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All of the Stars
Songs like
All of the Stars
by
Kurt Hugo Schneider
Based on a tempo of (+/- 10%) and a similar genre
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Kurt Hugo Schneider
All of the Stars
75 bpm • G Maj • 03:41 • -12.08db
24% Popularity • 49% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ash White
Numb Little Bug - Acoustic
75 bpm • C Maj • 03:08 • -11.53db
23% Popularity • 75% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Tim Halperin
Forever After
75 bpm • G Maj • 03:56 • -9.97db
20% Popularity • 41% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Karsen Veazey
Another Coat to Heal
75 bpm • C Maj • 02:58 • -8db
17% Popularity • 78% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Aria Ohlsson
Let It Go
75 bpm • C# Maj • 04:06 • -15.26db
18% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Alfie Sheard
Wish You Missed Me More
75 bpm • E Maj • 03:18 • -7db
27% Popularity • 51% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Kurt Hugo Schneider
Baila Conmigo
75 bpm • F Maj • 03:02 • -6.96db
5% Popularity • 78% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Brent Morgan
My Time Machine
75 bpm • C# Maj • 02:25 • -9.13db
51% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Madison Watkins
Lose To Love
75 bpm • F# Maj • 03:29 • -9db
38% Popularity • 42% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Benedict Cork
If These Walls Could Talk
74 bpm • G Maj • 03:26 • -10.25db
19% Popularity • 40% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Haven Meadow
Shimmering Pathways of the Fey
76 bpm • E Maj • 01:45 • -16.58db
18% Popularity • 40% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Rosa Linn
SNAP - Acoustic
74 bpm • C Maj • 03:28 • -5db
48% Popularity • 49% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Kurt Hugo Schneider
Where You Are
75 bpm • C Maj • 02:19 • -15db
28% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Joachim
Sweet Love
76 bpm • C Maj • 03:52 • -9db
24% Popularity • 55% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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MOLLY MILES
Lost in the Distance
74 bpm • C Maj • 03:54 • -18.12db
19% Popularity • 66% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
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Kaypo
Empty Highs
76 bpm • F Maj • 03:39 • -7.92db
10% Popularity • 58% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Caroline Dare
Heart Problem
76 bpm • C min • 02:47 • -7db
33% Popularity • 65% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Alexa Kate
Twenty-Something
76 bpm • D Maj • 02:20 • -12db
18% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Kurt Hugo Schneider
Saturday Nights - Acoustic
75 bpm • A# Maj • 03:06 • -10db
9% Popularity • 31% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Leroy Sanchez
Stay For A While
77 bpm • F Maj • 03:57 • -12.34db
35% Popularity • 44% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Maddie Zahm
Inevitable
77 bpm • G Maj • 03:22 • -7db
38% Popularity • 52% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Hannah's Yard
I Want to Know What Love Is - Acoustic
74 bpm • F min • 02:51 • -9db
49% Popularity • 49% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Elina
How
77 bpm • C# Maj • 02:23 • -13.64db
39% Popularity • 50% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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GRANT KNOCHE
FIRST HELLO - Acoustic
78 bpm • C# Maj • 03:45 • -9.34db
24% Popularity • 34% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Kurt Hugo Schneider
If The World Was Ending
75 bpm • C# Maj • 03:28 • -15.74db
32% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Brad Martin Poetry
You're My Seven Minutes
78 bpm • G Maj • 02:48 • -12.8db
11% Popularity • 68% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Alessia Cara
Best Days - Acoustic
78 bpm • D# min • 03:34 • -9.57db
15% Popularity • 56% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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The Satellite Station
December Rain
78 bpm • B Maj • 04:26 • -9db
18% Popularity • 46% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 20% Positiveness
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Faouzia
Thick and Thin
78 bpm • B min • 02:42 • -6.04db
50% Popularity • 51% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Eloise Alterman
Sad Bird Still Sings
78 bpm • C min • 03:36 • -9db
22% Popularity • 39% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Kurt Hugo Schneider
Pumped Up Kicks - Acoustic
76 bpm • C# Maj • 02:47 • -12.35db
5% Popularity • 64% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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St. Lundi
Fallen Like A Star
78 bpm • B Maj • 03:05 • -10.51db
24% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jane & The Boy
