Songs like All Die Young by Smith Westerns
Based on a tempo of (+/- 10%) and a similar genre
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Smith Westerns
All Die Young
146 bpm • C# min • 03:44 • -4db
13% Popularity • 26% Danceability • 72% Energy • 18% Liveness
61% Instrumentalness • 29% Positiveness
13% Popularity • 26% Danceability • 72% Energy • 18% Liveness
61% Instrumentalness • 29% Positiveness
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Jacuzzi Boys
Bricks or Coconuts
146 bpm • D Maj • 03:21 • -4.33db
25% Popularity • 36% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 36% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Beachwood Sparks
By Your Side
145 bpm • B Maj • 04:58 • -7.32db
38% Popularity • 26% Danceability • 69% Energy • 17% Liveness
6% Instrumentalness • 53% Positiveness
38% Popularity • 26% Danceability • 69% Energy • 17% Liveness
6% Instrumentalness • 53% Positiveness
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Harlem
Someday Soon
145 bpm • A Maj • 02:39 • -4.22db
47% Popularity • 34% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 55% Positiveness
47% Popularity • 34% Danceability • 92% Energy • 6% Liveness
2% Instrumentalness • 55% Positiveness
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Ted Leo and the Pharmacists
Parallel or Together
147 bpm • B min • 04:56 • -7db
25% Popularity • 39% Danceability • 96% Energy • 8% Liveness
74% Instrumentalness • 72% Positiveness
25% Popularity • 39% Danceability • 96% Energy • 8% Liveness
74% Instrumentalness • 72% Positiveness
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Best Coast
When I'm With You
145 bpm • G Maj • 02:58 • -4.59db
46% Popularity • 14% Danceability • 82% Energy • 31% Liveness
76% Instrumentalness • 31% Positiveness
46% Popularity • 14% Danceability • 82% Energy • 31% Liveness
76% Instrumentalness • 31% Positiveness
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Smith Westerns
Imagine, Pt. 3
145 bpm • G Maj • 04:04 • -8.14db
2% Popularity • 38% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 38% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Portugal. The Man
Sleep Forever
145 bpm • G Maj • 06:20 • -8.31db
45% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Kidsmoke
Take Me to the River
147 bpm • A Maj • 03:48 • -6.31db
14% Popularity • 54% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 54% Danceability • 62% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Bloodwitch
Skipping Stones
145 bpm • D Maj • 03:48 • -4.61db
26% Popularity • 48% Danceability • 87% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
26% Popularity • 48% Danceability • 87% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
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Real Estate
Beach Comber
145 bpm • C Maj • 04:28 • -7db
49% Popularity • 39% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
49% Popularity • 39% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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La Luz
Easy Baby
145 bpm • D Maj • 03:04 • -6.84db
14% Popularity • 15% Danceability • 53% Energy • 29% Liveness
58% Instrumentalness • 12% Positiveness
14% Popularity • 15% Danceability • 53% Energy • 29% Liveness
58% Instrumentalness • 12% Positiveness
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Smith Westerns
End of the Night
147 bpm • C Maj • 03:24 • -2.4db
1% Popularity • 40% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
1% Popularity • 40% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Unicorns
I Was Born (A Unicorn)
145 bpm • E Maj • 02:45 • -7.85db
41% Popularity • 56% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 56% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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The Shins
It's Only Life
148 bpm • C Maj • 04:01 • -6.61db
45% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Rodes Rollins
Wes Come Back
144 bpm • A min • 02:25 • -8.92db
19% Popularity • 49% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 49% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Over Sands
New Year
148 bpm • C Maj • 03:58 • -8db
11% Popularity • 46% Danceability • 63% Energy • 9% Liveness
16% Instrumentalness • 17% Positiveness
