Songs like All of You (Duet) by Greg J Walker
Based on a tempo of (+/- 10%) and a similar genre
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Greg J Walker
All of You (Duet)
170 bpm • E min • 03:37 • -10.77db
11% Popularity • 67% Danceability • 52% Energy • 12% Liveness
4% Instrumentalness • 71% Positiveness
11% Popularity • 67% Danceability • 52% Energy • 12% Liveness
4% Instrumentalness • 71% Positiveness
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New Orleans 1920s Jazz
The Jazz Age
170 bpm • G Maj • 01:38 • -18db
30% Popularity • 73% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 96% Positiveness
30% Popularity • 73% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 96% Positiveness
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Jim Parker
Eight O'Clock Jive
170 bpm • G min • 01:48 • -17.5db
9% Popularity • 65% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 93% Positiveness
9% Popularity • 65% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 93% Positiveness
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Gérard Messonnier And The Hot Kings
Joshua Fight The Battle Of Jericho
170 bpm • D min • 03:15 • -10.13db
14% Popularity • 63% Danceability • 46% Energy • 4% Liveness
88% Instrumentalness • 93% Positiveness
14% Popularity • 63% Danceability • 46% Energy • 4% Liveness
88% Instrumentalness • 93% Positiveness
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The Bryan Ferry Orchestra
Oh! You Have No Idea
170 bpm • G Maj • 02:56 • -9.51db
25% Popularity • 48% Danceability • 45% Energy • 13% Liveness
36% Instrumentalness • 93% Positiveness
25% Popularity • 48% Danceability • 45% Energy • 13% Liveness
36% Instrumentalness • 93% Positiveness
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New Orleans Delight
Oh, You Beautiful Doll
171 bpm • C Maj • 03:51 • -9db
17% Popularity • 59% Danceability • 50% Energy • 10% Liveness
69% Instrumentalness • 77% Positiveness
17% Popularity • 59% Danceability • 50% Energy • 10% Liveness
69% Instrumentalness • 77% Positiveness
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Greg J Walker
All of You (Instrumental)
170 bpm • E min • 04:41 • -11.89db
4% Popularity • 74% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 58% Positiveness
4% Popularity • 74% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 58% Positiveness
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Bennie Moten
Kansas City Shuffle (Alternate Take)
169 bpm • D# Maj • 02:53 • -11.08db
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
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Anne Shelton
Lili Marlene
171 bpm • G Maj • 02:48 • -12.42db
20% Popularity • 30% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 30% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Dean Mora's Modern Swingtet with Rusty Frank
32 Bar Riff with Rusty's Taps - 176 BPM
169 bpm • A# min • 03:33 • -9.05db
10% Popularity • 73% Danceability • 49% Energy • 10% Liveness
72% Instrumentalness • 67% Positiveness
10% Popularity • 73% Danceability • 49% Energy • 10% Liveness
72% Instrumentalness • 67% Positiveness
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Fred Astaire (performer), The MGM Studio Chorus
The Ritz Roll and Rock
171 bpm • F Maj • 03:35 • -11.7db
24% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Conal Fowkes
You've Got That Thing
169 bpm • D# Maj • 01:44 • -10db
36% Popularity • 57% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 57% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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John Rowcroft
Holiday Camp Shuffle
168 bpm • C Maj • 01:57 • -7.25db
14% Popularity • 76% Danceability • 40% Energy • 6% Liveness
49% Instrumentalness • 72% Positiveness
14% Popularity • 76% Danceability • 40% Energy • 6% Liveness
49% Instrumentalness • 72% Positiveness
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Gene Krupa
Drum Boogie
172 bpm • D# Maj • 03:09 • -13.72db
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 42% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Anders Johan Greger Lewen
Hello Gorgeous
172 bpm • G Maj • 02:29 • -11.79db
9% Popularity • 57% Danceability • 57% Energy • 27% Liveness
84% Instrumentalness • 93% Positiveness
9% Popularity • 57% Danceability • 57% Energy • 27% Liveness
84% Instrumentalness • 93% Positiveness
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Alma Cogan
Dreamboat
172 bpm • F Maj • 01:47 • -12db
35% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 65% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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The Bryan Ferry Orchestra
Slave to Love
167 bpm • C Maj • 02:38 • -14.25db
9% Popularity • 67% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 86% Positiveness
9% Popularity • 67% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 86% Positiveness
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Wingy Manone
Besame Mucho
167 bpm • G# min • 02:41 • -9.37db
27% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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King Of Swing Orchestra
A Tisket, a Tasket - The Best of King of...
