Songs like all the lonely nights in your life by American Pleasure Club
Based on a tempo of (+/- 10%) and a similar genre
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Flatsound
If We Could Just Pretend
140 bpm • A Maj • 04:26 • -10db
45% Popularity • 39% Danceability • 26% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
45% Popularity • 39% Danceability • 26% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
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Richie Woods
Money Is Everythign
140 bpm • D# Maj • 03:07 • -11.84db
12% Popularity • 42% Danceability • 37% Energy • 27% Liveness
82% Instrumentalness • 14% Positiveness
12% Popularity • 42% Danceability • 37% Energy • 27% Liveness
82% Instrumentalness • 14% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Modern Baseball
Mass Re-Done
140 bpm • D# Maj • 02:13 • -7.07db
38% Popularity • 67% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 67% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Hysterla
u made me so tired
140 bpm • C Maj • 03:38 • -6.47db
25% Popularity • 47% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 8% Positiveness
25% Popularity • 47% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 8% Positiveness
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Deal Casino
Color TV
139 bpm • F# Maj • 04:35 • -7.92db
33% Popularity • 28% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
33% Popularity • 28% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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American Pleasure Club
all the lonely nights in your life
140 bpm • G Maj • 02:43 • -11.17db
44% Popularity • 36% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 36% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Oscar Lang
fall into u
141 bpm • B min • 03:32 • -12.18db
57% Popularity • 31% Danceability • 19% Energy • 15% Liveness
57% Instrumentalness • 9% Positiveness
57% Popularity • 31% Danceability • 19% Energy • 15% Liveness
57% Instrumentalness • 9% Positiveness
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Cyberbully Mom Club
Better Than That
141 bpm • C# Maj • 02:30 • -18db
33% Popularity • 48% Danceability • 22% Energy • 12% Liveness
8% Instrumentalness • 44% Positiveness
33% Popularity • 48% Danceability • 22% Energy • 12% Liveness
8% Instrumentalness • 44% Positiveness
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CBMC
Make Time
141 bpm • E Maj • 02:16 • -17.83db
22% Popularity • 59% Danceability • 23% Energy • 10% Liveness
56% Instrumentalness • 48% Positiveness
22% Popularity • 59% Danceability • 23% Energy • 10% Liveness
56% Instrumentalness • 48% Positiveness
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Radiator Hospital
Fireworks
139 bpm • C# Maj • 02:08 • -9db
39% Popularity • 41% Danceability • 38% Energy • 11% Liveness
78% Instrumentalness • 39% Positiveness
39% Popularity • 41% Danceability • 38% Energy • 11% Liveness
78% Instrumentalness • 39% Positiveness
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Starry Cat
Happiness
141 bpm • E Maj • 01:33 • -8.68db
56% Popularity • 53% Danceability • 61% Energy • 34% Liveness
88% Instrumentalness • 39% Positiveness
56% Popularity • 53% Danceability • 61% Energy • 34% Liveness
88% Instrumentalness • 39% Positiveness
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awfultune
march 14, 2012
139 bpm • D Maj • 04:08 • -25db
35% Popularity • 40% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 40% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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American Pleasure Club
I Want to Fall in Love With You One Mill...
