Songs like Al Dhanab by Roly Porter
Based on a tempo of (+/- 10%) and a similar genre
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Roly Porter
Al Dhanab
88 bpm • F# Maj • 03:43 • -14.84db
17% Popularity • 11% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Jack Colwell
Coat: The End - Roly Porter Remix
88 bpm • F min • 08:49 • -14.63db
0% Popularity • 12% Danceability • 45% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 45% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
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Machinefabriek
Hanging
88 bpm • F min • 04:21 • -34.97db
18% Popularity • 18% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Bruce Brubaker
Prelude 5
89 bpm • A# min • 01:30 • -23.48db
12% Popularity • 18% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Nils Frahm
Ross's Harmonium
88 bpm • C min • 03:51 • -26.25db
22% Popularity • 16% Danceability • 1% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Murcof
Resignación
87 bpm • F# min • 01:31 • -34.09db
35% Popularity • 18% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Roly Porter
Giedi Prime
87 bpm • G Maj • 06:59 • -11.41db
3% Popularity • 17% Danceability • 26% Energy • 36% Liveness
91% Instrumentalness • 6% Positiveness
3% Popularity • 17% Danceability • 26% Energy • 36% Liveness
91% Instrumentalness • 6% Positiveness
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Ben Chatwin
Unravel
89 bpm • D min • 04:31 • -14.57db
8% Popularity • 23% Danceability • 39% Energy • 36% Liveness
68% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 39% Energy • 36% Liveness
68% Instrumentalness • 6% Positiveness
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Kristoffer Lo
Front Row Gallows View
89 bpm • A# min • 10:09 • -19.07db
13% Popularity • 15% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Displacement
87 bpm • D# Maj • 04:16 • -24.23db
24% Popularity • 10% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Dictaphone
Seance
87 bpm • D min • 05:02 • -19.13db
8% Popularity • 27% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
8% Popularity • 27% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Clark
Strangled To Death In A Public Toilet
87 bpm • F min • 03:15 • -14.26db
19% Popularity • 15% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
19% Popularity • 15% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
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Roly Porter
Giant
87 bpm • G# Maj • 05:53 • -12db
6% Popularity • 9% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
6% Popularity • 9% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Biosphere
Adagiati
90 bpm • C Maj • 01:51 • -30.43db
37% Popularity • 10% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Yair Elazar Glotman
Childhood / Land of the Young
90 bpm • F Maj • 05:35 • -23.45db
23% Popularity • 10% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Arduous Clarity
89 bpm • G min • 04:28 • -12.99db
20% Popularity • 23% Danceability • 38% Energy • 15% Liveness
95% Instrumentalness • 6% Positiveness
20% Popularity • 23% Danceability • 38% Energy • 15% Liveness
95% Instrumentalness • 6% Positiveness
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Dictaphone
Stanko
90 bpm • B min • 06:54 • -19.78db
9% Popularity • 20% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
9% Popularity • 20% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Clark
Back To Belgrade
89 bpm • B min • 03:39 • -17.16db
22% Popularity • 10% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 10% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
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Emptyset
Over
90 bpm • D Maj • 02:19 • -22.38db
17% Popularity • 40% Danceability • 32% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
17% Popularity • 40% Danceability • 32% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Roly Porter
The Collapse
87 bpm • A# min • 05:25 • -23.35db
2% Popularity • 9% Danceability • 29% Energy • 32% Liveness
95% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 29% Energy • 32% Liveness
95% Instrumentalness • 4% Positiveness
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Andy Stott
Execution
90 bpm • A# min • 05:15 • -18.94db
19% Popularity • 55% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
19% Popularity • 55% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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Rafael Anton Irisarri
Fright and Control
86 bpm • F# min • 05:32 • -13.2db
9% Popularity • 16% Danceability • 19% Energy • 17% Liveness
73% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 19% Energy • 17% Liveness
73% Instrumentalness • 3% Positiveness
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Jessica Moss
Entire Populations, Pt. I
86 bpm • D Maj • 05:39 • -12.99db
8% Popularity • 17% Danceability • 17% Energy • 14% Liveness
77% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 17% Energy • 14% Liveness
