% Popularity • 22% Danceability • 31% Energy • 53% Liveness
82% Instrumentalness • 12% Positiveness
13% Popularity • 22% Danceability • 31% Energy • 53% Liveness
82% Instrumentalness • 12% Positiveness
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Alfred Newman
How To Marry A Millionaire: Street Scene
80 bpm • A Maj • 05:38 • -12.78db
4% Popularity • 24% Danceability • 27% Energy • 35% Liveness
90% Instrumentalness • 15% Positiveness
4% Popularity • 24% Danceability • 27% Energy • 35% Liveness
90% Instrumentalness • 15% Positiveness
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Los Indios Tabajaras
Star Dust
76 bpm • E Maj • 02:37 • -15.98db
35% Popularity • 74% Danceability • 13% Energy • 11% Liveness
56% Instrumentalness • 46% Positiveness
35% Popularity • 74% Danceability • 13% Energy • 11% Liveness
56% Instrumentalness • 46% Positiveness
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Moscow Symphony Orchestra
The Egyptian (Restored J. Morgan): The N...
76 bpm • E min • 01:24 • -29.33db
4% Popularity • 19% Danceability • 4% Energy • 28% Liveness
79% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 4% Energy • 28% Liveness
79% Instrumentalness • 4% Positiveness
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Armando Trovajoli
Rossana - Bossa Nova Version
80 bpm • G Maj • 02:07 • -14db
33% Popularity • 54% Danceability • 15% Energy • 12% Liveness
10% Instrumentalness • 23% Positiveness
33% Popularity • 54% Danceability • 15% Energy • 12% Liveness
10% Instrumentalness • 23% Positiveness
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Walter Wanderley
O Barquinho
80 bpm • F min • 03:01 • -19.15db
34% Popularity • 50% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 87% Positiveness
34% Popularity • 50% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 87% Positiveness
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Bruno Nicolai
In automobile - Remastered 2022
76 bpm • G Maj • 01:07 • -11.32db
26% Popularity • 47% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 47% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Alfred Newman
Street Scene from 'How to Marry a Millio...
76 bpm • A Maj • 06:04 • -17.82db
3% Popularity • 15% Danceability • 24% Energy • 25% Liveness
87% Instrumentalness • 10% Positiveness
3% Popularity • 15% Danceability • 24% Energy • 25% Liveness
87% Instrumentalness • 10% Positiveness
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Antonio Rossi & His Orchestra
Yesterday, Once More
76 bpm • D# Maj • 04:05 • -16.92db
18% Popularity • 25% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
18% Popularity • 25% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Otto Cesana
Enchantment
81 bpm • F Maj • 03:09 • -10db
15% Popularity • 12% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
15% Popularity • 12% Danceability • 45% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Gary Grant
Villefranche / In The Chapel
81 bpm • G Maj • 03:37 • -22.31db
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Francis Lai
The Long Walk Home
75 bpm • A min • 01:30 • -19.83db
37% Popularity • 27% Danceability • 34% Energy • 34% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 27% Danceability • 34% Energy • 34% Liveness
95% Instrumentalness • 4% Positiveness
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Bruno Nicolai
La contessa, stravaganze
80 bpm • E min • 02:55 • -26.79db
16% Popularity • 14% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 14% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Alfred Newman
The Seven Year Itch: A Dream
76 bpm • D# Maj • 03:48 • -18.6db
3% Popularity • 13% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
3% Popularity • 13% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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James Last
Jean
81 bpm • F min • 04:20 • -21.08db
26% Popularity • 32% Danceability • 24% Energy • 69% Liveness
91% Instrumentalness • 12% Positiveness
26% Popularity • 32% Danceability • 24% Energy • 69% Liveness
91% Instrumentalness • 12% Positiveness
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Max Steiner
It Can’t Be Wrong
75 bpm • F Maj • 02:57 • -15db
19% Popularity • 9% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
19% Popularity • 9% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Keith Mansfield
Love Poem
81 bpm • C# Maj • 03:53 • -21.18db
12% Popularity • 32% Danceability • 10% Energy • 8% Liveness
64% Instrumentalness • 16% Positiveness
12% Popularity • 32% Danceability • 10% Energy • 8% Liveness
64% Instrumentalness • 16% Positiveness
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Dave Grusin
The Singleman Party Foxtrot
75 bpm • F min • 02:51 • -10.47db
30% Popularity • 20% Danceability • 46% Energy • 24% Liveness
3% Instrumentalness • 42% Positiveness
30% Popularity • 20% Danceability • 46% Energy • 24% Liveness
3% Instrumentalness • 42% Positiveness
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Bruno Nicolai
La contessa, visioni
81 bpm • G Maj • 02:02 • -22db
34% Popularity • 10% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
34% Popularity • 10% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
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Alfred Newman
The Hunchback of Notre Dame (restored an...
