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All Human Beings (Voiceless Mix) - Pt. 1
Songs like
All Human Beings (Voiceless Mix) - Pt. 1
by
Max Richter
Based on a tempo of (+/- 10%) and a similar genre
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Max Richter
A Lamenting Song
73 bpm • C min • 01:49 • -30db
42% Popularity • 56% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
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EydÃs Evensen
Dagdraumur
73 bpm • A# min • 03:07 • -24.41db
34% Popularity • 28% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Michael Price
The Warmth of the Sun
73 bpm • D# Maj • 03:00 • -22.03db
28% Popularity • 14% Danceability • 5% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
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Sophie Hutchings
Grace
73 bpm • C# min • 02:11 • -22.87db
39% Popularity • 36% Danceability • 2% Energy • 14% Liveness
97% Instrumentalness • 24% Positiveness
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Alexis Ffrench
Wishing
73 bpm • D# Maj • 02:08 • -22.96db
56% Popularity • 51% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Angus MacRae
Imaginarium
73 bpm • D min • 02:53 • -21db
32% Popularity • 15% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
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Hania Rani
Now, Run
73 bpm • C min • 06:31 • -22.13db
44% Popularity • 17% Danceability • 17% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Niklas Paschburg
Duvet
73 bpm • F# Maj • 03:24 • -22.78db
52% Popularity • 40% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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James Heather
Empire Sounds
72 bpm • C min • 03:41 • -21.57db
42% Popularity • 14% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Max Richter
Dream 0 (Till Break of Day) - Pt. 3
72 bpm • F# Maj • 02:23 • -32.34db
37% Popularity • 10% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
Steep Hills of Vicodin Tears
74 bpm • B Maj • 04:26 • -21.96db
40% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Gavin Luke
Delicate Transitions
72 bpm • E Maj • 02:28 • -16db
47% Popularity • 39% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Hania Rani
Malasana
74 bpm • A# min • 05:21 • -25.63db
46% Popularity • 24% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Peter Gregson
Cluster - Edit
74 bpm • E min • 02:41 • -15.12db
31% Popularity • 17% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Kravchuk
Look Inside Yourself
72 bpm • C# Maj • 03:38 • -31.25db
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Max Richter
Dream 1 (before the wind blows it all aw...
72 bpm • F# Maj • 02:33 • -40db
56% Popularity • 21% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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Arvo Pärt
Spiegel im Spiegel - Version for Violin ...
71 bpm • F Maj • 10:36 • -42.24db
51% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Dobrawa Czocher
Timelines
75 bpm • D min • 03:47 • -16.84db
15% Popularity • 8% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Sebastian Plano
Abeyance
71 bpm • B min • 03:59 • -24.48db
31% Popularity • 13% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Peter Gregson
Patina
74 bpm • C Maj • 04:11 • -16.82db
19% Popularity • 19% Danceability • 17% Energy • 25% Liveness
80% Instrumentalness • 5% Positiveness
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Alexis Ffrench
Bluebird
75 bpm • A# Maj • 03:24 • -20.61db
60% Popularity • 45% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Max Richter
Patterns (cypher)
72 bpm • G min • 02:46 • -29.61db
42% Popularity • 26% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Luca Longobardi
Promenade No. 3
71 bpm • C Maj • 01:10 • -26.77db
50% Popularity • 40% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Mattia Vlad Morleo
Wind's Caress
75 bpm • C# min • 02:53 • -25db
53% Popularity • 36% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Mike Lazarev
Unhinged
71 bpm • E min • 02:04 • -19.24db
52% Popularity • 49% Danceability • 3% Energy • 22% Liveness
95% Instrumentalness • 19% Positiveness
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Slow Meadow
Boy in a Water Globe
71 bpm • C# Maj • 05:42 • -18db
36% Popularity • 9% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Max Richter
Path 17 (Before the Ending of Daylight) ...
