Songs like Alba’s Shake by Alba And Orchestre Aris
Based on a tempo of (+/- 10%) and a similar genre
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Ezéchiel Pailhès
Cornetto
95 bpm • E min • 04:01 • -9.36db
13% Popularity • 79% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 79% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Sérgio Mendes
What Is This?
95 bpm • A# min • 04:45 • -12.73db
32% Popularity • 88% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 88% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Mel Tormé
Right Now
95 bpm • A# min • 02:12 • -14.96db
36% Popularity • 69% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 69% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Alba And Orchestre Aris
Alba’s Shake
95 bpm • D# min • 02:42 • -11db
16% Popularity • 62% Danceability • 54% Energy • 6% Liveness
85% Instrumentalness • 92% Positiveness
16% Popularity • 62% Danceability • 54% Energy • 6% Liveness
85% Instrumentalness • 92% Positiveness
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Asha Puthli
Right Down Here
95 bpm • A# min • 04:05 • -11.97db
19% Popularity • 89% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
19% Popularity • 89% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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The Chosen Few
Theme from "Shaft"
95 bpm • E min • 03:36 • -6.54db
26% Popularity • 88% Danceability • 57% Energy • 7% Liveness
49% Instrumentalness • 46% Positiveness
26% Popularity • 88% Danceability • 57% Energy • 7% Liveness
49% Instrumentalness • 46% Positiveness
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Dinah Washington
One Arabian Night
95 bpm • G min • 02:31 • -11.2db
8% Popularity • 68% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 68% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Passion Coco
Blue hotel
95 bpm • E min • 04:23 • -8.74db
21% Popularity • 60% Danceability • 76% Energy • 32% Liveness
59% Instrumentalness • 57% Positiveness
21% Popularity • 60% Danceability • 76% Energy • 32% Liveness
59% Instrumentalness • 57% Positiveness
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Los Zafiros
Bossa Cubana
95 bpm • A Maj • 02:32 • -15db
37% Popularity • 60% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 60% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Macbeth the Great
Buy Me A Zeppelin
95 bpm • F Maj • 02:19 • -14.37db
24% Popularity • 55% Danceability • 36% Energy • 21% Liveness
41% Instrumentalness • 58% Positiveness
24% Popularity • 55% Danceability • 36% Energy • 21% Liveness
41% Instrumentalness • 58% Positiveness
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Asha Puthli
Right Down Here
95 bpm • A# min • 04:08 • -17.81db
34% Popularity • 86% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 88% Positiveness
34% Popularity • 86% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 88% Positiveness
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Jacqueline Taieb
Le cœur au bout des doigts
94 bpm • B min • 02:38 • -5.3db
46% Popularity • 47% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 47% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Rose Murphy
Busy Line
94 bpm • F Maj • 02:19 • -17.44db
22% Popularity • 74% Danceability • 17% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
22% Popularity • 74% Danceability • 17% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
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Johnny Montreuil
Blacky
96 bpm • B Maj • 03:50 • -6.25db
8% Popularity • 57% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 57% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Orchestra Baobab
Werente Serigne
94 bpm • G# min • 06:48 • -15.62db
40% Popularity • 66% Danceability • 45% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
40% Popularity • 66% Danceability • 45% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
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Ganimian and His Oriental Music
Daddy Lolo
96 bpm • A min • 02:05 • -10.07db
8% Popularity • 59% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 59% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Pink Turtle
Get Up Stand Up
96 bpm • F min • 03:35 • -5.45db
25% Popularity • 59% Danceability • 59% Energy • 24% Liveness
7% Instrumentalness • 61% Positiveness
25% Popularity • 59% Danceability • 59% Energy • 24% Liveness
7% Instrumentalness • 61% Positiveness
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Orchestre de la Paillote
Kadia Blues
96 bpm • A min • 04:46 • -8db
35% Popularity • 55% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
35% Popularity • 55% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Crimi
Mano d'oro
96 bpm • B min • 03:09 • -10db
28% Popularity • 77% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 77% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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L.A.G.O.
