Songs like All My Lovin' by The Hot Club Of San Francisco
Based on a tempo of (+/- 10%) and a similar genre
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The Hot Club Of San Francisco
All My Lovin'
92 bpm • A Maj • 02:37 • -7.94db
20% Popularity • 61% Danceability • 42% Energy • 18% Liveness
37% Instrumentalness • 65% Positiveness
20% Popularity • 61% Danceability • 42% Energy • 18% Liveness
37% Instrumentalness • 65% Positiveness
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Royce Campbell
Charlie's Swing
92 bpm • C Maj • 02:54 • -12.66db
20% Popularity • 88% Danceability • 42% Energy • 7% Liveness
57% Instrumentalness • 83% Positiveness
20% Popularity • 88% Danceability • 42% Energy • 7% Liveness
57% Instrumentalness • 83% Positiveness
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Marcel Loeffler
Douce Ambiance
92 bpm • G min • 04:40 • -11.73db
17% Popularity • 73% Danceability • 37% Energy • 9% Liveness
10% Instrumentalness • 88% Positiveness
17% Popularity • 73% Danceability • 37% Energy • 9% Liveness
10% Instrumentalness • 88% Positiveness
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Hot Club Roma
Djangology
92 bpm • D Maj • 03:15 • -7.05db
28% Popularity • 75% Danceability • 49% Energy • 9% Liveness
57% Instrumentalness • 83% Positiveness
28% Popularity • 75% Danceability • 49% Energy • 9% Liveness
57% Instrumentalness • 83% Positiveness
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Rocky Gresset
The Way You Look Tonight
92 bpm • G Maj • 02:48 • -8.71db
16% Popularity • 73% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 78% Positiveness
16% Popularity • 73% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 78% Positiveness
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Tchavolo Schmitt
Lyola
92 bpm • D Maj • 05:54 • -6.73db
21% Popularity • 55% Danceability • 42% Energy • 11% Liveness
64% Instrumentalness • 57% Positiveness
21% Popularity • 55% Danceability • 42% Energy • 11% Liveness
64% Instrumentalness • 57% Positiveness
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The Hot Club Of San Francisco
Number Two
92 bpm • G# Maj • 03:42 • -15.69db
6% Popularity • 70% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 60% Positiveness
6% Popularity • 70% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 60% Positiveness
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Gaucho
Miss Mystery
93 bpm • F min • 04:59 • -16.53db
18% Popularity • 57% Danceability • 19% Energy • 9% Liveness
59% Instrumentalness • 48% Positiveness
18% Popularity • 57% Danceability • 19% Energy • 9% Liveness
59% Instrumentalness • 48% Positiveness
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The New Hot Club of America
Blues Skies
91 bpm • B min • 03:38 • -11.26db
12% Popularity • 64% Danceability • 26% Energy • 12% Liveness
4% Instrumentalness • 74% Positiveness
12% Popularity • 64% Danceability • 26% Energy • 12% Liveness
4% Instrumentalness • 74% Positiveness
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Tchan-Tchou Vidal
Besame Mucho
93 bpm • D min • 03:01 • -12.9db
37% Popularity • 47% Danceability • 21% Energy • 23% Liveness
88% Instrumentalness • 39% Positiveness
37% Popularity • 47% Danceability • 21% Energy • 23% Liveness
88% Instrumentalness • 39% Positiveness
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Simone Kopmajer
Sleepwalk
93 bpm • C# min • 03:20 • -13.46db
34% Popularity • 80% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 80% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Paul Reeves
Cafe Paris
91 bpm • A min • 01:02 • -12.26db
42% Popularity • 91% Danceability • 25% Energy • 10% Liveness
60% Instrumentalness • 88% Positiveness
42% Popularity • 91% Danceability • 25% Energy • 10% Liveness
60% Instrumentalness • 88% Positiveness
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The Hot Club Of San Francisco
Blithe Spirit Samba
91 bpm • A Maj • 04:08 • -8.58db
3% Popularity • 65% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
3% Popularity • 65% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Harmonious Wail
Things That Go
91 bpm • D min • 04:11 • -15.41db
16% Popularity • 75% Danceability • 35% Energy • 15% Liveness
4% Instrumentalness • 62% Positiveness
16% Popularity • 75% Danceability • 35% Energy • 15% Liveness
4% Instrumentalness • 62% Positiveness
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Susie Anoli
If Dreams Come True
91 bpm • B min • 02:25 • -14db
29% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 61% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Teddy Wilson
As Times Goes By
91 bpm • G# Maj • 03:07 • -16db
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
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Dorado Schmitt
J'attendrai
93 bpm • C Maj • 01:55 • -6.57db
28% Popularity • 66% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
28% Popularity • 66% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
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Stacey Kent
Too Darn Hot
