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All Good
Songs like
All Good
by
Dave Thomas Junior
Based on a tempo of (+/- 10%) and a similar genre
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Dave Thomas Junior
Flickers In The Flames
95 bpm • G# min • 03:38 • -14.01db
23% Popularity • 53% Danceability • 40% Energy • 8% Liveness
39% Instrumentalness • 18% Positiveness
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Aron Wright
Build It Better
95 bpm • E Maj • 03:54 • -13db
50% Popularity • 53% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
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Michael Lane
Take It Slow - Organic Edit
95 bpm • D Maj • 04:51 • -14.98db
27% Popularity • 55% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 43% Positiveness
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Nick Wilson
After the Rain
95 bpm • C Maj • 05:35 • -15.33db
23% Popularity • 57% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Thad Kopec
One Last Wedding
96 bpm • F Maj • 03:42 • -14.14db
27% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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NIGHT TRAVELER
1984 (Native)
96 bpm • B Maj • 04:23 • -10.04db
20% Popularity • 47% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Dave Thomas Junior
All Good
95 bpm • F# min • 05:00 • -18.23db
19% Popularity • 37% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Taylor Swift
Fortnight
96 bpm • B Maj • 03:48 • -10.9db
92% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Boy and His Dog
I'd Be a Fool
94 bpm • D Maj • 03:33 • -16.24db
30% Popularity • 66% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 22% Positiveness
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Nick Wilson
Coming up Slowly
95 bpm • D Maj • 04:19 • -10.89db
20% Popularity • 22% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Lennon Stella
Like Everybody Else - Acoustic
96 bpm • A# min • 03:14 • -15.23db
45% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jolé
Pictures of You
96 bpm • C# Maj • 03:23 • -13.79db
41% Popularity • 53% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ed Patrick
Irreplaceable
96 bpm • C# Maj • 03:30 • -13db
41% Popularity • 73% Danceability • 34% Energy • 7% Liveness
42% Instrumentalness • 22% Positiveness
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Dave Thomas Junior
Talk To Me
93 bpm • C Maj • 04:18 • -12.98db
18% Popularity • 51% Danceability • 45% Energy • 7% Liveness
12% Instrumentalness • 30% Positiveness
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Novo Amor
Carry You
93 bpm • G Maj • 04:33 • -7.99db
68% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Folly and the Hunter
Lose That Light
97 bpm • F# Maj • 03:36 • -12.89db
29% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Paper Kites
Only One
97 bpm • B min • 04:11 • -17db
31% Popularity • 60% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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Jill Andrews
I'm so in Love with You
93 bpm • C Maj • 03:46 • -10.35db
42% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Ed Patrick
Man Overboard
97 bpm • D# Maj • 03:35 • -14db
43% Popularity • 47% Danceability • 28% Energy • 12% Liveness
15% Instrumentalness • 22% Positiveness
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Chris Ayer
Ringing In My Ears
98 bpm • A Maj • 03:37 • -10db
24% Popularity • 58% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Chelsea Cutler
please
98 bpm • F# min • 03:39 • -15.82db
53% Popularity • 72% Danceability • 17% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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flora cash
Soul Mate
98 bpm • C# Maj • 03:57 • -11.8db
54% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Honest Men
Rose
98 bpm • G Maj • 04:07 • -12.91db
32% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Elina
Free
92 bpm • A# Maj • 03:19 • -13db
46% Popularity • 63% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Ed Patrick
Eyes on You
97 bpm • F# Maj • 03:07 • -14.71db
41% Popularity • 63% Danceability • 26% Energy • 10% Liveness
24% Instrumentalness • 43% Positiveness
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Andrew Belle
When the End Comes
92 bpm • A Maj • 05:54 • -9.46db
48% Popularity • 54% Danceability • 57% Energy • 10% Liveness
22% Instrumentalness • 43% Positiveness
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Luke Thompson
For the Dreamers
98 bpm • D Maj • 03:03 • -26.92db
28% Popularity • 52% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Kane Miller
All We Need
92 bpm • D# Maj • 03:12 • -15.8db
27% Popularity • 32% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Into The Ivy
Do You Love Me, I Need to Know
98 bpm • E Maj • 03:12 • -11.62db
10% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Passenger
Beautiful Birds - Acoustic
92 bpm • D Maj • 02:53 • -16.53db
16% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ed Patrick
Blow My Cover
92 bpm • F Maj • 02:48 • -15.69db
41% Popularity • 63% Danceability • 16% Energy • 13% Liveness
9% Instrumentalness • 50% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Dave Thomas Junior
Let Me Down Easy
98 bpm • C# Maj • 03:03 • -18.83db
17% Popularity • 48% Danceability • 33% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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Henry Jamison