11% Popularity • 46% Danceability • 63% Energy • 9% Liveness
16% Instrumentalness • 17% Positiveness
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Dryspell
You Without Me
144 bpm • A Maj • 03:24 • -7.31db
10% Popularity • 46% Danceability • 92% Energy • 36% Liveness
85% Instrumentalness • 64% Positiveness
10% Popularity • 46% Danceability • 92% Energy • 36% Liveness
85% Instrumentalness • 64% Positiveness
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Broken Bells
October
144 bpm • F# min • 03:38 • -5.09db
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Spoon
Got Nuffin
144 bpm • C Maj • 03:58 • -7db
16% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
16% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
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The Shins
So Says I - 2023 Remaster
148 bpm • G Maj • 02:48 • -3.61db
51% Popularity • 49% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 49% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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BRONCHO
Get in My Car
143 bpm • B Maj • 03:34 • -5.68db
42% Popularity • 74% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
42% Popularity • 74% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Telekinesis
Awkward Kisser
143 bpm • D# min • 01:44 • -8.68db
18% Popularity • 53% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 53% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Gerard Way
Hazy Shade of Winter
150 bpm • F min • 03:17 • -5.12db
51% Popularity • 25% Danceability • 94% Energy • 8% Liveness
36% Instrumentalness • 14% Positiveness
51% Popularity • 25% Danceability • 94% Energy • 8% Liveness
36% Instrumentalness • 14% Positiveness
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Smith Westerns
Fallen In Love
150 bpm • B Maj • 02:27 • -2.84db
1% Popularity • 39% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
1% Popularity • 39% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Kevin Morby
Parade
150 bpm • A Maj • 05:25 • -10.85db
45% Popularity • 50% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
45% Popularity • 50% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Cults
Abducted
150 bpm • A Maj • 02:52 • -4db
40% Popularity • 37% Danceability • 94% Energy • 20% Liveness
2% Instrumentalness • 34% Positiveness
40% Popularity • 37% Danceability • 94% Energy • 20% Liveness
2% Instrumentalness • 34% Positiveness
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Cullen Omori
Sour Silk
150 bpm • D min • 03:36 • -2.88db
13% Popularity • 36% Danceability • 94% Energy • 38% Liveness
5% Instrumentalness • 39% Positiveness
13% Popularity • 36% Danceability • 94% Energy • 38% Liveness
5% Instrumentalness • 39% Positiveness
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Youth Lagoon
Mute
142 bpm • G# Maj • 05:58 • -6.51db
29% Popularity • 20% Danceability • 78% Energy • 62% Liveness
80% Instrumentalness • 39% Positiveness
29% Popularity • 20% Danceability • 78% Energy • 62% Liveness
80% Instrumentalness • 39% Positiveness
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Say Hi
Oh Oh Oh Oh Oh Oh Oh Oh
150 bpm • D Maj • 02:56 • -9.88db
39% Popularity • 73% Danceability • 68% Energy • 8% Liveness
17% Instrumentalness • 90% Positiveness
39% Popularity • 73% Danceability • 68% Energy • 8% Liveness
17% Instrumentalness • 90% Positiveness
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Sea Power
Waving Flags
142 bpm • G Maj • 04:07 • -2db
30% Popularity • 19% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 19% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 20% Positiveness
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Hooded Fang
Ghosts
150 bpm • C Maj • 02:44 • -7db
8% Popularity • 41% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 49% Positiveness
8% Popularity • 41% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 49% Positiveness
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The Airborne Toxic Event
All At Once
142 bpm • G Maj • 05:16 • -7.02db
34% Popularity • 44% Danceability • 79% Energy • 12% Liveness
6% Instrumentalness • 17% Positiveness
34% Popularity • 44% Danceability • 79% Energy • 12% Liveness
6% Instrumentalness • 17% Positiveness
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Girls