173 bpm • G# Maj • 02:32 • -10.75db
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Joséphine Baker
Breezin' Along With The Breeze
166 bpm • G min • 02:53 • -13.9db
20% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Georgia Gibbs
If I Knew You Were Comin' I'd've Baked a...
166 bpm • G# Maj • 02:50 • -3.53db
15% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 67% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Bill Elliott Swing Orchestra
The Shim Sham Song
166 bpm • F min • 03:00 • -9.09db
33% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 48% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
29% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
29% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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Marion Harris
Look for the Silver Lining
174 bpm • A Maj • 02:58 • -9.67db
10% Popularity • 24% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 24% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Ralph Burns
Opus Number One
174 bpm • C min • 08:50 • -12.77db
9% Popularity • 55% Danceability • 38% Energy • 11% Liveness
21% Instrumentalness • 74% Positiveness
9% Popularity • 55% Danceability • 38% Energy • 11% Liveness
21% Instrumentalness • 74% Positiveness
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The Bryan Ferry Orchestra
Daisy's Theme
175 bpm • A min • 03:09 • -14.47db
27% Popularity • 41% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
27% Popularity • 41% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
41% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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David Luong
Summer Delights
165 bpm • G Maj • 04:47 • -13.92db
11% Popularity • 64% Danceability • 31% Energy • 28% Liveness
49% Instrumentalness • 88% Positiveness
11% Popularity • 64% Danceability • 31% Energy • 28% Liveness
49% Instrumentalness • 88% Positiveness
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The Charleston Chasers
Wabash Blues
175 bpm • D# Maj • 02:42 • -17.51db
12% Popularity • 64% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
12% Popularity • 64% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 96% Positiveness
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Annette Hanshaw
Cooking Breakfast for the One I Love
176 bpm • D# Maj • 03:20 • -15.15db
9% Popularity • 62% Danceability • 13% Energy • 8% Liveness
7% Instrumentalness • 75% Positiveness
9% Popularity • 62% Danceability • 13% Energy • 8% Liveness
7% Instrumentalness • 75% Positiveness
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John Lunn
Never Seen Anything Like It
164 bpm • F Maj • 02:27 • -12.86db
16% Popularity • 65% Danceability • 42% Energy • 18% Liveness
87% Instrumentalness • 85% Positiveness
16% Popularity • 65% Danceability • 42% Energy • 18% Liveness
87% Instrumentalness • 85% Positiveness
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The Beau Hunks
Honolulu Baby
175 bpm • A min • 02:41 • -19.24db
19% Popularity • 67% Danceability • 10% Energy • 12% Liveness
31% Instrumentalness • 73% Positiveness
19% Popularity • 67% Danceability • 10% Energy • 12% Liveness
31% Instrumentalness • 73% Positiveness
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Marvin Hamlisch
Pineapple Rag / Gladiolus Rag
177 bpm • A# Maj • 02:32 • -8db
26% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 96% Positiveness
26% Popularity • 60% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 96% Positiveness
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Bobby Short
Heebie Jeebies
162 bpm • A min • 02:43 • -8.56db
32% Popularity • 61% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 61% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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Black Swan Classic Jazz Band
Dude Ranch Blues
178 bpm • A# Maj • 03:53 • -5.57db
18% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
38% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Four Clefs
I Like Pie, I Like Cake
179 bpm • C# Maj • 02:47 • -11.92db
29% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
29% Popularity • 62% Danceability • 32% Energy • 11% Liveness
18% Instrumentalness • 94% Positiveness
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King Of Swing Orchestra
Bei Mir Bist Du Schön - The Best of Kin...