139 bpm • F Maj • 02:26 • -13.35db
8% Popularity • 36% Danceability • 19% Energy • 21% Liveness
58% Instrumentalness • 20% Positiveness
8% Popularity • 36% Danceability • 19% Energy • 21% Liveness
58% Instrumentalness • 20% Positiveness
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Pinegrove
Need
141 bpm • A# Maj • 01:50 • -9.03db
48% Popularity • 40% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 40% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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I Tried to Run Away When I Was 6 (But Got Too Scared to Cross the Street)
I'll Stay Home
142 bpm • A min • 01:36 • -17db
31% Popularity • 74% Danceability • 24% Energy • 7% Liveness
75% Instrumentalness • 65% Positiveness
31% Popularity • 74% Danceability • 24% Energy • 7% Liveness
75% Instrumentalness • 65% Positiveness
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The Loners With Parentheses
Miss
142 bpm • G# Maj • 02:49 • -23db
32% Popularity • 24% Danceability • 13% Energy • 45% Liveness
94% Instrumentalness • 27% Positiveness
32% Popularity • 24% Danceability • 13% Energy • 45% Liveness
94% Instrumentalness • 27% Positiveness
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Starry Cat
Thanks
141 bpm • A# Maj • 02:07 • -8db
36% Popularity • 56% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 56% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Gloria Laing
Why Can't I Have You
138 bpm • G Maj • 04:45 • -17.65db
51% Popularity • 83% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 23% Positiveness
51% Popularity • 83% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 23% Positiveness
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American Pleasure Club
Daniels
138 bpm • C Maj • 03:59 • -6.31db
13% Popularity • 57% Danceability • 51% Energy • 12% Liveness
34% Instrumentalness • 32% Positiveness
13% Popularity • 57% Danceability • 51% Energy • 12% Liveness
34% Instrumentalness • 32% Positiveness
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Ollie MN
Song for the Sleepless
138 bpm • G# Maj • 02:44 • -15db
34% Popularity • 48% Danceability • 14% Energy • 46% Liveness
6% Instrumentalness • 42% Positiveness
34% Popularity • 48% Danceability • 14% Energy • 46% Liveness
6% Instrumentalness • 42% Positiveness
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Peacock Affect
The Drowning
138 bpm • A# min • 03:44 • -22.47db
22% Popularity • 30% Danceability • 5% Energy • 24% Liveness
59% Instrumentalness • 12% Positiveness
22% Popularity • 30% Danceability • 5% Energy • 24% Liveness
59% Instrumentalness • 12% Positiveness
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Kitchen
Hill House
137 bpm • C Maj • 02:00 • -20.13db
15% Popularity • 23% Danceability • 16% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
15% Popularity • 23% Danceability • 16% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
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Lowertown
Henry
143 bpm • A# Maj • 04:31 • -28db
21% Popularity • 48% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 10% Positiveness
21% Popularity • 48% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 10% Positiveness
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Modern Baseball
My Love
137 bpm • C# Maj • 03:33 • -11.21db
39% Popularity • 72% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 72% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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American Pleasure Club
it's everything to me
137 bpm • A min • 02:50 • -14.46db
7% Popularity • 15% Danceability • 30% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 30% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Oscar Lang
you.
143 bpm • E Maj • 02:37 • -9.73db
54% Popularity • 51% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
54% Popularity • 51% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
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mage tears
pumpkin man
143 bpm • A Maj • 02:09 • -16db
33% Popularity • 42% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
33% Popularity • 42% Danceability • 13% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Kitchen
Town
144 bpm • C Maj • 02:18 • -30db
25% Popularity • 18% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Adult Mom
Sorry I Was Sorry
137 bpm • G Maj • 02:21 • -11db
26% Popularity • 56% Danceability • 30% Energy • 12% Liveness
8% Instrumentalness • 27% Positiveness
26% Popularity • 56% Danceability • 30% Energy • 12% Liveness
8% Instrumentalness • 27% Positiveness
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Mount Eerie
Moon Sequel
136 bpm • G Maj • 02:35 • -16.14db
39% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 14% Positiveness
39% Popularity • 54% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 14% Positiveness
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Attic Abasement
So Much
144 bpm • A Maj • 04:02 • -11.13db
23% Popularity • 38% Danceability • 29% Energy • 14% Liveness
3% Instrumentalness • 11% Positiveness
23% Popularity • 38% Danceability • 29% Energy • 14% Liveness
3% Instrumentalness • 11% Positiveness
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Panucci's Pizza
Obligatory Folk Punk Song
144 bpm • D# Maj • 01:51 • -6.19db
46% Popularity • 49% Danceability • 77% Energy • 28% Liveness
13% Instrumentalness • 52% Positiveness
46% Popularity • 49% Danceability • 77% Energy • 28% Liveness
13% Instrumentalness • 52% Positiveness
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Hysterla
phosphene
136 bpm • A Maj • 03:41 • -21.07db
19% Popularity • 36% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
19% Popularity • 36% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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OH!hello