72 bpm • F Maj • 03:03 • -29.65db
39% Popularity • 24% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Sandberg
Borrowed Peace
71 bpm • G# Maj • 01:45 • -24.33db
46% Popularity • 23% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Jon Opstad
Blue Sky, White Clouds
71 bpm • C# min • 04:10 • -13.61db
26% Popularity • 12% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Rachel Portman
Frozen Lake
71 bpm • B min • 03:25 • -26.27db
18% Popularity • 36% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Oskar Schuster
Eleonoras Träume
75 bpm • A min • 03:01 • -22.53db
39% Popularity • 50% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Hildur Guðnadóttir
Bær
75 bpm • E min • 03:17 • -20db
36% Popularity • 15% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Max Richter
Cumulonimbus - Pt. 1
71 bpm • C# Maj • 03:20 • -41.9db
44% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Erland Cooper
Movement 5 - Pt. 2 - Instrumental
71 bpm • F Maj • 04:12 • -15.08db
30% Popularity • 7% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Frans Bak
The Mist: Pt. 1
76 bpm • C min • 04:45 • -18.33db
21% Popularity • 14% Danceability • 7% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
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Gavin Luke
The Gift
76 bpm • C# Maj • 02:38 • -21db
42% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Sylvain Chauveau
Pour Les Oiseaux
70 bpm • C min • 01:16 • -20db
58% Popularity • 39% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Peter Gregson
6.2 Allemande
76 bpm • D Maj • 03:35 • -20.22db
23% Popularity • 13% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Max Richter
Only Questions
71 bpm • F# min • 01:17 • -33.39db
44% Popularity • 38% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Oskar Schuster
Singur
76 bpm • E min • 02:53 • -21db
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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Nils Frahm
Some
76 bpm • F Maj • 04:14 • -33.5db
51% Popularity • 31% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 20% Positiveness
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Rachel Portman
Main Title
70 bpm • D min • 03:07 • -22db
52% Popularity • 18% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Jean-Michel Blais
roses
70 bpm • G# Maj • 05:46 • -18db
37% Popularity • 18% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Max Richter
Path 17 (Before the Ending of Daylight) ...
71 bpm • F Maj • 03:37 • -26.75db
39% Popularity • 21% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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James Heather
Blueprint
70 bpm • C min • 04:32 • -26db
42% Popularity • 22% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Oskar Schuster
Maribel
77 bpm • C Maj • 02:44 • -20.4db
41% Popularity • 57% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
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Sophie Hutchings
Empty City
77 bpm • G min • 03:16 • -31db
37% Popularity • 25% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Greg Haines
With Everything That Breathes
77 bpm • C min • 05:21 • -29.97db
25% Popularity • 44% Danceability • 0% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
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Sebastian Plano
Fortanach
77 bpm • D min • 02:05 • -13.35db
47% Popularity • 26% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Max Richter
Lullaby From The Westcoast Sleepers
71 bpm • G Maj • 02:02 • -25.95db
32% Popularity • 23% Danceability • 4% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Matt Stewart-Evans
Opus #24
69 bpm • A# Maj • 01:33 • -28.39db
48% Popularity • 44% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Dario Marianelli
Awaken
77 bpm • C min • 04:25 • -18db
44% Popularity • 17% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Thomas Newman
American Beauty
77 bpm • G min • 03:06 • -31.96db
62% Popularity • 21% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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James Heather
Immortal Beloved
77 bpm • G min • 03:54 • -32.12db
38% Popularity • 21% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Jef Martens
And So the Story Began
69 bpm • F# min • 01:01 • -26.94db
57% Popularity • 31% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
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Max Richter
Organum
71 bpm • C min • 03:13 • -22.58db
38% Popularity • 18% Danceability • 4% Energy • 14% Liveness
66% Instrumentalness • 11% Positiveness
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Chad Lawson
Stay
69 bpm • D# Maj • 03:21 • -24db
44% Popularity • 20% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Sylvain Chauveau
Nuage II
77 bpm • F Maj • 01:18 • -14.07db
46% Popularity • 16% Danceability • 10% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
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Anna Clyne
DANCE: I. when you're broken open
69 bpm • F Maj • 04:44 • -24.85db
46% Popularity • 16% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Patrik Berg Almkvisth
Ljusnan
78 bpm • F Maj • 02:51 • -25.26db
41% Popularity • 29% Danceability • 3% Energy • 23% Liveness
96% Instrumentalness • 16% Positiveness
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GabrÃel Ólafs
The Drifter
78 bpm • B min • 02:48 • -26db
40% Popularity • 19% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Max Richter
Path 17 (Before the Ending of Daylight) ...