77% Instrumentalness • 3% Positiveness
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Tim Hecker
Twinkle In The Wasteland
86 bpm • G# min • 03:41 • -15.79db
7% Popularity • 12% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
7% Popularity • 12% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Drew McDowall
Agalma V
86 bpm • E min • 07:30 • -13.28db
10% Popularity • 18% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 37% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Roly Porter
Departure Stage
86 bpm • A# Maj • 06:49 • -12.11db
6% Popularity • 9% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Murcof
Cosmos II
86 bpm • D Maj • 09:39 • -13.47db
9% Popularity • 9% Danceability • 18% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 18% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
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Colin Stetson
Battlefield
86 bpm • G Maj • 01:29 • -24.99db
20% Popularity • 11% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
20% Popularity • 11% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Rafael Anton Irisarri
Decay Waves
86 bpm • C# Maj • 07:22 • -15.65db
11% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
11% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Kelly Moran
Autowave
85 bpm • C# min • 03:09 • -12.2db
21% Popularity • 5% Danceability • 49% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
21% Popularity • 5% Danceability • 49% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Manifest
85 bpm • C Maj • 06:11 • -18.49db
13% Popularity • 9% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
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Laurel Halo
Hyphae
85 bpm • G# Maj • 06:27 • -21.86db
14% Popularity • 18% Danceability • 21% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 21% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Max Cooper
Hope - Roly Porter Remix
85 bpm • E Maj • 06:21 • -21.06db
13% Popularity • 9% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 2% Positiveness
13% Popularity • 9% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 2% Positiveness
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Yair Elazar Glotman
The Navigators
85 bpm • C# Maj • 08:08 • -21db
23% Popularity • 9% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Sky Burial
91 bpm • C# min • 04:52 • -8.9db
16% Popularity • 10% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
16% Popularity • 10% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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Deaf Center
White Lake
85 bpm • A# min • 06:35 • -20.14db
22% Popularity • 25% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
22% Popularity • 25% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Deru
Midnight In The Garden With Ghosts
85 bpm • A# Maj • 05:13 • -12db
20% Popularity • 18% Danceability • 47% Energy • 59% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 47% Energy • 59% Liveness
93% Instrumentalness • 4% Positiveness
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The Haxan Cloak
Burning Torches Of Despair
85 bpm • D Maj • 03:32 • -12db
9% Popularity • 33% Danceability • 48% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
9% Popularity • 33% Danceability • 48% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
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Abul Mogard
Desires Are Reminiscences by Now
85 bpm • C min • 09:27 • -24.47db
15% Popularity • 8% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
15% Popularity • 8% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Arvo Pärt
Spiegel Im Spiegel
85 bpm • F Maj • 08:56 • -20.52db
24% Popularity • 11% Danceability • 13% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 13% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Field Works
Imprints
85 bpm • C# Maj • 03:22 • -13.63db
10% Popularity • 11% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Noisia
Sinkhole - Roly Porter Remix
91 bpm • C# Maj • 04:44 • -6.22db
5% Popularity • 47% Danceability • 94% Energy • 41% Liveness
66% Instrumentalness • 5% Positiveness
5% Popularity • 47% Danceability • 94% Energy • 41% Liveness
66% Instrumentalness • 5% Positiveness
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Colin Stetson
Won't Be a Thing to Become
91 bpm • C Maj • 03:24 • -14.79db
26% Popularity • 23% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
26% Popularity • 23% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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John Cage
In a Landscape (John Cage) - Si Begg Rem...
92 bpm • A# Maj • 06:42 • -18.13db
11% Popularity • 47% Danceability • 32% Energy • 21% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 47% Danceability • 32% Energy • 21% Liveness
91% Instrumentalness • 4% Positiveness
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Nathan Fake
Radio Spiritworld - Olga Wojciechowska R...
