Songs like All My Friends - Franz Ferdinand Version by LCD Soundsystem
Based on a tempo of (+/- 10%) and a similar genre
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LCD Soundsystem
call the police
151 bpm • D Maj • 06:58 • -6.48db
40% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Phoenix
Lasso
151 bpm • B Maj • 02:47 • -7.27db
61% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
61% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Deerhunter
Nothing Ever Happened
150 bpm • D Maj • 05:50 • -6.3db
30% Popularity • 26% Danceability • 84% Energy • 11% Liveness
78% Instrumentalness • 70% Positiveness
30% Popularity • 26% Danceability • 84% Energy • 11% Liveness
78% Instrumentalness • 70% Positiveness
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Hot Hot Heat
Bandages
150 bpm • E min • 03:32 • -4db
51% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Maximo Park
Graffiti
150 bpm • E Maj • 03:05 • -3db
39% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
39% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
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The Drums
Forever And Ever Amen
150 bpm • C# Maj • 04:24 • -4.64db
35% Popularity • 52% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 52% Danceability • 94% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
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LCD Soundsystem
All My Friends - Franz Ferdinand Version
151 bpm • D Maj • 05:52 • -4.69db
27% Popularity • 37% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 37% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Crocodiles
Mirrors
150 bpm • A Maj • 05:32 • -6.27db
7% Popularity • 41% Danceability • 92% Energy • 7% Liveness
69% Instrumentalness • 6% Positiveness
7% Popularity • 41% Danceability • 92% Energy • 7% Liveness
69% Instrumentalness • 6% Positiveness
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The Cribs
Hey Scenesters!
150 bpm • B min • 03:11 • -3.56db
35% Popularity • 30% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 30% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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CSS
Beautiful Song
150 bpm • B min • 03:27 • -4.93db
24% Popularity • 61% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 61% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Klaxons
It's Not Over Yet
152 bpm • A Maj • 03:35 • -4db
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Julian Plenti
Only If You Run
150 bpm • F Maj • 03:48 • -8db
35% Popularity • 48% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
35% Popularity • 48% Danceability • 58% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
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LCD Soundsystem
emotional haircut
151 bpm • A Maj • 05:29 • -7.07db
24% Popularity • 63% Danceability • 95% Energy • 12% Liveness
63% Instrumentalness • 48% Positiveness
24% Popularity • 63% Danceability • 95% Energy • 12% Liveness
63% Instrumentalness • 48% Positiveness
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Spoon
Jonathan Fisk
150 bpm • D Maj • 03:15 • -6.48db
29% Popularity • 52% Danceability • 93% Energy • 67% Liveness
1% Instrumentalness • 73% Positiveness
29% Popularity • 52% Danceability • 93% Energy • 67% Liveness
1% Instrumentalness • 73% Positiveness
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Arcade Fire
The Well and the Lighthouse
150 bpm • G# Maj • 03:56 • -6.27db
39% Popularity • 23% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 23% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Graham Coxon
Standing on My Own Again
153 bpm • C# Maj • 04:32 • -3.81db
22% Popularity • 53% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 53% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Klaxons
Magick
152 bpm • F min • 03:30 • -3db
31% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Clap Your Hands Say Yeah
Satan Said Dance
149 bpm • A min • 05:32 • -4.88db
35% Popularity • 45% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 45% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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LCD Soundsystem
Jump into the Fire - Radio One Live Sess...
