Songs like Aka to Kuro by Yoshimi Iwasaki
Based on a tempo of (+/- 10%) and a similar genre
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Kiyotaka Sugiyama
僕の腕の中で - 2022 Remaster
132 bpm • E Maj • 04:41 • -5.76db
27% Popularity • 54% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 54% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Junko Sakurada
十七の夏
132 bpm • G Maj • 03:35 • -7.78db
18% Popularity • 76% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 76% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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1986 OMEGA TRIBE
Kimi ha 1000%
132 bpm • E min • 04:11 • -12.87db
51% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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EPO
くちびるヌード・咲かせます
132 bpm • E min • 03:51 • -9.2db
30% Popularity • 82% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 82% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Yoshimi Iwasaki
Omoide Rainbow
132 bpm • C min • 04:59 • -8.9db
8% Popularity • 74% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 74% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Hiromi Iwasaki
シンデレラ・ハネムーン
132 bpm • D# min • 03:58 • -11.19db
38% Popularity • 71% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 71% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
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Akira Terao
ダイヤルM
132 bpm • D Maj • 03:46 • -12db
33% Popularity • 51% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 51% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Junko Sakurada
リップスティック
132 bpm • G# min • 04:16 • -7.56db
13% Popularity • 62% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 62% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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S. Kiyotaka & Omega Tribe
ROLLING MEMORIES
132 bpm • G Maj • 04:04 • -6.55db
27% Popularity • 67% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 67% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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1986 OMEGA TRIBE
Counterlight - 2023 Remaster
133 bpm • E min • 04:49 • -4.97db
26% Popularity • 72% Danceability • 93% Energy • 34% Liveness
30% Instrumentalness • 97% Positiveness
26% Popularity • 72% Danceability • 93% Energy • 34% Liveness
30% Instrumentalness • 97% Positiveness
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Yoshimi Iwasaki
Aka to Kuro
132 bpm • D min • 04:31 • -9.51db
22% Popularity • 65% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 65% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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原めぐみ
見つめあう恋
131 bpm • C Maj • 02:37 • -2.95db
10% Popularity • 63% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 63% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Junko Ohashi
サンバ・ソレイユ
131 bpm • A# min • 03:58 • -5.62db
30% Popularity • 59% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 59% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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二名敦子
Soldier Fish
133 bpm • E Maj • 03:38 • -9db
15% Popularity • 50% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 50% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Shizuka Kudo
Fu - Ji - Tsu
133 bpm • E min • 03:48 • -9.06db
17% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 63% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Junichi Inagaki
オーシャン・ブルー
131 bpm • C Maj • 04:07 • -13db
31% Popularity • 78% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 78% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Yoshimi Iwasaki
Yakusoku
132 bpm • A Maj • 04:04 • -8.48db
10% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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1986 OMEGA TRIBE
Lady Free
133 bpm • A min • 04:37 • -14.98db
24% Popularity • 67% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 67% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Yoko Minamino
さよならのめまい
133 bpm • C min • 04:54 • -9db
28% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Yukiko Okada
Akogare
131 bpm • A# min • 02:53 • -7.55db
29% Popularity • 69% Danceability • 73% Energy • 7% Liveness
2% Instrumentalness • 89% Positiveness
29% Popularity • 69% Danceability • 73% Energy • 7% Liveness
2% Instrumentalness • 89% Positiveness
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S. Kiyotaka & Omega Tribe
SUMMER SUSPICION
131 bpm • B min • 04:38 • -5.26db
44% Popularity • 72% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 72% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Junichi Inagaki
246:3AM
131 bpm • D min • 04:17 • -12.95db
29% Popularity • 66% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 66% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Shizuka Kudo
Kindan no Telepathy
133 bpm • D Maj • 03:47 • -9db
45% Popularity • 70% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 70% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Yoshimi Iwasaki
Anata Iro no Manon
131 bpm • A min • 03:40 • -10.32db
8% Popularity • 80% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 80% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Carlos Toshiki And Omega Tribe
アクアマリンのままでいて - 2...