E Tama
94 bpm • D Maj • 05:04 • -9db
24% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Adriano Celentano
I Want To Know (Part I & II)
94 bpm • G# Maj • 08:10 • -7db
33% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Terry Brooks
High Flyer
96 bpm • D Maj • 03:48 • -8.69db
31% Popularity • 64% Danceability • 63% Energy • 40% Liveness
72% Instrumentalness • 68% Positiveness
31% Popularity • 64% Danceability • 63% Energy • 40% Liveness
72% Instrumentalness • 68% Positiveness
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Graham Mushnik
Octopus Dance
96 bpm • G min • 03:35 • -6.05db
20% Popularity • 67% Danceability • 82% Energy • 8% Liveness
84% Instrumentalness • 89% Positiveness
20% Popularity • 67% Danceability • 82% Energy • 8% Liveness
84% Instrumentalness • 89% Positiveness
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Rogér Fakhr
Sitting in the Sun
96 bpm • A Maj • 03:24 • -8db
31% Popularity • 66% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 66% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Sam Redmore
Just Be Good to Me
94 bpm • B min • 03:35 • -7.83db
21% Popularity • 77% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 77% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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King Pepe & His Calypso Combo
Candy Lord
94 bpm • E min • 04:19 • -6.13db
10% Popularity • 75% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
10% Popularity • 75% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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79rs Gang
79rs Bout to Blow
96 bpm • F# min • 03:04 • -8db
34% Popularity • 85% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 85% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Sababa 5
Nasnusa - נסנוסה
94 bpm • G# min • 03:46 • -9db
24% Popularity • 60% Danceability • 74% Energy • 28% Liveness
6% Instrumentalness • 93% Positiveness
24% Popularity • 60% Danceability • 74% Energy • 28% Liveness
6% Instrumentalness • 93% Positiveness
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Akalé Wubé
Alègntayé
94 bpm • F min • 04:19 • -6.65db
28% Popularity • 76% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
28% Popularity • 76% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
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The Banjo Lounge 4
Mundian to Bach Ke
94 bpm • G Maj • 03:58 • -8.45db
7% Popularity • 61% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
7% Popularity • 61% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
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The Modern Tropical Quintet
Midnight in Moscow
94 bpm • A min • 04:26 • -10.64db
11% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Marino Marini
Io sono il vento
94 bpm • C# Maj • 02:59 • -10db
29% Popularity • 52% Danceability • 42% Energy • 15% Liveness
3% Instrumentalness • 59% Positiveness
29% Popularity • 52% Danceability • 42% Energy • 15% Liveness
3% Instrumentalness • 59% Positiveness
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The Mighty Hannibal
The Right to Love You
96 bpm • E min • 02:39 • -8.84db
37% Popularity • 68% Danceability • 43% Energy • 19% Liveness
1% Instrumentalness • 66% Positiveness
37% Popularity • 68% Danceability • 43% Energy • 19% Liveness
1% Instrumentalness • 66% Positiveness
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Janko Nilovic
Pop Impressions - Remastered
93 bpm • D Maj • 03:10 • -6db
39% Popularity • 42% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 42% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Magdy Al Hussainy
Music de Carnaval
93 bpm • F min • 05:10 • -6db
34% Popularity • 53% Danceability • 91% Energy • 35% Liveness
67% Instrumentalness • 85% Positiveness
34% Popularity • 53% Danceability • 91% Energy • 35% Liveness
67% Instrumentalness • 85% Positiveness
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Professionals
Theme from the Godfather
93 bpm • A min • 04:12 • -7.11db
33% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 70% Positiveness
33% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 70% Positiveness
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Kathleen Emery
Sometimes I Feel Like A Motherless Child
93 bpm • A min • 03:56 • -9db
23% Popularity • 30% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 30% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Guy Conquette
Assez Fait Cancan
93 bpm • C min • 02:20 • -4db
36% Popularity • 65% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 65% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Mop Mop
Let I Go Anthony Joseph
97 bpm • C# min • 05:18 • -8.84db
30% Popularity • 87% Danceability • 70% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
30% Popularity • 87% Danceability • 70% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Lee "Scratch" Perry
Yee Ha Ha Ha
93 bpm • A# min • 04:32 • -7.2db
29% Popularity • 89% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 89% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Laurent Bardainne