93 bpm • F# min • 03:28 • -10.88db
28% Popularity • 76% Danceability • 31% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
28% Popularity • 76% Danceability • 31% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
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The Hot Club Of San Francisco
Lullaby Of The Leaves
93 bpm • A min • 04:01 • -11.12db
4% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
4% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Blossom Dearie
Chez Moi
93 bpm • G Maj • 03:06 • -12.85db
46% Popularity • 64% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 64% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Seth Asarno
I'm Happy Just to Dance with You
91 bpm • C Maj • 04:40 • -18.1db
5% Popularity • 64% Danceability • 14% Energy • 12% Liveness
39% Instrumentalness • 66% Positiveness
5% Popularity • 64% Danceability • 14% Energy • 12% Liveness
39% Instrumentalness • 66% Positiveness
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Connie Evingson
Dream a Little Dream of Me
93 bpm • C Maj • 04:43 • -10.76db
9% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 55% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Biréli Lagrène Gipsy Project
Bei Dir war es immer so schön
90 bpm • G Maj • 04:36 • -8.56db
10% Popularity • 64% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 49% Positiveness
10% Popularity • 64% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 49% Positiveness
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Swing 41
J'Attendrai
90 bpm • A min • 03:44 • -14.41db
14% Popularity • 55% Danceability • 32% Energy • 12% Liveness
41% Instrumentalness • 52% Positiveness
14% Popularity • 55% Danceability • 32% Energy • 12% Liveness
41% Instrumentalness • 52% Positiveness
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The Hot Club Of San Francisco
For No One
91 bpm • F Maj • 04:28 • -12.03db
4% Popularity • 62% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 62% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Dorado Schmitt
Un si beau jour
90 bpm • C Maj • 05:26 • -10.42db
13% Popularity • 51% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 24% Positiveness
13% Popularity • 51% Danceability • 31% Energy • 9% Liveness
3% Instrumentalness • 24% Positiveness
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Royce Campbell
On The Move
94 bpm • A min • 03:59 • -13.96db
17% Popularity • 81% Danceability • 46% Energy • 8% Liveness
77% Instrumentalness • 80% Positiveness
17% Popularity • 81% Danceability • 46% Energy • 8% Liveness
77% Instrumentalness • 80% Positiveness
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Matthieu Boré
Georgia on My Mind
94 bpm • C Maj • 03:37 • -11.05db
30% Popularity • 62% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 62% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Swing De Gitanes
Montagne Sainte Genevieve
94 bpm • E min • 04:36 • -13.04db
29% Popularity • 66% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
29% Popularity • 66% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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The Black Market Trust
Montagne St. Genevieve (Djangos Waltz)
90 bpm • G Maj • 02:15 • -11db
27% Popularity • 79% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
27% Popularity • 79% Danceability • 40% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
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The Hot Club Of San Francisco
Giselle
90 bpm • A Maj • 04:56 • -11.1db
31% Popularity • 63% Danceability • 39% Energy • 14% Liveness
46% Instrumentalness • 39% Positiveness
31% Popularity • 63% Danceability • 39% Energy • 14% Liveness
46% Instrumentalness • 39% Positiveness
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Zazou
La Valse Des Niglos
95 bpm • E min • 03:11 • -11db
44% Popularity • 78% Danceability • 37% Energy • 18% Liveness
5% Instrumentalness • 78% Positiveness
44% Popularity • 78% Danceability • 37% Energy • 18% Liveness
5% Instrumentalness • 78% Positiveness
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Diknu Schneeberger
Bossa Dorado
90 bpm • D min • 04:05 • -9.87db
14% Popularity • 64% Danceability • 47% Energy • 16% Liveness
91% Instrumentalness • 71% Positiveness
14% Popularity • 64% Danceability • 47% Energy • 16% Liveness
91% Instrumentalness • 71% Positiveness
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Paris Gadjo Club
No Bar do Souza
95 bpm • D min • 02:56 • -7.88db
25% Popularity • 80% Danceability • 54% Energy • 4% Liveness
86% Instrumentalness • 76% Positiveness
25% Popularity • 80% Danceability • 54% Energy • 4% Liveness
86% Instrumentalness • 76% Positiveness
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Hot Club Sandwich
Waltz Resistance
95 bpm • G min • 03:11 • -10.63db
14% Popularity • 71% Danceability • 36% Energy • 11% Liveness
44% Instrumentalness • 77% Positiveness
14% Popularity • 71% Danceability • 36% Energy • 11% Liveness
44% Instrumentalness • 77% Positiveness