85 bpm • A# Maj • 04:58 • -12.96db
14% Popularity • 14% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Hiatus
92 bpm • G min • 02:38 • -16.5db
22% Popularity • 22% Danceability • 32% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 32% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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The Haxan Cloak
Dieu
85 bpm • B Maj • 05:12 • -17.32db
12% Popularity • 51% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 51% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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mmph
Tragedy - Roly Porter Remix
84 bpm • G min • 04:35 • -6.38db
0% Popularity • 8% Danceability • 51% Energy • 35% Liveness
44% Instrumentalness • 10% Positiveness
0% Popularity • 8% Danceability • 51% Energy • 35% Liveness
44% Instrumentalness • 10% Positiveness
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Roger Goula
Soon Will Wake Up
92 bpm • A min • 05:51 • -17.64db
11% Popularity • 23% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 23% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Resina
Unveiling
92 bpm • D min • 03:19 • -10.73db
8% Popularity • 24% Danceability • 66% Energy • 14% Liveness
94% Instrumentalness • 21% Positiveness
8% Popularity • 24% Danceability • 66% Energy • 14% Liveness
94% Instrumentalness • 21% Positiveness
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Mario Batkovic
Eloquens
92 bpm • F# Maj • 04:20 • -8.77db
9% Popularity • 33% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
9% Popularity • 33% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Biosphere
Chukhung
84 bpm • G Maj • 07:34 • -27db
35% Popularity • 38% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
35% Popularity • 38% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Roly Porter
Gravity
84 bpm • A# Maj • 08:18 • -18.17db
3% Popularity • 8% Danceability • 24% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
3% Popularity • 8% Danceability • 24% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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James Holden
Incantation for Inanimate Object
84 bpm • G Maj • 01:41 • -22.94db
26% Popularity • 21% Danceability • 12% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Murcof
Static Discos 100
84 bpm • C# Maj • 01:40 • -25db
36% Popularity • 8% Danceability • 13% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 13% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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Anne Müller
Being Anne
84 bpm • E min • 04:45 • -20db
15% Popularity • 20% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Caterina Barbieri
Rendering Intuitions
92 bpm • D# Maj • 06:36 • -19.45db
25% Popularity • 11% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
25% Popularity • 11% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Kelly Moran
Nereid
93 bpm • A min • 10:07 • -12.41db
15% Popularity • 19% Danceability • 43% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 43% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
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Roly Porter
Known Space
84 bpm • G# Maj • 06:49 • -15.27db
4% Popularity • 12% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
4% Popularity • 12% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
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Rafael Anton Irisarri
Secretly Wishing for Rain
83 bpm • C# min • 08:11 • -20.09db
18% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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The Haxan Cloak
Raven's Lament
83 bpm • F min • 04:15 • -8.14db
12% Popularity • 21% Danceability • 43% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
12% Popularity • 21% Danceability • 43% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Hélène Vogelsinger
Illumination
83 bpm • C# Maj • 07:57 • -10.18db
14% Popularity • 29% Danceability • 72% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 29% Danceability • 72% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Jacaszek
November Early
93 bpm • D min • 04:19 • -23.01db
15% Popularity • 17% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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BJ Nilsen
Black Light
83 bpm • B Maj • 04:16 • -18db
20% Popularity • 8% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 8% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Roger Goula
Something About Silence
83 bpm • D min • 08:23 • -14.31db
10% Popularity • 18% Danceability • 52% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 52% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
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Forest Swords
Free
83 bpm • F Maj • 04:17 • -11.25db
12% Popularity • 15% Danceability • 66% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 15% Danceability • 66% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Ben Lukas Boysen
The Veil
83 bpm • D# min • 06:36 • -25.75db
12% Popularity • 11% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
12% Popularity • 11% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Origamibiro
Direct Voice
94 bpm • C Maj • 03:53 • -20.39db
15% Popularity • 80% Danceability • 28% Energy • 6% Liveness
72% Instrumentalness • 73% Positiveness
15% Popularity • 80% Danceability • 28% Energy • 6% Liveness
72% Instrumentalness • 73% Positiveness
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Richard Skelton
Noon Hill Wood
94 bpm • G min • 08:26 • -12.41db
19% Popularity • 14% Danceability • 26% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
19% Popularity • 14% Danceability • 26% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Deaf Center
Hunted Twice
94 bpm • C Maj • 04:46 • -23.94db
13% Popularity • 18% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
13% Popularity • 18% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 16% Positiveness
