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All of My Children
Songs like
All of My Children
by
Tonstartssbandht
Based on a tempo of (+/- 10%) and a similar genre
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Ora Cogan
Holy Hells
119 bpm • D# min • 03:47 • -9.93db
31% Popularity • 54% Danceability • 63% Energy • 16% Liveness
83% Instrumentalness • 64% Positiveness
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Tonstartssbandht
All of My Children
119 bpm • G min • 01:41 • -13.69db
14% Popularity • 73% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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pigbaby
I Don't Believe In Jesus But Three Grams...
119 bpm • C Maj • 05:55 • -14.94db
20% Popularity • 17% Danceability • 9% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Acetone
Chew
119 bpm • A Maj • 06:14 • -9.94db
19% Popularity • 61% Danceability • 60% Energy • 10% Liveness
97% Instrumentalness • 52% Positiveness
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Helvetia
Does It Go Backwards
119 bpm • C min • 02:21 • -11.64db
19% Popularity • 68% Danceability • 44% Energy • 13% Liveness
85% Instrumentalness • 53% Positiveness
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Cindy Lee
Left Hand Path
119 bpm • F min • 03:59 • -20.93db
23% Popularity • 32% Danceability • 16% Energy • 10% Liveness
59% Instrumentalness • 31% Positiveness
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Ela Orleans
Myriads
119 bpm • C Maj • 03:30 • -13.08db
15% Popularity • 50% Danceability • 59% Energy • 32% Liveness
1% Instrumentalness • 34% Positiveness
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Avey Tare
What’s The Goodside?
119 bpm • B min • 06:31 • -9db
24% Popularity • 59% Danceability • 58% Energy • 82% Liveness
84% Instrumentalness • 35% Positiveness
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Atlas Sound
The Light That Failed
120 bpm • F Maj • 04:47 • -12.98db
21% Popularity • 46% Danceability • 39% Energy • 9% Liveness
10% Instrumentalness • 16% Positiveness
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Acetone
I Don't Really Care
119 bpm • A Maj • 03:11 • -12.49db
7% Popularity • 46% Danceability • 46% Energy • 9% Liveness
95% Instrumentalness • 34% Positiveness
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Wombo
Sour Sun
120 bpm • B min • 02:37 • -8.63db
38% Popularity • 43% Danceability • 63% Energy • 12% Liveness
81% Instrumentalness • 72% Positiveness
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Peel Dream Magazine
Roll in the Hay
120 bpm • A# min • 02:20 • -12db
8% Popularity • 30% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
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The Clean
Franz Kafka at the Zoo
120 bpm • G Maj • 01:58 • -17.46db
35% Popularity • 62% Danceability • 32% Energy • 10% Liveness
79% Instrumentalness • 53% Positiveness
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Avey Tare
Lips At Night
120 bpm • B min • 04:05 • -9.34db
18% Popularity • 72% Danceability • 51% Energy • 8% Liveness
5% Instrumentalness • 56% Positiveness
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Cola
Blank Curtain
120 bpm • A Maj • 04:31 • -9db
32% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
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Kamikaze Palm Tree
Flamingo
120 bpm • C Maj • 02:10 • -9.63db
12% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Carla dal Forno
Slumber
118 bpm • C# Maj • 03:58 • -11.2db
13% Popularity • 64% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Hayden Pedigo
Buried Alive
120 bpm • A Maj • 02:21 • -11.94db
22% Popularity • 64% Danceability • 48% Energy • 30% Liveness
96% Instrumentalness • 90% Positiveness
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Linda Smith
I See Your Face
118 bpm • A Maj • 02:52 • -7.45db
17% Popularity • 80% Danceability • 76% Energy • 12% Liveness
11% Instrumentalness • 86% Positiveness
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The Cleaners From Venus
Helpless
118 bpm • C Maj • 02:39 • -8.27db
43% Popularity • 80% Danceability • 68% Energy • 46% Liveness
74% Instrumentalness • 64% Positiveness
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Cola
Blank Curtain
120 bpm • A Maj • 03:49 • -9.4db
28% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
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Chris Cohen
House Carpenter
121 bpm • D Maj • 06:00 • -10.34db
10% Popularity • 47% Danceability • 34% Energy • 9% Liveness
84% Instrumentalness • 20% Positiveness
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Cindy Lee
What Can I Do (A Wasted Walk)
117 bpm • B Maj • 03:54 • -14.88db
20% Popularity • 49% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Vanishing Twin
Zuum
121 bpm • E Maj • 05:38 • -11.16db
13% Popularity • 45% Danceability • 59% Energy • 12% Liveness
46% Instrumentalness • 29% Positiveness
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Arthur Russell
Tone Bone Kone
121 bpm • F# Maj • 01:04 • -18db
33% Popularity • 65% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
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Naima Bock
Giant Palm
121 bpm • G# Maj • 04:36 • -10.58db
28% Popularity • 45% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Cory Hanson