Ether Garden
99 bpm • C# Maj • 02:47 • -15.24db
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Firewoodisland
Knot
91 bpm • C# Maj • 03:47 • -12.96db
25% Popularity • 37% Danceability • 32% Energy • 11% Liveness
16% Instrumentalness • 5% Positiveness
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Voyageur
Civilized
91 bpm • D Maj • 03:25 • -11.28db
33% Popularity • 40% Danceability • 44% Energy • 9% Liveness
8% Instrumentalness • 10% Positiveness
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Cody Francis
We're Gonna Be Okay
100 bpm • A# Maj • 03:19 • -12.41db
41% Popularity • 62% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Victor Lundberg
I Want You to Stay
100 bpm • C Maj • 03:16 • -13.19db
36% Popularity • 54% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Dave Thomas Junior
Since U Been Gone
99 bpm • D# Maj • 04:25 • -11.86db
6% Popularity • 35% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Anson Seabra
Hindenburg Lover
100 bpm • G# Maj • 05:02 • -13db
48% Popularity • 52% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Anthony Lazaro
The Silent Patient
100 bpm • A# Maj • 04:00 • -13.68db
18% Popularity • 24% Danceability • 40% Energy • 65% Liveness
8% Instrumentalness • 18% Positiveness
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Hayden Calnin
We Can Take Our Time
100 bpm • E Maj • 04:10 • -14db
38% Popularity • 56% Danceability • 29% Energy • 17% Liveness
6% Instrumentalness • 28% Positiveness
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Nick Wilson
All I Ever Wanted Was You
100 bpm • G Maj • 03:40 • -14.1db
26% Popularity • 61% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Rhys Lewis
Seasons
100 bpm • G# Maj • 03:19 • -15.36db
34% Popularity • 39% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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SAILR
All My Life
100 bpm • C Maj • 02:57 • -17db
37% Popularity • 40% Danceability • 22% Energy • 6% Liveness
17% Instrumentalness • 5% Positiveness
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sød ven
comatose
90 bpm • E Maj • 03:36 • -11.61db
48% Popularity • 39% Danceability • 48% Energy • 7% Liveness
38% Instrumentalness • 18% Positiveness
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flora cash
Missing Home
90 bpm • B Maj • 03:39 • -7db
41% Popularity • 60% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Anson Seabra
Can You Hear Me
90 bpm • C Maj • 04:06 • -16.77db
41% Popularity • 43% Danceability • 4% Energy • 38% Liveness
0% Instrumentalness • 33% Positiveness
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The Paper Kites
Does it Ever Cross Your Mind
101 bpm • E Maj • 02:43 • -19.05db
29% Popularity • 40% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Dave Thomas Junior
Promises
101 bpm • G# min • 02:36 • -13.72db
12% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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SAILR
Sleep
90 bpm • F# Maj • 03:38 • -13.59db
30% Popularity • 33% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Gabrielle Aplin
Waking up Slow - Piano Version
101 bpm • F# Maj • 03:41 • -6.97db
51% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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sød ven
hollow
90 bpm • D Maj • 04:41 • -12.85db
35% Popularity • 51% Danceability • 45% Energy • 16% Liveness
63% Instrumentalness • 17% Positiveness
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Lists
Autumn
101 bpm • C# Maj • 03:52 • -9.42db
29% Popularity • 45% Danceability • 46% Energy • 15% Liveness
79% Instrumentalness • 24% Positiveness
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The Hollow Men
It's Alright
89 bpm • B Maj • 03:36 • -9.92db
27% Popularity • 56% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Saint Claire
Haunted
102 bpm • A Maj • 03:06 • -12db
23% Popularity • 40% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Bothnia
Sweet Baby
102 bpm • D# Maj • 03:04 • -8.15db
45% Popularity • 67% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Dave Thomas Junior
The First Few Drops Of Rain
88 bpm • F# min • 04:06 • -10.1db
13% Popularity • 40% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Voyageur
I Will Fight for You
88 bpm • C# Maj • 03:50 • -10db
26% Popularity • 46% Danceability • 57% Energy • 14% Liveness
85% Instrumentalness • 10% Positiveness
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Novo Amor
Freehand
88 bpm • C Maj • 03:09 • -19.5db
47% Popularity • 54% Danceability • 12% Energy • 34% Liveness
87% Instrumentalness • 15% Positiveness
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Tiz McNamara
Days Like These
88 bpm • D# Maj • 03:28 • -11.37db
18% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Luz
we’ll be fine - acoustic
103 bpm • B Maj • 04:56 • -13db
34% Popularity • 50% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Dave Thomas Junior
Pompeii
102 bpm • B Maj • 03:55 • -9.39db
17% Popularity • 35% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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sød ven
mystery
88 bpm • D Maj • 03:05 • -16.83db
35% Popularity • 20% Danceability • 25% Energy • 8% Liveness
5% Instrumentalness • 13% Positiveness
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Meadowlark
May I Have This Dance
88 bpm • C# Maj • 03:31 • -12db
