Songs like alive by ROLE MODEL
Based on a tempo of (+/- 10%) and a similar genre
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Still Woozy
BS
80 bpm • D# Maj • 02:13 • -11.83db
59% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Mikey Ferrari
lunar light
79 bpm • D Maj • 03:17 • -5.15db
32% Popularity • 50% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 50% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 17% Positiveness
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Thomas Headon
Loving You
80 bpm • E min • 03:27 • -5.88db
34% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Kid Bloom
CIRCLES
80 bpm • A Maj • 02:40 • -6db
42% Popularity • 54% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 54% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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ROLE MODEL
the climb
78 bpm • E Maj • 02:46 • -7.39db
32% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Lennon Stella
Goodnight
80 bpm • D Maj • 02:56 • -10.44db
51% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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remy
a little bit won't kill you but a lot of...
80 bpm • E Maj • 02:50 • -6.62db
32% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Dreamer Boy
Lavender
78 bpm • G# min • 03:38 • -10.4db
47% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Thomas Headon
Grace
80 bpm • B Maj • 03:21 • -9.31db
33% Popularity • 61% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 61% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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young friend
ARIZONA
78 bpm • C# min • 03:35 • -9.45db
45% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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ROLE MODEL
a little more time
80 bpm • G# Maj • 03:30 • -7.44db
52% Popularity • 52% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
52% Popularity • 52% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
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Current Blue
drive
81 bpm • G# min • 01:41 • -12db
53% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
53% Popularity • 67% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Weston Estate
Sixty
81 bpm • B Maj • 02:16 • -10.23db
48% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Grady
500 Days of Summer
77 bpm • G# Maj • 01:53 • -5.37db
43% Popularity • 67% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 67% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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DWLLRS
You're Gonna Cry
81 bpm • E Maj • 03:39 • -5db
34% Popularity • 53% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 53% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Forrest Nolan
Second Base
81 bpm • F# Maj • 02:37 • -12.94db
29% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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ROLE MODEL
going out
80 bpm • F Maj • 02:54 • -5.62db
45% Popularity • 75% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 75% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Genevieve Stokes
Parking Lot
77 bpm • C Maj • 02:41 • -8.26db
46% Popularity • 43% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 43% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Weston Estate
Cotton Candy
81 bpm • A# Maj • 02:34 • -10db
45% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Bennett Coast
Sunsick
82 bpm • G Maj • 02:25 • -9.24db
61% Popularity • 66% Danceability • 58% Energy • 17% Liveness
14% Instrumentalness • 58% Positiveness
61% Popularity • 66% Danceability • 58% Energy • 17% Liveness
14% Instrumentalness • 58% Positiveness
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Thomas Headon
Focus
77 bpm • C Maj • 03:19 • -13.24db
30% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Jesse®
Bloom Later
82 bpm • C Maj • 02:40 • -10.45db
56% Popularity • 51% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 51% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Wallows
Remember When
82 bpm • B min • 02:35 • -5.9db
74% Popularity • 50% Danceability • 71% Energy • 79% Liveness
0% Instrumentalness • 51% Positiveness
74% Popularity • 50% Danceability • 71% Energy • 79% Liveness
0% Instrumentalness • 51% Positiveness
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BENEE
Wishful Thinking
82 bpm • E Maj • 03:33 • -6.16db
58% Popularity • 64% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 64% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Weston Estate
Pears
82 bpm • F min • 02:21 • -6.48db
54% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 61% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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ROLE MODEL
Puerto Rican
82 bpm • G# Maj • 02:55 • -8.04db
32% Popularity • 78% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 78% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Noah Floersch
Love You By Myself
83 bpm • D# Maj • 03:01 • -8.92db
48% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ryan Beatty
Evergreen
83 bpm • A# Maj • 03:44 • -8.37db
45% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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dempsey hope
roller rink
83 bpm • G Maj • 02:45 • -10.27db
37% Popularity • 47% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 47% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Healy
