Songs like Ajha Potama by La Nueva Luna
Based on a tempo of (+/- 10%) and a similar genre
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Santiago Sheridan
Correntino Hasta Morir
122 bpm • D Maj • 02:33 • -3.4db
23% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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La Nueva Luna
Ajha Potama
122 bpm • A Maj • 02:34 • -5.99db
20% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Sin Estribos
Bailongo en Lo de el Rengo
122 bpm • D Maj • 02:20 • -7.57db
12% Popularity • 78% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 78% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Grupo Integración
Arrepentimiento
122 bpm • E Maj • 02:56 • -4.93db
24% Popularity • 81% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 81% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Trio Cocomarola
Lunita de Taragui
122 bpm • C min • 02:19 • -11.21db
24% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Guillermo de Pompert
Forastero del Iberá
122 bpm • C Maj • 02:57 • -5.22db
28% Popularity • 71% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 71% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Santiago Sheridan
Noche y Bandoneón
122 bpm • A Maj • 02:10 • -4.73db
9% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 70% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Los Sena
Adiós Ciudad de Mercedes
121 bpm • C Maj • 02:10 • -3.58db
28% Popularity • 64% Danceability • 66% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 64% Danceability • 66% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
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Coquimarola
El Sancosmeño
121 bpm • F# Maj • 02:30 • -2.61db
16% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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La Nueva Luna
Añoranzas
123 bpm • C Maj • 02:42 • -6.81db
12% Popularity • 56% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 56% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Raulito Barboza y su Trio
Mi Bien Amada
123 bpm • A Maj • 02:29 • -3.53db
9% Popularity • 71% Danceability • 80% Energy • 6% Liveness
84% Instrumentalness • 80% Positiveness
9% Popularity • 71% Danceability • 80% Energy • 6% Liveness
84% Instrumentalness • 80% Positiveness
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Carlos Ramón Fernández
Por Querer Amarte Tanto
121 bpm • F# min • 03:45 • -5db
35% Popularity • 81% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 81% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Grupo Reencuentro
Basilio Magos
123 bpm • G# Maj • 03:19 • -12.34db
24% Popularity • 74% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 74% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sele Vera y Pampas de Bariloche
Me Sobrabas Tú
121 bpm • D Maj • 03:54 • -7.79db
40% Popularity • 80% Danceability • 44% Energy • 26% Liveness
14% Instrumentalness • 90% Positiveness
40% Popularity • 80% Danceability • 44% Energy • 26% Liveness
14% Instrumentalness • 90% Positiveness
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Milton Pino
Facón Brasilero
123 bpm • D min • 02:43 • -8.53db
21% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Emiliano Cardozo
Enganchado No. 2: Aquella Carta/Dejame V...
121 bpm • A# Maj • 07:13 • -9.75db
18% Popularity • 55% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 55% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Santiago Sheridan
Canto Agradecido
120 bpm • E Maj • 03:18 • -3db
16% Popularity • 53% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 53% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Carlos Infante
Confesión entre hermanos
121 bpm • E min • 04:44 • -12.38db
29% Popularity • 66% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 66% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Carlos Ramón Fernández
Un Secreto Infernal
120 bpm • F# min • 03:39 • -5db
32% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hernan Figueroa Reyes
Que Mala Suerte
120 bpm • A min • 02:23 • -12db
39% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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La Nueva Luna
Amor Juraste
124 bpm • D min • 02:23 • -7.25db
13% Popularity • 52% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 52% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Los Criollos
Piel de Leon
120 bpm • D Maj • 03:17 • -6.16db
45% Popularity • 74% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 74% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Catherine Vergnes
Naci de un Rio
124 bpm • C min • 02:56 • -7.68db
34% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Los Cuatro De Cordoba
La Oma
120 bpm • G min • 03:13 • -6db
45% Popularity • 65% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 65% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 75% Positiveness
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Grupo ItatÃ
Cañada Fragoza
120 bpm • B Maj • 02:51 • -2.66db
21% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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A Puro Viento
Rumbeando pal' Quebrayugo
120 bpm • F min • 03:16 • -5.9db
17% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Palomita y Teresita base
Adios palomita ingrata
124 bpm • G Maj • 01:50 • -5.05db
16% Popularity • 64% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 64% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Los Majestuosos Del Chamamé
La Pucha Con Mi Destino
120 bpm • G min • 02:08 • -3.54db
27% Popularity • 79% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 79% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Catherine Vergnes
Sonrisa Litoraleña
120 bpm • D Maj • 02:32 • -8db
32% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Abel ivroud
De Tijeras y Tuzadores
120 bpm • A min • 02:36 • -7.29db
32% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Juan Carlos Jensen
Caballos
124 bpm • D min • 03:16 • -2.89db
15% Popularity • 46% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 46% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Los Palmareños
Por Tu Querer No Voy a Llorar
120 bpm • A min • 03:19 • -3.2db
27% Popularity • 71% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 71% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Los Hermanos Cuestas
Canción de Puerto Sanchez
120 bpm • B min • 03:20 • -9.92db
32% Popularity • 64% Danceability • 38% Energy • 65% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 64% Danceability • 38% Energy • 65% Liveness
0% Instrumentalness • 51% Positiveness
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Carlos Ramón Fernández
El Padre del Campeón
120 bpm • F min • 05:52 • -10.08db
33% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 70% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Ernestito Montiel
El Forastero
119 bpm • D Maj • 02:55 • -6.27db
20% Popularity • 63% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 63% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Luna Payesera TrÃo