81 bpm • A# Maj • 03:28 • -31.47db
3% Popularity • 17% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Francis Lai
Theme Thea
81 bpm • G# Maj • 04:07 • -35.5db
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Piero Umiliani
Alba Sul Mare
75 bpm • G Maj • 03:12 • -8db
26% Popularity • 21% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
26% Popularity • 21% Danceability • 41% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
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Gary Grant
Return To Villefranche
81 bpm • E Maj • 03:53 • -21db
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 13% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
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Billy May
If I Had You
81 bpm • G min • 03:25 • -13.61db
36% Popularity • 30% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
36% Popularity • 30% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Leonard Rosenman
Rebel Without a Cause: Love Theme
75 bpm • G Maj • 01:28 • -29.59db
29% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
29% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
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Alfred Newman
Ada Quonsett, Stowaway!
80 bpm • G# Maj • 01:29 • -13.78db
3% Popularity • 64% Danceability • 20% Energy • 15% Liveness
2% Instrumentalness • 20% Positiveness
3% Popularity • 64% Danceability • 20% Energy • 15% Liveness
2% Instrumentalness • 20% Positiveness
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Gabriel Yared
Blue Zoon
75 bpm • A# Maj • 02:48 • -18db
15% Popularity • 25% Danceability • 11% Energy • 14% Liveness
59% Instrumentalness • 11% Positiveness
15% Popularity • 25% Danceability • 11% Energy • 14% Liveness
59% Instrumentalness • 11% Positiveness
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Hollywood Symphony Orchestra
Thornbirds Theme
75 bpm • A min • 03:10 • -13db
10% Popularity • 11% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
10% Popularity • 11% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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20th Century Fox Orchestra
Questions / Karin's Wild Ride
82 bpm • D min • 02:32 • -12.75db
0% Popularity • 19% Danceability • 19% Energy • 44% Liveness
92% Instrumentalness • 5% Positiveness
0% Popularity • 19% Danceability • 19% Energy • 44% Liveness
92% Instrumentalness • 5% Positiveness
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The Melachrino Strings and Orchestra
The Song from Moulin Rouge
82 bpm • G# Maj • 03:15 • -17.87db
27% Popularity • 15% Danceability • 12% Energy • 10% Liveness
20% Instrumentalness • 17% Positiveness
27% Popularity • 15% Danceability • 12% Energy • 10% Liveness
20% Instrumentalness • 17% Positiveness
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Hollyridge Strings
God Only Knows
82 bpm • A Maj • 02:44 • -10.12db
19% Popularity • 12% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 11% Positiveness
19% Popularity • 12% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 11% Positiveness
► Preview
Alfred Newman
The Hunchback of Notre Dame (restored an...
80 bpm • D# min • 01:46 • -32.46db
4% Popularity • 9% Danceability • 3% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
4% Popularity • 9% Danceability • 3% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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Gary Grant
Revelation
82 bpm • G min • 03:14 • -21db
26% Popularity • 8% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Tony Mottola y Su Orquesta
Sorrento
82 bpm • A min • 02:47 • -12.94db
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
26% Popularity • 32% Danceability • 19% Energy • 12% Liveness
69% Instrumentalness • 49% Positiveness
► Preview
Gato Barbieri
Picture in The Rain
82 bpm • F min • 01:53 • -9.66db
16% Popularity • 26% Danceability • 36% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
16% Popularity • 26% Danceability • 36% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
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Francis Lai
Le voyou
82 bpm • A# Maj • 02:42 • -10.11db
9% Popularity • 46% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 66% Positiveness
9% Popularity • 46% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 66% Positiveness
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The Telecast Orchestra
Party Dress
82 bpm • D Maj • 02:19 • -8db
9% Popularity • 31% Danceability • 48% Energy • 13% Liveness
91% Instrumentalness • 28% Positiveness
9% Popularity • 31% Danceability • 48% Energy • 13% Liveness
91% Instrumentalness • 28% Positiveness
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Alfred Newman
Street Scene
76 bpm • A Maj • 02:55 • -12.28db
3% Popularity • 26% Danceability • 50% Energy • 35% Liveness
83% Instrumentalness • 16% Positiveness
3% Popularity • 26% Danceability • 50% Energy • 35% Liveness
83% Instrumentalness • 16% Positiveness
► Preview
Luis Bacalov
The Last Chance - L' ultima Chance (Main...
82 bpm • B min • 02:59 • -14db
21% Popularity • 20% Danceability • 23% Energy • 11% Liveness
50% Instrumentalness • 14% Positiveness
21% Popularity • 20% Danceability • 23% Energy • 11% Liveness
50% Instrumentalness • 14% Positiveness
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Peter Hamilton Orchestra
Morte a Venezia - Adagietto From the 5th...