Zzzz
136 bpm • E Maj • 01:46 • -13.4db
9% Popularity • 37% Danceability • 31% Energy • 20% Liveness
78% Instrumentalness • 4% Positiveness
9% Popularity • 37% Danceability • 31% Energy • 20% Liveness
78% Instrumentalness • 4% Positiveness
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American Pleasure Club
But Not Enough to Sleep at Night
136 bpm • C Maj • 02:22 • -5.93db
9% Popularity • 37% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 37% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Cyberbully Mom Club
In Passing/Cross States
144 bpm • C# min • 01:58 • -19db
28% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 46% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Julia Brown
To Be Close To You
145 bpm • F Maj • 01:16 • -17db
24% Popularity • 38% Danceability • 42% Energy • 12% Liveness
97% Instrumentalness • 71% Positiveness
24% Popularity • 38% Danceability • 42% Energy • 12% Liveness
97% Instrumentalness • 71% Positiveness
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Beach Bunny
Call Me Baby
136 bpm • F# Maj • 03:55 • -8db
36% Popularity • 52% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 52% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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I Tried to Run Away When I Was 6 (But Got Too Scared to Cross the Street)
Try Try Tryt Ry
135 bpm • D min • 01:33 • -24.31db
30% Popularity • 52% Danceability • 2% Energy • 11% Liveness
15% Instrumentalness • 30% Positiveness
30% Popularity • 52% Danceability • 2% Energy • 11% Liveness
15% Instrumentalness • 30% Positiveness
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tea
i'm sorry for everything
135 bpm • D Maj • 03:19 • -3.5db
18% Popularity • 40% Danceability • 61% Energy • 27% Liveness
1% Instrumentalness • 64% Positiveness
18% Popularity • 40% Danceability • 61% Energy • 27% Liveness
1% Instrumentalness • 64% Positiveness
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Lomelda
Columbia River
135 bpm • A min • 04:42 • -13db
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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German Error Message
A Lingering
135 bpm • C# min • 03:50 • -9.72db
39% Popularity • 44% Danceability • 68% Energy • 11% Liveness
51% Instrumentalness • 14% Positiveness
39% Popularity • 44% Danceability • 68% Energy • 11% Liveness
51% Instrumentalness • 14% Positiveness
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Lowertown
George
135 bpm • C Maj • 03:33 • -11.97db
31% Popularity • 28% Danceability • 59% Energy • 14% Liveness
7% Instrumentalness • 35% Positiveness
31% Popularity • 28% Danceability • 59% Energy • 14% Liveness
7% Instrumentalness • 35% Positiveness
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Shrimp
this body means nothing to me
135 bpm • D# Maj • 02:11 • -5.91db
58% Popularity • 56% Danceability • 60% Energy • 12% Liveness
79% Instrumentalness • 31% Positiveness
58% Popularity • 56% Danceability • 60% Energy • 12% Liveness
79% Instrumentalness • 31% Positiveness
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Beagles
My Neighbor Is a Drug Dealer
135 bpm • C Maj • 03:07 • -16.04db
20% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Origami Angel
Osmosis
135 bpm • D Maj • 02:16 • -11.97db
40% Popularity • 69% Danceability • 16% Energy • 13% Liveness
5% Instrumentalness • 16% Positiveness
40% Popularity • 69% Danceability • 16% Energy • 13% Liveness
5% Instrumentalness • 16% Positiveness
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Elvis Depressedly
Wastes of Time
135 bpm • D# Maj • 01:29 • -13db
26% Popularity • 68% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 68% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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German Error Message
Discontent
146 bpm • A min • 02:30 • -16.3db
28% Popularity • 41% Danceability • 19% Energy • 11% Liveness
56% Instrumentalness • 28% Positiveness
28% Popularity • 41% Danceability • 19% Energy • 11% Liveness
56% Instrumentalness • 28% Positiveness
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Richard Orofino
i heard you were looking like the moon
146 bpm • E Maj • 03:43 • -13.33db
36% Popularity • 34% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
36% Popularity • 34% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
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Julia Brown
I Wanna Be a Witch
146 bpm • E min • 02:24 • -6.66db
20% Popularity • 42% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 42% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Beagles
Pinecone Feelings
135 bpm • E Maj • 03:43 • -16.23db
10% Popularity • 48% Danceability • 21% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
10% Popularity • 48% Danceability • 21% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
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Told Slant
Green Nail Polish
134 bpm • G Maj • 03:10 • -11db
28% Popularity • 49% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 49% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Elvis Depressedly
I Can't Wait for You to Die
135 bpm • D# Maj • 01:12 • -6.8db
33% Popularity • 63% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 63% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Oscar Lang
134 bpm • B min • 03:55 • -17.26db
36% Popularity • 61% Danceability • 16% Energy • 45% Liveness
14% Instrumentalness • 10% Positiveness
36% Popularity • 61% Danceability • 16% Energy • 45% Liveness
14% Instrumentalness • 10% Positiveness
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Flatsound
If You Love Me, Come Clean
134 bpm • A Maj • 03:40 • -15.35db
