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All In All
Songs like
All In All
by
Lifehouse
Based on a tempo of (+/- 10%) and a similar genre
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Lifehouse
All In All
87 bpm • E Maj • 02:56 • -4.88db
44% Popularity • 53% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Ari Hest
Strangers Again
87 bpm • G Maj • 04:03 • -5.84db
11% Popularity • 47% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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American Hi-Fi
Another Perfect Day
87 bpm • B Maj • 03:38 • -4.44db
32% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Kelley
Cain & Able
87 bpm • D Maj • 05:00 • -14.27db
18% Popularity • 46% Danceability • 21% Energy • 12% Liveness
16% Instrumentalness • 23% Positiveness
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Live
Turn My Head
88 bpm • B Maj • 03:57 • -9.01db
46% Popularity • 38% Danceability • 63% Energy • 13% Liveness
29% Instrumentalness • 11% Positiveness
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The Good Luck Joes
Frozen
86 bpm • F Maj • 04:45 • -5.82db
13% Popularity • 47% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Lifehouse
Blind
87 bpm • D Maj • 05:00 • -4.8db
53% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gin Blossoms
Break
86 bpm • A Maj • 04:00 • -3.49db
31% Popularity • 52% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Blessid Union Of Souls
Let Me Be The One
88 bpm • G Maj • 04:38 • -8.96db
34% Popularity • 56% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Default
All She Wrote
85 bpm • C Maj • 03:59 • -4db
26% Popularity • 44% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Stroke 9
Do It Again
85 bpm • G# Maj • 03:47 • -6.07db
23% Popularity • 68% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Sweetsalt
If She Would Stay
85 bpm • D# Maj • 04:38 • -9.26db
8% Popularity • 52% Danceability • 68% Energy • 12% Liveness
20% Instrumentalness • 51% Positiveness
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Lifehouse
From Where You Are
87 bpm • A min • 03:01 • -11db
51% Popularity • 36% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Michelle Branch
You Get Me
85 bpm • D Maj • 03:53 • -5.62db
39% Popularity • 45% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Acres
Walking Next to You
89 bpm • D# Maj • 03:53 • -6.68db
17% Popularity • 32% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Athlete
Awkward Goodbye
90 bpm • C# Maj • 03:59 • -5.49db
12% Popularity • 38% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Matthew Ryan
Return to Me
90 bpm • G# Maj • 04:48 • -9.79db
31% Popularity • 48% Danceability • 71% Energy • 10% Liveness
51% Instrumentalness • 58% Positiveness
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Brent Jordan
Thrift Store T-shirt
90 bpm • B Maj • 04:08 • -8.05db
16% Popularity • 65% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lifehouse
It Is What It Is
84 bpm • B Maj • 03:21 • -8.22db
44% Popularity • 52% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Michelle Branch
Something to Sleep To
85 bpm • A# Maj • 04:15 • -4.63db
29% Popularity • 32% Danceability • 89% Energy • 26% Liveness
4% Instrumentalness • 28% Positiveness
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Bebo Norman
Our Mystery
84 bpm • G# Maj • 03:33 • -9.96db
20% Popularity • 70% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Tonic
Soldier's Daughter
84 bpm • C# Maj • 05:03 • -7.85db
29% Popularity • 20% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Snow Patrol
How To Be Dead
91 bpm • F Maj • 03:22 • -7db
48% Popularity • 58% Danceability • 63% Energy • 59% Liveness
2% Instrumentalness • 42% Positiveness
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Trik Turner
Friends & Family
91 bpm • F Maj • 03:18 • -7db
35% Popularity • 75% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Thriving Ivory
For Heavens Sake
83 bpm • C# Maj • 03:43 • -2.59db
24% Popularity • 29% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Jarrod Gorbel
I'll Do Better
82 bpm • C Maj • 04:43 • -7db
14% Popularity • 39% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Atomic Tom
Maybe I'm Wrong
82 bpm • G Maj • 03:24 • -4.07db
9% Popularity • 40% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Tonic
Waltz With Me
91 bpm • D# Maj • 03:45 • -7.08db
24% Popularity • 52% Danceability • 73% Energy • 19% Liveness
3% Instrumentalness • 19% Positiveness
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Lifehouse
Better Luck Next Time
82 bpm • E Maj • 03:35 • -3.89db
30% Popularity • 48% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Third Eye Blind
Deep Inside of You - 2008 Remaster
82 bpm • G Maj • 04:10 • -5db
50% Popularity • 50% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Enation
Feel This (Love Fall Down)
82 bpm • B Maj • 05:26 • -10.92db
17% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Tom Freund
Copper Moon
93 bpm • G Maj • 06:05 • -9.27db
8% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Verve Pipe