180 bpm • A min • 02:44 • -9.24db
34% Popularity • 40% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 40% Danceability • 56% Energy • 94% Liveness
0% Instrumentalness • 76% Positiveness
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London Symphony Orchestra
Symphony No. 8 In B Minor
161 bpm • G# Maj • 03:40 • -8.68db
17% Popularity • 58% Danceability • 32% Energy • 12% Liveness
59% Instrumentalness • 77% Positiveness
17% Popularity • 58% Danceability • 32% Energy • 12% Liveness
59% Instrumentalness • 77% Positiveness
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Jack McVea
Swing Man
180 bpm • G# Maj • 02:55 • -12.97db
8% Popularity • 68% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
8% Popularity • 68% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 87% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
33% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
33% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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The Warner Bros. Studio Orchestra
Knock On Wood
180 bpm • F Maj • 01:23 • -13.09db
6% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 62% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmie Lunceford
Tain't What You Do
160 bpm • G# Maj • 03:07 • -10.47db
19% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Greg J Walker
Renne
181 bpm • C min • 01:13 • -9.79db
6% Popularity • 12% Danceability • 27% Energy • 12% Liveness
79% Instrumentalness • 23% Positiveness
6% Popularity • 12% Danceability • 27% Energy • 12% Liveness
79% Instrumentalness • 23% Positiveness
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Linnzi Zaorski
Better off Dead
182 bpm • A Maj • 02:31 • -8.89db
20% Popularity • 67% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 67% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Sid Phillips
Sugar Beat
180 bpm • D# Maj • 02:25 • -12.82db
18% Popularity • 47% Danceability • 38% Energy • 9% Liveness
69% Instrumentalness • 82% Positiveness
18% Popularity • 47% Danceability • 38% Energy • 9% Liveness
69% Instrumentalness • 82% Positiveness
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Dakota Staton
My Babe
158 bpm • D# Maj • 02:06 • -9.35db
18% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Larry Clinton
Shades of Hades
183 bpm • G# Maj • 02:43 • -16.06db
14% Popularity • 58% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
14% Popularity • 58% Danceability • 22% Energy • 18% Liveness
94% Instrumentalness • 95% Positiveness
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Manhattan Ragtime Orchestra
Oh, You Beautiful Doll / On Mobile Bay -...
158 bpm • G# Maj • 03:38 • -7.31db
13% Popularity • 61% Danceability • 55% Energy • 24% Liveness
57% Instrumentalness • 93% Positiveness
13% Popularity • 61% Danceability • 55% Energy • 24% Liveness
57% Instrumentalness • 93% Positiveness
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Bill Elliott Swing Orchestra
Swingin' the Century
183 bpm • C Maj • 03:02 • -8.1db
21% Popularity • 50% Danceability • 48% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
21% Popularity • 50% Danceability • 48% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
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Si Zentner
Charade
157 bpm • A min • 02:38 • -10.16db
35% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
35% Popularity • 56% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 60% Positiveness
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John Rowcroft
Paris Breeze
184 bpm • G# Maj • 02:23 • -8.39db
20% Popularity • 62% Danceability • 48% Energy • 21% Liveness
18% Instrumentalness • 91% Positiveness
20% Popularity • 62% Danceability • 48% Energy • 21% Liveness
18% Instrumentalness • 91% Positiveness
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Anders Johan Greger Lewen
Little Brown Jug
184 bpm • C Maj • 02:16 • -10.93db
12% Popularity • 65% Danceability • 36% Energy • 7% Liveness
94% Instrumentalness • 93% Positiveness
12% Popularity • 65% Danceability • 36% Energy • 7% Liveness
94% Instrumentalness • 93% Positiveness
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Mint Julep Jazz Band