38% Popularity • 51% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 51% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Horse Jumper of Love
Hole
147 bpm • G Maj • 01:13 • -9.29db
45% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Conor Lynch
For Me Here
134 bpm • C# Maj • 03:30 • -17db
28% Popularity • 56% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
28% Popularity • 56% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Modern Baseball
Intersection
134 bpm • C Maj • 03:53 • -10.85db
48% Popularity • 82% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 82% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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tea
apathy
133 bpm • C# Maj • 02:49 • -8.76db
17% Popularity • 51% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 51% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Oscar Lang
Mirrors
134 bpm • B Maj • 03:50 • -20db
20% Popularity • 51% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
20% Popularity • 51% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Sorority Noise
Blissth
133 bpm • C# Maj • 03:04 • -10db
32% Popularity • 28% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 28% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Cyberbully Mom Club
Fight Night Champion
132 bpm • C Maj • 02:37 • -17.66db
33% Popularity • 55% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
33% Popularity • 55% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Gregory and the Hawk
Two Faced Twin
148 bpm • C Maj • 02:51 • -10.14db
33% Popularity • 52% Danceability • 38% Energy • 7% Liveness
67% Instrumentalness • 27% Positiveness
33% Popularity • 52% Danceability • 38% Energy • 7% Liveness
67% Instrumentalness • 27% Positiveness
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Mitski
A Burning Hill
132 bpm • D Maj • 01:49 • -14.99db
66% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
66% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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BL
Garden in the Backyard
132 bpm • E Maj • 03:48 • -12.95db
33% Popularity • 59% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 59% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Maltese
Curl up & Die
132 bpm • B Maj • 03:22 • -8.47db
64% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
64% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
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Whatever, Dad
Stalemate_Spud
149 bpm • A min • 04:20 • -19.29db
34% Popularity • 52% Danceability • 17% Energy • 7% Liveness
11% Instrumentalness • 11% Positiveness
34% Popularity • 52% Danceability • 17% Energy • 7% Liveness
11% Instrumentalness • 11% Positiveness
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Tomo
Coffee Cups and Cigarettes
132 bpm • G# Maj • 03:27 • -14db
56% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
56% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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Lili Trifilio
Cycles
131 bpm • G# min • 04:37 • -5.22db
34% Popularity • 69% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 69% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Peacock Affect
Painting Pictures of a Never Ending Mess
132 bpm • A Maj • 03:08 • -22db
13% Popularity • 31% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
13% Popularity • 31% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Starry Cat
Possession (Quiet)
150 bpm • F Maj • 02:15 • -8db
39% Popularity • 45% Danceability • 68% Energy • 26% Liveness
4% Instrumentalness • 55% Positiveness
39% Popularity • 45% Danceability • 68% Energy • 26% Liveness
4% Instrumentalness • 55% Positiveness
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Julia Brown
Blood
131 bpm • G# Maj • 01:43 • -8.65db
31% Popularity • 47% Danceability • 66% Energy • 39% Liveness
50% Instrumentalness • 44% Positiveness
31% Popularity • 47% Danceability • 66% Energy • 39% Liveness
50% Instrumentalness • 44% Positiveness
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Whatever, Dad
Death of the Phone Call
149 bpm • A Maj • 01:35 • -17.46db
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Elvis Depressedly
Holo Pleasures (California Dreamin')
150 bpm • A Maj • 01:50 • -11.18db
21% Popularity • 44% Danceability • 19% Energy • 10% Liveness
11% Instrumentalness • 21% Positiveness
21% Popularity • 44% Danceability • 19% Energy • 10% Liveness
11% Instrumentalness • 21% Positiveness
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Strawberry Milk Cult
Wet Cigarettes
150 bpm • C Maj • 02:53 • -12db
49% Popularity • 54% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 54% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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waveform*
Hello Goodbye
150 bpm • G# Maj • 02:18 • -4.87db
32% Popularity • 43% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 43% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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tea
petrichor
150 bpm • D# Maj • 02:07 • -7db
23% Popularity • 57% Danceability • 54% Energy • 14% Liveness
17% Instrumentalness • 59% Positiveness
23% Popularity • 57% Danceability • 54% Energy • 14% Liveness
17% Instrumentalness • 59% Positiveness
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Julia Brown
Library
150 bpm • D Maj • 02:34 • -14.96db
27% Popularity • 20% Danceability • 29% Energy • 20% Liveness
96% Instrumentalness • 28% Positiveness
27% Popularity • 20% Danceability • 29% Energy • 20% Liveness
96% Instrumentalness • 28% Positiveness
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Runnner
Ur Name on a Grain of Rice
150 bpm • C Maj • 05:01 • -8db
46% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Whatever, Dad
O.K.