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Gaucho
The Mermaid
95 bpm • C Maj • 04:23 • -13.69db
19% Popularity • 69% Danceability • 21% Energy • 11% Liveness
68% Instrumentalness • 36% Positiveness
19% Popularity • 69% Danceability • 21% Energy • 11% Liveness
68% Instrumentalness • 36% Positiveness
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The Hot Club Of San Francisco
Nuages/Theme from Gypsyland
89 bpm • F Maj • 04:32 • -16.71db
1% Popularity • 49% Danceability • 13% Energy • 15% Liveness
4% Instrumentalness • 39% Positiveness
1% Popularity • 49% Danceability • 13% Energy • 15% Liveness
4% Instrumentalness • 39% Positiveness
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Isabelle Fontaine
Jubilee: Just One of Those Things
89 bpm • D min • 04:43 • -29.06db
0% Popularity • 27% Danceability • 1% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
0% Popularity • 27% Danceability • 1% Energy • 9% Liveness
77% Instrumentalness • 8% Positiveness
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Molly Johnson
Miss Celie's Blues
96 bpm • C Maj • 03:44 • -13.2db
39% Popularity • 62% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 62% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Gonzalo Bergara
Elena's Bossa
89 bpm • A min • 04:10 • -11.06db
20% Popularity • 55% Danceability • 44% Energy • 13% Liveness
84% Instrumentalness • 44% Positiveness
20% Popularity • 55% Danceability • 44% Energy • 13% Liveness
84% Instrumentalness • 44% Positiveness
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Hot Club of Philadelphia
Songe d'Automne
96 bpm • C min • 03:33 • -8.44db
17% Popularity • 64% Danceability • 40% Energy • 15% Liveness
93% Instrumentalness • 54% Positiveness
17% Popularity • 64% Danceability • 40% Energy • 15% Liveness
93% Instrumentalness • 54% Positiveness
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Jack Teagarden
Meet Me Where They Play the Blues
88 bpm • A# min • 03:49 • -8.89db
31% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Original Paris Swing
Recado
96 bpm • B min • 04:07 • -14.06db
41% Popularity • 68% Danceability • 48% Energy • 15% Liveness
84% Instrumentalness • 60% Positiveness
41% Popularity • 68% Danceability • 48% Energy • 15% Liveness
84% Instrumentalness • 60% Positiveness
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Havana Swing
Si Tu Savais
88 bpm • G Maj • 03:10 • -7db
23% Popularity • 50% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
23% Popularity • 50% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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David Grisman
Sway
96 bpm • B min • 03:42 • -12.71db
9% Popularity • 48% Danceability • 46% Energy • 10% Liveness
16% Instrumentalness • 71% Positiveness
9% Popularity • 48% Danceability • 46% Energy • 10% Liveness
16% Instrumentalness • 71% Positiveness
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Emilie-Claire Barlow
Chez moi
96 bpm • D Maj • 02:53 • -9.65db
47% Popularity • 71% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 71% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Hot Club of Philadelphia
La Gitane
96 bpm • G min • 03:41 • -6db
10% Popularity • 78% Danceability • 56% Energy • 14% Liveness
86% Instrumentalness • 74% Positiveness
10% Popularity • 78% Danceability • 56% Energy • 14% Liveness
86% Instrumentalness • 74% Positiveness
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Gypsy Swing Revue
Les Étoiles
96 bpm • G min • 04:00 • -9.51db
12% Popularity • 52% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 52% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Swing 41
It had to be You
96 bpm • B min • 03:48 • -14.32db
11% Popularity • 66% Danceability • 40% Energy • 14% Liveness
80% Instrumentalness • 72% Positiveness
11% Popularity • 66% Danceability • 40% Energy • 14% Liveness
80% Instrumentalness • 72% Positiveness
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Diknu Schneeberger
First Love
88 bpm • F Maj • 04:29 • -11.41db
23% Popularity • 59% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
23% Popularity • 59% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Hot Club Roma
Bossa Dorado
96 bpm • D min • 03:24 • -12.86db
13% Popularity • 59% Danceability • 52% Energy • 15% Liveness
95% Instrumentalness • 77% Positiveness
13% Popularity • 59% Danceability • 52% Energy • 15% Liveness
95% Instrumentalness • 77% Positiveness
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Camille Howard
Has Your Love Grown Cold? - Vocal
97 bpm • C min • 02:40 • -16db
32% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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The Quintet of the Hot Club of San Francisco
Giselle - Waltz D'Entichement
87 bpm • A Maj • 04:59 • -15.67db
16% Popularity • 46% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 29% Positiveness
16% Popularity • 46% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 29% Positiveness
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DANIEL ROURE
Que Faisaient Nos Professeurs(Ican't giv...
