Songs like All My Happiness Is Gone by Purple Mountains
Based on a tempo of (+/- 10%) and a similar genre
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Purple Mountains
All My Happiness Is Gone
138 bpm • G Maj • 04:20 • -7.79db
20% Popularity • 50% Danceability • 75% Energy • 27% Liveness
5% Instrumentalness • 72% Positiveness
20% Popularity • 50% Danceability • 75% Energy • 27% Liveness
5% Instrumentalness • 72% Positiveness
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The Glands
So High
138 bpm • E Maj • 02:53 • -7.8db
21% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 49% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Chris Cohen
Green Eyes
138 bpm • C Maj • 03:18 • -7db
29% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Magnetic Fields
A Chicken With Its Head Cut Off
138 bpm • C Maj • 02:41 • -8db
47% Popularity • 74% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 87% Positiveness
47% Popularity • 74% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 87% Positiveness
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Songs: Ohia
Just Be Simple
137 bpm • B min • 04:20 • -9.55db
40% Popularity • 50% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
40% Popularity • 50% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Sebadoh
Skull - Remastered
139 bpm • F# Maj • 02:24 • -9.89db
44% Popularity • 28% Danceability • 64% Energy • 11% Liveness
50% Instrumentalness • 39% Positiveness
44% Popularity • 28% Danceability • 64% Energy • 11% Liveness
50% Instrumentalness • 39% Positiveness
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A. Savage
Winter in the South
139 bpm • E min • 03:21 • -7.37db
27% Popularity • 51% Danceability • 82% Energy • 14% Liveness
40% Instrumentalness • 70% Positiveness
27% Popularity • 51% Danceability • 82% Energy • 14% Liveness
40% Instrumentalness • 70% Positiveness
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Parquet Courts
Berlin Got Blurry
139 bpm • G Maj • 03:26 • -6db
40% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 59% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Jeff Tweedy
Some Birds
137 bpm • D Maj • 03:41 • -9.02db
21% Popularity • 55% Danceability • 68% Energy • 14% Liveness
61% Instrumentalness • 67% Positiveness
21% Popularity • 55% Danceability • 68% Energy • 14% Liveness
61% Instrumentalness • 67% Positiveness
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Squid
The Cleaner
137 bpm • G# Maj • 07:33 • -7db
36% Popularity • 49% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 49% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Beths
Future Me Hates Me
137 bpm • E Maj • 04:05 • -7db
47% Popularity • 48% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 48% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Destroyer
Your Blood
140 bpm • C# min • 04:15 • -6.14db
33% Popularity • 48% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 48% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Silver Jews
Sometimes A Pony Gets Depressed
136 bpm • C Maj • 02:36 • -4.69db
33% Popularity • 48% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 48% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Beat Happening
Indian Summer
140 bpm • A Maj • 03:05 • -10db
33% Popularity • 45% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 45% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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The Lemon Twigs
As Long As We're Together
140 bpm • A Maj • 05:03 • -9db
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Evan Dando
Hard Drive
136 bpm • G min • 03:14 • -20.33db
33% Popularity • 54% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 54% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Ariel Pink
Dayzed Inn Daydreams
140 bpm • D Maj • 04:52 • -3db
35% Popularity • 44% Danceability • 81% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 44% Danceability • 81% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
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Sufjan Stevens
Jacksonville
140 bpm • F min • 05:24 • -8.95db
45% Popularity • 60% Danceability • 44% Energy • 64% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 60% Danceability • 44% Energy • 64% Liveness
0% Instrumentalness • 58% Positiveness
