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All I See Is Darkness
Songs like
All I See Is Darkness
by
Johnny Klimek
Based on a tempo of (+/- 10%) and a similar genre
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Clint Mansell
In the Beginning,There Was Nothing
167 bpm • D Maj • 04:08 • -10.39db
14% Popularity • 9% Danceability • 31% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Johnny Klimek
Tränen
167 bpm • B min • 03:17 • -17.86db
13% Popularity • 9% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Alan Silvestri
I Believe Her
168 bpm • G min • 02:32 • -27db
25% Popularity • 9% Danceability • 2% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
A Planet
166 bpm • B min • 02:37 • -22db
31% Popularity • 9% Danceability • 21% Energy • 43% Liveness
89% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Margaret and Townsend
165 bpm • D min • 03:13 • -21.86db
30% Popularity • 9% Danceability • 11% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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John Murphy
Dead Ballerina
169 bpm • E min • 06:14 • -16.05db
19% Popularity • 8% Danceability • 12% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Trevor Morris
The Borgias Main Title
170 bpm • G min • 01:34 • -13.84db
28% Popularity • 42% Danceability • 63% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
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Johnny Klimek
Doppelspieler
165 bpm • D min • 05:24 • -14.71db
21% Popularity • 46% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Dominik Scherrer
The Good of This City
170 bpm • G Maj • 02:08 • -18.45db
13% Popularity • 8% Danceability • 8% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Ender's War
170 bpm • G# Maj • 03:26 • -19.26db
49% Popularity • 27% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Burkhard Dallwitz
Keep On Walking
170 bpm • D Maj • 02:42 • -24.32db
14% Popularity • 11% Danceability • 10% Energy • 26% Liveness
97% Instrumentalness • 4% Positiveness
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Reinhold Heil
Beating Hearst
171 bpm • F# Maj • 00:50 • -21db
12% Popularity • 41% Danceability • 23% Energy • 11% Liveness
48% Instrumentalness • 3% Positiveness
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Marco Beltrami
Wales
163 bpm • F# min • 05:22 • -22.66db
27% Popularity • 9% Danceability • 8% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Craig Armstrong
Let's Go To Town
162 bpm • F Maj • 04:35 • -18.72db
16% Popularity • 50% Danceability • 24% Energy • 26% Liveness
84% Instrumentalness • 45% Positiveness
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Jocelyn Pook
The Wife
172 bpm • E min • 03:58 • -11.11db
38% Popularity • 8% Danceability • 28% Energy • 22% Liveness
90% Instrumentalness • 6% Positiveness
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Nicholas Britell
Hymn - Mvmt 1: Prelude
174 bpm • G# Maj • 03:53 • -16.54db
39% Popularity • 8% Danceability • 13% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Chris Tilton
A New Day In The Old Town
160 bpm • C min • 01:44 • -22.27db
33% Popularity • 56% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
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The Prestige
Are You Watching Closely?
173 bpm • E min • 01:51 • -22db
31% Popularity • 8% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Halfdan E
Fieldwork
160 bpm • A min • 03:51 • -24.08db
6% Popularity • 50% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Henry Jackman
Alternate Outcome
160 bpm • F Maj • 03:21 • -26.93db
22% Popularity • 36% Danceability • 8% Energy • 6% Liveness
78% Instrumentalness • 16% Positiveness
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Michael Nyman
The Departure
178 bpm • D min • 03:49 • -14db
44% Popularity • 8% Danceability • 26% Energy • 27% Liveness
93% Instrumentalness • 4% Positiveness
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Trevor Morris
Wolsey Commits Suicide / Finale
158 bpm • D min • 04:21 • -17.83db
30% Popularity • 14% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
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Johnny Klimek
Space Out
156 bpm • D min • 03:49 • -13.48db
22% Popularity • 34% Danceability • 31% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
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Alan Silvestri
Essaouira Desert/ Main Title
157 bpm • D min • 05:21 • -21db
14% Popularity • 46% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 14% Positiveness
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Jan A.P. Kaczmarek
Impossible Opening - Finding Neverland/S...
155 bpm • A min • 03:26 • -17.97db
28% Popularity • 28% Danceability • 19% Energy • 26% Liveness
82% Instrumentalness • 16% Positiveness
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Carter Burwell
Mr. Holmes
180 bpm • F Maj • 03:00 • -15.88db
27% Popularity • 18% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Richard Harvey
Kyrie For The Magdalene
183 bpm • C Maj • 03:55 • -22.94db
33% Popularity • 11% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Nicholas Britell
Antiphon
150 bpm • C min • 02:16 • -18.8db
45% Popularity • 49% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Johnny Klimek
I Like Tests
180 bpm • C# Maj • 02:28 • -18.01db
12% Popularity • 34% Danceability • 41% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
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Marco Beltrami
7573'
181 bpm • E min • 05:49 • -15.89db
28% Popularity • 8% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Mychael Danna
More
150 bpm • F Maj • 01:37 • -22db
39% Popularity • 61% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
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Jeff Beal
More Courage
149 bpm • E min • 03:12 • -20.84db
15% Popularity • 12% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Angelo Milli
Seven Pounds
149 bpm • D min • 01:37 • -35.06db
27% Popularity • 44% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 24% Positiveness
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Ólafur Arnalds
Suspects
145 bpm • D# min • 02:46 • -14.8db
26% Popularity • 19% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Johnny Klimek
It's in My Mind
150 bpm • A# min • 04:21 • -13.68db
13% Popularity • 32% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 9% Positiveness
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Éric Serra
A Bird In New York
148 bpm • G# Maj • 01:20 • -11.77db
29% Popularity • 16% Danceability • 30% Energy • 11% Liveness
66% Instrumentalness • 7% Positiveness
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Trevor Rabin
I Am The Clock (12 Monkeys Suite)
145 bpm • D min • 04:44 • -18db
22% Popularity • 47% Danceability • 30% Energy • 8% Liveness
47% Instrumentalness • 9% Positiveness
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Ryan Amon
Heaven And Earth
145 bpm • G# Maj • 04:25 • -26db
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
46% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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All I See Is Darkness