131 bpm • D Maj • 04:31 • -5.63db
36% Popularity • 66% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 66% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Mari Iijima
まりン (2019 Remaster)
131 bpm • D Maj • 03:33 • -6.82db
17% Popularity • 79% Danceability • 82% Energy • 13% Liveness
72% Instrumentalness • 86% Positiveness
17% Popularity • 79% Danceability • 82% Energy • 13% Liveness
72% Instrumentalness • 86% Positiveness
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1986 OMEGA TRIBE
Miss Lonely Eyes - 2023 Remaster
134 bpm • D Maj • 04:13 • -6.62db
23% Popularity • 73% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 73% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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二名敦子
LONELY Cafe
130 bpm • E min • 04:36 • -15.52db
8% Popularity • 70% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 70% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Hiromi Iwasaki
未来
130 bpm • C# Maj • 03:15 • -11.59db
32% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Yoshimi Iwasaki
Save Me... Onegai
133 bpm • D Maj • 04:10 • -8.98db
27% Popularity • 73% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 73% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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S. Kiyotaka & Omega Tribe
GLASS NO PALM TREE
134 bpm • A min • 04:34 • -8.48db
37% Popularity • 77% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 77% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Yoko Hatanaka
後から前から
134 bpm • F min • 03:32 • -5.39db
16% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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1986 OMEGA TRIBE
Super Chance - 2023 Remaster
134 bpm • F# min • 04:34 • -4.71db
47% Popularity • 70% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 70% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Shizuka Kudo
Natsu ga Kureta Miracle
134 bpm • A# Maj • 03:57 • -8.77db
27% Popularity • 63% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 63% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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NIAGARA TRIANGLE
A面で恋をして
134 bpm • E Maj • 03:11 • -5.2db
37% Popularity • 56% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 56% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Yoshimi Iwasaki
Koi hodo Suteki na Show wa Nai
130 bpm • A min • 03:35 • -9db
6% Popularity • 68% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
6% Popularity • 68% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Hiromi Iwasaki
ロマンス
134 bpm • D min • 03:18 • -12db
33% Popularity • 76% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 76% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Yuki Saitou
Mizu no Haru
134 bpm • C min • 04:06 • -8.33db
20% Popularity • 74% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 74% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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EPO
約束は雨の中
130 bpm • C Maj • 02:52 • -8db
25% Popularity • 79% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 79% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Shizuka Kudo
Sayonara no Gyakusetsu
130 bpm • A Maj • 04:27 • -5.69db
12% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Monta & Brothers
夏女ソニア
130 bpm • G min • 03:51 • -5.2db
35% Popularity • 70% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 70% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Yumi Morio
Casanova Dundee
134 bpm • C# min • 03:16 • -11.19db
8% Popularity • 89% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 89% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Kaoru Akimoto
嘆きのPuzzle
134 bpm • A min • 03:45 • -14.91db
25% Popularity • 74% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 74% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Junko Ohashi
OOH BOY
130 bpm • A# Maj • 03:37 • -7.41db
20% Popularity • 67% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 67% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Babe
Hold Me !