Heartbreaker
142 bpm • A Maj • 04:02 • -6.35db
25% Popularity • 59% Danceability • 86% Energy • 17% Liveness
87% Instrumentalness • 76% Positiveness
25% Popularity • 59% Danceability • 86% Energy • 17% Liveness
87% Instrumentalness • 76% Positiveness
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The Vaccines
I Always Knew
150 bpm • D Maj • 03:34 • -2.53db
58% Popularity • 39% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 39% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Cage The Elephant
Mess Around
150 bpm • B min • 02:53 • -5.23db
60% Popularity • 42% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 42% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 61% Positiveness
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Seapony
With You
141 bpm • B Maj • 02:16 • -4.37db
18% Popularity • 73% Danceability • 85% Energy • 12% Liveness
93% Instrumentalness • 96% Positiveness
18% Popularity • 73% Danceability • 85% Energy • 12% Liveness
93% Instrumentalness • 96% Positiveness
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LCD Soundsystem
call the police
151 bpm • D Maj • 06:58 • -6.48db
40% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Deep Sea Diver
Body on the Tracks
141 bpm • B min • 05:18 • -5db
22% Popularity • 46% Danceability • 74% Energy • 31% Liveness
2% Instrumentalness • 42% Positiveness
22% Popularity • 46% Danceability • 74% Energy • 31% Liveness
2% Instrumentalness • 42% Positiveness
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Girls
Honey Bunny
141 bpm • C# min • 02:33 • -10.38db
32% Popularity • 33% Danceability • 59% Energy • 21% Liveness
20% Instrumentalness • 42% Positiveness
32% Popularity • 33% Danceability • 59% Energy • 21% Liveness
20% Instrumentalness • 42% Positiveness
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Best Coast
Crazy for You
152 bpm • C Maj • 01:50 • -4db
43% Popularity • 19% Danceability • 93% Energy • 40% Liveness
69% Instrumentalness • 89% Positiveness
43% Popularity • 19% Danceability • 93% Energy • 40% Liveness
69% Instrumentalness • 89% Positiveness
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The Pica Beats
Poor Old Ra
152 bpm • C min • 04:45 • -4.45db
15% Popularity • 44% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 44% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Nada Surf
Where Is My Mind
152 bpm • B min • 04:20 • -11db
38% Popularity • 47% Danceability • 53% Energy • 8% Liveness
27% Instrumentalness • 4% Positiveness
38% Popularity • 47% Danceability • 53% Energy • 8% Liveness
27% Instrumentalness • 4% Positiveness
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Smith Westerns
We Stay Out
140 bpm • A Maj • 03:30 • -12.7db
4% Popularity • 46% Danceability • 84% Energy • 32% Liveness
98% Instrumentalness • 86% Positiveness
4% Popularity • 46% Danceability • 84% Energy • 32% Liveness
98% Instrumentalness • 86% Positiveness
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Vampire Weekend
Jonathan Low
152 bpm • G# Maj • 03:33 • -6.74db
45% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 52% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Rad Planet
Outdoors
140 bpm • G Maj • 03:03 • -10.71db
20% Popularity • 60% Danceability • 77% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
20% Popularity • 60% Danceability • 77% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
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Veronica Falls
Teenage
140 bpm • C Maj • 02:50 • -6db
23% Popularity • 22% Danceability • 84% Energy • 21% Liveness
86% Instrumentalness • 56% Positiveness
23% Popularity • 22% Danceability • 84% Energy • 21% Liveness
86% Instrumentalness • 56% Positiveness
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Oberhofer
Space Age Love Song
140 bpm • G Maj • 03:51 • -2.89db
10% Popularity • 49% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 49% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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French Kicks
The Trial of the Century
140 bpm • B Maj • 04:14 • -9.8db
27% Popularity • 53% Danceability • 57% Energy • 11% Liveness
69% Instrumentalness • 15% Positiveness
27% Popularity • 53% Danceability • 57% Energy • 11% Liveness
69% Instrumentalness • 15% Positiveness
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Smith Westerns
Smile
152 bpm • E Maj • 04:08 • -4db
2% Popularity • 40% Danceability • 60% Energy • 18% Liveness
2% Instrumentalness • 40% Positiveness
2% Popularity • 40% Danceability • 60% Energy • 18% Liveness
2% Instrumentalness • 40% Positiveness
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Light FM
ijwutbm
140 bpm • C# min • 02:06 • -8.71db
12% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 47% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lissy Trullie
Ready for the Floor
140 bpm • C Maj • 04:01 • -7.43db
34% Popularity • 63% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
34% Popularity • 63% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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The Lemon Twigs
As Long As We're Together
140 bpm • A Maj • 05:03 • -9db
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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The Strokes
Bad Decisions
153 bpm • C Maj • 04:53 • -3.4db
63% Popularity • 37% Danceability • 92% Energy • 28% Liveness
20% Instrumentalness • 39% Positiveness
63% Popularity • 37% Danceability • 92% Energy • 28% Liveness
20% Instrumentalness • 39% Positiveness
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Harper Blynn
In Another Life
154 bpm • A Maj • 03:46 • -5.32db
20% Popularity • 48% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 48% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Monsters Of Folk
His Master's Voice
154 bpm • C Maj • 04:48 • -8.5db
34% Popularity • 31% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 31% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Smith Westerns
Weekend
154 bpm • A Maj • 03:20 • -4db
15% Popularity • 40% Danceability • 85% Energy • 8% Liveness
4% Instrumentalness • 83% Positiveness
15% Popularity • 40% Danceability • 85% Energy • 8% Liveness
4% Instrumentalness • 83% Positiveness
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Yuno
Sunlight - 2012
154 bpm • D Maj • 03:29 • -6db
27% Popularity • 34% Danceability • 81% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
27% Popularity • 34% Danceability • 81% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
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The Raveonettes
Dead Sound
154 bpm • G min • 03:32 • -5.67db
33% Popularity • 38% Danceability • 80% Energy • 32% Liveness
69% Instrumentalness • 38% Positiveness
33% Popularity • 38% Danceability • 80% Energy • 32% Liveness
69% Instrumentalness • 38% Positiveness
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La Sera
Love That's Gone
138 bpm • A Maj • 03:38 • -6db
35% Popularity • 69% Danceability • 59% Energy • 9% Liveness
18% Instrumentalness • 64% Positiveness
35% Popularity • 69% Danceability • 59% Energy • 9% Liveness
18% Instrumentalness • 64% Positiveness
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The Aquadolls
Our Love Will Always Remain
138 bpm • A Maj • 04:11 • -9db
27% Popularity • 37% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 37% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Surfer Blood
Fast Jabroni
138 bpm • G Maj • 02:57 • -5.14db
3% Popularity • 45% Danceability • 87% Energy • 40% Liveness
1% Instrumentalness • 78% Positiveness
3% Popularity • 45% Danceability • 87% Energy • 40% Liveness
1% Instrumentalness • 78% Positiveness
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Girls
Lust For Life
154 bpm • F# Maj • 02:25 • -6.04db
44% Popularity • 24% Danceability • 70% Energy • 13% Liveness
38% Instrumentalness • 46% Positiveness
44% Popularity • 24% Danceability • 70% Energy • 13% Liveness
38% Instrumentalness • 46% Positiveness
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Miss Derringer
Black Tears
138 bpm • A Maj • 03:16 • -2.39db
22% Popularity • 47% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 47% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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SOAK
Knock Me Off My Feet
138 bpm • A Maj • 03:07 • -5.12db
48% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Anna Burch
Tea-Soaked Letter
155 bpm • E Maj • 03:40 • -6db
16% Popularity • 47% Danceability • 82% Energy • 22% Liveness
