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All The Good Times
Songs like
All The Good Times
by
Angel Olsen
Based on a tempo of (+/- 10%) and a similar genre
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Angel Olsen
All The Good Times
81 bpm • E Maj • 04:36 • -8.72db
50% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Okay Kaya
La Meg
81 bpm • C Maj • 02:55 • -12.27db
33% Popularity • 58% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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The Breeders
Off You
81 bpm • A# Maj • 04:55 • -19db
46% Popularity • 46% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Alexandra Savior
Soft Currents
81 bpm • F Maj • 03:11 • -11.8db
45% Popularity • 42% Danceability • 13% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
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Yo La Tengo
Nowhere Near
81 bpm • A Maj • 06:03 • -15.24db
49% Popularity • 43% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Hope Sandoval & The Warm Inventions
Let Me Get There
81 bpm • D Maj • 07:30 • -8db
43% Popularity • 55% Danceability • 52% Energy • 46% Liveness
57% Instrumentalness • 35% Positiveness
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Haley Heynderickx
First I'm Sorry
81 bpm • E Maj • 03:49 • -5db
34% Popularity • 29% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Karen O
Hideaway
82 bpm • F# Maj • 05:10 • -16db
39% Popularity • 26% Danceability • 22% Energy • 9% Liveness
50% Instrumentalness • 4% Positiveness
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Buck Meek
Candle
80 bpm • E Maj • 03:43 • -8.68db
36% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Florist
Red Bird Pt. 2 (Morning)
82 bpm • C# Maj • 05:26 • -20db
41% Popularity • 43% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
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Japanese Breakfast
Soft Sounds from Another Planet
82 bpm • D Maj • 03:20 • -7db
44% Popularity • 43% Danceability • 49% Energy • 10% Liveness
39% Instrumentalness • 12% Positiveness
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Lomelda
Interstate Vision
82 bpm • E min • 02:42 • -14db
48% Popularity • 61% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Bedouine
One of These Days
82 bpm • G Maj • 02:58 • -12.57db
52% Popularity • 72% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 74% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
42% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Marling
Held Down
80 bpm • G Maj • 04:07 • -7.87db
44% Popularity • 48% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Florist
Glowing Brightly
80 bpm • C Maj • 03:29 • -13.07db
37% Popularity • 65% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Daniel Johnston
Some Things Last a Long Time
80 bpm • C Maj • 04:54 • -15.14db
43% Popularity • 50% Danceability • 7% Energy • 13% Liveness
9% Instrumentalness • 20% Positiveness
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Julia Holter
Sea Calls Me Home
80 bpm • B min • 03:07 • -7db
37% Popularity • 32% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Okay Kaya
Ascend and Try Again
83 bpm • A Maj • 02:13 • -11db
41% Popularity • 64% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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High Aura'd
Red Rocks
83 bpm • B Maj • 03:48 • -12.02db
2% Popularity • 8% Danceability • 34% Energy • 21% Liveness
78% Instrumentalness • 12% Positiveness
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Sufjan Stevens
Reach Out
83 bpm • C Maj • 03:43 • -14db
43% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Angel Olsen
Acrobat
79 bpm • E Maj • 03:37 • -14.15db
30% Popularity • 31% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Alexandra Savior
The Archer
83 bpm • C Maj • 02:25 • -7.24db
48% Popularity • 51% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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Free Cake For Every Creature
Talking Quietly of Anything With You
79 bpm • B Maj • 02:25 • -15.65db
32% Popularity • 31% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Cat Power
Sea of Love
79 bpm • F# min • 02:19 • -11.48db
62% Popularity • 58% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Yo La Tengo
Our Way to Fall
78 bpm • C Maj • 04:18 • -14.65db
47% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
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Shana Cleveland
Don't Let Me Sleep
84 bpm • B min • 03:20 • -12.33db
26% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Angel Olsen
New Love Cassette
79 bpm • A Maj • 03:26 • -10db
43% Popularity • 62% Danceability • 47% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
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Adrianne Lenker
anything
84 bpm • D# Maj • 03:22 • -12.95db
73% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Florist
Shadow Bloom
78 bpm • A# Maj • 03:40 • -15.76db
37% Popularity • 46% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Lomelda
Wonder
78 bpm • C# Maj • 02:11 • -9db
41% Popularity • 50% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
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Porridge Radio
Good For You
85 bpm • G min • 03:35 • -7.52db
33% Popularity • 42% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Soccer Mommy
Scorpio Rising
77 bpm • D Maj • 04:42 • -10.37db
42% Popularity • 49% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Angel Olsen
May as Well - Bonus Track
85 bpm • A Maj • 02:39 • -15.73db
27% Popularity • 48% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Julie Byrne
Holiday
77 bpm • E Maj • 02:39 • -17.75db