130 bpm • D min • 03:36 • -13db
10% Popularity • 67% Danceability • 69% Energy • 19% Liveness
34% Instrumentalness • 90% Positiveness
10% Popularity • 67% Danceability • 69% Energy • 19% Liveness
34% Instrumentalness • 90% Positiveness
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Yoko Minamino
話しかけたかった
130 bpm • G# Maj • 04:26 • -6.22db
41% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Marina Watanabe
マリーナの夏
134 bpm • G# min • 04:04 • -5db
25% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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CoCo
Hanbun Fushigi
130 bpm • B Maj • 03:50 • -9db
14% Popularity • 78% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 78% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Yukiko Okada
Kuchibiru Network
130 bpm • C# Maj • 03:52 • -8.76db
25% Popularity • 81% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 81% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Naomi Akimoto
Capricorn Woman
130 bpm • C Maj • 04:02 • -8.74db
28% Popularity • 80% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 80% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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If
Silver Rain
134 bpm • G Maj • 03:12 • -7.54db
15% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Yoshimi Iwasaki
Kuchibiru Kara Suspense
130 bpm • A min • 04:17 • -8.22db
12% Popularity • 74% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 74% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Yoshitaka Minami
スタンダード・ナンバー
135 bpm • F Maj • 03:36 • -8.79db
31% Popularity • 75% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 75% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Yuki Saitou
Finale no Kaze
135 bpm • B min • 03:51 • -7.58db
27% Popularity • 63% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 63% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Yukiko Okada
Futari no Blue Train
134 bpm • D Maj • 03:14 • -8db
16% Popularity • 83% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 83% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Mako Ishino
涙もろいから
135 bpm • E Maj • 03:49 • -8db
20% Popularity • 68% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 68% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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1986 OMEGA TRIBE
You Belong to Him - 2023 Remaster
135 bpm • A min • 04:40 • -5.66db
47% Popularity • 67% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 67% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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朝比奈 マリア
心のままに
129 bpm • A Maj • 03:49 • -6db
35% Popularity • 57% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 57% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Junko Ohashi
シンプル・ラブ
129 bpm • C Maj • 03:45 • -6db
41% Popularity • 54% Danceability • 92% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 54% Danceability • 92% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
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Rajie
HOLD ME TIGHT
129 bpm • A Maj • 03:53 • -7db
40% Popularity • 64% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 64% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Yukiko Okada
Soyokaze wa Peppermint
130 bpm • A# Maj • 03:19 • -8.06db
14% Popularity • 72% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 72% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Naomi Akimoto
Dance,Shall We Dance
135 bpm • A min • 04:20 • -10.02db
11% Popularity • 83% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 83% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
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香坂みゆき
昨日より抱きしめて
129 bpm • D min • 04:02 • -8db
9% Popularity • 61% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 61% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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朝比奈 マリア
ペパーミントの風
135 bpm • C Maj • 04:14 • -8.8db
11% Popularity • 60% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 60% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Junko Ohashi
サファリ・ナイト
135 bpm • B min • 04:09 • -4.14db
25% Popularity • 64% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 64% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Mamiko Takai
Kowarekaketa Piano
129 bpm • D Maj • 03:32 • -13db
9% Popularity • 77% Danceability • 57% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 77% Danceability • 57% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
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Iyo Matsumoto
予期せぬ出来事
129 bpm • B min • 04:57 • -5db
22% Popularity • 69% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 69% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Yoshimi Iwasaki
Ai wa Doko ni Itta no
135 bpm • B min • 04:11 • -6.46db
9% Popularity • 74% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 74% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Babe
I Don't Know ! - Single Version / Bonus ...