Lovable and Sweet
185 bpm • G Maj • 02:49 • -9.64db
24% Popularity • 61% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 61% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Branford Marsalis
Jump Song
185 bpm • G# Maj • 03:22 • -11.1db
9% Popularity • 59% Danceability • 69% Energy • 14% Liveness
66% Instrumentalness • 81% Positiveness
9% Popularity • 59% Danceability • 69% Energy • 14% Liveness
66% Instrumentalness • 81% Positiveness
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Alexandre Desplat
Roses Of Picardy
156 bpm • C Maj • 04:38 • -13.7db
15% Popularity • 66% Danceability • 14% Energy • 20% Liveness
62% Instrumentalness • 72% Positiveness
15% Popularity • 66% Danceability • 14% Energy • 20% Liveness
62% Instrumentalness • 72% Positiveness
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Original Soundtrack
The Dance Sequence
185 bpm • A# Maj • 04:55 • -10.96db
12% Popularity • 32% Danceability • 26% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
12% Popularity • 32% Danceability • 26% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Bunny Berigan
Heigh-Ho (The Dwarfs Marching Song)
186 bpm • G# Maj • 02:48 • -9.73db
16% Popularity • 55% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
16% Popularity • 55% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Greg J Walker
Art & Eve's Theme
186 bpm • A Maj • 01:05 • -11.82db
1% Popularity • 38% Danceability • 21% Energy • 22% Liveness
72% Instrumentalness • 29% Positiveness
1% Popularity • 38% Danceability • 21% Energy • 22% Liveness
72% Instrumentalness • 29% Positiveness
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Inez Holland
Dancing Under the Stars
187 bpm • B Maj • 02:51 • -14.44db
8% Popularity • 38% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 71% Positiveness
8% Popularity • 38% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 71% Positiveness
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Henry Hall
Hummin' to Myself
187 bpm • G Maj • 02:57 • -9.63db
20% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
20% Popularity • 61% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
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Benny Goodman Quartet
Bei Mir Bist Du Schoen, Part 1 - 1996 Re...
188 bpm • E min • 03:21 • -12db
17% Popularity • 62% Danceability • 36% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
17% Popularity • 62% Danceability • 36% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
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Sammy Kaye
Daddy
154 bpm • A# Maj • 02:55 • -11.89db
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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John Rowcroft
Swing Slinky
188 bpm • F Maj • 02:29 • -6.29db
14% Popularity • 52% Danceability • 58% Energy • 17% Liveness
18% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 58% Energy • 17% Liveness
18% Instrumentalness • 62% Positiveness
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Original Soundtrack
The Cocktail Party
188 bpm • D# Maj • 01:26 • -15.13db
18% Popularity • 40% Danceability • 31% Energy • 10% Liveness
29% Instrumentalness • 93% Positiveness
18% Popularity • 40% Danceability • 31% Energy • 10% Liveness
29% Instrumentalness • 93% Positiveness
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New England Conservatory Ragtime Ensemble
Joplin: The Easy Winners
189 bpm • A Maj • 03:58 • -15.82db
11% Popularity • 55% Danceability • 41% Energy • 12% Liveness
70% Instrumentalness • 52% Positiveness
11% Popularity • 55% Danceability • 41% Energy • 12% Liveness
70% Instrumentalness • 52% Positiveness
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Baltimore Bell-Hops
Button up Your Overcoat
191 bpm • G Maj • 02:44 • -11.07db
23% Popularity • 71% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
23% Popularity • 71% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
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Kris Bowers
Happy Talk
152 bpm • D Maj • 01:21 • -9db
39% Popularity • 61% Danceability • 44% Energy • 11% Liveness
79% Instrumentalness • 80% Positiveness
39% Popularity • 61% Danceability • 44% Energy • 11% Liveness