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Alex G
Gretel
140 bpm • G# Maj • 03:10 • -6.17db
50% Popularity • 45% Danceability • 88% Energy • 29% Liveness
47% Instrumentalness • 43% Positiveness
50% Popularity • 45% Danceability • 88% Energy • 29% Liveness
47% Instrumentalness • 43% Positiveness
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Waxahatchee
Oxbow
140 bpm • C Maj • 02:53 • -12.25db
46% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Perfume Genius
Describe
136 bpm • D# Maj • 04:44 • -10.59db
35% Popularity • 23% Danceability • 36% Energy • 22% Liveness
90% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 36% Energy • 22% Liveness
90% Instrumentalness • 5% Positiveness
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Guided By Voices
My Valuable Hunting Knife
136 bpm • A# Maj • 02:00 • -7db
39% Popularity • 55% Danceability • 85% Energy • 23% Liveness
82% Instrumentalness • 93% Positiveness
39% Popularity • 55% Danceability • 85% Energy • 23% Liveness
82% Instrumentalness • 93% Positiveness
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U.S. Girls
Rage of Plastics
135 bpm • A min • 04:27 • -4.98db
28% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 58% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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John Cale
You Know More Than I Know
135 bpm • C Maj • 03:35 • -14.56db
42% Popularity • 46% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 46% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Bright Eyes
Persona Non Grata
141 bpm • D Maj • 03:32 • -7.3db
35% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Palace Music
Cat's Blues
135 bpm • A# min • 03:18 • -8.82db
20% Popularity • 46% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 46% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Alex G
Proud
135 bpm • E min • 04:57 • -6.53db
46% Popularity • 60% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 60% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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The Flaming Lips
Will You Return / When You Come Down
135 bpm • E Maj • 05:21 • -6db
27% Popularity • 47% Danceability • 67% Energy • 51% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 47% Danceability • 67% Energy • 51% Liveness
0% Instrumentalness • 19% Positiveness
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Car Seat Headrest
Can't Cool Me Down
135 bpm • G# Maj • 05:09 • -8.25db
44% Popularity • 77% Danceability • 46% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
44% Popularity • 77% Danceability • 46% Energy • 11% Liveness
4% Instrumentalness • 66% Positiveness
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LCD Soundsystem
All I Want
135 bpm • G Maj • 06:41 • -7db
44% Popularity • 53% Danceability • 83% Energy • 11% Liveness
88% Instrumentalness • 95% Positiveness
44% Popularity • 53% Danceability • 83% Energy • 11% Liveness
88% Instrumentalness • 95% Positiveness
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Wilco
Summer Teeth
135 bpm • D Maj • 03:20 • -6db
38% Popularity • 65% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 65% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Father John Misty
Things It Would Have Been Helpful to Kno...
141 bpm • E min • 04:18 • -9.17db
38% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 49% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Life Without Buildings
New Town
135 bpm • G Maj • 05:53 • -9db
37% Popularity • 62% Danceability • 72% Energy • 11% Liveness
40% Instrumentalness • 29% Positiveness
37% Popularity • 62% Danceability • 72% Energy • 11% Liveness
40% Instrumentalness • 29% Positiveness
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Television
1880 Or So
135 bpm • F# Maj • 03:41 • -12.59db
42% Popularity • 67% Danceability • 59% Energy • 7% Liveness
17% Instrumentalness • 20% Positiveness
42% Popularity • 67% Danceability • 59% Energy • 7% Liveness
17% Instrumentalness • 20% Positiveness
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Clap Your Hands Say Yeah
The Skin of My Yellow Country Teeth
142 bpm • C Maj • 05:43 • -5.16db
51% Popularity • 46% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 46% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Cate Le Bon
Are You with Me Now?