135 bpm • B min • 04:01 • -7db
31% Popularity • 77% Danceability • 78% Energy • 19% Liveness
3% Instrumentalness • 53% Positiveness
31% Popularity • 77% Danceability • 78% Energy • 19% Liveness
3% Instrumentalness • 53% Positiveness
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Yukiko Okada
Love Fair
135 bpm • G Maj • 03:37 • -9.91db
13% Popularity • 73% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
13% Popularity • 73% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Junko Ohashi
ペイパー・ムーン
129 bpm • C# min • 03:43 • -4.08db
29% Popularity • 52% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 52% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Yu Hayami
急いで!初恋
136 bpm • F Maj • 03:19 • -6db
43% Popularity • 70% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 70% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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芳本美代子
雨のハイスクール
128 bpm • D Maj • 03:37 • -9.14db
18% Popularity • 76% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 76% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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朝比奈 マリア
金色のなぎさ
136 bpm • A min • 03:16 • -6.27db
13% Popularity • 65% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 65% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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香坂みゆき
THIS IS MY NIGHT TO CRY
128 bpm • C min • 04:06 • -9db
15% Popularity • 76% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 80% Positiveness
15% Popularity • 76% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 80% Positiveness
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EPO
パレード
128 bpm • C Maj • 03:35 • -8.86db
34% Popularity • 63% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 63% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Junichi Inagaki
ドラマティック・レイン
128 bpm • C Maj • 03:46 • -12.43db
47% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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中山美穂
WAKU WAKUさせて
136 bpm • E min • 03:56 • -11.15db
38% Popularity • 75% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 75% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Mako Ishino
狼なんか怖くない
136 bpm • C Maj • 03:12 • -9db
30% Popularity • 68% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 68% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Hikaru Nishida
Namida Tomaranai
128 bpm • B Maj • 02:58 • -9db
12% Popularity • 64% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 64% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Noriko Sakai
さよならを過ぎて
128 bpm • F Maj • 04:49 • -4db
10% Popularity • 72% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 72% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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EPO
う、ふ、ふ、ふ、
136 bpm • E Maj • 04:14 • -7.83db
42% Popularity • 69% Danceability • 87% Energy • 28% Liveness
5% Instrumentalness • 80% Positiveness
42% Popularity • 69% Danceability • 87% Energy • 28% Liveness
5% Instrumentalness • 80% Positiveness
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Mamiko Takai
Tender Rain
137 bpm • A Maj • 04:55 • -12db
9% Popularity • 67% Danceability • 88% Energy • 9% Liveness
35% Instrumentalness • 88% Positiveness
9% Popularity • 67% Danceability • 88% Energy • 9% Liveness
35% Instrumentalness • 88% Positiveness
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Yoshimi Iwasaki
Aishite Mon Amour
127 bpm • G# Maj • 03:23 • -9db
8% Popularity • 66% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 66% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Yumi Matsutoya
ハートブレイク
137 bpm • F Maj • 04:07 • -7.07db
25% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Akiko Ikuina
Japanese Girl
137 bpm • B min • 03:29 • -9db
8% Popularity • 73% Danceability • 80% Energy • 9% Liveness
6% Instrumentalness • 95% Positiveness
8% Popularity • 73% Danceability • 80% Energy • 9% Liveness
6% Instrumentalness • 95% Positiveness
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Shizuka Kudo
Sabishii Yoru niha Watashi wo Yonde
137 bpm • G# Maj • 04:07 • -13db
9% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Noriko Matsumoto
春色のエアメール
127 bpm • D Maj • 03:37 • -6db
19% Popularity • 74% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 74% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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芳本美代子
アプリコット・キッス
137 bpm • C Maj • 04:15 • -7db
12% Popularity • 74% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 74% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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EPO
ドライブ・ソング
127 bpm • C Maj • 03:22 • -9db
27% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Junko Ohashi
Simple Love
127 bpm • G# Maj • 04:00 • -9.62db
47% Popularity • 64% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 64% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Yoshimi Iwasaki
Watashi no Koi wa Inshouha
127 bpm • E Maj • 03:38 • -8.18db
16% Popularity • 64% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 64% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Shizuka Kudo
Passage
127 bpm • G min • 04:16 • -7db
16% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 69% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Yumi Matsutoya
埠頭を渡る風
127 bpm • D Maj • 04:39 • -6.93db
40% Popularity • 51% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 51% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Mayo Shono
飛んでイスタンブール
127 bpm • C# min • 03:29 • -5db
33% Popularity • 67% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 67% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Mamiko Takai
Kagerou
137 bpm • F Maj • 03:54 • -10db
17% Popularity • 72% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
17% Popularity • 72% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Yurie Kokubu
リフレイン
127 bpm • C# Maj • 04:21 • -4.67db
41% Popularity • 76% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 76% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Miki Asakura
Love Trip
127 bpm • A Maj • 03:44 • -10.37db
30% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