150 bpm • D Maj • 05:56 • -4.06db
18% Popularity • 46% Danceability • 98% Energy • 14% Liveness
56% Instrumentalness • 82% Positiveness
18% Popularity • 46% Danceability • 98% Energy • 14% Liveness
56% Instrumentalness • 82% Positiveness
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Art Brut
Direct Hit
153 bpm • B min • 03:30 • -2db
23% Popularity • 29% Danceability • 96% Energy • 73% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 29% Danceability • 96% Energy • 73% Liveness
0% Instrumentalness • 39% Positiveness
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Sea Power
Remember Me
149 bpm • G Maj • 03:10 • -1.34db
31% Popularity • 17% Danceability • 88% Energy • 30% Liveness
6% Instrumentalness • 47% Positiveness
31% Popularity • 17% Danceability • 88% Energy • 30% Liveness
6% Instrumentalness • 47% Positiveness
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Broken Social Scene
Cause = Time
149 bpm • G Maj • 05:30 • -9db
43% Popularity • 38% Danceability • 55% Energy • 20% Liveness
1% Instrumentalness • 35% Positiveness
43% Popularity • 38% Danceability • 55% Energy • 20% Liveness
1% Instrumentalness • 35% Positiveness
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Foals
Balloons
154 bpm • A min • 02:59 • -5db
24% Popularity • 57% Danceability • 98% Energy • 8% Liveness
62% Instrumentalness • 83% Positiveness
24% Popularity • 57% Danceability • 98% Energy • 8% Liveness
62% Instrumentalness • 83% Positiveness
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Clap Your Hands Say Yeah
Is This Love
149 bpm • A Maj • 03:11 • -4db
34% Popularity • 32% Danceability • 93% Energy • 18% Liveness
5% Instrumentalness • 13% Positiveness
34% Popularity • 32% Danceability • 93% Energy • 18% Liveness
5% Instrumentalness • 13% Positiveness
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The Horrors
Whole New Way
154 bpm • G Maj • 03:58 • -4.91db
18% Popularity • 57% Danceability • 69% Energy • 29% Liveness
88% Instrumentalness • 80% Positiveness
18% Popularity • 57% Danceability • 69% Energy • 29% Liveness
88% Instrumentalness • 80% Positiveness
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LCD Soundsystem
Drunk Girls - London Session
152 bpm • E Maj • 03:41 • -7.04db
15% Popularity • 46% Danceability • 86% Energy • 9% Liveness
12% Instrumentalness • 80% Positiveness
15% Popularity • 46% Danceability • 86% Energy • 9% Liveness
12% Instrumentalness • 80% Positiveness
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Sea Power
No Lucifer
149 bpm • D Maj • 03:27 • -4db
23% Popularity • 30% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 30% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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We Are Scientists
This Scene Is Dead
154 bpm • F# min • 03:43 • -4.84db
34% Popularity • 38% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 38% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Bloc Party
Truth
148 bpm • G Maj • 04:00 • -6db
40% Popularity • 46% Danceability • 90% Energy • 50% Liveness
27% Instrumentalness • 69% Positiveness
40% Popularity • 46% Danceability • 90% Energy • 50% Liveness
27% Instrumentalness • 69% Positiveness
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Julian Casablancas
River of Brakelights
154 bpm • F# Maj • 05:08 • -2.07db
31% Popularity • 38% Danceability • 94% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
31% Popularity • 38% Danceability • 94% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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The Raveonettes
Dead Sound
154 bpm • G min • 03:32 • -5.67db
33% Popularity • 38% Danceability • 80% Energy • 32% Liveness
69% Instrumentalness • 38% Positiveness
33% Popularity • 38% Danceability • 80% Energy • 32% Liveness
69% Instrumentalness • 38% Positiveness
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LCD Soundsystem
Watch the Tapes
153 bpm • G Maj • 03:55 • -5.53db
37% Popularity • 83% Danceability • 90% Energy • 43% Liveness
1% Instrumentalness • 97% Positiveness
37% Popularity • 83% Danceability • 90% Energy • 43% Liveness
1% Instrumentalness • 97% Positiveness
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Scanners
Lowlife
148 bpm • D Maj • 04:02 • -3.37db
22% Popularity • 54% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 54% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Foals
Hummer - Bonus Track
148 bpm • A min • 02:54 • -4db
38% Popularity • 61% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 61% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Spinto Band
Did I Tell You?
148 bpm • C# min • 03:10 • -5db
12% Popularity • 50% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 50% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Nada Surf
The Way You Wear Your Head
154 bpm • B Maj • 03:18 • -4.73db
6% Popularity • 32% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 32% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The Wave Pictures
Leave the Scene Behind
155 bpm • A Maj • 02:49 • -4db
15% Popularity • 46% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 46% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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LCD Soundsystem
Daft Punk Is Playing at My House - Londo...