142 bpm • C Maj • 04:20 • -8db
45% Popularity • 61% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
45% Popularity • 61% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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The Pastels
Nothing to Be Done
142 bpm • A Maj • 03:52 • -11db
40% Popularity • 35% Danceability • 90% Energy • 29% Liveness
73% Instrumentalness • 48% Positiveness
40% Popularity • 35% Danceability • 90% Energy • 29% Liveness
73% Instrumentalness • 48% Positiveness
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Father John Misty
Hangout at the Gallows
142 bpm • G Maj • 04:55 • -6.54db
37% Popularity • 53% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 53% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
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Wilco
Ashes of American Flags - 2022 Remaster
134 bpm • D Maj • 04:44 • -11.29db
35% Popularity • 30% Danceability • 36% Energy • 7% Liveness
20% Instrumentalness • 25% Positiveness
35% Popularity • 30% Danceability • 36% Energy • 7% Liveness
20% Instrumentalness • 25% Positiveness
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Smog
Teenage Spaceship
142 bpm • D Maj • 03:58 • -22.29db
33% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
33% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
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Daniel Johnston
Walking the Cow
142 bpm • A# min • 03:34 • -16.87db
44% Popularity • 57% Danceability • 31% Energy • 17% Liveness
95% Instrumentalness • 83% Positiveness
44% Popularity • 57% Danceability • 31% Energy • 17% Liveness
95% Instrumentalness • 83% Positiveness
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Tim Heidecker
Oh How We Drift Away
134 bpm • C# Maj • 05:34 • -6db
32% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Hand Habits
placeholder
134 bpm • F# min • 03:50 • -9.37db
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Silver Jews
Trains Across The Sea
134 bpm • C Maj • 03:15 • -12.45db
45% Popularity • 49% Danceability • 48% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
45% Popularity • 49% Danceability • 48% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
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Wilco
If I Ever Was a Child
134 bpm • G# Maj • 02:55 • -11.82db
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
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Father John Misty
God's Favorite Customer
143 bpm • G Maj • 05:21 • -10.35db
37% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Amen Dunes
L.A.
133 bpm • G Maj • 06:03 • -8db
13% Popularity • 61% Danceability • 64% Energy • 8% Liveness
7% Instrumentalness • 15% Positiveness
13% Popularity • 61% Danceability • 64% Energy • 8% Liveness
7% Instrumentalness • 15% Positiveness
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Jessica Pratt
Back, Baby
143 bpm • D# Maj • 03:55 • -11.55db
50% Popularity • 45% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 45% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tony Molina
No One Told He
133 bpm • G Maj • 02:28 • -11.29db
32% Popularity • 50% Danceability • 32% Energy • 10% Liveness
52% Instrumentalness • 28% Positiveness
32% Popularity • 50% Danceability • 32% Energy • 10% Liveness
52% Instrumentalness • 28% Positiveness
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Stephen Malkmus & The Jicks
Stick Figures In Love
144 bpm • E Maj • 03:45 • -9.28db
30% Popularity • 38% Danceability • 80% Energy • 12% Liveness
46% Instrumentalness • 83% Positiveness
30% Popularity • 38% Danceability • 80% Energy • 12% Liveness
46% Instrumentalness • 83% Positiveness
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Silver Jews
Blue Arrangements
144 bpm • E Maj • 04:38 • -8.75db
34% Popularity • 47% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 47% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Wolf Parade
I'll Believe in Anything
144 bpm • C Maj • 04:36 • -5.26db
45% Popularity • 26% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
45% Popularity • 26% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Snail Mail
Thinning
132 bpm • E Maj • 03:23 • -4.33db
43% Popularity • 40% Danceability • 96% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
43% Popularity • 40% Danceability • 96% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
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The Roches
Hammond Song
144 bpm • D# Maj • 05:45 • -11.48db
42% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Tony Molina
Look Inside Your Mind / Losin' Touch
144 bpm • C# min • 02:26 • -12db
12% Popularity • 44% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 32% Positiveness
12% Popularity • 44% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 32% Positiveness
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Car Seat Headrest
There Must Be More Than Blood
144 bpm • A Maj • 07:33 • -6.48db
41% Popularity • 68% Danceability • 71% Energy • 6% Liveness
24% Instrumentalness • 48% Positiveness
41% Popularity • 68% Danceability • 71% Energy • 6% Liveness