Lejana Flor
125 bpm • C Maj • 02:44 • -7.14db
32% Popularity • 61% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 61% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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La Nueva Luna
Pago Pora
125 bpm • D Maj • 02:41 • -6.21db
13% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Trébol De Ases
Cuando Ya No Esté
119 bpm • F# min • 03:07 • -11.81db
19% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Antonio Tarragó Ros
Lucerito Alba
119 bpm • C Maj • 03:15 • -5.65db
8% Popularity • 57% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 57% Danceability • 62% Energy • 40% Liveness
0% Instrumentalness • 76% Positiveness
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El Pampa Oberá
El GurÃ
125 bpm • E Maj • 09:14 • -6.54db
24% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Salvador Miqueri
Mburucuyá Poty
119 bpm • G Maj • 02:34 • -11.87db
16% Popularity • 59% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 59% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Christian Herrera y Matacos
Tu Poeta
125 bpm • C Maj • 04:17 • -6.02db
44% Popularity • 63% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 63% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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La Nueva Luna
Mirame
119 bpm • E Maj • 03:37 • -7.07db
15% Popularity • 51% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 51% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Abel ivroud
Contando el Cuento
125 bpm • E min • 03:08 • -9.36db
18% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Juan Carlos Jensen
A Mis Amigos
125 bpm • B Maj • 02:52 • -5.35db
23% Popularity • 52% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 52% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Los Majestuosos Del Chamamé
Ya Tengo Cerca el Primero
126 bpm • E min • 02:22 • -4.99db
30% Popularity • 71% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
30% Popularity • 71% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
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Jose Larralde
Pa' Uste
118 bpm • D Maj • 04:32 • -12.42db
33% Popularity • 70% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 70% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Carlos Ramón Fernández
Domingo DÃa del Padre
126 bpm • F# min • 04:05 • -11.94db
36% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Christian Herrera y Matacos
Parando por la Tera
118 bpm • D Maj • 03:34 • -7db
45% Popularity • 74% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 74% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Juancito el Peregrino
Temple guarani
126 bpm • E Maj • 02:28 • -8db
20% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 60% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Trio Cocomarola
Añoranzas
126 bpm • B Maj • 02:25 • -11.69db
24% Popularity • 62% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 62% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Los Majestuosos Del Chamamé
Llora el Monte
126 bpm • D Maj • 04:12 • -5.23db
28% Popularity • 70% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 70% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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La Nueva Luna
Arrepentimiento
126 bpm • E Maj • 02:53 • -7.39db
11% Popularity • 63% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 63% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Carlos Ramón Fernández
Cuatro Letras para un Verso
126 bpm • F# min • 04:02 • -8.37db
30% Popularity • 81% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 81% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Abel ivroud
Por Ser de Campo
126 bpm • E min • 03:55 • -9.81db
24% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Copla alta
Mujer
117 bpm • A min • 03:26 • -8.78db
35% Popularity • 84% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 84% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Trio Cocomarola
Puente Pexoa
127 bpm • B min • 02:49 • -12db
22% Popularity • 57% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Orellana Lucca
El Cosechero
117 bpm • B min • 03:33 • -9db
32% Popularity • 87% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 87% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Los Majestuosos Del Chamamé
Amor Tuerca
118 bpm • E min • 03:32 • -5.7db
16% Popularity • 75% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 75% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Santiago Bocha Sheridan
Rumbeando pal litoral
117 bpm • A# Maj • 03:39 • -5.49db
26% Popularity • 80% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 80% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Abel ivroud
Como los Toros
127 bpm • E min • 02:24 • -8.05db
36% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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La Nueva Luna
Viejo Caa Cati
117 bpm • F min • 03:55 • -7.28db
11% Popularity • 58% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 58% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Mario Pino
Patrones de Antes
117 bpm • E Maj • 02:40 • -3.73db
23% Popularity • 65% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 65% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Santiago Sheridan
Leyenda de Itá Hasé
117 bpm • B Maj • 03:07 • -3.37db
24% Popularity • 57% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 57% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Los Majestuosos Del Chamamé
Por Siempre Majestuoso
128 bpm • A min • 03:47 • -5.51db
36% Popularity • 50% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 50% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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La Sinfónica De Tambores
Milagro Que Come Pasto
117 bpm • F Maj • 03:23 • -7.21db
27% Popularity • 69% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 69% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Potencia Chamamecera
Lloviendo Estrellas
128 bpm • D Maj • 04:12 • -5.28db
29% Popularity • 49% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 49% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Grupo Integración
Cañada Porá
128 bpm • A# Maj • 02:15 • -5.87db
29% Popularity • 62% Danceability • 54% Energy • 6% Liveness
8% Instrumentalness • 69% Positiveness
29% Popularity • 62% Danceability • 54% Energy • 6% Liveness
8% Instrumentalness • 69% Positiveness
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Los Palmareños
Borracho Sin Destino
116 bpm • D min • 04:20 • -3db
30% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Santiago Bocha Sheridan
A orillas del sol
116 bpm • C Maj • 02:42 • -6.37db
20% Popularity • 62% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 62% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Los Majestuosos Del Chamamé
Mi Zaino Colorado / Al Pago de Federal /...