Verte gronouille
93 bpm • E min • 03:15 • -7.11db
22% Popularity • 76% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 82% Positiveness
22% Popularity • 76% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 82% Positiveness
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The Mauskovic Dance Band
It's All Mauskovic
93 bpm • A# Maj • 04:36 • -10.36db
18% Popularity • 82% Danceability • 53% Energy • 65% Liveness
1% Instrumentalness • 94% Positiveness
18% Popularity • 82% Danceability • 53% Energy • 65% Liveness
1% Instrumentalness • 94% Positiveness
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Gulabi Sapera
Neem
93 bpm • E Maj • 04:03 • -8db
28% Popularity • 60% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
28% Popularity • 60% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Cochemea
Curandera
93 bpm • A Maj • 03:41 • -11.16db
12% Popularity • 56% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
12% Popularity • 56% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
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Mop Mop
Heritage Anthony Joseph
97 bpm • C# Maj • 04:55 • -10.19db
26% Popularity • 80% Danceability • 68% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
26% Popularity • 80% Danceability • 68% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
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Stephen Cheng
Always Together
97 bpm • E min • 02:50 • -5.68db
11% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Wild Fire
Check It Out
97 bpm • F# Maj • 03:28 • -9.53db
31% Popularity • 74% Danceability • 87% Energy • 16% Liveness
3% Instrumentalness • 86% Positiveness
31% Popularity • 74% Danceability • 87% Energy • 16% Liveness
3% Instrumentalness • 86% Positiveness
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Rosinha De Valencia
Summertime
98 bpm • A min • 03:01 • -10.54db
36% Popularity • 48% Danceability • 66% Energy • 12% Liveness
94% Instrumentalness • 62% Positiveness
36% Popularity • 48% Danceability • 66% Energy • 12% Liveness
94% Instrumentalness • 62% Positiveness
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The Traces
Je T’aime Moi Non Plus
97 bpm • D Maj • 02:39 • -9.36db
15% Popularity • 48% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 48% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Şatellites
Yar Oi
98 bpm • C# Maj • 03:49 • -8.62db
29% Popularity • 76% Danceability • 47% Energy • 63% Liveness
1% Instrumentalness • 84% Positiveness
29% Popularity • 76% Danceability • 47% Energy • 63% Liveness
1% Instrumentalness • 84% Positiveness
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Asagaya
In the Mountain of Bliss
98 bpm • F Maj • 04:41 • -9.16db
33% Popularity • 67% Danceability • 58% Energy • 9% Liveness
35% Instrumentalness • 50% Positiveness
33% Popularity • 67% Danceability • 58% Energy • 9% Liveness
35% Instrumentalness • 50% Positiveness
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Melissa Laveaux
Papessa
98 bpm • D Maj • 04:24 • -7.54db
19% Popularity • 76% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 76% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Hugo Blanco Y Su Arpa Viajera
Infinito
92 bpm • A# min • 03:34 • -10.38db
12% Popularity • 64% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 78% Positiveness
12% Popularity • 64% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 78% Positiveness
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Shawn Lee
Christopher Walken on Sunshine
92 bpm • G Maj • 03:49 • -4db
37% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Joséphine Baker
Don't Touch My Tomatoes
98 bpm • C Maj • 02:17 • -9.09db
22% Popularity • 70% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 70% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Orchestre de la Paillote
La Guinée Moussolou
92 bpm • A# Maj • 06:03 • -13.83db
19% Popularity • 72% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 72% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Pokey LaFarge
Underground
99 bpm • D Maj • 03:27 • -8db
28% Popularity • 72% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 72% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Ry Cooder
Chinito Chinito
99 bpm • A# min • 04:52 • -10db
34% Popularity • 78% Danceability • 77% Energy • 8% Liveness
2% Instrumentalness • 91% Positiveness
34% Popularity • 78% Danceability • 77% Energy • 8% Liveness
2% Instrumentalness • 91% Positiveness
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Labi Siffre
Doctor Doctor
91 bpm • C min • 04:21 • -7.31db
30% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 69% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Şatellites
Olurmu Dersin
99 bpm • A# min • 03:42 • -8.25db
36% Popularity • 62% Danceability • 58% Energy • 35% Liveness
1% Instrumentalness • 48% Positiveness
36% Popularity • 62% Danceability • 58% Energy • 35% Liveness
1% Instrumentalness • 48% Positiveness
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Pat Kalla
