Songs like Aladdin Suite, Op. 34, FS 89: V. The Marketplace in Isaphan by Carl Nielsen
Based on a tempo of (+/- 10%) and a similar genre
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Dmitri Shostakovich
Piano Concerto No. 1 For Piano, Trumpet ...
130 bpm • G# Maj • 01:16 • -21db
12% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
12% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
32% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
32% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: V. The Mar...
130 bpm • G Maj • 03:56 • -19.05db
9% Popularity • 18% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
9% Popularity • 18% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
131 bpm • C min • 03:01 • -19.18db
9% Popularity • 24% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 20% Positiveness
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Jean Sibelius
The Tempest: Suite No. 2, Op. 109: III. ...
131 bpm • C Maj • 02:02 • -37db
14% Popularity • 23% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Mel Bonis
Scenes de la foret, Op. 123: No. 1. Noct...
131 bpm • G# Maj • 03:38 • -29db
15% Popularity • 30% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 30% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 41 in C Major, K. 551 "Jupi...
128 bpm • C Maj • 06:48 • -13.18db
27% Popularity • 41% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
27% Popularity • 41% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Fantaisie, Op. 79 (Orch. Louis Aubert)
128 bpm • C Maj • 05:30 • -26db
17% Popularity • 32% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 20% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 20% Positiveness
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Carl Nielsen
Symphony No. 2, Op. 16 "The Four Tempera...
128 bpm • A min • 07:01 • -16.26db
6% Popularity • 31% Danceability • 26% Energy • 23% Liveness
93% Instrumentalness • 14% Positiveness
6% Popularity • 31% Danceability • 26% Energy • 23% Liveness
93% Instrumentalness • 14% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concerto No. 1 in F Mino...
128 bpm • F min • 08:11 • -21db
9% Popularity • 28% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 10% Positiveness
9% Popularity • 28% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 10% Positiveness
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Emilie Mayer
Symphony No. 1 in C Minor: I. Adagio - A...
129 bpm • C min • 10:05 • -22.3db
12% Popularity • 32% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
12% Popularity • 32% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 - Arr. for ...
133 bpm • D Maj • 06:42 • -16db
24% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
24% Popularity • 30% Danceability • 13% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
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Francis Poulenc
Organ Concerto in G Minor, FP 93: I. And...
133 bpm • D min • 03:10 • -21.04db
10% Popularity • 16% Danceability • 3% Energy • 84% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 84% Liveness
93% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concerto No. 1 in F Mino...
127 bpm • F Maj • 06:20 • -21.52db
11% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
11% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
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Gabriel Fauré
Masques et bergamasques Suite, Op. 112: ...
133 bpm • F Maj • 03:47 • -26db
12% Popularity • 27% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
12% Popularity • 27% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
133 bpm • G Maj • 08:34 • -20.26db
16% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Felix Mendelssohn
The Hebrides Overture, Op. 26, MWV P7 "F...
126 bpm • D Maj • 10:22 • -20db
26% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
26% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
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Carl Nielsen
Symphony No. 1 in G Minor, Op. 7: IV. Al...
134 bpm • A# Maj • 08:57 • -16.37db
6% Popularity • 23% Danceability • 15% Energy • 5% Liveness
92% Instrumentalness • 7% Positiveness
6% Popularity • 23% Danceability • 15% Energy • 5% Liveness
92% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
134 bpm • G Maj • 05:54 • -22db
22% Popularity • 16% Danceability • 8% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 8% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
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Anton Bruckner
3 Pieces, WAB 97: No. 1, Moderato
134 bpm • D# Maj • 02:15 • -22db
16% Popularity • 16% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
134 bpm • D Maj • 06:43 • -24db
20% Popularity • 18% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
20% Popularity • 18% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
126 bpm • A Maj • 03:34 • -17db
46% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
46% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
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Emmanuel Chabrier
Suite pastorale: II. Danse villageoise
126 bpm • A Maj • 04:33 • -24db
11% Popularity • 48% Danceability • 5% Energy • 3% Liveness
84% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 5% Energy • 3% Liveness
84% Instrumentalness • 42% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 4: II. In gemächlicher Bew...