Nikes On
83 bpm • A Maj • 02:42 • -9.56db
49% Popularity • 82% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 82% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dayglow
Junior Varsity
75 bpm • G# Maj • 04:12 • -8db
45% Popularity • 26% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 27% Positiveness
45% Popularity • 26% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 27% Positiveness
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DWLLRS
It's Only Up From Here
75 bpm • A Maj • 03:42 • -5.68db
22% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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COIN
I Think I Met You In A Dream
75 bpm • D Maj • 03:09 • -6.08db
48% Popularity • 65% Danceability • 76% Energy • 10% Liveness
5% Instrumentalness • 73% Positiveness
48% Popularity • 65% Danceability • 76% Energy • 10% Liveness
5% Instrumentalness • 73% Positiveness
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Ryan Beatty
God in Jeans
75 bpm • G Maj • 02:52 • -6.72db
43% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Joji
Afterthought
84 bpm • C# Maj • 03:14 • -8.03db
70% Popularity • 61% Danceability • 55% Energy • 9% Liveness
8% Instrumentalness • 19% Positiveness
70% Popularity • 61% Danceability • 55% Energy • 9% Liveness
8% Instrumentalness • 19% Positiveness
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Bazzi
I Like That
74 bpm • F# min • 02:38 • -5.43db
59% Popularity • 66% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 66% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Dreamer Boy
HUES
84 bpm • F# min • 02:44 • -7.97db
49% Popularity • 66% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 66% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
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ROLE MODEL
Stolen Car
74 bpm • D# min • 03:14 • -14db
37% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
37% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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BENEE
Want Me Back
85 bpm • A Maj • 03:54 • -6.45db
51% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Isaac Dunbar
scorton's creek
85 bpm • E min • 02:28 • -11db
35% Popularity • 40% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 40% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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BabyJake
Confidant
85 bpm • C# min • 03:02 • -8.36db
47% Popularity • 80% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 80% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Omar Apollo
Hit Me Up
85 bpm • A Maj • 02:40 • -5.25db
56% Popularity • 77% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 77% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Weston Estate
Outside
85 bpm • D Maj • 02:17 • -6.41db
45% Popularity • 69% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 69% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Tai Verdes
we would have some cute kids.
85 bpm • F# Maj • 02:35 • -7.52db
46% Popularity • 82% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 82% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Cautious Clay
Wildfire
85 bpm • A Maj • 02:31 • -10.79db
58% Popularity • 56% Danceability • 35% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 56% Danceability • 35% Energy • 45% Liveness
0% Instrumentalness • 42% Positiveness
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ROLE MODEL
i don't rly like u
73 bpm • G# Maj • 03:25 • -8.99db
33% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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COIN
I Want It All
85 bpm • B Maj • 02:51 • -6db
53% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Ben Kessler
Lying
86 bpm • F# Maj • 03:05 • -8.39db
29% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Bennett Coast
Fleet Week
73 bpm • A Maj • 03:49 • -10.36db
37% Popularity • 58% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 58% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Tai Verdes
Solamente
85 bpm • C# min • 02:14 • -8db
52% Popularity • 66% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 66% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Harry Hudson
Holdin’ On
86 bpm • C# Maj • 02:56 • -8.77db
49% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Austin George
bluebonnets
86 bpm • A# Maj • 02:06 • -9.48db
53% Popularity • 59% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 59% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 51% Positiveness
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Clubhouse
Anywhere You Go
72 bpm • G Maj • 03:12 • -5.64db
37% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ben Kessler
Just Wanna Be Your Friend
72 bpm • G# min • 02:27 • -9.26db
30% Popularity • 44% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 44% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
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Slush Puppy
Summertime Sucks
86 bpm • E Maj • 04:56 • -7.87db
26% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Benjamin Carter
Cosmic
87 bpm • A Maj • 02:44 • -9.73db
32% Popularity • 56% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 56% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Still Woozy
Get Down
87 bpm • C# min • 02:51 • -8.32db
56% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Del Water Gap
Ode to a Conversation Stuck in Your Thro...