71 bpm • F Maj • 02:00 • -23.6db
40% Popularity • 16% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Autonomy
Black Dog
78 bpm • E Maj • 02:07 • -13.24db
34% Popularity • 41% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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James Heather
Beginnings
68 bpm • C Maj • 03:58 • -27db
49% Popularity • 23% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Thomas Newman
Any Other Name
78 bpm • G min • 04:06 • -33.19db
57% Popularity • 30% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Luca Longobardi
Promenade No. 2
78 bpm • C Maj • 00:58 • -32.97db
47% Popularity • 17% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
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KEYNVOR
Bedruthan Steps (50.480868, -5.031929)
68 bpm • D min • 04:30 • -20.42db
32% Popularity • 18% Danceability • 18% Energy • 62% Liveness
83% Instrumentalness • 3% Positiveness
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Max Richter
Departure (Home)
76 bpm • D# Maj • 01:54 • -30.76db
49% Popularity • 32% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Felix Rösch
Humming Bird Rework
78 bpm • F min • 03:21 • -17.59db
35% Popularity • 14% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
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James Heather
Ultraviolet
69 bpm • F Maj • 01:33 • -31db
66% Popularity • 25% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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EydÃs Evensen
Brotin
68 bpm • B min • 03:15 • -25.42db
37% Popularity • 37% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Arvo Pärt
Für Alina
68 bpm • B min • 10:47 • -36.61db
47% Popularity • 48% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Carlos Cipa
Today and it’s gone (Munich Session)
68 bpm • E min • 04:18 • -25.09db
48% Popularity • 30% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Max Richter
The Quality of Mercy
76 bpm • G# Maj • 04:12 • -19.85db
42% Popularity • 11% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Matt Stewart-Evans
Anonymous Waltz
78 bpm • F min • 02:55 • -21db
39% Popularity • 33% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Slow Meadow
Palemote
78 bpm • A Maj • 05:52 • -14db
41% Popularity • 8% Danceability • 20% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Salvation
78 bpm • F Maj • 05:25 • -17db
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Rachel Portman
a gift
68 bpm • C min • 02:59 • -20.3db
40% Popularity • 28% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Mike Lazarev
Dislodged
79 bpm • E min • 04:03 • -26.24db
31% Popularity • 23% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Max Richter
Follower
77 bpm • D min • 05:03 • -25db
37% Popularity • 7% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Illuminine
Patterns, Erase - Simeon Walker Rework
79 bpm • C# Maj • 04:31 • -34.95db
54% Popularity • 29% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Maxence Cyrin
As the Darkness Falls
68 bpm • D min • 01:40 • -26db
60% Popularity • 34% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 18% Positiveness
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Library Tapes
A Summer By The Sea I
68 bpm • D Maj • 02:04 • -16db
39% Popularity • 24% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Gregson
4.5 Bourrées
68 bpm • G# Maj • 02:38 • -20.07db
32% Popularity • 13% Danceability • 12% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Max Richter
Infra 8
70 bpm • C min • 03:21 • -14db
30% Popularity • 17% Danceability • 16% Energy • 9% Liveness
59% Instrumentalness • 6% Positiveness
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Jane Antonia Cornish
Continuum: I
79 bpm • F# min • 07:24 • -21.93db
33% Popularity • 15% Danceability • 13% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Extremely Loud and Incredibly Close
79 bpm • A min • 01:57 • -31.11db
53% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Jakob Lindhagen
Forgotten
79 bpm • A# min • 02:51 • -21.99db
30% Popularity • 23% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Carlos Cipa
dark tree
80 bpm • C min • 06:33 • -20.96db
23% Popularity • 12% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Library Tapes
Fragment II
80 bpm • F Maj • 04:00 • -21.32db
42% Popularity • 25% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Max Richter
Dream 1 (before the wind blows it all aw...
69 bpm • F# Maj • 01:58 • -38db
61% Popularity • 17% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Felix Rösch
Berceuse
80 bpm • C min • 02:07 • -28.62db
51% Popularity • 22% Danceability • 3% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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EydÃs Evensen
Bylur
80 bpm • D Maj • 04:11 • -17db
45% Popularity • 18% Danceability • 21% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Dardust
Prisma (Acoustic)
80 bpm • E min • 04:05 • -16db
29% Popularity • 20% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Doug Kaufman
The Garden
80 bpm • F# Maj • 02:56 • -17.3db
46% Popularity • 21% Danceability • 24% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Sebastian Plano
Prelude to a Soul
81 bpm • G min • 02:46 • -15.08db
37% Popularity • 16% Danceability • 22% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Max Richter
I will not forget you
77 bpm • C Maj • 03:55 • -16.68db
41% Popularity • 15% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
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All Human Beings (Voiceless Mix) - Pt. 1