135 bpm • C Maj • 09:55 • -27.36db
22% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Music To Goethe's Tragedy "Egmont" Op. 8...
135 bpm • F min • 08:13 • -16db
29% Popularity • 30% Danceability • 16% Energy • 36% Liveness
80% Instrumentalness • 8% Positiveness
29% Popularity • 30% Danceability • 16% Energy • 36% Liveness
80% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Carl Nielsen
Aladdin, Op. 34, FS 89, CNW 17, Act IV: ...
135 bpm • D min • 02:57 • -25.08db
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
24% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
24% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
33% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
33% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
124 bpm • F min • 01:05 • -34db
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
18% Popularity • 48% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 57% Positiveness
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Carl Nielsen
Symphony No. 4, Op. 29, FS 76 "The Inext...
125 bpm • A Maj • 09:56 • -21.19db
6% Popularity • 23% Danceability • 10% Energy • 7% Liveness
54% Instrumentalness • 6% Positiveness
6% Popularity • 23% Danceability • 10% Energy • 7% Liveness
54% Instrumentalness • 6% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
123 bpm • F Maj • 04:54 • -18.41db
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Carl Nielsen
Symphony No. 6 "Sinfonia Semplice": IVd....
137 bpm • A# min • 02:16 • -20.42db
1% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
34% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
34% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: X. The Great ...
138 bpm • D# Maj • 05:34 • -16.75db
18% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
18% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
26% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
26% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Samuel Barber
Piano Concerto, Op. 38: 2. Moderato
138 bpm • C# min • 07:48 • -32db
17% Popularity • 19% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ludvig Holstein
Vi Sletternes Sønner
138 bpm • C Maj • 03:57 • -11.35db
0% Popularity • 82% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 82% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Carl Nielsen
Symphony No. 1 in G Minor, Op. 7, FS 16:...
137 bpm • G min • 08:47 • -18.93db
0% Popularity • 21% Danceability • 10% Energy • 18% Liveness
87% Instrumentalness • 10% Positiveness
0% Popularity • 21% Danceability • 10% Energy • 18% Liveness
87% Instrumentalness • 10% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
61% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
61% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
139 bpm • G Maj • 10:04 • -19db
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: III....
139 bpm • A Maj • 07:28 • -16db
0% Popularity • 43% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 37% Positiveness
0% Popularity • 43% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 37% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
► Preview
Robert Schumann
Träumerei, Op. 15 No. 7
139 bpm • F Maj • 02:15 • -29db
16% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
16% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
► Preview
Various Artists
La jota aragonese
121 bpm • D Maj • 03:50 • -24.62db
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
► Preview
Carl Nielsen
Symphony No. 1 in G Minor, Op. 7, FS 16:...
140 bpm • G min • 07:59 • -19.86db
0% Popularity • 16% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Histoire du soldat - Part 1: 1. Marche d...
121 bpm • B min • 01:35 • -19.44db
12% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
12% Popularity • 81% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
► Preview
Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74, TH 30...
140 bpm • D Maj • 08:12 • -24.22db
14% Popularity • 18% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
14% Popularity • 18% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Camille Saint-Saëns
Étienne Marcel, R. 209, Act III, The Ni...
140 bpm • D min • 01:45 • -29.61db
12% Popularity • 44% Danceability • 3% Energy • 9% Liveness
33% Instrumentalness • 53% Positiveness
12% Popularity • 44% Danceability • 3% Energy • 9% Liveness
33% Instrumentalness • 53% Positiveness
► Preview
Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
► Preview
Wolfgang Amadeus Mozart
Violin Concerto No. 3 in G Major, K. 216...
119 bpm • G Maj • 09:20 • -19.93db
31% Popularity • 46% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 39% Positiveness
31% Popularity • 46% Danceability • 10% Energy • 25% Liveness
67% Instrumentalness • 39% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
120 bpm • E min • 08:36 • -21db
33% Popularity • 33% Danceability • 5% Energy • 9% Liveness
53% Instrumentalness • 10% Positiveness
33% Popularity • 33% Danceability • 5% Energy • 9% Liveness
53% Instrumentalness • 10% Positiveness
► Preview
Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
55% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
55% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Violin Concerto in D Minor, MWV O3: I. A...