Laissez-moi danser
91 bpm • D# Maj • 03:21 • -7.99db
31% Popularity • 87% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 87% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Tee See Connection
Take My Breath Away
91 bpm • A# min • 04:20 • -10db
30% Popularity • 55% Danceability • 65% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
30% Popularity • 55% Danceability • 65% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
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Rose Murphy
Busy Line
100 bpm • F Maj • 02:46 • -8db
28% Popularity • 88% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 88% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Gitkin
Canción del Rey
91 bpm • F min • 03:20 • -10.21db
29% Popularity • 67% Danceability • 76% Energy • 9% Liveness
94% Instrumentalness • 96% Positiveness
29% Popularity • 67% Danceability • 76% Energy • 9% Liveness
94% Instrumentalness • 96% Positiveness
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Joya Landis
When the Lights Are Low
91 bpm • D min • 03:00 • -13.01db
20% Popularity • 66% Danceability • 27% Energy • 14% Liveness
60% Instrumentalness • 41% Positiveness
20% Popularity • 66% Danceability • 27% Energy • 14% Liveness
60% Instrumentalness • 41% Positiveness
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Cumbia en Moog
Cumbia de sal
91 bpm • G# Maj • 03:33 • -5.92db
29% Popularity • 50% Danceability • 76% Energy • 21% Liveness
59% Instrumentalness • 84% Positiveness
29% Popularity • 50% Danceability • 76% Energy • 21% Liveness
59% Instrumentalness • 84% Positiveness
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Elias Rahbani
Dance of Maria
100 bpm • A# min • 02:47 • -11.5db
44% Popularity • 51% Danceability • 52% Energy • 25% Liveness
60% Instrumentalness • 48% Positiveness
44% Popularity • 51% Danceability • 52% Energy • 25% Liveness
60% Instrumentalness • 48% Positiveness
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Ugly Mac Beer
Les choeurs perdus
100 bpm • C# Maj • 03:28 • -9.65db
11% Popularity • 50% Danceability • 69% Energy • 26% Liveness
34% Instrumentalness • 62% Positiveness
11% Popularity • 50% Danceability • 69% Energy • 26% Liveness
34% Instrumentalness • 62% Positiveness
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Guess What
Al Khawarizmi
100 bpm • C min • 03:43 • -6.2db
9% Popularity • 64% Danceability • 89% Energy • 10% Liveness
24% Instrumentalness • 68% Positiveness
9% Popularity • 64% Danceability • 89% Energy • 10% Liveness
24% Instrumentalness • 68% Positiveness
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The Limiñanas
Calentita
100 bpm • D Maj • 03:20 • -6.43db
35% Popularity • 65% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 65% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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La Cherga
Lajka
100 bpm • F# min • 03:25 • -7.46db
29% Popularity • 78% Danceability • 46% Energy • 11% Liveness
48% Instrumentalness • 81% Positiveness
29% Popularity • 78% Danceability • 46% Energy • 11% Liveness
48% Instrumentalness • 81% Positiveness
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Cyril Diaz and His Orchestra
Voodoo
100 bpm • A Maj • 03:51 • -11.48db
9% Popularity • 51% Danceability • 54% Energy • 13% Liveness
77% Instrumentalness • 59% Positiveness
9% Popularity • 51% Danceability • 54% Energy • 13% Liveness
77% Instrumentalness • 59% Positiveness
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Bumcello
Sararevé
100 bpm • C# Maj • 05:06 • -10db
25% Popularity • 74% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 35% Positiveness
25% Popularity • 74% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 35% Positiveness
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Mitchum Yacoub
Cumbia Divina
100 bpm • G# min • 03:35 • -7.3db
30% Popularity • 72% Danceability • 72% Energy • 8% Liveness
14% Instrumentalness • 72% Positiveness
30% Popularity • 72% Danceability • 72% Energy • 8% Liveness
14% Instrumentalness • 72% Positiveness
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Orchestra Baobab
Sey
100 bpm • B Maj • 05:27 • -3.71db
19% Popularity • 57% Danceability • 85% Energy • 32% Liveness
58% Instrumentalness • 71% Positiveness
19% Popularity • 57% Danceability • 85% Energy • 32% Liveness
58% Instrumentalness • 71% Positiveness
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General Elektriks
The Man Who Unraveled
100 bpm • E min • 04:15 • -4.88db
30% Popularity • 78% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 78% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Wilmoth Houdini
Black but Sweet
90 bpm • F min • 02:33 • -10.16db
29% Popularity • 70% Danceability • 30% Energy • 6% Liveness
6% Instrumentalness • 96% Positiveness
29% Popularity • 70% Danceability • 30% Energy • 6% Liveness
6% Instrumentalness • 96% Positiveness
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Dizzy Gillespie
Poor Joe
100 bpm • F Maj • 02:37 • -9.13db