24% Instrumentalness • 48% Positiveness
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Elliott Smith
Waltz #2 (XO)
132 bpm • A# Maj • 04:40 • -7.67db
59% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Wilco
Love Is Everywhere (Beware)
144 bpm • G Maj • 03:33 • -9.44db
51% Popularity • 31% Danceability • 52% Energy • 10% Liveness
45% Instrumentalness • 51% Positiveness
51% Popularity • 31% Danceability • 52% Energy • 10% Liveness
45% Instrumentalness • 51% Positiveness
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The Magnetic Fields
Strange Powers
132 bpm • C Maj • 02:41 • -8.15db
52% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Alex Cameron
Divorce
145 bpm • G Maj • 03:12 • -5.26db
26% Popularity • 53% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 53% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Leonard Cohen
Is This What You Wanted
132 bpm • D Maj • 04:13 • -14.77db
40% Popularity • 57% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 57% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Jonathan Richman
You Can't Talk To The Dude
131 bpm • E min • 02:53 • -17.11db
32% Popularity • 72% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 85% Positiveness
32% Popularity • 72% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 85% Positiveness
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Belle and Sebastian
The State I Am In
145 bpm • F# Maj • 04:57 • -13.19db
40% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Bonny Doon
A Lotta Things
145 bpm • D Maj • 03:18 • -7.98db
34% Popularity • 48% Danceability • 47% Energy • 11% Liveness
17% Instrumentalness • 34% Positiveness
34% Popularity • 48% Danceability • 47% Energy • 11% Liveness
17% Instrumentalness • 34% Positiveness
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Black Country, New Road
Concorde
131 bpm • A Maj • 06:03 • -11.88db
54% Popularity • 56% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 31% Positiveness
54% Popularity • 56% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 31% Positiveness
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Woods
Hollow Home
145 bpm • F# min • 04:05 • -7db
35% Popularity • 56% Danceability • 76% Energy • 14% Liveness
63% Instrumentalness • 88% Positiveness
35% Popularity • 56% Danceability • 76% Energy • 14% Liveness
63% Instrumentalness • 88% Positiveness
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Wilco
War on War - 2022 Remaster
131 bpm • A Maj • 03:49 • -7.3db
39% Popularity • 66% Danceability • 84% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
39% Popularity • 66% Danceability • 84% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Purple Mountains
Snow Is Falling In Manhattan
131 bpm • C Maj • 06:03 • -11.57db
12% Popularity • 54% Danceability • 42% Energy • 6% Liveness
30% Instrumentalness • 31% Positiveness
12% Popularity • 54% Danceability • 42% Energy • 6% Liveness
30% Instrumentalness • 31% Positiveness
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Sleater-Kinney
Modern Girl
131 bpm • B Maj • 03:01 • -5.08db
48% Popularity • 54% Danceability • 65% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
48% Popularity • 54% Danceability • 65% Energy • 10% Liveness
13% Instrumentalness • 20% Positiveness
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Smog
Ex-Con
131 bpm • C Maj • 03:35 • -11.81db
35% Popularity • 79% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 86% Positiveness
35% Popularity • 79% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 86% Positiveness
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Neutral Milk Hotel
Two-Headed Boy
146 bpm • G Maj • 04:26 • -4.08db
53% Popularity • 34% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 34% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Iceage
Pain Killer
146 bpm • G# Maj • 03:39 • -3db
30% Popularity • 13% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 13% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Palace Music
Horses
130 bpm • A min • 04:28 • -11.84db
19% Popularity • 38% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 38% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jeff Tweedy
Having Been Is No Way To Be
130 bpm • F Maj • 04:34 • -12.43db
18% Popularity • 71% Danceability • 34% Energy • 11% Liveness
27% Instrumentalness • 41% Positiveness
18% Popularity • 71% Danceability • 34% Energy • 11% Liveness
27% Instrumentalness • 41% Positiveness
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A. Savage
Ladies from Houston
130 bpm • A min • 07:03 • -9.67db
21% Popularity • 56% Danceability • 36% Energy • 27% Liveness
20% Instrumentalness • 30% Positiveness
21% Popularity • 56% Danceability • 36% Energy • 27% Liveness
20% Instrumentalness • 30% Positiveness
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Alex Cameron
Studmuffin96
130 bpm • D# Maj • 03:15 • -6.13db
32% Popularity • 61% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 61% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Deerhunter
What Happens To People?
