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All Human Beings (Voiceless Mix) - Pt. 4
Songs like
All Human Beings (Voiceless Mix) - Pt. 4
by
Max Richter
Based on a tempo of (+/- 10%) and a similar genre
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James Heather
Biomes
127 bpm • D# Maj • 02:42 • -24.42db
61% Popularity • 25% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Lambert
Doug
127 bpm • G# Maj • 01:53 • -29.17db
42% Popularity • 29% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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Federico Albanese
Migrants
128 bpm • G# Maj • 03:58 • -21db
45% Popularity • 31% Danceability • 11% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Mike Lazarev
Portrait of a Lady with a Fan
128 bpm • C min • 01:58 • -22.52db
33% Popularity • 30% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Meredi
White Flowers Take Their Bath
126 bpm • E min • 03:06 • -12.88db
43% Popularity • 20% Danceability • 17% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
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Dardust
Enjoy the Light - Piano and String Quint...
128 bpm • C Maj • 04:18 • -15db
19% Popularity • 34% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Søndag Søndag
Fredag
126 bpm • B min • 03:02 • -29.85db
25% Popularity • 59% Danceability • 2% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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Julia Kent
Gardermoen
128 bpm • G min • 04:10 • -20.67db
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
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Adam Taylor
Their First Time
126 bpm • C Maj • 01:35 • -21db
36% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Mike Lazarev
Fragile
126 bpm • A min • 04:51 • -23.75db
25% Popularity • 46% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Maxence Cyrin
Mer de velours
128 bpm • G# Maj • 03:34 • -21.25db
36% Popularity • 34% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Lambert
Otis
128 bpm • E Maj • 02:17 • -28db
43% Popularity • 53% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 25% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
126 bpm • G min • 04:11 • -13db
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
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Sophie Hutchings
Candela
129 bpm • E min • 02:30 • -23.8db
14% Popularity • 38% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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Rachel Grimes
Earthly Heaven
125 bpm • A min • 06:34 • -14.05db
32% Popularity • 32% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Mike Lazarev
Serenity
129 bpm • F min • 02:35 • -23.41db
34% Popularity • 38% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Federico Albanese
The Stars We Follow
125 bpm • A min • 03:54 • -24.91db
49% Popularity • 46% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Francesco Tristano
Lazaro (Solo Piano Version)
125 bpm • C min • 03:20 • -25db
28% Popularity • 38% Danceability • 2% Energy • 14% Liveness
64% Instrumentalness • 30% Positiveness
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Kevin Smuts
The Wonders of Nature
125 bpm • E min • 02:59 • -23.64db
31% Popularity • 17% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Angus MacRae
Tides
129 bpm • C# min • 03:56 • -18.55db
19% Popularity • 24% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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Oskar Schuster
Elodie
129 bpm • F Maj • 04:17 • -21.92db
33% Popularity • 43% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Nils Frahm
Nils Has a New Piano
129 bpm • C min • 04:05 • -34.48db
49% Popularity • 34% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 19% Positiveness
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Greg Haines
The Spin
130 bpm • C min • 06:59 • -19db
37% Popularity • 35% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Federico Albanese
Slow Within
130 bpm • A# min • 02:41 • -32db
49% Popularity • 37% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Peter Sandberg
Synesthesia (Scaled Down Version)
130 bpm • A Maj • 01:54 • -22db
53% Popularity • 68% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Maxence Cyrin
Voyage
130 bpm • A min • 02:01 • -19db
31% Popularity • 47% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Illuminine
Dear, Utopia - Jameson Nathan Jones Rewo...
