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All Night
Songs like
All Night
by
Brothers Osborne
Based on a tempo of (+/- 10%) and a similar genre
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Dean Brody
Can't Help Myself
120 bpm • D Maj • 02:38 • -3.45db
57% Popularity • 70% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Brothers Osborne
All Night
120 bpm • E min • 02:48 • -4.84db
55% Popularity • 76% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Kip Moore
Fire On Wheels
120 bpm • G Maj • 02:36 • -4.59db
50% Popularity • 71% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 03:39 • -5.74db
45% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
60% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
57% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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The Reklaws
11 Beers
120 bpm • G Maj • 03:24 • -3db
43% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Brothers Osborne
Heart Shaped Locket
120 bpm • C Maj • 03:36 • -6db
42% Popularity • 71% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Church
Heart On Fire
120 bpm • G# Maj • 04:18 • -5db
57% Popularity • 65% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Reklaws
Wish You Were Beer
120 bpm • A Maj • 03:46 • -7.29db
41% Popularity • 70% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
60% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Brothers Osborne
Arms Of Fire
120 bpm • D Maj • 03:58 • -5.42db
33% Popularity • 69% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Jake Owen
The One That Got Away
120 bpm • C Maj • 03:14 • -3.29db
52% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Currington
That's How Country Boys Roll
121 bpm • D Maj • 03:44 • -3.01db
49% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Russell Dickerson
It's About Time
121 bpm • F# Maj • 02:55 • -4.36db
50% Popularity • 76% Danceability • 92% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Dierks Bentley
Woman, Amen
120 bpm • F Maj • 02:59 • -6db
52% Popularity • 48% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Brothers Osborne
Rum
121 bpm • D# Maj • 03:33 • -6.01db
54% Popularity • 83% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
71% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Montgomery Gentry
Gone
119 bpm • G Maj • 04:10 • -5db
50% Popularity • 65% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Shania Twain
Party For Two - Country Version With Int...
121 bpm • B Maj • 03:32 • -5db
42% Popularity • 75% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Josh Turner
Country State Of Mind
119 bpm • C# Maj • 04:02 • -5.56db
37% Popularity • 59% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
52% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Brothers Osborne
It's Only Rock 'N' Roll (But I Like It)
121 bpm • D Maj • 05:22 • -6.04db
43% Popularity • 62% Danceability • 80% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
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HIXTAPE
Redneck Tendencies (HARDY Trace Adkins, ...
122 bpm • E Maj • 02:52 • -5db
52% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Dean Brody
Canadian Summer
122 bpm • F# Maj • 03:24 • -2.93db
42% Popularity • 52% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Tim Hicks
No Truck Song
122 bpm • G# Maj • 03:12 • -3.04db
43% Popularity • 62% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
65% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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George Strait
Every Little Honky Tonk Bar
122 bpm • F Maj • 03:14 • -5.1db
60% Popularity • 66% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Brian Kelley
Beach Cowboy
118 bpm • A min • 02:18 • -5.89db
46% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Chris Stapleton
Devil Always Made Me Think Twice
122 bpm • G Maj • 03:51 • -7.55db
66% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Kip Moore
The Bull
123 bpm • G Maj • 03:09 • -6.33db
54% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Kenny Chesney
No Shoes, No Shirt, No Problems
118 bpm • G Maj • 03:29 • -10.24db
60% Popularity • 72% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Eric Church
Hell On The Heart
123 bpm • C Maj • 02:44 • -3.88db
57% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Keith Urban
Wild Hearts
117 bpm • E Maj • 03:02 • -4.14db
55% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Kip Moore
She's Mine
123 bpm • G Maj • 03:49 • -5.86db
55% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
124 bpm • B min • 04:00 • -5.32db
54% Popularity • 54% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
53% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
56% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Gretchen Wilson
Here for the Party
124 bpm • C Maj • 03:16 • -4.87db
61% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
70% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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Brothers Osborne
Weed, Whiskey And Willie
124 bpm • E Maj • 04:20 • -9db
49% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
60% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Elvie Shane
County Roads
116 bpm • G# Maj • 03:11 • -3.1db
54% Popularity • 65% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Blake Shelton
Some Beach
116 bpm • C Maj • 03:24 • -6.33db
61% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Brothers Osborne
Weed, Whiskey And Willie - Live
124 bpm • E Maj • 07:12 • -8.45db
21% Popularity • 36% Danceability • 50% Energy • 90% Liveness
0% Instrumentalness • 48% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Kenny Chesney
How Forever Feels
125 bpm • G Maj • 03:08 • -7.43db
60% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
63% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
64% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Brooks & Dunn
Play Something Country
115 bpm • G Maj • 03:14 • -3db
60% Popularity • 69% Danceability • 94% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
72% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
54% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Gary Allan
Smoke Rings In The Dark
115 bpm • D Maj • 04:17 • -7.15db
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Blackjack Billy
The Booze Cruise
115 bpm • G Maj • 02:52 • -3db
39% Popularity • 79% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Old Dominion
Never Be Sorry
126 bpm • B Maj • 03:23 • -5db
50% Popularity • 73% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Aaron Lewis
That Ain’t Country
126 bpm • F# Maj • 04:02 • -4db
53% Popularity • 73% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Kip Moore
Beer Money
126 bpm • D Maj • 03:38 • -5.55db
54% Popularity • 74% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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James Barker Band
Keep It Simple
126 bpm • G min • 03:07 • -5.53db
44% Popularity • 67% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Eli Young Band
Saltwater Gospel
114 bpm • B Maj • 03:06 • -7db
52% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Walker Hayes
U Gurl
114 bpm • D Maj • 02:32 • -5.07db
54% Popularity • 79% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
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Miranda Lambert
Tequila Does
114 bpm • C Maj • 04:01 • -6.97db
55% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Randy Houser
What Whiskey Does
127 bpm • D Maj • 03:45 • -5.03db
44% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Drake White
It Feels Good
127 bpm • F min • 02:39 • -5db
44% Popularity • 77% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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David Lee Murphy
Party Crowd
127 bpm • G Maj • 03:18 • -11.66db
56% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
67% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Miranda Lambert
Kerosene
127 bpm • G Maj • 03:05 • -3.25db
61% Popularity • 63% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Travis Denning
Call It Country
127 bpm • C# Maj • 02:31 • -3.55db
48% Popularity • 61% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
75% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
72% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
67% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Jon Pardi
When I've Been Drinkin'
113 bpm • B Maj • 03:17 • -6.08db
56% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Brooks & Dunn
Brand New Man
128 bpm • G Maj • 02:59 • -4.36db
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Colt Ford
Crank It Up
113 bpm • G Maj • 03:20 • -4.48db
49% Popularity • 76% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Tim McGraw
Down On The Farm
128 bpm • F min • 02:58 • -12db
61% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Drake White
Makin’ Me Look Good Again
128 bpm • A# Maj • 03:58 • -6.14db
54% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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All Night