Songs like All Along the Watchtower by John C. Cale
Based on a tempo of (+/- 10%) and a similar genre
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Black Moss Meredith
Set Free
130 bpm • A Maj • 03:28 • -10.94db
14% Popularity • 71% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 71% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Blair Adams
Everyday Heroes (Retake)
130 bpm • E Maj • 04:42 • -12.1db
10% Popularity • 60% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 60% Danceability • 43% Energy • 32% Liveness
1% Instrumentalness • 57% Positiveness
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David Dentinger
The Great State of Tristan da Cunha
130 bpm • C Maj • 03:31 • -9.6db
17% Popularity • 59% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 59% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Edgar Allen Lee
Not That Far Behind
130 bpm • D Maj • 02:25 • -25.35db
11% Popularity • 81% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 81% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Osbaldo Herzhty
What Is Flying
130 bpm • D Maj • 03:00 • -10.16db
29% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Aspens Pyramid
pity
130 bpm • C Maj • 01:45 • -11.15db
25% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Reg Meuross
From Now On
131 bpm • D Maj • 03:22 • -12.08db
11% Popularity • 59% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 59% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Philip Kroonenberg
Every Step
129 bpm • A Maj • 03:05 • -13.74db
16% Popularity • 81% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
16% Popularity • 81% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
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Vicki Morant
Mistake
131 bpm • F min • 03:44 • -15.5db
34% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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John Ross
Soldier coming home
131 bpm • E Maj • 02:38 • -14.22db
8% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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BeetRootJam
We Shall Be Free
131 bpm • C Maj • 04:20 • -7.09db
10% Popularity • 63% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 63% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Aspens Pyramid
many troubles
131 bpm • G Maj • 03:55 • -11.98db
10% Popularity • 44% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
10% Popularity • 44% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
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Blair Adams
Driving All Night (Chasing That Summer)
131 bpm • A Maj • 03:46 • -6.96db
10% Popularity • 46% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 46% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
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Malcolm Holcombe
A Steady Heart
131 bpm • A# min • 02:30 • -9.96db
11% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Mono Meadow
No Longer I - Short
132 bpm • D min • 01:57 • -13.65db
30% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Josetxo Zugaldia
Helpless Love
128 bpm • G Maj • 03:35 • -6.45db
16% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Big Cowboy
1883
128 bpm • F Maj • 04:09 • -10.84db
4% Popularity • 63% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 63% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Those Who Know the Son
Dream to Keep
128 bpm • A min • 02:57 • -15.68db
15% Popularity • 46% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 34% Positiveness
15% Popularity • 46% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 34% Positiveness
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Blair Adams
My First, My Last, My Everything
128 bpm • G Maj • 03:55 • -9.03db
11% Popularity • 52% Danceability • 54% Energy • 16% Liveness
2% Instrumentalness • 69% Positiveness
11% Popularity • 52% Danceability • 54% Energy • 16% Liveness
2% Instrumentalness • 69% Positiveness
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Jan Stollert
Der Kämpfer
128 bpm • G# Maj • 01:43 • -25.6db
11% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Nutopians
I'll Be Back
132 bpm • A Maj • 03:03 • -13.07db
13% Popularity • 48% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 48% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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John C. Cale
Forever young
128 bpm • D Maj • 03:42 • -14.64db
0% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Paul Faith
Honey
127 bpm • F Maj • 03:42 • -11.35db
9% Popularity • 61% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 61% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Dave Sutherland
You Got a Man Like Me Loving You
133 bpm • G Maj • 04:15 • -15.39db
11% Popularity • 49% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 49% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Morris Lewis
Don't Cry
127 bpm • D Maj • 04:33 • -11db
19% Popularity • 53% Danceability • 49% Energy • 52% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 53% Danceability • 49% Energy • 52% Liveness
0% Instrumentalness • 64% Positiveness
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Tyreek Fritsch
The Flash
134 bpm • G Maj • 03:08 • -11.55db
27% Popularity • 44% Danceability • 56% Energy • 87% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 44% Danceability • 56% Energy • 87% Liveness