Violent Moon
121 bpm • F# min • 02:54 • -12.57db
14% Popularity • 36% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Broadcast
The Aphid Sleeps
121 bpm • F min • 03:29 • -15.09db
12% Popularity • 31% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 11% Positiveness
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Pram
Milky
117 bpm • C Maj • 04:17 • -23.81db
32% Popularity • 48% Danceability • 15% Energy • 15% Liveness
82% Instrumentalness • 16% Positiveness
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The Durutti Column
Beginning
121 bpm • C min • 01:39 • -18.94db
37% Popularity • 67% Danceability • 17% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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Mark Renner
Princes Street
122 bpm • F# min • 01:17 • -8.98db
18% Popularity • 68% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 35% Positiveness
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Stereolab
Magne-Music - Remastered
122 bpm • F Maj • 03:53 • -8db
13% Popularity • 74% Danceability • 68% Energy • 35% Liveness
64% Instrumentalness • 87% Positiveness
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DRINKS
Blue From the Dark
116 bpm • A Maj • 03:02 • -10.59db
31% Popularity • 51% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Tonstartssbandht
Midnite Cobras
116 bpm • C# Maj • 04:24 • -0.76db
17% Popularity • 23% Danceability • 91% Energy • 12% Liveness
31% Instrumentalness • 25% Positiveness
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Simon Finn
Very Close Friend
122 bpm • E Maj • 01:19 • -9.43db
18% Popularity • 59% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Deux Filles
L'intrigue - Remastered
122 bpm • A Maj • 02:55 • -17db
25% Popularity • 32% Danceability • 23% Energy • 14% Liveness
75% Instrumentalness • 22% Positiveness
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Macie Stewart
Garter Snake
122 bpm • D Maj • 03:35 • -11db
32% Popularity • 54% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
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Jon McKiel
Mourning Dove
116 bpm • B Maj • 04:41 • -7.61db
34% Popularity • 43% Danceability • 78% Energy • 21% Liveness
23% Instrumentalness • 25% Positiveness
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Avey Tare
Sweeper's Grin
116 bpm • B Maj • 08:30 • -6.32db
16% Popularity • 58% Danceability • 91% Energy • 77% Liveness
96% Instrumentalness • 51% Positiveness
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Electrelane
Enter Laughing
116 bpm • E Maj • 03:42 • -15.43db
41% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Cindy Lee
Lucifer Stand
122 bpm • F# min • 07:20 • -10db
35% Popularity • 40% Danceability • 45% Energy • 16% Liveness
35% Instrumentalness • 30% Positiveness
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The Sea and Cake
The Fawn
116 bpm • F Maj • 03:07 • -11.63db
26% Popularity • 55% Danceability • 63% Energy • 32% Liveness
73% Instrumentalness • 65% Positiveness
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The Clean
Crazy
122 bpm • C Maj • 02:43 • -10.01db
39% Popularity • 65% Danceability • 62% Energy • 40% Liveness
74% Instrumentalness • 72% Positiveness
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Acetone
All The Time
116 bpm • D Maj • 03:46 • -11.45db
31% Popularity • 61% Danceability • 44% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
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Panda Bear
Ponytail
116 bpm • A Maj • 02:06 • -17.46db
36% Popularity • 43% Danceability • 46% Energy • 10% Liveness
98% Instrumentalness • 66% Positiveness
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Tonstartssbandht
Susie
116 bpm • A Maj • 07:50 • -15.01db
6% Popularity • 35% Danceability • 55% Energy • 23% Liveness
64% Instrumentalness • 60% Positiveness
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Smog
I Feel Like The Mother Of The World
115 bpm • B Maj • 03:09 • -10.27db
39% Popularity • 53% Danceability • 85% Energy • 9% Liveness
35% Instrumentalness • 51% Positiveness
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Vanishing Twin
Wise Children
115 bpm • E Maj • 02:33 • -10.76db
26% Popularity • 32% Danceability • 53% Energy • 28% Liveness
12% Instrumentalness • 26% Positiveness
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Arthur Russell
The Deer In The Forest Part 1
115 bpm • C Maj • 01:35 • -20.18db
40% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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June McDoom
Stone After Stone
115 bpm • C min • 04:06 • -11.37db
16% Popularity • 42% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Broadcast
Man Is Not A Bird
115 bpm • D Maj • 04:52 • -10.51db
29% Popularity • 36% Danceability • 81% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Ethan P. Flynn
Everybody's Dying to Meet You
115 bpm • A# Maj • 03:13 • -5.53db
8% Popularity • 64% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Elaine Howley
Autumn Speak
115 bpm • C min • 03:42 • -14db
12% Popularity • 66% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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EXEK
Several Souvenirs
115 bpm • E min • 04:09 • -9.43db
12% Popularity • 62% Danceability • 58% Energy • 10% Liveness