124 bpm • C# Maj • 03:41 • -26.95db
42% Popularity • 50% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 13% Positiveness
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Nils Frahm
Familiar
130 bpm • D# min • 03:30 • -19db
50% Popularity • 62% Danceability • 43% Energy • 36% Liveness
96% Instrumentalness • 29% Positiveness
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Brique a Braq
Rococo
131 bpm • A# min • 02:26 • -20db
37% Popularity • 34% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Sophie Hutchings
A Small Kind Of Revival
124 bpm • D Maj • 02:55 • -15.11db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Rhiannon Bannenberg
For Stormboy
123 bpm • G# min • 01:36 • -29.13db
52% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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James Heather
Glimmer
123 bpm • C min • 03:21 • -25.4db
47% Popularity • 23% Danceability • 8% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Max Richter
To the Stars
131 bpm • E min • 03:30 • -25.28db
49% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Alice Baldwin
Was am Ende
123 bpm • A# min • 04:52 • -26.25db
20% Popularity • 18% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Federico Albanese
Shadow Land, Pt. 1
123 bpm • F min • 03:54 • -22.17db
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Sophie Hutchings
Love & Keep
123 bpm • A# min • 06:05 • -27.01db
34% Popularity • 34% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Jon Hopkins
Small Memory
131 bpm • C# Maj • 01:40 • -23.28db
52% Popularity • 53% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 48% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
54% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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James Heather
The Conscience Loop
132 bpm • G min • 02:05 • -23.38db
57% Popularity • 23% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Ed Carlsen
Close
122 bpm • D Maj • 04:29 • -19.28db
27% Popularity • 21% Danceability • 14% Energy • 45% Liveness
95% Instrumentalness • 6% Positiveness
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Lambert
As Ballad
132 bpm • D# Maj • 04:53 • -22db
47% Popularity • 40% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Nils Frahm
About Coming and Leaving
132 bpm • C Maj • 02:07 • -32db
44% Popularity • 55% Danceability • 0% Energy • 6% Liveness
70% Instrumentalness • 32% Positiveness
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Stephan Moccio
Le Jardin de Monsieur Monet
132 bpm • D Maj • 05:13 • -25.46db
46% Popularity • 36% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Julia Kent
Idlewild
132 bpm • C Maj • 03:15 • -17.04db
32% Popularity • 54% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 30% Positiveness
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Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
54% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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Jean-Michel Blais
amour
132 bpm • F# Maj • 04:37 • -14db
54% Popularity • 18% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Anne Müller
Walzer für Robert
132 bpm • B min • 04:11 • -18.54db
30% Popularity • 39% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Oskar Schuster
Vleurgat
132 bpm • C min • 02:05 • -21db
55% Popularity • 70% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Chad Lawson
Ash
132 bpm • C min • 03:12 • -22.04db
22% Popularity • 31% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Library Tapes
Running By The Roads, Running By The Fie...
122 bpm • D min • 02:02 • -28.82db
46% Popularity • 45% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Sophie Hutchings
Pipe Dream
132 bpm • A# Maj • 07:59 • -20db
27% Popularity • 21% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Peter Sandberg
Inconclusive Results
122 bpm • F# Maj • 02:06 • -22.63db
41% Popularity • 36% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Lambert
Balcony Hotel
132 bpm • G# min • 02:48 • -22.5db
45% Popularity • 50% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Mike Lazarev
Footsteps
122 bpm • E min • 02:12 • -24db
37% Popularity • 45% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Angus MacRae
Mirror Lake
132 bpm • G# Maj • 04:31 • -21db
48% Popularity • 40% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Library Tapes
Running By The Roads, Running By The Fie...
122 bpm • D min • 02:01 • -17.76db
36% Popularity • 40% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
VÃkingur Ólafsson
…And at the Hour of Death
122 bpm • C Maj • 02:32 • -36.33db
49% Popularity • 48% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 20% Positiveness
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Pêtr Aleksänder
Triptych 1 for Piano
133 bpm • F Maj • 02:39 • -24.41db
46% Popularity • 29% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Nils Frahm
Because This Must Be
133 bpm • C min • 02:45 • -29.62db
61% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Lambert
Gdansk
133 bpm • F Maj • 02:27 • -28.79db
45% Popularity • 44% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Bryce Dessner
Dessner: Song for Octave
133 bpm • D# Maj • 03:17 • -24db
36% Popularity • 41% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
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Mike Lazarev
Ajar
134 bpm • D min • 02:26 • -24db
32% Popularity • 30% Danceability • 21% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