79% Instrumentalness • 80% Positiveness
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Cy Coleman
Sweet Charity: Rich Man's Frug
150 bpm • C Maj • 02:38 • -13.78db
29% Popularity • 68% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
29% Popularity • 68% Danceability • 42% Energy • 10% Liveness
28% Instrumentalness • 76% Positiveness
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Elmer Bernstein
Highway #1 (Wagon Wheel Watusi)
151 bpm • A# Maj • 01:58 • -15.35db
9% Popularity • 62% Danceability • 81% Energy • 35% Liveness
93% Instrumentalness • 96% Positiveness
9% Popularity • 62% Danceability • 81% Energy • 35% Liveness
93% Instrumentalness • 96% Positiveness
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Greg J Walker
The Crypt's Collapse
150 bpm • F# Maj • 01:12 • -9.77db
1% Popularity • 12% Danceability • 43% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
1% Popularity • 12% Danceability • 43% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Daniel Pemberton
Breaking Out (The Cowboy Escapes)
150 bpm • A min • 02:04 • -7.72db
22% Popularity • 46% Danceability • 76% Energy • 15% Liveness
78% Instrumentalness • 88% Positiveness
22% Popularity • 46% Danceability • 76% Energy • 15% Liveness
78% Instrumentalness • 88% Positiveness
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Jessica Lange
We Belong Together
149 bpm • A# Maj • 01:08 • -13.15db
18% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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N.Y. Jazz Orchestra
Soul Bossa Nova
149 bpm • F min • 04:30 • -6.19db
15% Popularity • 56% Danceability • 64% Energy • 4% Liveness
35% Instrumentalness • 62% Positiveness
15% Popularity • 56% Danceability • 64% Energy • 4% Liveness
35% Instrumentalness • 62% Positiveness
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Rosemary Clooney
Botch-A-Me (Ba-Ba-Baciami Piccina)
149 bpm • C Maj • 02:16 • -8db
32% Popularity • 64% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 64% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Giorgio Cuscito
West Coast Swing
148 bpm • A# Maj • 01:53 • -9.54db
32% Popularity • 87% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 56% Positiveness
32% Popularity • 87% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 56% Positiveness
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Greg J Walker
Palestine Pursuit
148 bpm • D Maj • 02:01 • -11.81db
1% Popularity • 56% Danceability • 74% Energy • 36% Liveness
82% Instrumentalness • 35% Positiveness
1% Popularity • 56% Danceability • 74% Energy • 36% Liveness
82% Instrumentalness • 35% Positiveness
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David Carbonara
The Twenty Third Floor
148 bpm • D min • 01:12 • -13.41db
27% Popularity • 60% Danceability • 55% Energy • 35% Liveness
87% Instrumentalness • 53% Positiveness
27% Popularity • 60% Danceability • 55% Energy • 35% Liveness
87% Instrumentalness • 53% Positiveness
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John Rowcroft
Piano Chase
148 bpm • D min • 01:23 • -6.6db
18% Popularity • 54% Danceability • 61% Energy • 28% Liveness
58% Instrumentalness • 69% Positiveness
18% Popularity • 54% Danceability • 61% Energy • 28% Liveness
58% Instrumentalness • 69% Positiveness
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Dean Mora's Modern Swingtet with Rusty Frank
32 Bar Riff Instrumental - 150 BPM
146 bpm • F min • 04:05 • -10.23db
11% Popularity • 76% Danceability • 35% Energy • 16% Liveness
29% Instrumentalness • 80% Positiveness
11% Popularity • 76% Danceability • 35% Energy • 16% Liveness
29% Instrumentalness • 80% Positiveness
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Boilermaker Jazz Band
Minor Swing
197 bpm • G# Maj • 03:41 • -6.99db
33% Popularity • 49% Danceability • 55% Energy • 8% Liveness
40% Instrumentalness • 56% Positiveness
33% Popularity • 49% Danceability • 55% Energy • 8% Liveness
40% Instrumentalness • 56% Positiveness
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The Andrews Sisters with Orchestra
Chattanooga Choo Choo
146 bpm • A# Maj • 02:52 • -13.61db