83 bpm • F Maj • 03:37 • -18.6db
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Armando Trovajoli
Rossana Slow - Vibrafono e fischio
83 bpm • A min • 01:38 • -14db
19% Popularity • 27% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
19% Popularity • 27% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
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Max Steiner
Casablanca - Suite
83 bpm • D# Maj • 06:54 • -17db
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Group-Forty Orchestra
Spring Fashion
83 bpm • G Maj • 02:41 • -13db
23% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
23% Popularity • 23% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
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Alfred Newman
Inez - Lost Forever
75 bpm • E Maj • 01:48 • -21.39db
5% Popularity • 8% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
5% Popularity • 8% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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The Melachrino Strings
Misty
74 bpm • E Maj • 03:42 • -18.8db
28% Popularity • 8% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Michael Small
Lounge Music
74 bpm • G min • 02:05 • -10db
41% Popularity • 62% Danceability • 38% Energy • 18% Liveness
97% Instrumentalness • 38% Positiveness
41% Popularity • 62% Danceability • 38% Energy • 18% Liveness
97% Instrumentalness • 38% Positiveness
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Burt Bacharach
Not Goin' Home Anymore - Reprise / From ...
83 bpm • G min • 01:02 • -22.97db
34% Popularity • 70% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
34% Popularity • 70% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
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Lex Baxter
Tahiti a Summer Night At Sea
73 bpm • C Maj • 02:33 • -16.19db
5% Popularity • 9% Danceability • 26% Energy • 16% Liveness
98% Instrumentalness • 23% Positiveness
5% Popularity • 9% Danceability • 26% Energy • 16% Liveness
98% Instrumentalness • 23% Positiveness
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Gareth Hughes
Romantic Evening
83 bpm • D min • 02:09 • -8db
7% Popularity • 22% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 25% Positiveness
7% Popularity • 22% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 25% Positiveness
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Alfred Newman
The Family and Bronwyn
81 bpm • G Maj • 06:33 • -16.75db
2% Popularity • 16% Danceability • 30% Energy • 46% Liveness
91% Instrumentalness • 18% Positiveness
2% Popularity • 16% Danceability • 30% Energy • 46% Liveness
91% Instrumentalness • 18% Positiveness
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The Melachrino Strings
La Vie En Rose
83 bpm • D Maj • 02:57 • -19db
35% Popularity • 16% Danceability • 21% Energy • 16% Liveness
29% Instrumentalness • 13% Positiveness
35% Popularity • 16% Danceability • 21% Energy • 16% Liveness
29% Instrumentalness • 13% Positiveness
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David Rose Orchestra
An American in Paris
83 bpm • C min • 02:45 • -12.59db
21% Popularity • 44% Danceability • 24% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
21% Popularity • 44% Danceability • 24% Energy • 9% Liveness
79% Instrumentalness • 39% Positiveness
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Armando Trovajoli
Tais-toi quand tu parles 12
83 bpm • F Maj • 01:18 • -21.43db
31% Popularity • 60% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 47% Positiveness
31% Popularity • 60% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 47% Positiveness
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Gary Grant
End Title: An Affair To Remember
83 bpm • G# Maj • 03:53 • -20db
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Orchestra Sinfonica Di Milano
The Shower - Excerpt from Dressed to Kil...
83 bpm • C Maj • 03:41 • -17.84db
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
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Alfred Newman
The Hunchback of Notre Dame (restored an...
82 bpm • E min • 00:52 • -20.83db
2% Popularity • 37% Danceability • 25% Energy • 63% Liveness
78% Instrumentalness • 32% Positiveness
2% Popularity • 37% Danceability • 25% Energy • 63% Liveness
78% Instrumentalness • 32% Positiveness
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Raymond Scott
Think of a Carpet (Masland Carpets) - In...
83 bpm • G# Maj • 01:02 • -13db
48% Popularity • 24% Danceability • 36% Energy • 19% Liveness
93% Instrumentalness • 28% Positiveness
48% Popularity • 24% Danceability • 36% Energy • 19% Liveness
93% Instrumentalness • 28% Positiveness
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David Rose
Gay Spirits - Remastered
73 bpm • G Maj • 02:07 • -9db
29% Popularity • 37% Danceability • 47% Energy • 31% Liveness
76% Instrumentalness • 42% Positiveness
29% Popularity • 37% Danceability • 47% Energy • 31% Liveness
76% Instrumentalness • 42% Positiveness
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Burt Bacharach
Come Touch The Sun
83 bpm • G Maj • 02:31 • -19.79db
28% Popularity • 28% Danceability • 12% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
28% Popularity • 28% Danceability • 12% Energy • 9% Liveness
54% Instrumentalness • 21% Positiveness
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Giovanni Fusco
Eclisse Slow
73 bpm • G Maj • 02:47 • -27db
20% Popularity • 32% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
20% Popularity • 32% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