130 bpm • B min • 04:16 • -7.42db
24% Popularity • 60% Danceability • 73% Energy • 28% Liveness
34% Instrumentalness • 73% Positiveness
24% Popularity • 60% Danceability • 73% Energy • 28% Liveness
34% Instrumentalness • 73% Positiveness
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Steve Gunn
Vagabond
130 bpm • B Maj • 05:01 • -3.97db
24% Popularity • 55% Danceability • 79% Energy • 8% Liveness
3% Instrumentalness • 65% Positiveness
24% Popularity • 55% Danceability • 79% Energy • 8% Liveness
3% Instrumentalness • 65% Positiveness
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Gambles
Hello, Laura
130 bpm • D Maj • 03:34 • -6.88db
19% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Belle and Sebastian
If You're Feeling Sinister
130 bpm • F# Maj • 05:21 • -13.36db
41% Popularity • 58% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 58% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 58% Positiveness
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Daniel Romano
Modern Pressure
147 bpm • A# Maj • 03:54 • -8.5db
22% Popularity • 45% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 45% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 74% Positiveness
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Adrianne Lenker
symbol
147 bpm • G Maj • 03:49 • -11.59db
31% Popularity • 55% Danceability • 61% Energy • 13% Liveness
86% Instrumentalness • 69% Positiveness
31% Popularity • 55% Danceability • 61% Energy • 13% Liveness
86% Instrumentalness • 69% Positiveness
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J Mascis
See You At The Movies
129 bpm • G Maj • 03:22 • -5.49db
30% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Silver Jews
We Could Be Looking For The Same Thing
129 bpm • D Maj • 03:35 • -11.53db
39% Popularity • 64% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
39% Popularity • 64% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
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Smog
The Well
129 bpm • F# Maj • 07:00 • -13.29db
28% Popularity • 62% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
28% Popularity • 62% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Songs: Ohia
Farewell Transmission
148 bpm • B Maj • 07:22 • -8.15db
49% Popularity • 43% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
49% Popularity • 43% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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Grandaddy
Now It's On
128 bpm • A Maj • 04:08 • -8.85db
35% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Broken Social Scene
Cause = Time
149 bpm • G Maj • 05:30 • -9db
43% Popularity • 38% Danceability • 55% Energy • 20% Liveness
1% Instrumentalness • 35% Positiveness
43% Popularity • 38% Danceability • 55% Energy • 20% Liveness
1% Instrumentalness • 35% Positiveness
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Beulah
Emma Blowgun's Last Stand
128 bpm • D Maj • 05:21 • -9.15db
32% Popularity • 37% Danceability • 52% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
32% Popularity • 37% Danceability • 52% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
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The Olivia Tremor Control
Jumping Fences
128 bpm • A# Maj • 01:52 • -9db
43% Popularity • 54% Danceability • 82% Energy • 31% Liveness
1% Instrumentalness • 69% Positiveness
43% Popularity • 54% Danceability • 82% Energy • 31% Liveness
1% Instrumentalness • 69% Positiveness
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Cate Le Bon
Miami
128 bpm • A min • 05:17 • -9db
23% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
23% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
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Belle and Sebastian
Seeing Other People
149 bpm • C# Maj • 03:48 • -11.33db
44% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Silver Jews
Suffering Jukebox
128 bpm • G Maj • 04:21 • -10.86db
42% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
42% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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Palace Music
The Brute Choir
127 bpm • F# min • 02:43 • -16db
28% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Swans
Blind
127 bpm • F Maj • 04:31 • -9.59db
39% Popularity • 49% Danceability • 72% Energy • 37% Liveness
29% Instrumentalness • 13% Positiveness
39% Popularity • 49% Danceability • 72% Energy • 37% Liveness
29% Instrumentalness • 13% Positiveness
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Songs: Ohia
Two Blue Lights
150 bpm • E min • 02:15 • -11.91db
34% Popularity • 49% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
34% Popularity • 49% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Parquet Courts
Before the Water Gets Too High
150 bpm • C Maj • 04:05 • -5db
38% Popularity • 50% Danceability • 78% Energy • 32% Liveness
11% Instrumentalness • 60% Positiveness
38% Popularity • 50% Danceability • 78% Energy • 32% Liveness
11% Instrumentalness • 60% Positiveness
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Nick Drake
Hazey Jane II
150 bpm • A# Maj • 03:46 • -17db
51% Popularity • 64% Danceability • 46% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness
51% Popularity • 64% Danceability • 46% Energy • 7% Liveness
13% Instrumentalness • 94% Positiveness