L'approche Du Nuage
134 bpm • G min • 02:01 • -23.72db
41% Popularity • 30% Danceability • 1% Energy • 10% Liveness
65% Instrumentalness • 18% Positiveness
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Karin Borg
Norrsken
134 bpm • C min • 01:35 • -22.4db
48% Popularity • 28% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Bruno Bavota
Passengers
134 bpm • G# Maj • 04:17 • -18.59db
31% Popularity • 35% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Craig Wedren
Looked Up To You
120 bpm • E min • 01:25 • -27db
65% Popularity • 29% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Erland Cooper
Music For Growing Flowers - Pt. 4
134 bpm • C Maj • 05:34 • -27.76db
36% Popularity • 21% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Zoë Keating
The Last Bird
120 bpm • G# Maj • 01:56 • -10db
40% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Angus MacRae
Two on the Breakwater
120 bpm • F min • 05:25 • -15.44db
24% Popularity • 40% Danceability • 35% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Hugar
Órói
120 bpm • F min • 03:18 • -26db
27% Popularity • 18% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
62% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Federico Albanese
By the Deep Sea
120 bpm • F min • 03:58 • -22.62db
47% Popularity • 54% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Sebastian Plano
Éxta
120 bpm • B min • 02:21 • -16db
36% Popularity • 18% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Angus MacRae
Through Shadows
135 bpm • C# min • 05:23 • -16db
27% Popularity • 37% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Agnes Obel
Parliament Of Owls
119 bpm • B min • 02:29 • -17.04db
50% Popularity • 21% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Library Tapes
Fragment I
119 bpm • C Maj • 01:31 • -28db
39% Popularity • 87% Danceability • 1% Energy • 15% Liveness
97% Instrumentalness • 31% Positiveness
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Jean-Michel Blais
Les feuilles mortes
136 bpm • C min • 01:37 • -23.74db
42% Popularity • 28% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Federico Albanese
The Twelve Theme
135 bpm • C# Maj • 03:18 • -28.55db
41% Popularity • 40% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Maxence Cyrin
The Frenchman (Piano Solo)
136 bpm • G min • 02:40 • -19.79db
40% Popularity • 25% Danceability • 34% Energy • 15% Liveness
85% Instrumentalness • 27% Positiveness
► Preview
Jordan Seigel
San Miguel
136 bpm • G Maj • 01:34 • -25db
61% Popularity • 54% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
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Hanan Townshend
Marina's Theme - The Call
136 bpm • C# Maj • 01:06 • -20db
28% Popularity • 17% Danceability • 5% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
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Peter Sandberg
Who's There
136 bpm • E min • 02:37 • -23.68db
48% Popularity • 55% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Stephan Moccio
Sea Change
118 bpm • G# Maj • 02:51 • -34.76db
53% Popularity • 46% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Federico Albanese
Shadow Land, Pt. 2
135 bpm • F min • 02:59 • -24.01db
42% Popularity • 52% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Max Richter
Written on the Sky
136 bpm • A# min • 01:40 • -25.23db
62% Popularity • 35% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Lambert
Leicester
137 bpm • F min • 04:35 • -24.52db
33% Popularity • 47% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 75% Positiveness
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Tony Anderson
Spiriteaux
117 bpm • C min • 03:54 • -28.58db
51% Popularity • 23% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Sophie Hutchings
Shadowed
117 bpm • D# min • 06:41 • -21.94db
18% Popularity • 25% Danceability • 13% Energy • 29% Liveness
86% Instrumentalness • 14% Positiveness
► Preview
Stephan Moccio
Fireflies
136 bpm • A# min • 03:34 • -29.44db
43% Popularity • 32% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Federico Albanese
We Were There
135 bpm • F min • 03:37 • -22.39db
48% Popularity • 25% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Max Richter
On the Nature of Daylight (Entropy)
117 bpm • C# Maj • 06:53 • -14.82db
46% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Angus MacRae
Holding Pattern
138 bpm • F min • 04:14 • -26db
36% Popularity • 26% Danceability • 6% Energy • 20% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
GabrÃel Ólafs
Kyndir
138 bpm • A min • 01:50 • -29.53db
48% Popularity • 20% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Hania Rani
Eden
138 bpm • A min • 04:55 • -25.46db
53% Popularity • 44% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Stephan Moccio
Lumière
117 bpm • G Maj • 04:11 • -32.13db
48% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Tom Ashbrook
All Clear
139 bpm • F# Maj • 03:44 • -19db
41% Popularity • 33% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Max Richter
The Departure
117 bpm • C min • 01:15 • -39.05db
65% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Federico Albanese
Carousel #3
116 bpm • G min • 04:22 • -27.11db
37% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Angus MacRae
Spring Nocturne
116 bpm • G min • 04:32 • -18.92db
34% Popularity • 22% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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All Human Beings (Voiceless Mix) - Pt. 4