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All I Want
Songs like
All I Want
by
Joni Mitchell
Based on a tempo of (+/- 10%) and a similar genre
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Fiona Apple
Paper Bag
141 bpm • C Maj • 03:39 • -9.9db
68% Popularity • 71% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Crosby, Stills, Nash & Young
4 + 20
141 bpm • E Maj • 02:06 • -25.24db
55% Popularity • 64% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
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The Zombies
A Rose For Emily
141 bpm • A Maj • 02:19 • -11.92db
31% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Joni Mitchell
All I Want
141 bpm • F# Maj • 03:34 • -10.52db
55% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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James Taylor
Sweet Baby James - 2019 Remaster
141 bpm • D Maj • 02:53 • -20.58db
60% Popularity • 54% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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David Crosby
Laughing - 2021 Remaster
140 bpm • D Maj • 05:23 • -13.26db
34% Popularity • 24% Danceability • 38% Energy • 11% Liveness
26% Instrumentalness • 42% Positiveness
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Fiona Apple
I Want You To Love Me
141 bpm • A min • 03:57 • -8.82db
60% Popularity • 53% Danceability • 50% Energy • 9% Liveness
4% Instrumentalness • 71% Positiveness
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Yusuf / Cat Stevens
Trouble
140 bpm • F# Maj • 02:52 • -15.08db
58% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Crosby, Stills, Nash & Young
Our House
140 bpm • A Maj • 02:59 • -14.6db
69% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Neko Case
Atomic Number
140 bpm • F min • 02:57 • -9.27db
41% Popularity • 48% Danceability • 63% Energy • 11% Liveness
7% Instrumentalness • 24% Positiveness
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Sufjan Stevens
Jacksonville
140 bpm • F min • 05:24 • -8.95db
46% Popularity • 60% Danceability • 44% Energy • 64% Liveness
0% Instrumentalness • 58% Positiveness
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George Harrison
I'd Have You Anytime (2014 Remaster)
139 bpm • G Maj • 02:57 • -11.29db
59% Popularity • 55% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Fiona Apple
Slow Like Honey
142 bpm • G min • 05:56 • -12.12db
51% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Adrianne Lenker
two reverse
143 bpm • C# Maj • 03:33 • -15.4db
54% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Elvis Costello & The Attractions
Shipbuilding
143 bpm • G Maj • 04:52 • -14db
41% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Aimee Mann
Save Me
143 bpm • A# Maj • 04:34 • -10.44db
56% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jessica Pratt
Back, Baby
143 bpm • D# Maj • 03:55 • -11.55db
51% Popularity • 45% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Magnetic Fields
A Chicken With Its Head Cut Off
138 bpm • C Maj • 02:41 • -8db
49% Popularity • 74% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 87% Positiveness
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Labi Siffre
'Till Forever
138 bpm • C min • 01:15 • -18.18db
48% Popularity • 60% Danceability • 17% Energy • 10% Liveness
4% Instrumentalness • 57% Positiveness
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The Roches
Hammond Song
144 bpm • D# Maj • 05:45 • -11.48db
44% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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David Byrne
The Man Who Loved Beer
144 bpm • G Maj • 02:40 • -11.13db
27% Popularity • 43% Danceability • 38% Energy • 9% Liveness
4% Instrumentalness • 45% Positiveness
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Adrianne Lenker
Fool
144 bpm • D# Maj • 02:54 • -12.06db
62% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Jackson Browne
These Days
138 bpm • F Maj • 04:44 • -11db
57% Popularity • 47% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tim Buckley
Happy Time
144 bpm • E Maj • 03:16 • -18db
31% Popularity • 48% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Arthur Russell
A Little Lost
144 bpm • C Maj • 03:18 • -21.02db
37% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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John Martyn
Go Down Easy
144 bpm • D Maj • 03:35 • -20.56db
35% Popularity • 48% Danceability • 10% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Fiona Apple
Fast As You Can
138 bpm • C Maj • 04:38 • -9.23db
56% Popularity • 46% Danceability • 77% Energy • 5% Liveness
4% Instrumentalness • 53% Positiveness
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Simon & Garfunkel
Bookends Theme - Reprise
138 bpm • E Maj • 01:20 • -23.51db
60% Popularity • 47% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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Warren Zevon
Steady Rain
138 bpm • G Maj • 04:19 • -10.14db
34% Popularity • 52% Danceability • 42% Energy • 21% Liveness
23% Instrumentalness • 41% Positiveness
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Tim Buckley
Morning Glory
145 bpm • F Maj • 03:43 • -18.54db
11% Popularity • 34% Danceability • 28% Energy • 69% Liveness
0% Instrumentalness • 38% Positiveness
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Belle and Sebastian
The State I Am In
145 bpm • F# Maj • 04:57 • -13.19db
42% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jackson C. Frank
Juliette
145 bpm • D Maj • 04:42 • -15.71db
35% Popularity • 45% Danceability • 31% Energy • 9% Liveness
