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Alaska - Performance Version
Songs like
Alaska - Performance Version
by
Francisco Martin
Based on a tempo of (+/- 10%) and a similar genre
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Joshua Howard
In It Together
127 bpm • C# min • 03:19 • -9db
31% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Greyson Chance
Overloved
127 bpm • G Maj • 03:03 • -7.57db
27% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Christian Lopez
Who You Really Are
127 bpm • C# Maj • 04:28 • -6.14db
19% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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William Hinson
Ireland
127 bpm • A Maj • 02:54 • -9.41db
24% Popularity • 85% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Francisco Martin
Alaska - Performance Version
127 bpm • F Maj • 03:05 • -6.51db
33% Popularity • 43% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jonny West
Moment
126 bpm • D# Maj • 04:42 • -8.97db
24% Popularity • 59% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Cobi
Faith In Tomorrow
128 bpm • F Maj • 03:34 • -5db
30% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Julia Gargano
Sun
128 bpm • G Maj • 03:06 • -9.63db
8% Popularity • 38% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Lou
This Forever
128 bpm • C# Maj • 04:31 • -10db
29% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Malia Civetz
Champagne Clouds - Acoustic
126 bpm • B Maj • 03:39 • -5db
24% Popularity • 72% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Van Andrew
When You're Dancing
128 bpm • E Maj • 03:35 • -9db
23% Popularity • 56% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Nancy Daines
The Way You Love Me
128 bpm • C Maj • 03:27 • -8.01db
28% Popularity • 85% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Plested
The Least That I Could Do
126 bpm • C# min • 03:33 • -5db
28% Popularity • 64% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Craig Stickland
Starlit Afternoon
126 bpm • G# Maj • 03:33 • -10.73db
40% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Alt Bloom
Sway
126 bpm • A min • 02:49 • -8.75db
32% Popularity • 44% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Bundys
King
125 bpm • D# Maj • 03:05 • -7db
28% Popularity • 47% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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David Francisco
January Love
129 bpm • D Maj • 03:45 • -5.81db
21% Popularity • 73% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Roosevelts
Suit
129 bpm • B min • 03:16 • -7.93db
21% Popularity • 72% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Francisco Martin
Passenger Princess
125 bpm • E Maj • 03:36 • -7db
34% Popularity • 70% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Joel Taylor
Moment's Notice
129 bpm • D Maj • 04:23 • -9.94db
21% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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James TW
Right Into Your Love
125 bpm • A# Maj • 03:41 • -7.64db
32% Popularity • 72% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Judah & the Lion
Pictures
125 bpm • D Maj • 04:13 • -7db
46% Popularity • 56% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew Mole
Pennsylvania
125 bpm • D Maj • 03:55 • -11db
36% Popularity • 74% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Mr. Carter Davis
Storms
125 bpm • D# Maj • 03:25 • -10.39db
30% Popularity • 56% Danceability • 46% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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Toby Johnson
Bulletproof
125 bpm • G# Maj • 03:26 • -10.49db
19% Popularity • 66% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Jordy Searcy
Better
130 bpm • D Maj • 03:30 • -8.21db
32% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Cobi
No Way Out
130 bpm • A# Maj • 03:14 • -9db
31% Popularity • 72% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Vinson
Came Around
130 bpm • A Maj • 03:24 • -9.71db
15% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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CAL
Whatever You Like
130 bpm • B Maj • 03:06 • -8.32db
29% Popularity • 61% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Jonny West
Call
130 bpm • D Maj • 04:09 • -8.73db
14% Popularity • 55% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Black Match
Alive
130 bpm • G Maj • 04:02 • -10.21db
23% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Patrick Droney
Glitter
130 bpm • G Maj • 03:35 • -9.84db
44% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Louis Knight
Just Kiss Me
130 bpm • B Maj • 03:23 • -5.66db
12% Popularity • 71% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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JORDY
South Dakota
130 bpm • A Maj • 03:11 • -8.35db
35% Popularity • 68% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Gryffin
Need Your Love - Recorded at Electric L...