47% Instrumentalness • 43% Positiveness
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Ulrika Spacek
No. 1 Hum
115 bpm • G# Maj • 04:30 • -12.14db
23% Popularity • 72% Danceability • 60% Energy • 25% Liveness
33% Instrumentalness • 57% Positiveness
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Women
Bullfight
115 bpm • C Maj • 04:03 • -8.63db
14% Popularity • 53% Danceability • 61% Energy • 48% Liveness
51% Instrumentalness • 66% Positiveness
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Deradoorian
Waterlily
124 bpm • E min • 02:05 • -13.76db
12% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Chris Cohen
Yesterday’s On My Mind
124 bpm • D min • 03:17 • -7db
31% Popularity • 72% Danceability • 72% Energy • 12% Liveness
76% Instrumentalness • 74% Positiveness
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Mica Levi
Wave
124 bpm • F# min • 02:02 • -16.67db
22% Popularity • 41% Danceability • 29% Energy • 13% Liveness
4% Instrumentalness • 44% Positiveness
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Arthur Russell
I Kissed The Girl From Outer Space
124 bpm • D Maj • 03:33 • -6db
19% Popularity • 81% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Stereolab
Retrograde Mirror Form
114 bpm • G Maj • 06:45 • -6.26db
11% Popularity • 38% Danceability • 72% Energy • 10% Liveness
4% Instrumentalness • 77% Positiveness
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Peel Dream Magazine
Qi Velocity
114 bpm • G Maj • 02:27 • -5.45db
38% Popularity • 59% Danceability • 66% Energy • 24% Liveness
82% Instrumentalness • 96% Positiveness
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Yves Jarvis
Bootstrap Jubilee
124 bpm • G Maj • 02:32 • -5.61db
21% Popularity • 65% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
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Jon McKiel
Deeper Shade
114 bpm • F# Maj • 03:41 • -11.07db
20% Popularity • 67% Danceability • 64% Energy • 14% Liveness
47% Instrumentalness • 85% Positiveness
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Eola
Big Chestined Nights
114 bpm • E Maj • 03:41 • -5db
15% Popularity • 33% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 34% Positiveness
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Panda Bear
Danger
114 bpm • F# min • 05:38 • -6.74db
27% Popularity • 57% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Land of the Loops
Growing Concern
114 bpm • D Maj • 03:32 • -10.92db
30% Popularity • 84% Danceability • 64% Energy • 16% Liveness
91% Instrumentalness • 77% Positiveness
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Acetone
If You Only Knew
125 bpm • C Maj • 04:07 • -15.24db
7% Popularity • 49% Danceability • 19% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Cory Hanson
Paper Fog
113 bpm • C Maj • 04:29 • -11.22db
26% Popularity • 53% Danceability • 42% Energy • 7% Liveness
75% Instrumentalness • 32% Positiveness
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Chad VanGaalen
Starlight
113 bpm • C min • 03:59 • -5.58db
24% Popularity • 52% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Kristine Leschper
Figure and I
125 bpm • D Maj • 02:22 • -10.88db
14% Popularity • 66% Danceability • 33% Energy • 17% Liveness
72% Instrumentalness • 3% Positiveness
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Cate Le Bon
Sad Nudes
125 bpm • C Maj • 03:08 • -8.77db
24% Popularity • 66% Danceability • 40% Energy • 7% Liveness
12% Instrumentalness • 54% Positiveness
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Jonnine
I Put a Little Thing in Your Pocket
125 bpm • G Maj • 01:04 • -16.42db
36% Popularity • 66% Danceability • 19% Energy • 15% Liveness
1% Instrumentalness • 38% Positiveness
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PAINT
Land Man
113 bpm • C Maj • 03:28 • -10.54db
11% Popularity • 65% Danceability • 66% Energy • 19% Liveness
90% Instrumentalness • 42% Positiveness
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Tonstartssbandht
Subtropic Gleme Rock
125 bpm • F Maj • 03:22 • -9.28db
2% Popularity • 18% Danceability • 24% Energy • 9% Liveness
83% Instrumentalness • 2% Positiveness
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Connan Mockasin
Te Awanga
113 bpm • E min • 04:17 • -5.83db
15% Popularity • 59% Danceability • 61% Energy • 16% Liveness
14% Instrumentalness • 53% Positiveness
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caroline
Dark blue - Single Version
126 bpm • A Maj • 06:41 • -14.92db
22% Popularity • 46% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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@
Camera Phone
113 bpm • B Maj • 04:22 • -18.88db
20% Popularity • 39% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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Cindy Lee
Speaking from Above
126 bpm • F# Maj • 05:33 • -7.79db
28% Popularity • 36% Danceability • 60% Energy • 33% Liveness
3% Instrumentalness • 4% Positiveness
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mark william lewis
Angel Investor
126 bpm • D Maj • 03:00 • -9db
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
15% Instrumentalness • 44% Positiveness
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Tonstartssbandht
Tonstartssbandht?