I Want All Of You
93 bpm • C Maj • 04:15 • -4db
24% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Tonic
You Wanted More - Acoustic Version
91 bpm • B min • 03:52 • -8.56db
21% Popularity • 44% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Creed
Lullaby
93 bpm • D Maj • 03:04 • -13.3db
42% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Third Eye Blind
Wounded - 2008 Remaster
82 bpm • D Maj • 04:51 • -5.57db
42% Popularity • 21% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Michelle Branch
Goodbye to You
81 bpm • G# Maj • 04:11 • -6db
53% Popularity • 50% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Dropline
Fly Away from Here - Graduation Day
81 bpm • F min • 03:59 • -4db
10% Popularity • 41% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Fountains Of Wayne
All Kinds Of Time
81 bpm • E Maj • 04:21 • -6.1db
40% Popularity • 43% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Tonic
Sugar
91 bpm • A Maj • 03:29 • -6db
32% Popularity • 47% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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The Script
This = Love
94 bpm • A Maj • 04:20 • -5db
38% Popularity • 32% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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The Wallflowers
Closer To You
94 bpm • G Maj • 03:17 • -9.45db
41% Popularity • 58% Danceability • 54% Energy • 10% Liveness
25% Instrumentalness • 59% Positiveness
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Trading Yesterday
One Day
94 bpm • D# Maj • 04:24 • -6.64db
32% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Thriving Ivory
Light Up Mississippi
81 bpm • G# Maj • 03:29 • -2.84db
24% Popularity • 41% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Charlie Mars
Gather the Horses
94 bpm • F Maj • 04:12 • -6.27db
20% Popularity • 54% Danceability • 77% Energy • 15% Liveness
2% Instrumentalness • 39% Positiveness
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John Mayer
Your Body Is a Wonderland
94 bpm • F Maj • 04:09 • -6.25db
73% Popularity • 65% Danceability • 73% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
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Dashboard Confessional
Where There's Gold
80 bpm • C# Maj • 02:29 • -5.94db
28% Popularity • 47% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Yellowcard
City Of Devils
80 bpm • G Maj • 04:23 • -6.78db
33% Popularity • 26% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Jeremy Kay
Only One
94 bpm • E Maj • 04:03 • -4.81db
22% Popularity • 60% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Dan Craig
Further To Fall
80 bpm • D Maj • 04:10 • -8.91db
14% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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9 Ball
How Do You Dream
80 bpm • D Maj • 03:51 • -8.4db
8% Popularity • 50% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Edwin McCain
Solitude
80 bpm • A Maj • 04:30 • -10db
29% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Tonic
If You Could Only See (Acoustic 2016)
95 bpm • A# min • 04:30 • -11db
44% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Golden State
All Roads Lead Home
95 bpm • B Maj • 03:42 • -9db
22% Popularity • 51% Danceability • 36% Energy • 11% Liveness
21% Instrumentalness • 20% Positiveness
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James Carrington
Ache (Demo Version)
95 bpm • B Maj • 05:20 • -12.52db
34% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Wertz
Falling off the Face of the Earth
80 bpm • F# Maj • 03:43 • -13db
23% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Lifehouse
Sick Cycle Carousel
95 bpm • G# min • 04:21 • -5db
45% Popularity • 45% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Tammany Hall NYC
Someone
79 bpm • G Maj • 03:24 • -10.54db
22% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tonic
If You Could Only See
95 bpm • A# min • 04:21 • -5.14db
69% Popularity • 43% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Kelley
Everybody Wants You
96 bpm • G Maj • 03:56 • -6db
18% Popularity • 48% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Nine Days
End Up Alone
96 bpm • D Maj • 03:57 • -5.13db
19% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Matt Wertz
Red Meets Blue
79 bpm • C# Maj • 03:43 • -6.3db
27% Popularity • 60% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Across The Sky
Everywhere She Goes
96 bpm • D Maj • 03:27 • -5.42db
21% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Rhett Miller
Come Around - Radio Edit
79 bpm • A# Maj • 04:11 • -5.84db
34% Popularity • 58% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 51% Positiveness
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Edwin McCain
Alive
96 bpm • A Maj • 04:02 • -9.05db
20% Popularity • 64% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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michael meanwhile
Sun & Stars
96 bpm • C# Maj • 03:38 • -7.7db
11% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Michelle Branch