154 bpm • C# Maj • 05:03 • -7.35db
19% Popularity • 67% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 67% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Primal Scream
Can't Go Back
155 bpm • D Maj • 03:43 • -3.58db
32% Popularity • 42% Danceability • 97% Energy • 10% Liveness
7% Instrumentalness • 31% Positiveness
32% Popularity • 42% Danceability • 97% Energy • 10% Liveness
7% Instrumentalness • 31% Positiveness
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Moss
My Decision - Edit
147 bpm • G Maj • 03:58 • -7db
30% Popularity • 59% Danceability • 73% Energy • 18% Liveness
12% Instrumentalness • 71% Positiveness
30% Popularity • 59% Danceability • 73% Energy • 18% Liveness
12% Instrumentalness • 71% Positiveness
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The Cloud Room
Hey Now Now
147 bpm • C Maj • 03:30 • -3.24db
30% Popularity • 49% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 49% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 44% Positiveness
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Kings of Leon
Molly's Chambers
146 bpm • B Maj • 02:14 • -3.97db
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Moving Units
Between Us & Them
146 bpm • F Maj • 03:06 • -2.53db
34% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
34% Popularity • 36% Danceability • 98% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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LCD Soundsystem
No Love Lost
155 bpm • A Maj • 03:40 • -6.21db
24% Popularity • 41% Danceability • 83% Energy • 11% Liveness
46% Instrumentalness • 65% Positiveness
24% Popularity • 41% Danceability • 83% Energy • 11% Liveness
46% Instrumentalness • 65% Positiveness
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The Cribs
Our Bovine Public
156 bpm • B Maj • 02:17 • -1.88db
24% Popularity • 31% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 31% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Bjorn and John
I Know You Don’t Love Me
156 bpm • D Maj • 05:38 • -6.43db
21% Popularity • 45% Danceability • 86% Energy • 15% Liveness
77% Instrumentalness • 77% Positiveness
21% Popularity • 45% Danceability • 86% Energy • 15% Liveness
77% Instrumentalness • 77% Positiveness
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Funeral Party
New York City Moves To The Sound of L.A.
156 bpm • C Maj • 04:29 • -2.57db
21% Popularity • 48% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 48% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Dogs Die In Hot Cars
I Love You 'Cause I Have To
156 bpm • E min • 02:45 • -3.99db
18% Popularity • 52% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 52% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Arcade Fire
Speaking in Tongues
146 bpm • F# Maj • 03:52 • -7.96db
40% Popularity • 58% Danceability • 68% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
40% Popularity • 58% Danceability • 68% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
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LCD Soundsystem
On Repeat - XFM Session
147 bpm • D Maj • 06:47 • -7.85db
12% Popularity • 49% Danceability • 85% Energy • 5% Liveness
5% Instrumentalness • 97% Positiveness
12% Popularity • 49% Danceability • 85% Energy • 5% Liveness
5% Instrumentalness • 97% Positiveness
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The Long Blondes
Weekend Without Makeup
146 bpm • A Maj • 04:11 • -6db
17% Popularity • 48% Danceability • 81% Energy • 37% Liveness
1% Instrumentalness • 47% Positiveness
17% Popularity • 48% Danceability • 81% Energy • 37% Liveness
1% Instrumentalness • 47% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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Harrisons
Monday's Arms
146 bpm • A Maj • 02:52 • -4.94db
23% Popularity • 44% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 44% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Foals
The French Open
146 bpm • A min • 03:45 • -6.39db
21% Popularity • 74% Danceability • 77% Energy • 12% Liveness
12% Instrumentalness • 68% Positiveness
21% Popularity • 74% Danceability • 77% Energy • 12% Liveness
12% Instrumentalness • 68% Positiveness
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Yuck
Middle Sea
157 bpm • B Maj • 04:15 • -3.94db
12% Popularity • 33% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 46% Positiveness
12% Popularity • 33% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 46% Positiveness
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LCD Soundsystem
call the police - electric lady sessions
156 bpm • D Maj • 06:40 • -6.16db
26% Popularity • 32% Danceability • 90% Energy • 7% Liveness
7% Instrumentalness • 23% Positiveness
26% Popularity • 32% Danceability • 90% Energy • 7% Liveness
7% Instrumentalness • 23% Positiveness
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The National
Bloodbuzz Ohio
157 bpm • A Maj • 04:35 • -6.37db
56% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
56% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
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Dum Dum Girls
There Is a Light That Never Goes Out
145 bpm • A Maj • 04:15 • -3db
36% Popularity • 40% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 40% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The Rakes
Binary Love
145 bpm • A min • 03:45 • -6.18db
21% Popularity • 58% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
21% Popularity • 58% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
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TOY
Motoring
157 bpm • A Maj • 04:33 • -5.64db
26% Popularity • 39% Danceability • 93% Energy • 20% Liveness
76% Instrumentalness • 55% Positiveness
26% Popularity • 39% Danceability • 93% Energy • 20% Liveness
76% Instrumentalness • 55% Positiveness
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The New Pornographers
Use It
145 bpm • E Maj • 03:26 • -5.25db
32% Popularity • 55% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 55% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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LCD Soundsystem
all my friends - live at madison square ...