39% Popularity • 44% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Better Oblivion Community Center
My City
85 bpm • A# Maj • 04:04 • -8.43db
42% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Alice Phoebe Lou
Lover / / Over the Moon
77 bpm • E Maj • 03:27 • -9.55db
55% Popularity • 52% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Squirrel Flower
Headlights
77 bpm • D Maj • 02:34 • -11.67db
30% Popularity • 47% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
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Dear Nora
Girl from the North Country
86 bpm • G Maj • 03:39 • -17db
32% Popularity • 46% Danceability • 11% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Karen O
Rapt
77 bpm • C min • 01:47 • -7.18db
36% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
70% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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St. Vincent
Hang On Me
86 bpm • F min • 02:48 • -10db
42% Popularity • 54% Danceability • 49% Energy • 11% Liveness
52% Instrumentalness • 34% Positiveness
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Bedouine
Back To You
86 bpm • A min • 04:27 • -12.78db
28% Popularity • 47% Danceability • 53% Energy • 33% Liveness
32% Instrumentalness • 39% Positiveness
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Japanese Breakfast
Till Death
76 bpm • F# Maj • 02:57 • -8.53db
40% Popularity • 45% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Angel Olsen
Chasing The Sun
87 bpm • A min • 04:43 • -10.29db
34% Popularity • 36% Danceability • 23% Energy • 9% Liveness
10% Instrumentalness • 19% Positiveness
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Shana Cleveland
Night of the Worm Moon
76 bpm • C# Maj • 02:59 • -12db
34% Popularity • 44% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 11% Positiveness
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Julie Byrne
Sleepwalker
87 bpm • F# Maj • 04:19 • -14db
39% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Vashti Bunyan
Diamond Day
76 bpm • D Maj • 01:47 • -18.5db
48% Popularity • 49% Danceability • 12% Energy • 37% Liveness
39% Instrumentalness • 72% Positiveness
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Alice Phoebe Lou
Glow
87 bpm • F# Maj • 02:45 • -5.35db
56% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Adrianne Lenker
Vampire Empire
87 bpm • G Maj • 03:55 • -6.04db
61% Popularity • 40% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Angel Olsen
Intern
87 bpm • G Maj • 02:46 • -9db
35% Popularity • 17% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Bedouine
Solitary Daughter
87 bpm • A Maj • 04:20 • -17db
36% Popularity • 36% Danceability • 17% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
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Tim Kinsella
The Crossing Guard
76 bpm • D Maj • 02:10 • -12.97db
5% Popularity • 49% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Sparklehorse
Gold Day
87 bpm • A# Maj • 04:14 • -11db
45% Popularity • 56% Danceability • 54% Energy • 12% Liveness
66% Instrumentalness • 28% Positiveness
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Haley Heynderickx
No Face
87 bpm • F min • 01:56 • -11.58db
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Heather Woods Broderick
Wyoming
75 bpm • A Maj • 03:40 • -10db
33% Popularity • 33% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Stella Donnelly
Beware of the Dogs
75 bpm • E Maj • 03:35 • -7db
29% Popularity • 46% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Father John Misty
O I Long to Feel Your Arms Around Me
88 bpm • D Maj • 02:23 • -9db
47% Popularity • 43% Danceability • 45% Energy • 12% Liveness
10% Instrumentalness • 18% Positiveness
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Tim Kinsella
Idolize
75 bpm • A# Maj • 01:38 • -8.15db
6% Popularity • 54% Danceability • 54% Energy • 13% Liveness
16% Instrumentalness • 55% Positiveness
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Jaye Bartell
Give Erin a Compliment (So Kind)
88 bpm • C Maj • 04:28 • -12.04db
5% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Florist
Cool and Refreshing
88 bpm • G Maj • 02:31 • -15.85db
46% Popularity • 41% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Yo La Tengo
Tears Are in Your Eyes
88 bpm • G Maj • 04:35 • -17db
38% Popularity • 55% Danceability • 16% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
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Bedouine
Echo Park
88 bpm • E min • 02:58 • -18.86db
26% Popularity • 47% Danceability • 21% Energy • 32% Liveness
22% Instrumentalness • 24% Positiveness
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Tomberlin
happy accident
74 bpm • D Maj • 05:45 • -7db
31% Popularity • 37% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Haley Heynderickx
Jo
74 bpm • G# Maj • 03:52 • -11db
43% Popularity • 54% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Soko
First Love Never Die
89 bpm • F Maj • 04:22 • -12.59db
47% Popularity • 34% Danceability • 36% Energy • 10% Liveness
19% Instrumentalness • 24% Positiveness
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Okay Kaya
Believe
90 bpm • C Maj • 03:22 • -14.36db
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
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Alice Phoebe Lou
Witches
73 bpm • G# Maj • 03:15 • -5.75db
64% Popularity • 58% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Bedouine
Skyline
73 bpm • G Maj • 02:29 • -12.5db
29% Popularity • 33% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Twain
Death (or S.F.?)