141 bpm • D min • 08:23 • -22.95db
9% Popularity • 36% Danceability • 12% Energy • 10% Liveness
29% Instrumentalness • 41% Positiveness
9% Popularity • 36% Danceability • 12% Energy • 10% Liveness
29% Instrumentalness • 41% Positiveness
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Edvard Grieg
4 Norwegian Dances, Op. 35: No. 2 in A-M...
142 bpm • A Maj • 02:23 • -29.17db
12% Popularity • 28% Danceability • 2% Energy • 16% Liveness
69% Instrumentalness • 38% Positiveness
12% Popularity • 28% Danceability • 2% Energy • 16% Liveness
69% Instrumentalness • 38% Positiveness
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Ottorino Respighi
The Birds, P. 154: 1. Prelude
142 bpm • A Maj • 02:45 • -20.34db
17% Popularity • 40% Danceability • 11% Energy • 35% Liveness
84% Instrumentalness • 14% Positiveness
17% Popularity • 40% Danceability • 11% Energy • 35% Liveness
84% Instrumentalness • 14% Positiveness
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Hans Abrahamsen
Nielsen - 3 Piano Pieces, Op. 59: No. 1....
142 bpm • C Maj • 02:52 • -25.39db
3% Popularity • 30% Danceability • 12% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
3% Popularity • 30% Danceability • 12% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: V. Pieds-en-l'air
142 bpm • G Maj • 02:31 • -21.37db
11% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
11% Popularity • 14% Danceability • 15% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
25% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
25% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Symphony No. 6 In F, Op. 68 -"Pastoral":...
118 bpm • F Maj • 09:09 • -21db
33% Popularity • 28% Danceability • 6% Energy • 15% Liveness
58% Instrumentalness • 18% Positiveness
33% Popularity • 28% Danceability • 6% Energy • 15% Liveness
58% Instrumentalness • 18% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Carl Nielsen
Aladdin, Op. 34, FS 89, CNW 17, Act III:...
118 bpm • F min • 05:07 • -12.32db
3% Popularity • 40% Danceability • 36% Energy • 9% Liveness
70% Instrumentalness • 46% Positiveness
3% Popularity • 40% Danceability • 36% Energy • 9% Liveness
70% Instrumentalness • 46% Positiveness
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London Philharmonic Orchestra
3rd Movement: Scherzo
118 bpm • C Maj • 08:14 • -22db
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
118 bpm • A# Maj • 07:19 • -17db
23% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
23% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
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![Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - cover art](https://i.scdn.co/image/ab67616d00001e02dac7aec44f97ddfc1968d1af)
Ottorino Respighi
Bach - Prelude and Fugue in D Major, P. ...
143 bpm • D Maj • 04:20 • -22.91db
23% Popularity • 17% Danceability • 9% Energy • 21% Liveness
87% Instrumentalness • 16% Positiveness
23% Popularity • 17% Danceability • 9% Energy • 21% Liveness
87% Instrumentalness • 16% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concerto No. 2 in E-Flat...
118 bpm • D# Maj • 06:39 • -22.41db
3% Popularity • 42% Danceability • 15% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
3% Popularity • 42% Danceability • 15% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
118 bpm • G min • 04:59 • -28.98db
17% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
17% Popularity • 49% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 50% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
35% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
35% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
144 bpm • D# Maj • 03:44 • -18.13db
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
44% Popularity • 50% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 72% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
29% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
29% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Carl Nielsen
Symphony No. 5, Op. 50: Ib. Adagio
117 bpm • G Maj • 08:53 • -16.03db
9% Popularity • 17% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
26% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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London Philharmonic Orchestra
1st Movement: Adaggio / Allegro Molto
116 bpm • E min • 09:44 • -15.71db
36% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
36% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Marina Dranishnikova
Poem for Oboe & Piano
145 bpm • B Maj • 08:06 • -17.3db
9% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