145 bpm • A# Maj • 07:20 • -9.88db
34% Popularity • 48% Danceability • 87% Energy • 96% Liveness
75% Instrumentalness • 59% Positiveness
34% Popularity • 48% Danceability • 87% Energy • 96% Liveness
75% Instrumentalness • 59% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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Good Shoes
Under Control
145 bpm • A min • 02:28 • -5.59db
44% Popularity • 66% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 66% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Secret Machines
Nowhere Again
145 bpm • E Maj • 04:13 • -6.35db
32% Popularity • 44% Danceability • 90% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
32% Popularity • 44% Danceability • 90% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
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Radio 4
Grass Is Greener
145 bpm • C# min • 03:56 • -1.4db
9% Popularity • 40% Danceability • 98% Energy • 10% Liveness
78% Instrumentalness • 26% Positiveness
9% Popularity • 40% Danceability • 98% Energy • 10% Liveness
78% Instrumentalness • 26% Positiveness
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Bloc Party
Mean
158 bpm • C Maj • 03:27 • -4.96db
31% Popularity • 44% Danceability • 95% Energy • 22% Liveness
22% Instrumentalness • 60% Positiveness
31% Popularity • 44% Danceability • 95% Energy • 22% Liveness
22% Instrumentalness • 60% Positiveness
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Tapes 'n Tapes
Insistor
158 bpm • A min • 04:20 • -9.29db
34% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Strokes
Reptilia
158 bpm • A Maj • 03:39 • -5.11db
78% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
78% Popularity • 49% Danceability • 65% Energy • 10% Liveness
71% Instrumentalness • 77% Positiveness
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Eight Legs
These Gray Days
158 bpm • F# Maj • 03:02 • -4.71db
18% Popularity • 56% Danceability • 90% Energy • 9% Liveness
44% Instrumentalness • 57% Positiveness
18% Popularity • 56% Danceability • 90% Energy • 9% Liveness
44% Instrumentalness • 57% Positiveness
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The Cribs
Girls Like Mystery
144 bpm • D# Maj • 02:50 • -2.64db
20% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Phoenix
1901
144 bpm • C Maj • 03:13 • -5.65db
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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The Strypes
What A Shame
158 bpm • D# min • 02:24 • -4.98db
23% Popularity • 37% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 37% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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We Are Scientists
Nobody Move, Nobody Get Hurt
144 bpm • F# Maj • 03:12 • -4.74db
50% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Morrissey
Something Is Squeezing My Skull
158 bpm • C Maj • 02:38 • -4.52db
34% Popularity • 42% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 42% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Les Savy Fav
Let's Get Out of Here
144 bpm • E Maj • 03:33 • -4db
25% Popularity • 53% Danceability • 95% Energy • 6% Liveness
1% Instrumentalness • 75% Positiveness
25% Popularity • 53% Danceability • 95% Energy • 6% Liveness
1% Instrumentalness • 75% Positiveness
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The Walkmen
Blue as Your Blood
144 bpm • D Maj • 04:16 • -7.44db
22% Popularity • 59% Danceability • 87% Energy • 8% Liveness
70% Instrumentalness • 60% Positiveness
22% Popularity • 59% Danceability • 87% Energy • 8% Liveness
70% Instrumentalness • 60% Positiveness
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Shitdisco
OK
144 bpm • A# min • 04:02 • -5.08db
16% Popularity • 49% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 49% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Spoon
Got Nuffin
144 bpm • C Maj • 03:58 • -7db
16% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
16% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
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Dogs Die In Hot Cars
I Love You Cause I Have To - EP Version
159 bpm • A min • 02:35 • -5.05db
20% Popularity • 56% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 56% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Blur
The Puritan
159 bpm • D Maj • 03:25 • -6.07db