20% Popularity • 71% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 71% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Nostalgia 77
Positive Force
100 bpm • F# Maj • 03:08 • -7.82db
35% Popularity • 70% Danceability • 70% Energy • 14% Liveness
87% Instrumentalness • 67% Positiveness
35% Popularity • 70% Danceability • 70% Energy • 14% Liveness
87% Instrumentalness • 67% Positiveness
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Joseph Lacides
Yo ka biguiné
101 bpm • D# min • 02:24 • -6.91db
20% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 63% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Daniel Forestal Et Sa Guitare
Ces P'Tits Je T'aime
90 bpm • C# min • 02:43 • -10.02db
38% Popularity • 73% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 73% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Asha Puthli
Fever
101 bpm • C min • 02:06 • -10.05db
23% Popularity • 48% Danceability • 48% Energy • 23% Liveness
5% Instrumentalness • 72% Positiveness
23% Popularity • 48% Danceability • 48% Energy • 23% Liveness
5% Instrumentalness • 72% Positiveness
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Screamin' Jay Hawkins
I Love Paris
90 bpm • D Maj • 02:22 • -11db
19% Popularity • 57% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 57% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
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Barbara & Ernie
Somebody to Love
89 bpm • F Maj • 04:39 • -17.09db
24% Popularity • 29% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 29% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Syl Johnson
Come Together
89 bpm • B Maj • 03:15 • -9db
29% Popularity • 84% Danceability • 50% Energy • 13% Liveness
2% Instrumentalness • 72% Positiveness
29% Popularity • 84% Danceability • 50% Energy • 13% Liveness
2% Instrumentalness • 72% Positiveness
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Oscar Aleman
Bésame Mucho
101 bpm • F min • 02:12 • -7.92db
31% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Quantic
Se Lo Ví
89 bpm • A# Maj • 03:46 • -10.3db
40% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Banda Municipale de Musica de Santiago de Cuba
Les passantes - Chanson française
89 bpm • A min • 03:16 • -13.39db
29% Popularity • 36% Danceability • 56% Energy • 11% Liveness
58% Instrumentalness • 70% Positiveness
29% Popularity • 36% Danceability • 56% Energy • 11% Liveness
58% Instrumentalness • 70% Positiveness
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Nico Gomez And His Afro Percussion Inc.
Eso el Amor
101 bpm • B min • 03:45 • -7.84db
14% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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J.P. Bimeni
James Stern
102 bpm • G min • 03:35 • -7.49db
19% Popularity • 67% Danceability • 78% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
19% Popularity • 67% Danceability • 78% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
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Esquivel!
Malagueña Salerosa - Sweetheart From Ma...
89 bpm • A min • 03:19 • -12.74db
20% Popularity • 42% Danceability • 37% Energy • 13% Liveness
64% Instrumentalness • 42% Positiveness
20% Popularity • 42% Danceability • 37% Energy • 13% Liveness
64% Instrumentalness • 42% Positiveness
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Naomi Shelton
What Have You Done
102 bpm • A# min • 03:45 • -5db
32% Popularity • 75% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 75% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Cranes
Joy - Quantic Edit
102 bpm • D# min • 03:02 • -9.94db
16% Popularity • 49% Danceability • 47% Energy • 12% Liveness
65% Instrumentalness • 91% Positiveness
16% Popularity • 49% Danceability • 47% Energy • 12% Liveness
65% Instrumentalness • 91% Positiveness
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Mo' Horizons
Wagabunga Dance
102 bpm • G Maj • 04:40 • -6.27db
17% Popularity • 87% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 87% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Marie "Queenie" Lyons
See And Don't See
89 bpm • D min • 03:21 • -11.15db
32% Popularity • 78% Danceability • 51% Energy • 8% Liveness
2% Instrumentalness • 92% Positiveness
32% Popularity • 78% Danceability • 51% Energy • 8% Liveness
2% Instrumentalness • 92% Positiveness
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Wild Fire
Rebels
102 bpm • A# Maj • 03:56 • -10.82db
38% Popularity • 82% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 82% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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XIXA
Eclipse
88 bpm • E min • 03:26 • -3.71db
21% Popularity • 43% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 43% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Georges Tinedor Et Manuela Pioche
Colliè Et Zanno
102 bpm • C# Maj • 02:50 • -6.63db
17% Popularity • 74% Danceability • 83% Energy • 30% Liveness
2% Instrumentalness • 93% Positiveness
17% Popularity • 74% Danceability • 83% Energy • 30% Liveness
2% Instrumentalness • 93% Positiveness