130 bpm • C Maj • 03:19 • -8db
32% Popularity • 36% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Quinn XCII
Second Time Around
131 bpm • C Maj • 03:57 • -9db
39% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Colton Venner
Honey Slow
131 bpm • F# Maj • 04:24 • -9db
30% Popularity • 71% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Patrick Droney
Always Been the End of the World
124 bpm • C# Maj • 04:04 • -7.34db
35% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Zach Oliver
Seaside
131 bpm • C# Maj • 03:03 • -12.37db
39% Popularity • 78% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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James Bay
Chew On My Heart - Acoustic
123 bpm • B min • 03:17 • -6db
25% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Quinn Lewis
Only Everything - Acoustic
132 bpm • D Maj • 02:54 • -8.52db
30% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Brian Bulger
Dawn to 9pm
123 bpm • E Maj • 03:53 • -14.97db
18% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Louis Knight
Save a Little Love
132 bpm • D Maj • 04:15 • -6.02db
7% Popularity • 37% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Patrick Droney
Passerby
131 bpm • B Maj • 03:08 • -4db
26% Popularity • 46% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Roosevelts
Trippin' on Your Love
122 bpm • A Maj • 03:02 • -6.85db
32% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Lou and Matthew
Come Closer
122 bpm • G Maj • 03:40 • -5.31db
18% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Sadie Hawkins
The Way You Break My Heart
122 bpm • A Maj • 04:11 • -10db
35% Popularity • 60% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Benjamin Love
The Part Where You Leave
122 bpm • G Maj • 04:02 • -14db
23% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Gabe James
In the Moment
132 bpm • G Maj • 02:15 • -9.37db
36% Popularity • 75% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Patrick Droney
High Hope
132 bpm • C Maj • 04:11 • -9.71db
49% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Jonny West
Feel Like Myself
132 bpm • C# Maj • 04:33 • -6.72db
22% Popularity • 40% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Brendan Abernathy
Fruit Loops
122 bpm • E Maj • 03:39 • -7.44db
12% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Isaac Kitchen
See You Soon (Acoustic)
122 bpm • A# Maj • 02:03 • -8db
20% Popularity • 54% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Drew Cole
Sour Love
133 bpm • D# Maj • 03:11 • -7.33db
34% Popularity • 46% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Edward + Jane
Please Don't Leave Me Like This
122 bpm • C# Maj • 04:49 • -8.93db
24% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Hunter Metts
The River
133 bpm • A min • 04:18 • -12.77db
34% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Jordy Searcy
I Don't Think You Love Me
134 bpm • C Maj • 03:12 • -6.59db
24% Popularity • 42% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Jonny Brenns
Love on You
134 bpm • D# Maj • 02:53 • -9db
24% Popularity • 53% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Dylan Rockoff
Supernova
134 bpm • G Maj • 05:04 • -13db
26% Popularity • 63% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Band CAMINO
The Black and White
134 bpm • E Maj • 04:39 • -7db
43% Popularity • 46% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Jake Wesley Rogers
Jacob from the Bible
134 bpm • C Maj • 03:43 • -11db
26% Popularity • 32% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Silvie
Selfish Love
134 bpm • B Maj • 04:32 • -8.83db
15% Popularity • 53% Danceability • 47% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
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BLÜ EYES
supposed to
134 bpm • D Maj • 02:54 • -6.33db
42% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Brave Holiday
Wilderness
134 bpm • G Maj • 04:39 • -6.42db
34% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Craig Stickland
Rolling River
120 bpm • C Maj • 03:24 • -10.52db
16% Popularity • 56% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Louis Knight
Twisted Conversations
120 bpm • C Maj • 03:10 • -8.46db
9% Popularity • 69% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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The Light The Heat
What We've Been Missing
120 bpm • C# Maj • 04:10 • -10.72db
28% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Toby Johnson
One Mississippi
120 bpm • E Maj • 03:41 • -11.15db
30% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Violet Skies