25% Popularity • 81% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 81% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Greg J Walker
The Kiss
147 bpm • A min • 02:19 • -12.9db
3% Popularity • 22% Danceability • 53% Energy • 12% Liveness
76% Instrumentalness • 14% Positiveness
3% Popularity • 22% Danceability • 53% Energy • 12% Liveness
76% Instrumentalness • 14% Positiveness
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Wilbur De Paris And His New Orleans Jazz
I've Found a New Baby
145 bpm • C Maj • 03:09 • -6db
13% Popularity • 47% Danceability • 94% Energy • 4% Liveness
93% Instrumentalness • 65% Positiveness
13% Popularity • 47% Danceability • 94% Energy • 4% Liveness
93% Instrumentalness • 65% Positiveness
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Rosemary Clooney
It's Bad for Me
145 bpm • F Maj • 02:55 • -12.56db
29% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Tommy Dorsey
Boogie Woogie
145 bpm • F Maj • 03:09 • -15.98db
22% Popularity • 69% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
22% Popularity • 69% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 92% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Everybody's Talkin' Bout Miss Thing!
199 bpm • C min • 03:11 • -8.89db
37% Popularity • 48% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 48% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Paul Englishby
Sock Him In The Jaw
200 bpm • E min • 01:35 • -8.48db
10% Popularity • 48% Danceability • 70% Energy • 18% Liveness
24% Instrumentalness • 62% Positiveness
10% Popularity • 48% Danceability • 70% Energy • 18% Liveness
24% Instrumentalness • 62% Positiveness
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Greg J Walker
Extreme Steam
145 bpm • A# Maj • 02:20 • -15.83db
1% Popularity • 25% Danceability • 35% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
1% Popularity • 25% Danceability • 35% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Richard Geere
Swing, Swing, Swing
200 bpm • D min • 02:56 • -9.09db
11% Popularity • 67% Danceability • 44% Energy • 8% Liveness
78% Instrumentalness • 44% Positiveness
11% Popularity • 67% Danceability • 44% Energy • 8% Liveness
78% Instrumentalness • 44% Positiveness
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Mario Grigorov
On the Razz
200 bpm • G min • 02:07 • -6db
19% Popularity • 59% Danceability • 63% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
19% Popularity • 59% Danceability • 63% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
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Issy Van Randwyck
Shimmy Like My Sister Kate
200 bpm • G# min • 01:58 • -7.87db
12% Popularity • 61% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 61% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Bridgetown Sextet
Wa Wa Wa
201 bpm • F Maj • 02:31 • -8db
21% Popularity • 48% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
21% Popularity • 48% Danceability • 63% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Johnny Mercer
The Hills Of California
144 bpm • C min • 02:32 • -9.1db
8% Popularity • 65% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 65% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Larry Clinton & His Orchestra
I Double Dare You
201 bpm • E min • 02:48 • -21.2db
28% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
28% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
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ザ・リバーフロント・スタジオ・オーケストラ
チャールストン
201 bpm • A# Maj • 02:04 • -11db
18% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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James P. Johnson
Charleston
202 bpm • G min • 02:34 • -16db
31% Popularity • 44% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 74% Positiveness
31% Popularity • 44% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 74% Positiveness
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Alan Moorhouse
In the Swing
202 bpm • F Maj • 02:55 • -16.83db
8% Popularity • 48% Danceability • 20% Energy • 12% Liveness
32% Instrumentalness • 88% Positiveness
8% Popularity • 48% Danceability • 20% Energy • 12% Liveness
32% Instrumentalness • 88% Positiveness