Sweet Misery
96 bpm • C Maj • 03:43 • -6.27db
30% Popularity • 55% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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3 Doors Down
Be Like That
96 bpm • G Maj • 04:25 • -6db
61% Popularity • 49% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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The All-American Rejects
Time Stands Still
96 bpm • C Maj • 03:30 • -5.67db
42% Popularity • 60% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Matt Wertz
Carolina
96 bpm • F# Maj • 03:02 • -5.28db
27% Popularity • 57% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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The Script
If You Ever Come Back
96 bpm • G Maj • 04:01 • -5db
57% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Snow Patrol
Set The Fire To The Third Bar
96 bpm • B min • 03:23 • -7.05db
56% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Highwater Rising
Wasted Days
96 bpm • F Maj • 04:30 • -8.93db
14% Popularity • 62% Danceability • 48% Energy • 14% Liveness
14% Instrumentalness • 32% Positiveness
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3 Doors Down
Be Like That
96 bpm • G Maj • 04:26 • -5db
45% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Cabrera
I Will Remember You
96 bpm • F# Maj • 03:48 • -3.79db
31% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Foo Fighters
Miracle
97 bpm • D Maj • 03:29 • -8.73db
41% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Tonic
Do You Know
78 bpm • G# Maj • 03:47 • -5.21db
20% Popularity • 39% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Nine Days
Absolutely (Story of a Girl) - Radio Mix
96 bpm • G Maj • 03:09 • -5.2db
66% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Michelle Branch
Everywhere - Acoustic Version with Strin...
97 bpm • C# Maj • 03:33 • -5.74db
21% Popularity • 52% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Waking Ashland
Hands On Deck
78 bpm • B Maj • 05:05 • -6db
15% Popularity • 46% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ingram Hill
On My Way
97 bpm • G Maj • 03:37 • -4db
18% Popularity • 43% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Thriving Ivory
Secret Life
78 bpm • A Maj • 04:31 • -2.9db
25% Popularity • 44% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Tonic
Head On Straight
78 bpm • E Maj • 03:45 • -5db
28% Popularity • 34% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Dashboard Confessional
The Shade of Poison Trees
78 bpm • B Maj • 02:58 • -8.15db
22% Popularity • 30% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Michelle Branch
Everywhere
97 bpm • C# Maj • 03:34 • -4.7db
67% Popularity • 52% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Chantal Kreviazuk
In This Life
78 bpm • C Maj • 03:49 • -5db
35% Popularity • 44% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Finger Eleven
One Thing - Live
78 bpm • A Maj • 03:30 • -14.56db
25% Popularity • 52% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Lifehouse
How Long
98 bpm • A Maj • 05:09 • -5.58db
28% Popularity • 58% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Athlete
Black Swan Song
78 bpm • G# Maj • 04:48 • -6db
25% Popularity • 42% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Cabrera
She's
98 bpm • E min • 04:35 • -5.89db
17% Popularity • 42% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Alice Peacock
Leading With My Heart
98 bpm • D# Maj • 03:24 • -7.98db
9% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Seven and The Sun
Walk with Me
98 bpm • A Maj • 03:25 • -4.66db
11% Popularity • 58% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Stephen Kellogg and The Sixers
Hearts In Pain
98 bpm • D Maj • 05:57 • -9.51db
16% Popularity • 61% Danceability • 56% Energy • 9% Liveness
9% Instrumentalness • 36% Positiveness
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Nine Days
If I Am
98 bpm • B Maj • 04:18 • -5.96db
39% Popularity • 22% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Creed
Rain
98 bpm • B Maj • 03:28 • -3db
63% Popularity • 54% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Longview
Further - Jack Joseph Puig Mix
77 bpm • G min • 04:04 • -6db
17% Popularity • 39% Danceability • 76% Energy • 37% Liveness
2% Instrumentalness • 17% Positiveness
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Edwin McCain
Say Anything
77 bpm • C# Maj • 03:43 • -7db
30% Popularity • 56% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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3 Doors Down
When You're Young
77 bpm • A min • 04:16 • -4.37db
54% Popularity • 46% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Lifehouse
Somewhere In Between
77 bpm • C# min • 04:13 • -9db
39% Popularity • 50% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew Perryman Jones
Feels Like Letting Go
99 bpm • G Maj • 03:58 • -7db
28% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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All In All