97 bpm • G# Maj • 03:35 • -10.06db
21% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 78% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Hot Club Of San Francisco
I'm Not Impressed
97 bpm • B min • 02:59 • -7.58db
8% Popularity • 73% Danceability • 49% Energy • 6% Liveness
54% Instrumentalness • 56% Positiveness
8% Popularity • 73% Danceability • 49% Energy • 6% Liveness
54% Instrumentalness • 56% Positiveness
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Pierre-Antoine Martin
Les Yeux Noirs
97 bpm • D Maj • 02:06 • -12.81db
46% Popularity • 63% Danceability • 36% Energy • 14% Liveness
33% Instrumentalness • 80% Positiveness
46% Popularity • 63% Danceability • 36% Energy • 14% Liveness
33% Instrumentalness • 80% Positiveness
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Hot Club Roma
Marck The Knife - Nuages
97 bpm • A min • 04:49 • -6.85db
21% Popularity • 61% Danceability • 44% Energy • 9% Liveness
54% Instrumentalness • 56% Positiveness
21% Popularity • 61% Danceability • 44% Energy • 9% Liveness
54% Instrumentalness • 56% Positiveness
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The Black Market Trust
Dolores
97 bpm • A Maj • 02:03 • -11db
38% Popularity • 77% Danceability • 35% Energy • 21% Liveness
4% Instrumentalness • 95% Positiveness
38% Popularity • 77% Danceability • 35% Energy • 21% Liveness
4% Instrumentalness • 95% Positiveness
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Havana Swing
Montagne St Genevieve
97 bpm • E min • 03:11 • -4.48db
20% Popularity • 52% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
20% Popularity • 52% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Hot Club Of San Francisco
Hey Jude/Duke & Dukie
97 bpm • F Maj • 05:36 • -11.1db
7% Popularity • 66% Danceability • 32% Energy • 12% Liveness
72% Instrumentalness • 34% Positiveness
7% Popularity • 66% Danceability • 32% Energy • 12% Liveness
72% Instrumentalness • 34% Positiveness
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The Quintet of the Hot Club of San Francisco
Jitterbug Waltz
98 bpm • C Maj • 06:11 • -13.48db
24% Popularity • 62% Danceability • 34% Energy • 15% Liveness
84% Instrumentalness • 39% Positiveness
24% Popularity • 62% Danceability • 34% Energy • 15% Liveness
84% Instrumentalness • 39% Positiveness
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Swing De Gitanes
Autumn Sidewalks
98 bpm • F# min • 04:12 • -15.7db
14% Popularity • 69% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 80% Positiveness
14% Popularity • 69% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 80% Positiveness
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Hot Quintet De France
Romany
98 bpm • G Maj • 02:33 • -14db
16% Popularity • 73% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 73% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Havana Swing
Hotel Du Palais Pour Pam
98 bpm • A Maj • 03:24 • -6.24db
30% Popularity • 81% Danceability • 49% Energy • 10% Liveness
74% Instrumentalness • 66% Positiveness
30% Popularity • 81% Danceability • 49% Energy • 10% Liveness
74% Instrumentalness • 66% Positiveness
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Gus Viseur
Nuages - Instrumental
87 bpm • D Maj • 03:10 • -21db
19% Popularity • 59% Danceability • 8% Energy • 13% Liveness
61% Instrumentalness • 31% Positiveness
19% Popularity • 59% Danceability • 8% Energy • 13% Liveness
61% Instrumentalness • 31% Positiveness
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The Hot Club Of San Francisco
Till We Meet
97 bpm • F Maj • 05:25 • -11.17db
4% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
4% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Seth Ford-Young
Dolores
98 bpm • D min • 03:43 • -9.49db
13% Popularity • 65% Danceability • 18% Energy • 8% Liveness
7% Instrumentalness • 75% Positiveness
13% Popularity • 65% Danceability • 18% Energy • 8% Liveness
7% Instrumentalness • 75% Positiveness
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Ninine Garcia Quintet
Nouvelle Vie
98 bpm • F Maj • 02:41 • -12.38db
38% Popularity • 70% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 74% Positiveness
38% Popularity • 70% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 74% Positiveness