0% Instrumentalness • 40% Positiveness
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Gregory Page
Thought You Were Brilliant
134 bpm • G Maj • 04:08 • -8.67db
10% Popularity • 60% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 60% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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David Clements
Winter Coat
127 bpm • G# Maj • 03:31 • -8.83db
9% Popularity • 47% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 47% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Blair Adams
Shelley's Song
127 bpm • B Maj • 02:18 • -13.28db
13% Popularity • 57% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 57% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Jay Blackburn Music
I Love You
134 bpm • D# Maj • 04:04 • -16.4db
20% Popularity • 42% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 42% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Those Who Know the Son
Why I Live
134 bpm • C Maj • 02:19 • -18.37db
25% Popularity • 42% Danceability • 14% Energy • 12% Liveness
19% Instrumentalness • 37% Positiveness
25% Popularity • 42% Danceability • 14% Energy • 12% Liveness
19% Instrumentalness • 37% Positiveness
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MountainHouse
Healing Touch
134 bpm • C Maj • 02:18 • -13.02db
16% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Christopher Sidney
Turn
126 bpm • G Maj • 03:03 • -14.9db
19% Popularity • 36% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 36% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Darden Smith
Favorite Way
126 bpm • E Maj • 02:58 • -10.33db
10% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas DeSha
What Am I Thinking
134 bpm • D Maj • 03:29 • -12.64db
26% Popularity • 52% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 52% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Black Moss Meredith
She Comes up in Conversations
126 bpm • D Maj • 03:47 • -8.9db
18% Popularity • 60% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 60% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Saney Boy
Stuck In The Middle With You
126 bpm • G Maj • 03:21 • -12db
18% Popularity • 70% Danceability • 69% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
18% Popularity • 70% Danceability • 69% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
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Bessie Muriel
Kaliu
134 bpm • B Maj • 04:19 • -11.31db
19% Popularity • 45% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 45% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Iain Matthews
Fading Fast
126 bpm • C min • 03:54 • -13.33db
13% Popularity • 66% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 66% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Martyn Joseph
Brilliant Disguise
126 bpm • G Maj • 04:02 • -9.81db
17% Popularity • 73% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 73% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ger O'Donnell
The Contender
126 bpm • D Maj • 03:47 • -15.16db
13% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dave Day Band
Loved and Lost
126 bpm • D Maj • 04:32 • -11.02db
19% Popularity • 42% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 42% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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The Wittenberg Doors
Open Arms
135 bpm • D Maj • 02:37 • -14.98db
24% Popularity • 44% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
24% Popularity • 44% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 35% Positiveness
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Nicholas Mowery
When the Sun Rises
135 bpm • G Maj • 03:20 • -8.29db
24% Popularity • 60% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 60% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Stephen Ackles
Time In a Bottle
125 bpm • D Maj • 02:40 • -13.6db
20% Popularity • 62% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 62% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Alesia Branson
Roam With Tea
125 bpm • F# min • 01:56 • -7.11db
13% Popularity • 44% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 44% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
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Andy Hawk & the Train Wreck Endings
Kick a Stone & Join the Dance
125 bpm • F Maj • 02:30 • -13.47db
23% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Luwana Roma
Lucky Ones
125 bpm • D Maj • 02:41 • -8.24db
7% Popularity • 53% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 53% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
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Lowell Morrison
With a Word
125 bpm • D Maj • 02:30 • -8.99db
21% Popularity • 57% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
21% Popularity • 57% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 40% Positiveness
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Zac Knopwood
Save Yourself
136 bpm • D Maj • 02:13 • -15.01db
20% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Charles
Pancho & Lefty
136 bpm • D Maj • 03:43 • -13.74db
8% Popularity • 41% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 41% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Stu Weaver
Is It True?