131 bpm • G Maj • 01:42 • -17.67db
56% Popularity • 66% Danceability • 13% Energy • 61% Liveness
17% Instrumentalness • 24% Positiveness
56% Popularity • 66% Danceability • 13% Energy • 61% Liveness
17% Instrumentalness • 24% Positiveness
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Teen Suicide
the same things happening to me all the ...
150 bpm • F min • 04:51 • -7db
43% Popularity • 42% Danceability • 54% Energy • 12% Liveness
74% Instrumentalness • 16% Positiveness
43% Popularity • 42% Danceability • 54% Energy • 12% Liveness
74% Instrumentalness • 16% Positiveness
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Daniel Johann
Went Home About It
150 bpm • C# min • 02:32 • -9.34db
20% Popularity • 43% Danceability • 67% Energy • 12% Liveness
26% Instrumentalness • 5% Positiveness
20% Popularity • 43% Danceability • 67% Energy • 12% Liveness
26% Instrumentalness • 5% Positiveness
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postcard nowhere
parasite
131 bpm • A# Maj • 02:31 • -27.17db
18% Popularity • 42% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
18% Popularity • 42% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mitski
Last Words of a Shooting Star
130 bpm • D Maj • 02:44 • -19.02db
67% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
67% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Gorgeous Bully
Misery Loves Company
130 bpm • F# Maj • 04:05 • -14db
43% Popularity • 48% Danceability • 36% Energy • 31% Liveness
28% Instrumentalness • 8% Positiveness
43% Popularity • 48% Danceability • 36% Energy • 31% Liveness
28% Instrumentalness • 8% Positiveness
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Birth Day
Boyhood
130 bpm • G Maj • 02:38 • -26db
59% Popularity • 62% Danceability • 9% Energy • 9% Liveness
81% Instrumentalness • 17% Positiveness
59% Popularity • 62% Danceability • 9% Energy • 9% Liveness
81% Instrumentalness • 17% Positiveness
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Scruffpuppie
Sleep
130 bpm • D Maj • 02:24 • -16db
38% Popularity • 78% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 50% Positiveness
38% Popularity • 78% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 50% Positiveness
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Tyler Burkhart
Hobbes
130 bpm • E Maj • 02:28 • -28.68db
46% Popularity • 62% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
46% Popularity • 62% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
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Panucci's Pizza
Sassa
130 bpm • F min • 01:19 • -6db
37% Popularity • 56% Danceability • 64% Energy • 43% Liveness
24% Instrumentalness • 39% Positiveness
37% Popularity • 56% Danceability • 64% Energy • 43% Liveness
24% Instrumentalness • 39% Positiveness
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Little Tyrant
Sooner
130 bpm • C Maj • 01:08 • -18db
25% Popularity • 47% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
25% Popularity • 47% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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The Rare Occasions
You Weren't Meant to See That
130 bpm • F Maj • 02:57 • -8db
47% Popularity • 73% Danceability • 25% Energy • 11% Liveness
54% Instrumentalness • 16% Positiveness
47% Popularity • 73% Danceability • 25% Energy • 11% Liveness
54% Instrumentalness • 16% Positiveness
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American Pleasure Club
(You) Know How I Like It
151 bpm • C# Maj • 02:13 • -8.3db
9% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Attic Abasement
Australia
130 bpm • E Maj • 03:04 • -11.27db
34% Popularity • 47% Danceability • 35% Energy • 24% Liveness
4% Instrumentalness • 53% Positiveness
34% Popularity • 47% Danceability • 35% Energy • 24% Liveness
4% Instrumentalness • 53% Positiveness
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Starry Cat
Cool
129 bpm • C Maj • 01:29 • -8.5db
40% Popularity • 39% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
40% Popularity • 39% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Cyberbully Mom Club
Life Time Warranty
129 bpm • E min • 03:23 • -18db
48% Popularity • 57% Danceability • 31% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
48% Popularity • 57% Danceability • 31% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
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Acid Ghost
Overthinking
129 bpm • B Maj • 04:01 • -3.74db
43% Popularity • 61% Danceability • 87% Energy • 23% Liveness
85% Instrumentalness • 24% Positiveness
43% Popularity • 61% Danceability • 87% Energy • 23% Liveness
85% Instrumentalness • 24% Positiveness