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The Stephane Wrembel Trio With David Grisman
Jimmy's Bar
98 bpm • A min • 03:40 • -7.25db
19% Popularity • 81% Danceability • 47% Energy • 10% Liveness
66% Instrumentalness • 64% Positiveness
19% Popularity • 81% Danceability • 47% Energy • 10% Liveness
66% Instrumentalness • 64% Positiveness
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Havana Swing
Uncle Frank
98 bpm • A Maj • 02:54 • -7.75db
25% Popularity • 60% Danceability • 48% Energy • 21% Liveness
91% Instrumentalness • 67% Positiveness
25% Popularity • 60% Danceability • 48% Energy • 21% Liveness
91% Instrumentalness • 67% Positiveness
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Blossom Dearie
Boum
98 bpm • G Maj • 02:08 • -12.34db
42% Popularity • 65% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 65% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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The Hot Club Of San Francisco
Tickle Toe
98 bpm • D Maj • 03:38 • -16.48db
8% Popularity • 83% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
8% Popularity • 83% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
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Gypsy Swing Revue
Coquette
99 bpm • B min • 04:05 • -8.26db
16% Popularity • 76% Danceability • 43% Energy • 38% Liveness
10% Instrumentalness • 83% Positiveness
16% Popularity • 76% Danceability • 43% Energy • 38% Liveness
10% Instrumentalness • 83% Positiveness
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Ninine Garcia Quintet
Zaïdy
98 bpm • G Maj • 03:35 • -11.08db
37% Popularity • 75% Danceability • 36% Energy • 10% Liveness
20% Instrumentalness • 72% Positiveness
37% Popularity • 75% Danceability • 36% Energy • 10% Liveness
20% Instrumentalness • 72% Positiveness
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Rocky Gresset
Time on My Hands
99 bpm • F Maj • 04:08 • -8.58db
13% Popularity • 58% Danceability • 35% Energy • 15% Liveness
65% Instrumentalness • 50% Positiveness
13% Popularity • 58% Danceability • 35% Energy • 15% Liveness
65% Instrumentalness • 50% Positiveness
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Hot Club Quartette
Si Tu Savais
99 bpm • G Maj • 02:52 • -15.35db
12% Popularity • 66% Danceability • 13% Energy • 11% Liveness
22% Instrumentalness • 20% Positiveness
12% Popularity • 66% Danceability • 13% Energy • 11% Liveness
22% Instrumentalness • 20% Positiveness
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Swing 41
Coquette
99 bpm • D Maj • 03:29 • -13.43db
23% Popularity • 71% Danceability • 44% Energy • 15% Liveness
86% Instrumentalness • 80% Positiveness
23% Popularity • 71% Danceability • 44% Energy • 15% Liveness
86% Instrumentalness • 80% Positiveness
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The Hot Club Of San Francisco
Here, There and Everywhere
86 bpm • C Maj • 03:00 • -12.2db
10% Popularity • 59% Danceability • 20% Energy • 12% Liveness
57% Instrumentalness • 28% Positiveness
10% Popularity • 59% Danceability • 20% Energy • 12% Liveness
57% Instrumentalness • 28% Positiveness
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DANIEL ROURE
Deja (Cheek to Cheek)
85 bpm • C Maj • 04:59 • -10.98db
44% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Gustav Lundgren Trio
The Good Life
85 bpm • F Maj • 03:15 • -14.09db
36% Popularity • 72% Danceability • 21% Energy • 17% Liveness
89% Instrumentalness • 44% Positiveness
36% Popularity • 72% Danceability • 21% Energy • 17% Liveness
89% Instrumentalness • 44% Positiveness
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Greg Ruby
Place Du Swing
100 bpm • D min • 04:03 • -11.41db
29% Popularity • 79% Danceability • 39% Energy • 17% Liveness
42% Instrumentalness • 68% Positiveness
29% Popularity • 79% Danceability • 39% Energy • 17% Liveness
42% Instrumentalness • 68% Positiveness
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Craig Sharmat
Le Jazz
99 bpm • C Maj • 01:30 • -4.76db
22% Popularity • 56% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 56% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Fapy Lafertin
Begin The Beguine
100 bpm • C Maj • 03:18 • -11.35db