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Hiro Kone
Parting phrase
82 bpm • C min • 06:24 • -15db
28% Popularity • 9% Danceability • 29% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 29% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
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Altar
Without Bodies
82 bpm • C Maj • 09:24 • -15.75db
8% Popularity • 8% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Flag With a Cross
94 bpm • C min • 04:29 • -24.25db
11% Popularity • 15% Danceability • 11% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 11% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Svarte Greiner
The Boat Was My Friend
95 bpm • B min • 04:17 • -17.17db
8% Popularity • 41% Danceability • 24% Energy • 13% Liveness
82% Instrumentalness • 12% Positiveness
8% Popularity • 41% Danceability • 24% Energy • 13% Liveness
82% Instrumentalness • 12% Positiveness
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SQÃœRL
In a Lonely Place
95 bpm • E Maj • 03:53 • -15.55db
9% Popularity • 21% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Deaf Center
Undone
82 bpm • A# min • 02:36 • -28.25db
26% Popularity • 27% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
26% Popularity • 27% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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Forest Swords
The Textile Factory
95 bpm • G min • 02:23 • -11.66db
8% Popularity • 20% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Persistence
95 bpm • A# Maj • 07:03 • -18.91db
16% Popularity • 12% Danceability • 19% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 19% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Dictaphone
Mado
81 bpm • A# min • 04:09 • -14.02db
9% Popularity • 40% Danceability • 40% Energy • 8% Liveness
88% Instrumentalness • 62% Positiveness
9% Popularity • 40% Danceability • 40% Energy • 8% Liveness
88% Instrumentalness • 62% Positiveness
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Biosphere
Gravity Assist
95 bpm • E min • 07:04 • -32.47db
12% Popularity • 12% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Ian William Craig
Either Or - Edit
81 bpm • D# Maj • 06:33 • -20.22db
8% Popularity • 8% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Bendik Giske
Void
96 bpm • F# min • 04:27 • -14.64db
19% Popularity • 47% Danceability • 60% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
19% Popularity • 47% Danceability • 60% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Julia Kent
Salt Point
96 bpm • A min • 03:17 • -16.61db
31% Popularity • 38% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
31% Popularity • 38% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Distance
81 bpm • A Maj • 06:47 • -14.71db
16% Popularity • 8% Danceability • 39% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 39% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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Roly Porter
Tleilax
81 bpm • A# min • 07:02 • -12.21db
5% Popularity • 9% Danceability • 43% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
5% Popularity • 9% Danceability • 43% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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DjRUM
Creature, Pt. 1
80 bpm • C min • 04:43 • -19db
37% Popularity • 12% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 12% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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amiina
Vofa
97 bpm • G Maj • 03:07 • -16.98db
19% Popularity • 56% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
19% Popularity • 56% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 20% Positiveness
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Christina Vantzou
Glissando for Bodies and Machines in Spa...
80 bpm • A Maj • 02:47 • -21.72db
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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William Basinski
Melancholia I
80 bpm • E Maj • 03:23 • -26db
31% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
31% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Hior Chronik
Stories That Never Been Said
80 bpm • E min • 05:18 • -16.13db
9% Popularity • 7% Danceability • 19% Energy • 16% Liveness
87% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 19% Energy • 16% Liveness
87% Instrumentalness • 3% Positiveness
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Roly Porter
Blind Blackening
97 bpm • C Maj • 08:33 • -15.03db
6% Popularity • 13% Danceability • 25% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
6% Popularity • 13% Danceability • 25% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Deaf Center
Gathering
97 bpm • D# min • 07:21 • -19.65db
8% Popularity • 32% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
8% Popularity • 32% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Robert Henke
Layer 001
98 bpm • G Maj • 04:53 • -21.62db
8% Popularity • 12% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Christina Vantzou
Lava
80 bpm • G Maj • 02:31 • -18.1db
13% Popularity • 22% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
13% Popularity • 22% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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Abul Mogard
Post Crisis Remembrance
79 bpm • C min • 07:56 • -21.43db
12% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Emptyset
Aleph
98 bpm • C# Maj • 02:40 • -37.79db
16% Popularity • 37% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
16% Popularity • 37% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Roly Porter
Kaitain
79 bpm • D# min • 01:31 • -14.66db
3% Popularity • 15% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
3% Popularity • 15% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Müller
Nummer 2
79 bpm • D min • 05:55 • -20db
29% Popularity • 9% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
29% Popularity • 9% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