128 bpm • A Maj • 07:35 • -1.77db
32% Popularity • 64% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 64% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Sele Vera y Pampas de Bariloche
Estoy Enamorada
128 bpm • E Maj • 03:52 • -6.87db
35% Popularity • 81% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 81% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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El Indio Pampa
Igual Que el Viejo
116 bpm • E min • 03:07 • -6.81db
24% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Antonio Tarragó Ros
La Caú
116 bpm • A Maj • 02:19 • -6db
7% Popularity • 50% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
7% Popularity • 50% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Trio Cocomarola
Retorno
116 bpm • D Maj • 02:57 • -12.5db
29% Popularity • 64% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 64% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Coquimarola
Pasion oculta
129 bpm • F# Maj • 02:17 • -6.68db
31% Popularity • 65% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 65% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Duo Cejas Solis
Laguna Totora
129 bpm • D Maj • 01:39 • -6db
33% Popularity • 73% Danceability • 63% Energy • 29% Liveness
15% Instrumentalness • 84% Positiveness
33% Popularity • 73% Danceability • 63% Energy • 29% Liveness
15% Instrumentalness • 84% Positiveness
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Los Criollos del Chamamé
Caraicho
115 bpm • D Maj • 02:47 • -5.6db
22% Popularity • 49% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 49% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Santiago Sheridan
Al Fin de Cuentas
115 bpm • E Maj • 03:06 • -3.41db
13% Popularity • 61% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 61% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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La Pilarcita
El Gallo Negro
115 bpm • F Maj • 03:03 • -4db
22% Popularity • 83% Danceability • 93% Energy • 6% Liveness
1% Instrumentalness • 98% Positiveness
22% Popularity • 83% Danceability • 93% Energy • 6% Liveness
1% Instrumentalness • 98% Positiveness
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Los Manseros Santiagueños de Leocadio Torres
Santiago Me Está Llamando
115 bpm • B min • 03:49 • -5db
36% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 62% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Néstor Garnica
El Olvidao
115 bpm • A min • 03:00 • -9db
52% Popularity • 66% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 66% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Rosendo y Ofelia
Jamás Te Podré Olvidar
130 bpm • C Maj • 02:23 • -8db
10% Popularity • 60% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 60% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Abriendo Camino
Fiesta de el Raid
115 bpm • F# min • 03:01 • -5.9db
15% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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La Nueva Luna
Mi Bien Amada
130 bpm • A Maj • 02:16 • -7.86db
13% Popularity • 62% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
13% Popularity • 62% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 88% Positiveness
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Josué Escudero
Mira Te Digo Che Chamame
114 bpm • E Maj • 02:40 • -5.5db
23% Popularity • 62% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 62% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Los Dioses del Chamamé
Enganchados: Al Otro de la Tablada / Cre...
130 bpm • D Maj • 05:39 • -10.42db
25% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Antonio Tarragó Ros
Por Santa Rosa Me Voy Al RÃo
114 bpm • C min • 03:15 • -11db
15% Popularity • 62% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 62% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Santiago Bocha Sheridan
Jardin Correntino
114 bpm • C min • 03:08 • -6.57db
17% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Los Criollos del Chamamé
El Batatal - Chamamé
114 bpm • G Maj • 01:55 • -12.05db
28% Popularity • 60% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 60% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Juan Carlos Jensen
Estancia San Cirilo
114 bpm • D Maj • 02:29 • -3.27db
18% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Abriendo Camino
Polca Bagacera
114 bpm • F min • 03:02 • -5.43db
17% Popularity • 75% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 75% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Los Changos Oficial
Tropilla de Luces-Amor Chaqueño
114 bpm • A Maj • 03:31 • -6db
37% Popularity • 71% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 71% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Santiago Sheridan
Pagos del Litoral
114 bpm • D min • 02:30 • -2.72db
12% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Grupo Reencuentro
Rosa de Amor
114 bpm • G Maj • 03:15 • -16.48db
17% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Argentino Luna
Palabras para Mi Hija
114 bpm • F# min • 06:12 • -16db
9% Popularity • 61% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 61% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tamara Castro
Endechas
114 bpm • E min • 02:34 • -8.2db
29% Popularity • 73% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 73% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Tamara Castro
Gatito Pa´ Don Lucas
114 bpm • F# min • 01:51 • -6db
38% Popularity • 67% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 67% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness