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All for the Best
Songs like
All for the Best
by
Hunter Parrish
Based on a tempo of (+/- 10%) and a similar genre
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Christine Baranski
We Both Reached For The Gun
136 bpm • B Maj • 03:58 • -7.43db
39% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Nick Blaemire
We Beseech Thee
136 bpm • G Maj • 03:23 • -8.29db
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
50% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen Flaherty
How Lucky You Are - Original Broadway Ca...
137 bpm • F Maj • 01:40 • -12db
32% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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John Tartaglia
Purpose
137 bpm • G Maj • 02:28 • -8db
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Berresse
Cell Block Tango
137 bpm • F Maj • 06:14 • -12.75db
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Cast Of The Motion Picture Rent
La Vie Boheme
135 bpm • G# Maj • 06:59 • -5db
48% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Ethan Slater
Best Day Ever
135 bpm • G Maj • 04:19 • -9.21db
36% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Janet Dacal
Welcome to Wonderland
137 bpm • E min • 03:27 • -8.88db
36% Popularity • 75% Danceability • 64% Energy • 55% Liveness
0% Instrumentalness • 61% Positiveness
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B. D'Addario as Flounder
She's In Love
138 bpm • C min • 03:39 • -16.89db
50% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Damon Daunno
Oklahoma
134 bpm • D Maj • 03:30 • -9db
16% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
39% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Joel Hatch
Screech In
138 bpm • G Maj • 04:03 • -6db
40% Popularity • 72% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Sean Palmer as Prince Eric
Her Voice
134 bpm • D Maj • 03:15 • -17.71db
37% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Telly Leung
All Good Gifts
134 bpm • G Maj • 03:27 • -10.39db
29% Popularity • 57% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Michelle Pfeiffer
(The Legend Of) Miss Baltimore Crabs
134 bpm • F min • 04:07 • -7db
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Adam Kantor
Miracle of Miracles
138 bpm • C min • 02:19 • -7db
26% Popularity • 45% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Isabelle McCalla
Alyssa Greene
133 bpm • G# Maj • 02:30 • -10.69db
37% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
44% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
39% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
45% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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A Chorus Line Ensemble (2006)
One (Reprise) / Finale
140 bpm • G min • 04:56 • -7.91db
34% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
43% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Uzo Aduba
By My Side
140 bpm • A Maj • 03:40 • -13.73db
30% Popularity • 53% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Wallace Smith
Brand New
140 bpm • D# min • 04:47 • -4.85db
0% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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A Chorus Line Ensemble (2006)
One
132 bpm • G min • 05:56 • -10db
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Andy Karl
Nobody Cares
132 bpm • G Maj • 05:13 • -5.32db
31% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Stephanie D'Abruzzo
I Wish I Could Go Back to College
132 bpm • A Maj • 02:09 • -8.8db
11% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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John Gallagher Jr.
Don't Do Sadness/Blue Wind - Original Br...
132 bpm • F Maj • 05:05 • -8.67db
40% Popularity • 45% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Anna Maria Perez de Taglé
Day by Day
140 bpm • C Maj • 03:10 • -10db
34% Popularity • 44% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jeremy Jordan
Something To Believe In
132 bpm • G Maj • 03:31 • -10.57db
45% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Carlos López
Daddy Knows Best
140 bpm • G Maj • 02:52 • -5db
39% Popularity • 51% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Rema Webb
Joseph Smith American Moses
132 bpm • A# min • 06:12 • -10.38db
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Wallace Smith
Prepare Ye
140 bpm • B Maj • 02:12 • -7.53db
30% Popularity • 29% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
46% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Lauren Marcus
Do You Wanna Ride?
141 bpm • A# Maj • 01:33 • -10.15db
31% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Karl
Day One
131 bpm • D Maj • 10:19 • -7.26db
31% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
36% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Steven Pasquale
The Streets of Dublin
141 bpm • E Maj • 03:25 • -9db
26% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Nathan Lane
The Oldest Established
141 bpm • G Maj • 02:34 • -17.64db
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Andrew Rannells
Hello!
130 bpm • C Maj • 02:52 • -9.93db
54% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Annaleigh Ashford
The History of Wrong Guys
130 bpm • A# Maj • 03:48 • -6.34db
44% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Danny Skinner
Super Sea Star Savior
142 bpm • A# Maj • 04:43 • -5.98db
36% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Original StarKid Cast of Twisted
Dream a Little Harder
142 bpm • D Maj • 05:34 • -8.09db
34% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Avenue Q Ensemble
The Avenue Q Theme
142 bpm • F Maj • 01:02 • -11db
16% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
32% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Lilli Cooper
Chop to the Top
130 bpm • C Maj • 02:26 • -6.35db
34% Popularity • 80% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Michael McGrath
Always Look On The Bright Side Of Life -...
130 bpm • F# min • 04:29 • -6.74db
36% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Lynn Ahrens
Alone In The Universe - Original Broadwa...
143 bpm • C Maj • 04:49 • -12.83db
35% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
44% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It's All Happening
130 bpm • F# Maj • 05:45 • -4.34db
38% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Alan Cumming
If You Could See Her
143 bpm • F# Maj • 03:40 • -12.71db
29% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Csolak
Gee, Officer Krupke
143 bpm • C# Maj • 04:20 • -13.07db
43% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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'Anything Goes' New Broadway Cast Ensemble
There's No Cure Like Travel / Bon Voyage
129 bpm • G Maj • 01:54 • -7.8db
30% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Bebe Neuwirth
Just Around The Corner
129 bpm • F# Maj • 03:58 • -10db
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Brad Oscar
A Musical
129 bpm • A# Maj • 07:47 • -8db
44% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Walter Bobbie
Sit Down, You're Rockin' the Boat
129 bpm • A# Maj • 02:57 • -15.74db
38% Popularity • 58% Danceability • 30% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
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Aaron Tveit
You Can't Tame Me
143 bpm • D# Maj • 03:23 • -12db
25% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
47% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
30% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Stanley Wayne Mathis
Beethoven Day
144 bpm • C Maj • 03:07 • -12db
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Lucy, Ensemble
Good 'n' Evil
128 bpm • C# min • 03:10 • -10.35db
29% Popularity • 40% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ethan Slater
Hero is My Middle Name
128 bpm • F# Maj • 03:15 • -5.53db
38% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Andy Karl
Stuck
128 bpm • F# Maj • 03:34 • -8.19db
33% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Lindsay Mendez
Bless the Lord
128 bpm • D Maj • 03:05 • -8db
32% Popularity • 42% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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All for the Best