126 bpm • A# Maj • 01:14 • -6.62db
24% Popularity • 22% Danceability • 95% Energy • 87% Liveness
89% Instrumentalness • 4% Positiveness
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Kikagaku Moyo
Gomugomu
112 bpm • A Maj • 02:04 • -4.99db
29% Popularity • 59% Danceability • 80% Energy • 46% Liveness
2% Instrumentalness • 22% Positiveness
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caroline
Dark blue
126 bpm • A Maj • 06:36 • -11db
30% Popularity • 51% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Parsley Sound
Find the Heat
126 bpm • D Maj • 03:10 • -14.49db
12% Popularity • 47% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Spacemen 3
Ode To Street Hassle
112 bpm • F# Maj • 04:45 • -11.2db
31% Popularity • 48% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 58% Positiveness
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DRINKS
You Could Be Better
126 bpm • F min • 05:00 • -8.93db
10% Popularity • 79% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
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Women
Can't You See
112 bpm • A Maj • 03:40 • -8.15db
28% Popularity • 18% Danceability • 55% Energy • 67% Liveness
83% Instrumentalness • 23% Positiveness
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Mega Bog
Station to Station
127 bpm • F# min • 04:25 • -12db
25% Popularity • 55% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 26% Positiveness
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SPIRIT OF THE BEEHIVE
IT MIGHT TAKE SOME TIME - Avey Tare Remi...
127 bpm • A min • 05:08 • -6.81db
16% Popularity • 26% Danceability • 72% Energy • 19% Liveness
24% Instrumentalness • 23% Positiveness
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Cola
Met Resistance
127 bpm • A Maj • 03:12 • -7.66db
28% Popularity • 64% Danceability • 77% Energy • 9% Liveness
40% Instrumentalness • 61% Positiveness
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Arthur Russell
Everybody Everybody
127 bpm • C Maj • 02:47 • -8.86db
22% Popularity • 66% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Tonstartssbandht
Rodas 1916
128 bpm • C# Maj • 04:41 • -9.33db
3% Popularity • 17% Danceability • 70% Energy • 32% Liveness
80% Instrumentalness • 7% Positiveness
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Beautify Junkyards
Reverie
111 bpm • C# min • 04:18 • -9.26db
18% Popularity • 55% Danceability • 65% Energy • 17% Liveness
82% Instrumentalness • 18% Positiveness
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Cate Le Bon
Cry Me Old Trouble
111 bpm • E min • 05:04 • -8.75db
19% Popularity • 54% Danceability • 54% Energy • 25% Liveness
7% Instrumentalness • 36% Positiveness
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Careless Hands
Just Like Strangers
111 bpm • G min • 03:49 • -12.52db
15% Popularity • 79% Danceability • 37% Energy • 12% Liveness
44% Instrumentalness • 49% Positiveness
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Chris Cohen
What Can I Do
111 bpm • F Maj • 02:22 • -9.2db
21% Popularity • 70% Danceability • 79% Energy • 10% Liveness
67% Instrumentalness • 51% Positiveness
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@
Friendship is Frequency
111 bpm • G Maj • 02:09 • -15.36db
26% Popularity • 60% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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The Cleaners From Venus
Winter in the Country
128 bpm • C Maj • 02:24 • -11.63db
37% Popularity • 62% Danceability • 44% Energy • 15% Liveness
73% Instrumentalness • 76% Positiveness
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Renée Reed
Fast One
111 bpm • D# Maj • 02:24 • -7.9db
25% Popularity • 59% Danceability • 34% Energy • 8% Liveness
71% Instrumentalness • 17% Positiveness
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Cate Le Bon
Miami
128 bpm • A min • 05:17 • -9db
23% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
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All of My Children