38% Popularity • 51% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Black Match
Nowhere
103 bpm • G# min • 04:46 • -9.13db
37% Popularity • 54% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
53% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Paper Kites
On the Train Ride Home
103 bpm • F# Maj • 03:47 • -18.63db
42% Popularity • 61% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
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Lawson Hull
Paint - Stripped
103 bpm • F Maj • 05:05 • -13db
31% Popularity • 65% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dave Thomas Junior
I Keep On Telling Myself
103 bpm • D Maj • 04:07 • -12.24db
15% Popularity • 40% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Ed Patrick
She Said
103 bpm • C min • 02:37 • -15db
40% Popularity • 42% Danceability • 19% Energy • 11% Liveness
24% Instrumentalness • 47% Positiveness
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Ten Towers
Heart Made of Stone
87 bpm • D Maj • 03:58 • -10.15db
16% Popularity • 35% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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NIGHT TRAVELER
Burn (Native)
87 bpm • C# Maj • 03:43 • -13.49db
11% Popularity • 40% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Benjamin
By and By
87 bpm • E Maj • 03:41 • -18db
15% Popularity • 28% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Will Killen
The Outside
87 bpm • C Maj • 03:32 • -7.51db
21% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Dave Thomas Junior
I Love You Always Forever
87 bpm • E Maj • 04:34 • -11.19db
13% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Novo Amor
Keep Me
105 bpm • C# Maj • 03:14 • -14.12db
66% Popularity • 57% Danceability • 13% Energy • 16% Liveness
6% Instrumentalness • 7% Positiveness
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EXES
One Day
105 bpm • B Maj • 03:21 • -14.5db
34% Popularity • 71% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Billie Marten
Bird
86 bpm • F# Maj • 03:40 • -12.75db
43% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew Belle
When the End Comes (Hushed)
86 bpm • G Maj • 05:20 • -13db
26% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Marcus Arch
What's Become Of Me
105 bpm • E Maj • 04:08 • -16.04db
12% Popularity • 45% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Dave Thomas Junior
Always You
86 bpm • D# Maj • 04:19 • -9.79db
23% Popularity • 27% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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JJ Draper
...if you're awake in the night
85 bpm • A# min • 04:29 • -13.62db
17% Popularity • 40% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 19% Positiveness
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Old Sea Brigade
Hope
106 bpm • C# Maj • 03:04 • -16db
58% Popularity • 58% Danceability • 26% Energy • 14% Liveness
43% Instrumentalness • 31% Positiveness
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Riley Pearce
On Melancholy Hill
106 bpm • D Maj • 03:45 • -17db
39% Popularity • 40% Danceability • 11% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
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Talos
Voices
85 bpm • C Maj • 03:23 • -11db
29% Popularity • 33% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Rhys Lewis
The Sun Will Rise
106 bpm • A# Maj • 03:03 • -11.9db
37% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Ross Copperman
Stars Are on Your Side
85 bpm • C Maj • 03:38 • -8.31db
41% Popularity • 26% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Paper Kites
Nothing More Than That
84 bpm • B min • 03:01 • -20db
42% Popularity • 56% Danceability • 10% Energy • 11% Liveness
59% Instrumentalness • 28% Positiveness
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Boundary Run
Bulletproof
84 bpm • F Maj • 03:18 • -11.62db
34% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Oh Wonder
Lonely Star
84 bpm • C# min • 03:57 • -15.57db
43% Popularity • 49% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
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Jordan Hart
I Don't Want to Let You Go
84 bpm • A Maj • 03:35 • -12.7db
42% Popularity • 40% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Rictor
Never Stop Loving You
84 bpm • E Maj • 03:37 • -18db
28% Popularity • 42% Danceability • 24% Energy • 11% Liveness
23% Instrumentalness • 37% Positiveness
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Femke
I'm Still Here
108 bpm • A Maj • 03:22 • -11.24db
21% Popularity • 52% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Marti West
Snow
84 bpm • D Maj • 04:17 • -14.99db
5% Popularity • 20% Danceability • 36% Energy • 11% Liveness
38% Instrumentalness • 10% Positiveness
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Jordan Soulman
Waiting for the Stars
108 bpm • C Maj • 03:27 • -8.62db
7% Popularity • 60% Danceability • 40% Energy • 9% Liveness
24% Instrumentalness • 31% Positiveness
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Jake Etheridge
Just Let Go
84 bpm • B Maj • 03:57 • -12.28db
22% Popularity • 48% Danceability • 42% Energy • 9% Liveness
28% Instrumentalness • 22% Positiveness
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Volcan Peaks
Dreamers Of The Shore
108 bpm • D Maj • 02:51 • -8db
41% Popularity • 65% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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All Good