16% Instrumentalness • 48% Positiveness
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Fiona Apple
Sleep to Dream
144 bpm • D Maj • 04:08 • -9.77db
56% Popularity • 72% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Crosby, Stills, Nash & Young
Deja Vu
137 bpm • B min • 04:12 • -15.92db
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
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Weyes Blood
Something to Believe
137 bpm • E Maj • 04:45 • -8.59db
53% Popularity • 31% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Van Morrison
Beside You - 1999 Remaster
145 bpm • E min • 05:16 • -15.15db
37% Popularity • 43% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Judee Sill
The Phoenix - Remastered
145 bpm • G Maj • 02:37 • -13.83db
28% Popularity • 33% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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George Harrison
Run of the Mill (2014 Remaster)
137 bpm • D Maj • 02:51 • -8db
51% Popularity • 54% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Fiona Apple
Sullen Girl
138 bpm • A min • 03:54 • -11.54db
54% Popularity • 31% Danceability • 30% Energy • 12% Liveness
12% Instrumentalness • 15% Positiveness
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The Roches
Quitting Time
137 bpm • B Maj • 04:19 • -14db
23% Popularity • 30% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Gillian Welch
Revelator
146 bpm • A min • 06:21 • -9.79db
31% Popularity • 56% Danceability • 26% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
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Simon & Garfunkel
For Emily, Whenever I May Find Her
146 bpm • D# Maj • 02:05 • -13.06db
49% Popularity • 31% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Yusuf / Cat Stevens
Hard Headed Woman
147 bpm • C Maj • 03:46 • -12.48db
55% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Crosby, Stills & Nash
Helplessly Hoping - 2005 Remaster
147 bpm • G Maj • 02:37 • -14db
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Fiona Apple
The Way Things Are
146 bpm • A min • 04:16 • -9db
54% Popularity • 60% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Labi Siffre
Bless the Telephone
136 bpm • D min • 01:40 • -17.47db
64% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tia Blake
The Rising of the Moon
147 bpm • E min • 03:55 • -22.84db
45% Popularity • 51% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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George Harrison
Isn't It a Pity (2014 Remaster)
147 bpm • G Maj • 07:10 • -7.74db
53% Popularity • 26% Danceability • 65% Energy • 7% Liveness
11% Instrumentalness • 29% Positiveness
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John Prine
Hello in There
135 bpm • C Maj • 04:32 • -17db
48% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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John Cale
You Know More Than I Know
135 bpm • C Maj • 03:35 • -14.56db
43% Popularity • 46% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Fiona Apple
I Know
146 bpm • C Maj • 04:55 • -14.22db
61% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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The Roches
Losing True
147 bpm • A Maj • 04:55 • -11.86db
32% Popularity • 43% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Aimee Mann
Deathly
135 bpm • D Maj • 05:36 • -8.3db
33% Popularity • 51% Danceability • 62% Energy • 18% Liveness
7% Instrumentalness • 54% Positiveness
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James Taylor
You Can Close Your Eyes - 2019 Remaster
135 bpm • C min • 02:29 • -20db
55% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Cowboy Junkies
Misguided Angel
135 bpm • G Maj • 04:52 • -19.46db
41% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Karen Dalton
Reason to Believe
134 bpm • G Maj • 02:24 • -21db
43% Popularity • 36% Danceability • 7% Energy • 15% Liveness
59% Instrumentalness • 24% Positiveness
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The Beatles
Julia - Remastered 2009
135 bpm • D Maj • 02:56 • -16.08db
55% Popularity • 51% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Van Morrison
Madame George - 1999 Remaster
134 bpm • G Maj • 09:45 • -16db
41% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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Joni Mitchell
Blue
134 bpm • F# min • 02:57 • -13.69db
51% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
56% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Buffy Sainte-Marie
Sweet September Morning
149 bpm • E Maj • 02:53 • -13.03db
13% Popularity • 35% Danceability • 40% Energy • 12% Liveness
5% Instrumentalness • 49% Positiveness
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Patti Smith
Birdland
134 bpm • E Maj • 09:13 • -11.32db
36% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Magnetic Fields
Reno Dakota
134 bpm • D Maj • 01:05 • -7.93db
46% Popularity • 63% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
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Van Morrison
Slim Slow Slider - 1999 Remaster
134 bpm • G Maj • 03:17 • -18db
36% Popularity • 46% Danceability • 13% Energy • 23% Liveness
2% Instrumentalness • 18% Positiveness
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Leonard Cohen
Last Year's Man
134 bpm • D# Maj • 06:00 • -14.84db
36% Popularity • 46% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Kate Bush
L'Amour Looks Something Like You
134 bpm • G min • 02:28 • -12db
45% Popularity • 53% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Belle and Sebastian
Seeing Other People