17% Popularity • 48% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 48% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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The Rakes
Time to Stop Talking
159 bpm • G min • 03:37 • -8.29db
9% Popularity • 33% Danceability • 84% Energy • 12% Liveness
58% Instrumentalness • 62% Positiveness
9% Popularity • 33% Danceability • 84% Energy • 12% Liveness
58% Instrumentalness • 62% Positiveness
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Doves
The Cedar Room
159 bpm • B min • 07:38 • -7.46db
37% Popularity • 33% Danceability • 79% Energy • 8% Liveness
50% Instrumentalness • 8% Positiveness
37% Popularity • 33% Danceability • 79% Energy • 8% Liveness
50% Instrumentalness • 8% Positiveness
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Klaxons
Gravity's Rainbow
143 bpm • E min • 02:36 • -3db
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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Spoon
You Got Yr Cherry Bomb
143 bpm • G Maj • 03:08 • -6.19db
27% Popularity • 61% Danceability • 72% Energy • 59% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 61% Danceability • 72% Energy • 59% Liveness
0% Instrumentalness • 80% Positiveness
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White Rose Movement
Love Is A Number
160 bpm • F# min • 04:04 • -6.73db
22% Popularity • 56% Danceability • 54% Energy • 8% Liveness
42% Instrumentalness • 56% Positiveness
22% Popularity • 56% Danceability • 54% Energy • 8% Liveness
42% Instrumentalness • 56% Positiveness
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LCD Soundsystem
All My Friends - Edit
143 bpm • A Maj • 06:06 • -3.82db
28% Popularity • 68% Danceability • 92% Energy • 14% Liveness
43% Instrumentalness • 94% Positiveness
28% Popularity • 68% Danceability • 92% Energy • 14% Liveness
43% Instrumentalness • 94% Positiveness
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Radio 4
Enemies Like This
160 bpm • E min • 04:21 • -1db
29% Popularity • 33% Danceability • 96% Energy • 19% Liveness
51% Instrumentalness • 59% Positiveness
29% Popularity • 33% Danceability • 96% Energy • 19% Liveness
51% Instrumentalness • 59% Positiveness
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The Rakes
Terror!
160 bpm • C Maj • 02:54 • -7db
25% Popularity • 63% Danceability • 67% Energy • 18% Liveness
26% Instrumentalness • 35% Positiveness
25% Popularity • 63% Danceability • 67% Energy • 18% Liveness
26% Instrumentalness • 35% Positiveness
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Art Brut
Nag Nag Nag Nag
160 bpm • C Maj • 03:06 • -2db
10% Popularity • 18% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 18% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Cribs
Mirror Kissers
160 bpm • E Maj • 03:38 • -3.38db
39% Popularity • 31% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 31% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Marr
The Right Thing Right
142 bpm • B min • 03:41 • -5.72db
22% Popularity • 44% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 44% Danceability • 91% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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LCD Soundsystem
All My Friends
143 bpm • D Maj • 07:42 • -5.61db
59% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
59% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
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Fujiya & Miyagi
Knickerbocker
142 bpm • C# Maj • 03:20 • -5db
36% Popularity • 79% Danceability • 52% Energy • 14% Liveness
55% Instrumentalness • 37% Positiveness
36% Popularity • 79% Danceability • 52% Energy • 14% Liveness
55% Instrumentalness • 37% Positiveness
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Klaxons
Golden Skans
142 bpm • D min • 02:45 • -2.78db
65% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
65% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Art Brut
Good Weekend
160 bpm • E Maj • 02:49 • -11.75db
20% Popularity • 52% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 52% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Interpol
Slow Hands
142 bpm • B min • 03:04 • -2.52db
60% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
60% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
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Cajun Dance Party
Amylase
161 bpm • F Maj • 03:41 • -2db
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