24% Popularity • 67% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 67% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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The Hot Club Of San Francisco
The Very Thought Of You
101 bpm • C min • 04:15 • -11.47db
8% Popularity • 45% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
8% Popularity • 45% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
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Dave Gross
It Was Born in the 20's
101 bpm • C Maj • 07:52 • -6.59db
27% Popularity • 74% Danceability • 43% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
27% Popularity • 74% Danceability • 43% Energy • 11% Liveness
94% Instrumentalness • 62% Positiveness
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Jill Barber
Tous mes rêves
84 bpm • C Maj • 02:35 • -11db
48% Popularity • 43% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 43% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Asleep At The Wheel
I Can't Give You Anything But Love
101 bpm • A min • 03:19 • -12db
25% Popularity • 78% Danceability • 46% Energy • 13% Liveness
3% Instrumentalness • 90% Positiveness
25% Popularity • 78% Danceability • 46% Energy • 13% Liveness
3% Instrumentalness • 90% Positiveness
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Craig Sharmat
Parisian Summer
100 bpm • C Maj • 01:36 • -6.67db
33% Popularity • 56% Danceability • 50% Energy • 15% Liveness
25% Instrumentalness • 55% Positiveness
33% Popularity • 56% Danceability • 50% Energy • 15% Liveness
25% Instrumentalness • 55% Positiveness
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Tchan-Tchou Vidal
Everybody Loves Somebody
84 bpm • F Maj • 03:13 • -10.56db
27% Popularity • 49% Danceability • 42% Energy • 27% Liveness
39% Instrumentalness • 55% Positiveness
27% Popularity • 49% Danceability • 42% Energy • 27% Liveness
39% Instrumentalness • 55% Positiveness
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The Hot Club Of San Francisco
Round Midnight
100 bpm • F# Maj • 05:32 • -16.88db
11% Popularity • 57% Danceability • 22% Energy • 14% Liveness
87% Instrumentalness • 77% Positiveness
11% Popularity • 57% Danceability • 22% Energy • 14% Liveness
87% Instrumentalness • 77% Positiveness
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Dorado Schmitt
My Blue Heaven
101 bpm • G Maj • 03:22 • -7.15db
29% Popularity • 81% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
29% Popularity • 81% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Yorgui Loeffler
Valse À Django
102 bpm • E min • 01:58 • -8.28db
40% Popularity • 46% Danceability • 63% Energy • 15% Liveness
86% Instrumentalness • 90% Positiveness
40% Popularity • 46% Danceability • 63% Energy • 15% Liveness
86% Instrumentalness • 90% Positiveness
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Fapy Lafertin
Brazilian Melody
102 bpm • G min • 02:55 • -11db
17% Popularity • 60% Danceability • 54% Energy • 16% Liveness
65% Instrumentalness • 82% Positiveness
17% Popularity • 60% Danceability • 54% Energy • 16% Liveness
65% Instrumentalness • 82% Positiveness
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Craig Sharmat
Trois Soevrs
100 bpm • E min • 01:30 • -7.86db
21% Popularity • 72% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 72% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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Isabelle Fontaine
Can-Can: It's All Right with Me
83 bpm • E Maj • 07:00 • -20.97db
0% Popularity • 38% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 38% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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The Hot Club Of San Francisco
Nica's Dream
101 bpm • C Maj • 05:26 • -10.15db
12% Popularity • 61% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 64% Positiveness
12% Popularity • 61% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 64% Positiveness
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Dorado Schmitt
Gozes Valse
101 bpm • F min • 02:02 • -9.14db
30% Popularity • 54% Danceability • 53% Energy • 10% Liveness
85% Instrumentalness • 81% Positiveness
30% Popularity • 54% Danceability • 53% Energy • 10% Liveness
85% Instrumentalness • 81% Positiveness