This Could Be Love
135 bpm • C# Maj • 02:43 • -10.57db
26% Popularity • 50% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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McKenna Breinholt
Chicago
120 bpm • E Maj • 04:17 • -9.97db
33% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Francisco Martin
KISSING ON A BALCONY
120 bpm • G Maj • 03:21 • -7.01db
10% Popularity • 61% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Julian
sydney
120 bpm • E Maj • 03:24 • -10.3db
27% Popularity • 60% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
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VACAY
Shaky Hands
120 bpm • A# Maj • 03:39 • -6.77db
27% Popularity • 60% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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William Hinson
Sex
135 bpm • F Maj • 03:40 • -10db
28% Popularity • 50% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Patrick Droney
Like the Water
135 bpm • D Maj • 03:36 • -5.5db
42% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Jeffrey James
Slow Right Down
135 bpm • D# Maj • 02:38 • -10.85db
12% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Francisco Martin
BITTERSWEET
120 bpm • C Maj • 03:16 • -9.01db
15% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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The Ivy
I Don't Wanna
120 bpm • C# Maj • 03:49 • -7.52db
30% Popularity • 31% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Wingtip
Place Like This
135 bpm • F# Maj • 03:39 • -10.69db
21% Popularity • 56% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 22% Positiveness
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Plested
Make A Start
136 bpm • D Maj • 03:10 • -8.63db
21% Popularity • 49% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Calah Mikal
Details
136 bpm • C Maj • 05:03 • -10.24db
7% Popularity • 47% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jon McLaughlin
People Like You
119 bpm • C Maj • 04:13 • -9.79db
15% Popularity • 32% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Wertz
Sweetness in Starlight // Acoustic
136 bpm • D Maj • 04:53 • -9.57db
10% Popularity • 74% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Day
Dreams Tonight
136 bpm • D Maj • 02:42 • -13.8db
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
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Louis Knight
Change
136 bpm • D Maj • 03:55 • -8db
22% Popularity • 53% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Greyson Chance
Holy Feeling - Unplugged
137 bpm • B Maj • 03:58 • -11.97db
12% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Cole Loomis
You or Me
118 bpm • E Maj • 03:37 • -7.88db
18% Popularity • 75% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Picture This
If I Build A Home On The Moon
118 bpm • A Maj • 03:20 • -8.97db
42% Popularity • 57% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Nathan Colberg
Calm
118 bpm • D# Maj • 04:04 • -9.76db
34% Popularity • 61% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Ian Logan
Color Me In
137 bpm • C Maj • 03:00 • -10db
22% Popularity • 56% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Louis Knight
Maybe That
138 bpm • G# Maj • 03:36 • -7.3db
21% Popularity • 55% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Greyson Chance
Holy Feeling
137 bpm • B Maj • 04:06 • -9db
23% Popularity • 55% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Westerlight
I Wouldn't Change a Thing
117 bpm • A# Maj • 03:29 • -9.94db
22% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Daya
Montana
138 bpm • D Maj • 03:23 • -7db
43% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
VACAY
Shaky Hands - Piano Version
117 bpm • A# Maj • 03:15 • -8db
20% Popularity • 61% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Francisco Martin
Passenger Princess (Live at Stupid Youth...
117 bpm • D# Maj • 03:52 • -6.79db
5% Popularity • 69% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Parachute
Looking Back
138 bpm • B Maj • 04:51 • -11db
21% Popularity • 64% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Nachbi
I'll Be Better Soon
138 bpm • C# Maj • 01:52 • -14.23db
34% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Ed Prosek
4am
139 bpm • F# Maj • 03:32 • -11db
25% Popularity • 57% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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A N X
Sweatshirt (Don't Let Go)
139 bpm • F# Maj • 04:53 • -8db
28% Popularity • 73% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Alaska - Performance Version