88 bpm • B Maj • 03:19 • -6.78db
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Peach Tree Rascals
Plus
89 bpm • C# Maj • 04:32 • -11.41db
41% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Clubhouse
Home Videos
89 bpm • A# Maj • 02:35 • -6.37db
30% Popularity • 73% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 73% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Ryan Woods
how i'm feeling
90 bpm • F# Maj • 02:51 • -9db
37% Popularity • 32% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 32% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Aidan Bissett
Communication
90 bpm • B Maj • 03:07 • -7.02db
26% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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SEB
killer lover boy
90 bpm • C Maj • 02:14 • -7.61db
51% Popularity • 71% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 71% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Zachary Knowles
slow summer
90 bpm • F Maj • 02:48 • -8.9db
47% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Bennett Coast
Moonboy
90 bpm • A Maj • 02:12 • -10.64db
46% Popularity • 51% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
46% Popularity • 51% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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ROLE MODEL
Oh, Gemini
90 bpm • A# Maj • 02:44 • -8.24db
62% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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khai dreams
Lost in You
90 bpm • F min • 01:41 • -12.02db
58% Popularity • 77% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
58% Popularity • 77% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Stephen Dawes
Losing You
90 bpm • E Maj • 02:53 • -14db
38% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Maude Latour
Walk Backwards
90 bpm • G Maj • 02:33 • -10db
38% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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ELIO
hurts 2 hate somebody
90 bpm • G Maj • 03:06 • -3.51db
55% Popularity • 62% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 62% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Cautious Clay
Dying in the Subtlety
91 bpm • A Maj • 02:19 • -8db
41% Popularity • 72% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 72% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Still Woozy
Window
91 bpm • E min • 02:19 • -9.38db
70% Popularity • 71% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
70% Popularity • 71% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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ROLE MODEL
a little more time - Sped Up
91 bpm • F min • 03:04 • -6.95db
6% Popularity • 60% Danceability • 57% Energy • 22% Liveness
2% Instrumentalness • 35% Positiveness
6% Popularity • 60% Danceability • 57% Energy • 22% Liveness
2% Instrumentalness • 35% Positiveness
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Hans Williams
Checklist
68 bpm • A Maj • 03:12 • -7db
50% Popularity • 79% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 79% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Neighbourhood
Cherry Flavoured
92 bpm • F# Maj • 03:28 • -9.77db
65% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
65% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Ben Kessler
False Art
91 bpm • D Maj • 03:03 • -11.55db
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Social House
Haunt You
92 bpm • C Maj • 03:18 • -9db
48% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Peter Fenn
Body Bag (w/ Ethan Tasch)
92 bpm • D# Maj • 02:21 • -8.7db
28% Popularity • 73% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 73% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Thomas Headon
Clean Me Up
92 bpm • C Maj • 02:45 • -10.05db
43% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 63% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Clubhouse
Flipside
92 bpm • A# Maj • 03:04 • -7.39db
28% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Lizzy McAlpine
Over-the-Ocean Call
92 bpm • E min • 04:04 • -12db
54% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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ROLE MODEL
girl in new york
92 bpm • A Maj • 03:31 • -7.85db
50% Popularity • 62% Danceability • 56% Energy • 11% Liveness
15% Instrumentalness • 8% Positiveness
50% Popularity • 62% Danceability • 56% Energy • 11% Liveness
15% Instrumentalness • 8% Positiveness
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Ben Kessler
Concrete
92 bpm • C Maj • 02:32 • -9.93db
43% Popularity • 58% Danceability • 46% Energy • 23% Liveness
2% Instrumentalness • 34% Positiveness
43% Popularity • 58% Danceability • 46% Energy • 23% Liveness
2% Instrumentalness • 34% Positiveness
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Isaac Dunbar
kissy kissy
93 bpm • G# Maj • 02:26 • -5.38db
35% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 63% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Headon
Butterflies
92 bpm • G# Maj • 03:06 • -10.59db
32% Popularity • 73% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 73% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Wallows
These Days
93 bpm • C Maj • 03:22 • -6.73db
64% Popularity • 66% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 87% Positiveness
64% Popularity • 66% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 87% Positiveness
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Your Neighbors
Chicken
93 bpm • A# min • 03:27 • -8.19db
55% Popularity • 57% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 57% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 66% Positiveness
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Cautious Clay
Agreeable
93 bpm • C Maj • 02:15 • -5.94db
40% Popularity • 68% Danceability • 66% Energy • 13% Liveness
7% Instrumentalness • 67% Positiveness
40% Popularity • 68% Danceability • 66% Energy • 13% Liveness
7% Instrumentalness • 67% Positiveness
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ROLE MODEL
say it first
94 bpm • A Maj • 02:39 • -5.84db
45% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 80% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Christian Leave
No Use
94 bpm • G# Maj • 03:16 • -9.04db
35% Popularity • 82% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 82% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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remy
i know why you stay out
94 bpm • D Maj • 02:57 • -4db
35% Popularity • 74% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 74% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Dreamer Boy
Know You
94 bpm • G# Maj • 03:25 • -7.36db
19% Popularity • 56% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 56% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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COIN
Let It All Out (10:05)
94 bpm • D# Maj • 03:40 • -11db
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
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Clairo
Softly
94 bpm • C min • 03:05 • -11.23db
69% Popularity • 76% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
69% Popularity • 76% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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ROLE MODEL
super model
93 bpm • D Maj • 03:56 • -7.21db
30% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 57% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Sophie Cates
drinking games
94 bpm • D Maj • 03:20 • -5.81db
44% Popularity • 51% Danceability • 64% Energy • 61% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 51% Danceability • 64% Energy • 61% Liveness
0% Instrumentalness • 30% Positiveness
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Gracie Abrams
The Bottom
95 bpm • F Maj • 03:00 • -5.07db
62% Popularity • 72% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
62% Popularity • 72% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Valley
Cure
95 bpm • C# Maj • 02:28 • -6.59db
43% Popularity • 60% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 60% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