Save Myself
78 bpm • B Maj • 03:19 • -9db
33% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Gaustad
Elephant In The Room
78 bpm • F Maj • 02:43 • -9.76db
27% Popularity • 69% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ann King
It comes and goes
78 bpm • E Maj • 02:48 • -9db
21% Popularity • 62% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Caroline Dare
Where I Used To Be
78 bpm • E Maj • 03:42 • -7.05db
17% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Kurt Hugo Schneider
Landslide
73 bpm • A# Maj • 03:28 • -17.03db
6% Popularity • 36% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Ghosts of Liberty
Sundown to Sunrise
78 bpm • C Maj • 03:57 • -9db
27% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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OSIS
Fix You
72 bpm • D# Maj • 04:10 • -7.77db
21% Popularity • 40% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Nicolina
Crave
72 bpm • D Maj • 03:29 • -9db
21% Popularity • 43% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Curtis Walsh
Midnight (Acoustic)
72 bpm • F Maj • 02:56 • -12.86db
9% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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John Adams
Rip Cord - Acoustic
79 bpm • F# Maj • 03:20 • -7.47db
22% Popularity • 66% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Kurt Hugo Schneider
2U
72 bpm • B min • 03:13 • -9.54db
25% Popularity • 70% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Tyler Shaw
Worse for Me
71 bpm • C# Maj • 03:08 • -9db
27% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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King Leer
i'll follow you into the dark
80 bpm • E Maj • 02:21 • -7db
27% Popularity • 55% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Shane G
Loved
80 bpm • A# Maj • 04:02 • -9.01db
39% Popularity • 50% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Frawley
Austin's Song
80 bpm • D# Maj • 03:07 • -12.41db
48% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Gamma Skies
Loving This Moment
80 bpm • C# Maj • 03:23 • -9db
43% Popularity • 64% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Kurt Hugo Schneider
Never Forget You
72 bpm • D Maj • 02:44 • -16.73db
14% Popularity • 43% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Narrowhaven
If I Can't Remember You
80 bpm • A# Maj • 03:55 • -5.87db
14% Popularity • 51% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Isabella Kensington
Always Known
80 bpm • B Maj • 03:12 • -9.82db
32% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Joe Kirk
Let This Go
80 bpm • E min • 03:15 • -9db
27% Popularity • 19% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Rachel Platten
Bad Thoughts
80 bpm • C Maj • 04:35 • -10.95db
38% Popularity • 37% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Gamma Skies
Every Song
80 bpm • G# Maj • 03:20 • -10db
35% Popularity • 59% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Wildflowers
How to Carry On
80 bpm • D Maj • 03:22 • -8.78db
36% Popularity • 63% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Kurt Hugo Schneider
Side to Side
79 bpm • F# min • 02:51 • -4.59db
5% Popularity • 66% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Michael Schulte
With You - Piano Version
80 bpm • C Maj • 03:41 • -7.39db
22% Popularity • 43% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Mokita
Room for Another
80 bpm • C min • 03:05 • -12.4db
33% Popularity • 55% Danceability • 40% Energy • 31% Liveness
10% Instrumentalness • 14% Positiveness
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Clara Mae
Miss The Party
80 bpm • D# Maj • 03:12 • -6.86db
38% Popularity • 61% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Bailey Pickles
Driving on My Own
80 bpm • D# Maj • 03:07 • -7.68db
26% Popularity • 62% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Chord Overstreet
Sleepwalking in the Rain
80 bpm • C Maj • 03:36 • -9.45db
24% Popularity • 50% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Chloe Adams
All The Good Ones
80 bpm • C min • 02:06 • -8.41db
32% Popularity • 60% Danceability • 65% Energy • 66% Liveness
0% Instrumentalness • 41% Positiveness
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DITA
Hold You
80 bpm • C Maj • 04:29 • -5.81db
19% Popularity • 19% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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The Brave Collide
Somebody Just Like You
80 bpm • F# Maj • 04:04 • -8db
18% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Bre Kennedy
Room for Another - Stripped
80 bpm • D# Maj • 03:03 • -9.69db
25% Popularity • 40% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Nicole Jaskot
None Left
80 bpm • E Maj • 02:34 • -8db
19% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Narrowhaven
Lying to Myself
80 bpm • C Maj • 03:00 • -7.28db
13% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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UNSECRET
Voices Carry (Acoustic Version)
80 bpm • C Maj • 03:53 • -17.41db
13% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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MaMan
Wherever You're Going - Acoustic
81 bpm • D Maj • 03:03 • -12db
31% Popularity • 30% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Gaustad
Jupiter
82 bpm • E Maj • 03:13 • -8.64db
33% Popularity • 56% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Candelion
You Can Take Me High
69 bpm • F Maj • 02:50 • -9.65db
44% Popularity • 32% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Nicole Jaskot
2:30
81 bpm • G# Maj • 03:41 • -6db
26% Popularity • 49% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Caleb Hearn
Damage
81 bpm • F# Maj • 02:32 • -10db
63% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Kurt Hugo Schneider
My Forever
69 bpm • E min • 03:05 • -10.91db
12% Popularity • 44% Danceability • 51% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
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Atli
Loved To Be Loved By You
82 bpm • G Maj • 02:59 • -9.36db
24% Popularity • 29% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Rishi
Valley of the Haunted
82 bpm • D Maj • 03:23 • -14db
33% Popularity • 61% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Christina Grimmie
Just A Dream - Re-Imagined
82 bpm • A Maj • 04:23 • -9.01db
32% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Beth Crowley
Beautiful Remains
68 bpm • E min • 03:10 • -6.83db
23% Popularity • 40% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Halsey
So Good - Stripped
82 bpm • F# Maj • 03:11 • -5db
42% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Brent Morgan
Stop Calling Me
82 bpm • C Maj • 02:45 • -6.75db
49% Popularity • 62% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Amanda Yang
Sideline Girl
83 bpm • D# Maj • 03:37 • -6.97db
13% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Llunr
the world could end with you
83 bpm • C Maj • 03:00 • -10.08db
49% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Kurt Hugo Schneider
Can't Help Falling In Love
83 bpm • C Maj • 02:23 • -20.38db
13% Popularity • 37% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Caleb Hearn
Damage (Collateral)
82 bpm • F# Maj • 02:33 • -9db
35% Popularity • 63% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Thomas Daniel
Symphony - Acoustic
83 bpm • G Maj • 03:12 • -10.57db
43% Popularity • 36% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Brent Morgan
Stop Calling Me (Acoustic)
83 bpm • C Maj • 03:03 • -8db
38% Popularity • 59% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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BASHAM
Every Part of Me
83 bpm • D# Maj • 04:21 • -14.52db
27% Popularity • 19% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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JENNA
Better Than I Do
67 bpm • C# Maj • 03:07 • -13.33db
25% Popularity • 42% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kurt Hugo Schneider
1-800-273-8255
67 bpm • F min • 02:39 • -12.15db
7% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Michael Barnum
The Nook
84 bpm • E Maj • 04:41 • -12db
14% Popularity • 35% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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lewloh
terminal
84 bpm • G# Maj • 02:12 • -11.02db
25% Popularity • 41% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Anson Seabra
u hurt me hurts u
84 bpm • E Maj • 02:57 • -11.28db
40% Popularity • 67% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Nightbirde
Brave
84 bpm • C Maj • 03:36 • -10.13db
39% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Katelyn Tarver
The Only Exception
84 bpm • D# Maj • 04:22 • -11db
53% Popularity • 45% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Tim Halperin
Save You
85 bpm • B min • 03:40 • -9.98db
20% Popularity • 59% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Clara Mae
Learning Experience
85 bpm • C# Maj • 02:25 • -9.57db
30% Popularity • 36% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Kurt Hugo Schneider
The A Team
85 bpm • E Maj • 04:12 • -8.87db
5% Popularity • 45% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Aaron Richards
As the World Falls Down
65 bpm • A Maj • 03:03 • -11.89db
36% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Grace George
Heaven Is a Place On Earth - Acoustic
86 bpm • D Maj • 02:56 • -11.86db
48% Popularity • 60% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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yaeow
sad girl
86 bpm • B Maj • 03:32 • -15.42db
23% Popularity • 55% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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All of the Stars