149 bpm • C# Maj • 03:48 • -11.33db
45% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Peter, Paul and Mary
Leaving on a Jet Plane
133 bpm • A Maj • 03:27 • -16.52db
63% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Nico
Somewhere There's A Feather
133 bpm • G# Maj • 02:16 • -13db
38% Popularity • 42% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Neko Case
This Tornado Loves You
133 bpm • G Maj • 03:19 • -5db
43% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Labi Siffre
Saved
133 bpm • C Maj • 02:10 • -16.12db
33% Popularity • 65% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Big Thief
Change
133 bpm • A# Maj • 04:55 • -13db
61% Popularity • 63% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Belle and Sebastian
Judy and the Dream of Horses
133 bpm • A Maj • 03:41 • -9.58db
39% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Leonard Cohen
Chelsea Hotel #2
132 bpm • F Maj • 03:06 • -20.18db
54% Popularity • 52% Danceability • 6% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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Elliott Smith
Waltz #2 (XO)
132 bpm • A# Maj • 04:40 • -7.67db
60% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Adrianne Lenker
No Machine
150 bpm • G Maj • 03:00 • -10.61db
61% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Tim Buckley
Sing a Song for You
132 bpm • F# Maj • 02:41 • -19db
35% Popularity • 36% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Gillian Welch
Elvis Presley Blues
151 bpm • D Maj • 04:56 • -12db
25% Popularity • 53% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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John Martyn
Spencer The Rover
132 bpm • E Maj • 04:09 • -19db
34% Popularity • 41% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Buffalo Springfield
Expecting to Fly
151 bpm • F Maj • 03:44 • -13.28db
44% Popularity • 16% Danceability • 35% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
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Warren Zevon
Empty Hearted Town
151 bpm • D Maj • 03:06 • -13.96db
37% Popularity • 36% Danceability • 32% Energy • 15% Liveness
30% Instrumentalness • 26% Positiveness
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Graham Nash
Simple Man
131 bpm • C Maj • 02:18 • -14.81db
37% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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PJ Harvey
You Said Something
152 bpm • C Maj • 03:18 • -7db
52% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Sufjan Stevens
Concerning the UFO sighting near Highlan...
131 bpm • G Maj • 02:08 • -14.99db
55% Popularity • 45% Danceability • 15% Energy • 16% Liveness
30% Instrumentalness • 39% Positiveness
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The Rolling Stones
Moonlight Mile - 2009 Mix
131 bpm • G Maj • 05:57 • -6db
54% Popularity • 42% Danceability • 50% Energy • 10% Liveness
9% Instrumentalness • 24% Positiveness
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The Roches
Mr. Sellack
131 bpm • D Maj • 04:03 • -19db
31% Popularity • 69% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Fiona Apple
Get Gone
130 bpm • A# min • 04:07 • -9.77db
61% Popularity • 69% Danceability • 40% Energy • 56% Liveness
0% Instrumentalness • 33% Positiveness
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Simon & Garfunkel
Song for the Asking
153 bpm • B Maj • 01:50 • -19.7db
47% Popularity • 30% Danceability • 14% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
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The Velvet Underground
Who Loves the Sun - 2015 Remaster
130 bpm • E Maj • 02:46 • -8.83db
54% Popularity • 44% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Belle and Sebastian
If You're Feeling Sinister
130 bpm • F# Maj • 05:21 • -13.36db
42% Popularity • 58% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Bruce Springsteen
Nebraska
129 bpm • F# Maj • 04:29 • -15.9db
46% Popularity • 38% Danceability • 7% Energy • 38% Liveness
2% Instrumentalness • 15% Positiveness
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The Roches
Factory Girl
153 bpm • B Maj • 04:48 • -16.17db
11% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Crosby, Stills & Nash
Suite: Judy Blue Eyes - 2005 Remaster
154 bpm • A Maj • 07:24 • -13.13db
59% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Fleetwood Mac
Honey Hi - 2015 Remaster
129 bpm • D Maj • 02:45 • -16.97db
39% Popularity • 54% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Paul McCartney
Ram On - Remastered 2012
128 bpm • F min • 02:29 • -12db
52% Popularity • 61% Danceability • 41% Energy • 29% Liveness
79% Instrumentalness • 57% Positiveness
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The Band
I Shall Be Released - Remastered 2000
128 bpm • E Maj • 03:12 • -11.84db
54% Popularity • 44% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Fiona Apple
Everyday
128 bpm • G Maj • 02:19 • -12.5db
43% Popularity • 75% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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The Sundays
Can't Be Sure
128 bpm • D Maj • 03:24 • -11db
40% Popularity • 52% Danceability • 39% Energy • 4% Liveness
1% Instrumentalness • 38% Positiveness
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Richard & Linda Thompson
The Great Valerio
128 bpm • E Maj • 05:26 • -16.24db
20% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Billy Bragg
Ingrid Bergman
128 bpm • E Maj • 01:50 • -14.51db
41% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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All I Want