136 bpm • C Maj • 04:01 • -5.96db
13% Popularity • 61% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 61% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Fabian Harmon
Only With You
124 bpm • D Maj • 03:56 • -11.9db
20% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Jamie Shea
Mercy of the Wind
136 bpm • A Maj • 02:52 • -16db
14% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Willard Kimmons
Poet
136 bpm • F Maj • 03:32 • -8.88db
21% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Adrian Payne
Uncle Bill to Me
136 bpm • A Maj • 04:29 • -14.71db
13% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Big Cowboy
Almost Spring
136 bpm • D# Maj • 04:25 • -10.41db
15% Popularity • 68% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 68% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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The Drained Uniquely
Untold Stories
124 bpm • C Maj • 02:26 • -23.66db
12% Popularity • 82% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 82% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Steve the Trailplayer
Love Your Enemies
124 bpm • C Maj • 02:14 • -10.74db
29% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 38% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Kyle Jefferson
Il Casalingo
124 bpm • A# Maj • 03:05 • -14.64db
29% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jessica Askea
New Dew
124 bpm • F# min • 02:17 • -9.62db
11% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Lance Cowan
Little Johnny Pierce
124 bpm • C Maj • 04:02 • -8.28db
17% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Bap Kennedy
The Shankill And The Falls
136 bpm • C Maj • 02:46 • -11.47db
9% Popularity • 57% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 57% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Jesse Winchester
Mississippi You're On My Mind
136 bpm • D# Maj • 03:26 • -11.36db
23% Popularity • 57% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 57% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Those Who Know the Son
All the Grace I Will Ever Need
136 bpm • G Maj • 01:52 • -13.32db
25% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Calvary Power and Light
Peace of God
124 bpm • D Maj • 02:20 • -12.66db
30% Popularity • 50% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 50% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Edgar Allen Lee
Stargazer
124 bpm • C Maj • 03:44 • -28.7db
9% Popularity • 72% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 72% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Martin Simpson
Cactus Tree - Bonus Track
137 bpm • G Maj • 03:56 • -11.48db
11% Popularity • 37% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 37% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Maison Leeor
Closed for Sunday
137 bpm • C Maj • 03:02 • -14.6db
17% Popularity • 71% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 71% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Tom Stewart
Callin' the Cowboys Home
122 bpm • A Maj • 03:11 • -20.36db
2% Popularity • 49% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 49% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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G.B. Lamb
My Poor Heart (Has Left This Town)
138 bpm • D Maj • 04:06 • -9.33db
15% Popularity • 63% Danceability • 48% Energy • 18% Liveness
49% Instrumentalness • 50% Positiveness
15% Popularity • 63% Danceability • 48% Energy • 18% Liveness
49% Instrumentalness • 50% Positiveness
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Calvary Power and Light
Open Book to You
138 bpm • C Maj • 02:22 • -12.46db
30% Popularity • 45% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 45% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Bap Kennedy
Domestic Blues
122 bpm • G Maj • 02:57 • -10.79db
10% Popularity • 62% Danceability • 40% Energy • 16% Liveness
2% Instrumentalness • 82% Positiveness
10% Popularity • 62% Danceability • 40% Energy • 16% Liveness
2% Instrumentalness • 82% Positiveness
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Conrad Galsworthy
Crazy Blue Sky
122 bpm • D Maj • 04:12 • -14.61db
23% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Morris Lewis
Right Of 0
138 bpm • B Maj • 04:31 • -13.8db
19% Popularity • 45% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 45% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Bowen Scripps
The Angle Of The Sun
122 bpm • D Maj • 05:43 • -13.03db
27% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Blair Adams
Young and Free and up for Anything
138 bpm • B Maj • 03:24 • -8.55db
10% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Calvary Power and Light
He Reigns Everywhere