73 bpm • E min • 04:14 • -13db
28% Popularity • 55% Danceability • 44% Energy • 14% Liveness
88% Instrumentalness • 36% Positiveness
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Tennis
I'll Haunt You
72 bpm • E Maj • 02:32 • -11db
47% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Squirrel Flower
I'll Go Running
72 bpm • F min • 03:56 • -8.23db
8% Popularity • 51% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Lomelda
Hannah Sun
72 bpm • G# Maj • 03:28 • -17db
52% Popularity • 66% Danceability • 27% Energy • 22% Liveness
14% Instrumentalness • 31% Positiveness
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Julia Jacklin
CRY
72 bpm • C# min • 03:52 • -10db
44% Popularity • 30% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Angel Olsen
All The Flowers
91 bpm • C Maj • 03:37 • -12.15db
34% Popularity • 24% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Joanna Sternberg
This is Not Who I Want to Be
72 bpm • C Maj • 03:32 • -14db
34% Popularity • 48% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 30% Positiveness
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Caroline Rose
Freak Like Me
92 bpm • F# min • 03:42 • -7.38db
27% Popularity • 64% Danceability • 74% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
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Weyes Blood
Movies
71 bpm • G min • 05:53 • -8.93db
55% Popularity • 9% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 9% Positiveness
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Okay Kaya
Psych Ward
92 bpm • B Maj • 02:30 • -7db
29% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Feist
A Man Is Not His Song
71 bpm • F Maj • 04:41 • -10db
25% Popularity • 50% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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The Magnetic Fields
All the Umbrellas in London
93 bpm • G Maj • 03:18 • -8.47db
39% Popularity • 50% Danceability • 82% Energy • 5% Liveness
85% Instrumentalness • 70% Positiveness
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Angel Olsen
Smaller
71 bpm • A Maj • 01:04 • -8.81db
31% Popularity • 45% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Hope Sandoval & The Warm Inventions
Drop
93 bpm • F Maj • 02:32 • -12.18db
46% Popularity • 27% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Nico
These Days
93 bpm • F Maj • 03:30 • -17.64db
67% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Jessica Pratt
Moon Dude
94 bpm • B min • 03:40 • -12db
46% Popularity • 40% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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The Magnetic Fields
Epitaph for My Heart
93 bpm • G# Maj • 02:50 • -6db
45% Popularity • 59% Danceability • 81% Energy • 7% Liveness
27% Instrumentalness • 88% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Father John Misty
Hollywood Forever Cemetery Sings
94 bpm • A Maj • 03:10 • -4.13db
63% Popularity • 58% Danceability • 81% Energy • 4% Liveness
14% Instrumentalness • 60% Positiveness
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Smog
Our Anniversary
95 bpm • F# Maj • 06:17 • -15db
38% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
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Snail Mail
Anytime
95 bpm • C# Maj • 04:38 • -10db
36% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Lala Lala
Photo Photo
95 bpm • A min • 01:11 • -13.34db
45% Popularity • 54% Danceability • 11% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Japanese Breakfast
Road Head
95 bpm • E Maj • 03:15 • -8.73db
53% Popularity • 54% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 16% Positiveness
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Okay Kaya
Habitual Love
95 bpm • A min • 03:18 • -13.64db
43% Popularity • 78% Danceability • 33% Energy • 9% Liveness
29% Instrumentalness • 46% Positiveness
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Tim Kinsella
All In My Head
95 bpm • C Maj • 01:55 • -13db
3% Popularity • 36% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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La Luz
I Can't Speak
96 bpm • A Maj • 03:03 • -9.56db
45% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Sufjan Stevens
It’s Your Own Body And Mind
96 bpm • C min • 02:27 • -12.94db
42% Popularity • 64% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
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Lala Lala
Valentine
95 bpm • C Maj • 03:13 • -6.72db
26% Popularity • 51% Danceability • 67% Energy • 14% Liveness
80% Instrumentalness • 39% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Snail Mail
Let's Find an Out
96 bpm • C min • 02:13 • -9db
45% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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All The Good Times