1% Instrumentalness • 77% Positiveness
16% Popularity • 47% Danceability • 82% Energy • 22% Liveness
1% Instrumentalness • 77% Positiveness
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Sunflower Bean
Easier Said
155 bpm • G# min • 03:28 • -4.23db
34% Popularity • 51% Danceability • 90% Energy • 15% Liveness
37% Instrumentalness • 66% Positiveness
34% Popularity • 51% Danceability • 90% Energy • 15% Liveness
37% Instrumentalness • 66% Positiveness
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Creaky Boards
The Songs I Didn't Write
137 bpm • A Maj • 03:26 • -6.24db
16% Popularity • 54% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 54% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Tullycraft
Superboy & Supergirl
137 bpm • C Maj • 03:03 • -12db
36% Popularity • 50% Danceability • 55% Energy • 12% Liveness
15% Instrumentalness • 60% Positiveness
36% Popularity • 50% Danceability • 55% Energy • 12% Liveness
15% Instrumentalness • 60% Positiveness
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The New Pornographers
Champions Of Red Wine
137 bpm • D Maj • 03:40 • -6.83db
38% Popularity • 61% Danceability • 80% Energy • 27% Liveness
66% Instrumentalness • 47% Positiveness
38% Popularity • 61% Danceability • 80% Energy • 27% Liveness
66% Instrumentalness • 47% Positiveness
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The Raveonettes
Recharge & Revolt
137 bpm • G# Maj • 05:23 • -1.22db
35% Popularity • 40% Danceability • 93% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
35% Popularity • 40% Danceability • 93% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
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The Little Ones
Cha Cha Cha
137 bpm • A Maj • 04:46 • -6.41db
14% Popularity • 52% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Helio Sequence
The Measure
137 bpm • E Maj • 03:19 • -9.66db
24% Popularity • 54% Danceability • 65% Energy • 13% Liveness
74% Instrumentalness • 20% Positiveness
24% Popularity • 54% Danceability • 65% Energy • 13% Liveness
74% Instrumentalness • 20% Positiveness
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Ages and Ages
Just My Luck
137 bpm • E min • 03:35 • -7.4db
18% Popularity • 51% Danceability • 53% Energy • 13% Liveness
11% Instrumentalness • 45% Positiveness
18% Popularity • 51% Danceability • 53% Energy • 13% Liveness
11% Instrumentalness • 45% Positiveness
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Unloved
This Is the Time
156 bpm • D# Maj • 03:42 • -5.7db
29% Popularity • 34% Danceability • 75% Energy • 12% Liveness
6% Instrumentalness • 54% Positiveness
29% Popularity • 34% Danceability • 75% Energy • 12% Liveness
6% Instrumentalness • 54% Positiveness
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Surfer Blood
Karen
156 bpm • G Maj • 02:16 • -6.35db
18% Popularity • 52% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 52% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Teleman
Skeleton Dance
156 bpm • C# Maj • 03:37 • -7.02db
26% Popularity • 62% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 62% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Eyes Lips Eyes
Don't Blow It
156 bpm • D Maj • 03:51 • -3.06db
18% Popularity • 66% Danceability • 95% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
18% Popularity • 66% Danceability • 95% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
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Dum Dum Girls
Coming Down
137 bpm • D Maj • 06:29 • -5.28db
50% Popularity • 22% Danceability • 55% Energy • 37% Liveness
1% Instrumentalness • 26% Positiveness
50% Popularity • 22% Danceability • 55% Energy • 37% Liveness
1% Instrumentalness • 26% Positiveness
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Bay City Rollers
Saturday Night
136 bpm • G Maj • 02:54 • -10db
45% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Cage The Elephant
Cold Cold Cold
136 bpm • F Maj • 03:34 • -6.07db
70% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
70% Popularity • 55% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Harlem
Swervin
157 bpm • C Maj • 03:58 • -8.39db
20% Popularity • 52% Danceability • 75% Energy • 12% Liveness
17% Instrumentalness • 49% Positiveness
20% Popularity • 52% Danceability • 75% Energy • 12% Liveness