122 bpm • C Maj • 01:26 • -11.88db
30% Popularity • 39% Danceability • 24% Energy • 15% Liveness
6% Instrumentalness • 31% Positiveness
30% Popularity • 39% Danceability • 24% Energy • 15% Liveness
6% Instrumentalness • 31% Positiveness
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Woodpecker Stew
Here In California
122 bpm • B min • 02:52 • -16.38db
14% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Christopher K. Doyle
Harlequin Road
139 bpm • A Maj • 06:02 • -7.96db
9% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Daniel Levitin
Just A Memory
122 bpm • A Maj • 03:35 • -18.76db
19% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Aspens Pyramid
glorious day
122 bpm • G Maj • 01:49 • -9db
25% Popularity • 49% Danceability • 41% Energy • 12% Liveness
13% Instrumentalness • 40% Positiveness
25% Popularity • 49% Danceability • 41% Energy • 12% Liveness
13% Instrumentalness • 40% Positiveness
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Rab Noakes
Mary Skeffington - Remastered 2001
139 bpm • G Maj • 02:41 • -13.87db
9% Popularity • 38% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 38% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Blair Adams
No Stone Unturned
122 bpm • E Maj • 02:55 • -6.18db
13% Popularity • 43% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 43% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Mark Collie
80 Miles From Memphis
122 bpm • C# Maj • 03:02 • -11.5db
15% Popularity • 56% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 56% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Lowell Morrison
Alive To God
139 bpm • G Maj • 02:06 • -10.67db
22% Popularity • 28% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 28% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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steve moore thirst
summer mountain days
122 bpm • A Maj • 02:46 • -13.71db
10% Popularity • 41% Danceability • 28% Energy • 11% Liveness
58% Instrumentalness • 23% Positiveness
10% Popularity • 41% Danceability • 28% Energy • 11% Liveness
58% Instrumentalness • 23% Positiveness
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Moil
Gold
122 bpm • G Maj • 05:25 • -12.27db
8% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Peter Sarstedt
Norma
139 bpm • C Maj • 02:14 • -12.49db
11% Popularity • 48% Danceability • 31% Energy • 28% Liveness
11% Instrumentalness • 63% Positiveness
11% Popularity • 48% Danceability • 31% Energy • 28% Liveness
11% Instrumentalness • 63% Positiveness
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Those Who Know the Son
Down Here
139 bpm • D Maj • 02:06 • -14.1db
25% Popularity • 56% Danceability • 36% Energy • 18% Liveness
48% Instrumentalness • 48% Positiveness
25% Popularity • 56% Danceability • 36% Energy • 18% Liveness
48% Instrumentalness • 48% Positiveness
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Diane Leiser
Bridge Not Wall
121 bpm • E min • 04:20 • -10.29db
22% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Jeff M Evans
Burns Like Hell When You Play with Fire
121 bpm • B min • 04:03 • -14.48db
15% Popularity • 39% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 39% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Calvary Power and Light
The Prayers of the Righteous
121 bpm • B min • 02:54 • -12db
15% Popularity • 46% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 36% Positiveness
15% Popularity • 46% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 36% Positiveness
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Leo Kottke
Standing On The Outside
121 bpm • D Maj • 02:36 • -12.95db
9% Popularity • 64% Danceability • 50% Energy • 8% Liveness
72% Instrumentalness • 92% Positiveness
9% Popularity • 64% Danceability • 50% Energy • 8% Liveness
72% Instrumentalness • 92% Positiveness
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Mister Valentine
Most of All
121 bpm • E Maj • 02:16 • -14.6db
31% Popularity • 55% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
31% Popularity • 55% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Bill deRome
all of their wants
121 bpm • G# min • 03:20 • -14.05db
12% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 55% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Shane Howard
Grief's A Lonely Thing
140 bpm • C Maj • 04:11 • -8.53db
11% Popularity • 43% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 43% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Allan Taylor
I'm Going Home
140 bpm • C Maj • 05:32 • -12.11db
18% Popularity • 50% Danceability • 30% Energy • 13% Liveness
55% Instrumentalness • 30% Positiveness
18% Popularity • 50% Danceability • 30% Energy • 13% Liveness
55% Instrumentalness • 30% Positiveness