17% Instrumentalness • 49% Positiveness
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Magic Bullets
Heatstroke
136 bpm • A# Maj • 03:42 • -5.09db
12% Popularity • 70% Danceability • 60% Energy • 21% Liveness
2% Instrumentalness • 30% Positiveness
12% Popularity • 70% Danceability • 60% Energy • 21% Liveness
2% Instrumentalness • 30% Positiveness
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The Decemberists
Severed
136 bpm • E min • 04:03 • -7.04db
46% Popularity • 60% Danceability • 79% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
46% Popularity • 60% Danceability • 79% Energy • 13% Liveness
2% Instrumentalness • 43% Positiveness
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Cullen Omori
Happiness Reigns
136 bpm • A Maj • 03:07 • -4.25db
11% Popularity • 38% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 38% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Telekinesis
Coast of Carolina
136 bpm • B Maj • 03:31 • -7db
28% Popularity • 39% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 39% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Springtime Carnivore
Keep Confessing
157 bpm • G Maj • 03:51 • -6db
12% Popularity • 46% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 46% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Smith Westerns
3AM Spiritual (demo)
157 bpm • C Maj • 04:10 • -9.43db
0% Popularity • 38% Danceability • 36% Energy • 38% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 38% Danceability • 36% Energy • 38% Liveness
1% Instrumentalness • 11% Positiveness
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Bloodwitch
Hey Little Girl
135 bpm • A Maj • 02:04 • -6.86db
34% Popularity • 59% Danceability • 72% Energy • 18% Liveness
51% Instrumentalness • 65% Positiveness
34% Popularity • 59% Danceability • 72% Energy • 18% Liveness
51% Instrumentalness • 65% Positiveness
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Cayetana
Age of Consent (New Order)
158 bpm • G Maj • 03:46 • -6.19db
36% Popularity • 46% Danceability • 85% Energy • 11% Liveness
69% Instrumentalness • 38% Positiveness
36% Popularity • 46% Danceability • 85% Energy • 11% Liveness
69% Instrumentalness • 38% Positiveness
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Dum Dum Girls
Bedroom Eyes
158 bpm • D Maj • 03:54 • -4.66db
36% Popularity • 26% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 26% Danceability • 93% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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The Walkmen
Heaven
158 bpm • A Maj • 04:22 • -6.25db
46% Popularity • 37% Danceability • 90% Energy • 12% Liveness
19% Instrumentalness • 54% Positiveness
46% Popularity • 37% Danceability • 90% Energy • 12% Liveness
19% Instrumentalness • 54% Positiveness
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Dark Horses
Alone
134 bpm • C Maj • 05:06 • -8.98db
5% Popularity • 74% Danceability • 47% Energy • 60% Liveness
30% Instrumentalness • 50% Positiveness
5% Popularity • 74% Danceability • 47% Energy • 60% Liveness
30% Instrumentalness • 50% Positiveness
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Smith Westerns
My Heart
159 bpm • D Maj • 03:06 • -14.53db
6% Popularity • 43% Danceability • 50% Energy • 33% Liveness
49% Instrumentalness • 66% Positiveness
6% Popularity • 43% Danceability • 50% Energy • 33% Liveness
49% Instrumentalness • 66% Positiveness
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Jim Boyd
You Only Want Me When You're Lonely
134 bpm • C# min • 02:12 • -7.13db
32% Popularity • 73% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 73% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Tennis
I Miss That Feeling
160 bpm • A# min • 03:22 • -7db
34% Popularity • 32% Danceability • 54% Energy • 11% Liveness
8% Instrumentalness • 61% Positiveness
34% Popularity • 32% Danceability • 54% Energy • 11% Liveness
8% Instrumentalness • 61% Positiveness
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Spoon
The Infinite Pet
134 bpm • A min • 03:56 • -5.89db
24% Popularity • 59% Danceability • 78% Energy • 16% Liveness
50% Instrumentalness • 70% Positiveness
24% Popularity • 59% Danceability • 78% Energy • 16% Liveness
50% Instrumentalness • 70% Positiveness
