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All the Rage Back Home
Songs like
All the Rage Back Home
by
Interpol
Based on a tempo of (+/- 10%) and a similar genre
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Warpaint
Love Is to Die
85 bpm • B min • 04:51 • -9db
48% Popularity • 33% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 43% Positiveness
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Sonic Youth
Superstar
85 bpm • F min • 04:06 • -9.14db
57% Popularity • 32% Danceability • 50% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
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Joy Division
Disorder - 2007 Remaster
85 bpm • A# min • 03:29 • -7.08db
68% Popularity • 32% Danceability • 80% Energy • 18% Liveness
69% Instrumentalness • 74% Positiveness
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The Drums
Days
85 bpm • D Maj • 04:29 • -7.74db
58% Popularity • 59% Danceability • 72% Energy • 14% Liveness
16% Instrumentalness • 66% Positiveness
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Mini Mansions
Vertigo
85 bpm • E Maj • 04:57 • -6db
50% Popularity • 56% Danceability • 72% Energy • 26% Liveness
1% Instrumentalness • 53% Positiveness
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The Strokes
Hard To Explain
82 bpm • G Maj • 03:44 • -6.28db
63% Popularity • 41% Danceability • 68% Energy • 10% Liveness
85% Instrumentalness • 62% Positiveness
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The Maccabees
Kamakura
86 bpm • F# min • 03:59 • -8db
38% Popularity • 35% Danceability • 70% Energy • 34% Liveness
5% Instrumentalness • 18% Positiveness
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Interpol
Next Exit
86 bpm • C Maj • 03:20 • -5.53db
45% Popularity • 35% Danceability • 75% Energy • 19% Liveness
82% Instrumentalness • 15% Positiveness
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The Flaming Lips
Fight Test
82 bpm • A Maj • 04:16 • -2.39db
51% Popularity • 49% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Placebo
Pure Morning
81 bpm • G# Maj • 04:14 • -7db
62% Popularity • 35% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Last Shadow Puppets
Dracula Teeth
81 bpm • F# min • 02:51 • -7.04db
51% Popularity • 45% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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TV On The Radio
Will Do
80 bpm • D min • 03:44 • -3.45db
56% Popularity • 56% Danceability • 86% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Grandaddy
A.M. 180
88 bpm • F Maj • 03:20 • -8.68db
46% Popularity • 30% Danceability • 43% Energy • 24% Liveness
90% Instrumentalness • 22% Positiveness
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The Maccabees
First Love
89 bpm • A Maj • 03:03 • -5.31db
39% Popularity • 56% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Joy Division
New Dawn Fades - 2007 Remaster
78 bpm • D Maj • 04:51 • -9.63db
50% Popularity • 39% Danceability • 52% Energy • 25% Liveness
77% Instrumentalness • 26% Positiveness
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Mellowdrone
Fashionably Uninvited
90 bpm • G# Maj • 03:50 • -9.46db
31% Popularity • 54% Danceability • 61% Energy • 9% Liveness
63% Instrumentalness • 31% Positiveness
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The Killers
Tranquilize
78 bpm • C# min • 03:45 • -4.18db
50% Popularity • 38% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Peter Bjorn and John
The Chills
90 bpm • D# Maj • 03:48 • -7db
48% Popularity • 63% Danceability • 88% Energy • 32% Liveness
35% Instrumentalness • 72% Positiveness
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Alex Turner
Stuck on the puzzle
78 bpm • E Maj • 03:31 • -8.52db
63% Popularity • 58% Danceability • 68% Energy • 16% Liveness
3% Instrumentalness • 77% Positiveness
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MGMT
Weekend Wars
77 bpm • F Maj • 04:10 • -3.99db
54% Popularity • 55% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Interpol
Untitled
92 bpm • G# Maj • 03:56 • -5.34db
58% Popularity • 17% Danceability • 79% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
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Queens of the Stone Age
Make It Wit Chu
92 bpm • A Maj • 04:50 • -5.29db
67% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Cold War Kids
Hang Me Up To Dry
92 bpm • A min • 03:38 • -2.82db
67% Popularity • 51% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 64% Positiveness
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Soviet Soviet
Royal Casino
93 bpm • A min • 03:39 • -5.61db
24% Popularity • 58% Danceability • 87% Energy • 11% Liveness
43% Instrumentalness • 48% Positiveness
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Muse
Sunburn
93 bpm • E min • 03:53 • -6.14db
59% Popularity • 47% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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The Voidz
ALieNNatioN
93 bpm • F min • 04:39 • -5db
40% Popularity • 61% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
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Built To Spill
Carry the Zero
94 bpm • E Maj • 05:43 • -5.65db
54% Popularity • 26% Danceability • 81% Energy • 10% Liveness
11% Instrumentalness • 46% Positiveness
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Paul Banks
The Base
94 bpm • E Maj • 03:54 • -6.28db
31% Popularity • 51% Danceability • 86% Energy • 8% Liveness
2% Instrumentalness • 39% Positiveness
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Kasabian
Club Foot
95 bpm • C Maj • 03:35 • -6.86db
55% Popularity • 18% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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The White Stripes
I Just Don't Know What to Do With Myself
94 bpm • C Maj • 02:46 • -7.76db
55% Popularity • 40% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Queens of the Stone Age
Smooth Sailing
95 bpm • B Maj • 04:51 • -3.6db
54% Popularity • 59% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Interpol
The Scale
96 bpm • A min • 03:25 • -3.65db
48% Popularity • 55% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Placebo
One of a Kind
96 bpm • A# min • 03:20 • -5.74db
38% Popularity • 61% Danceability • 92% Energy • 12% Liveness
22% Instrumentalness • 58% Positiveness
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Arcade Fire
Keep the Car Running
96 bpm • D Maj • 03:29 • -6.26db
56% Popularity • 47% Danceability • 90% Energy • 6% Liveness
2% Instrumentalness • 28% Positiveness
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Pulp
Underwear
97 bpm • A Maj • 04:06 • -9.42db
52% Popularity • 28% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The White Stripes
Fell In Love With a Girl
96 bpm • E min • 01:50 • -1.57db
72% Popularity • 36% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 30% Positiveness
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Fontaines D.C.
Starburster
98 bpm • A# Maj • 03:41 • -5.68db
71% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Julian Plenti
Girl on the Sporting News
97 bpm • A Maj • 02:53 • -7.74db
24% Popularity • 42% Danceability • 52% Energy • 7% Liveness
10% Instrumentalness • 33% Positiveness
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Interpol
Public Pervert
99 bpm • F Maj • 04:40 • -3.66db
47% Popularity • 32% Danceability • 81% Energy • 18% Liveness
70% Instrumentalness • 29% Positiveness
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Radiohead
Myxomatosis
99 bpm • G Maj • 03:52 • -7.08db
51% Popularity • 50% Danceability • 82% Energy • 30% Liveness
72% Instrumentalness • 57% Positiveness
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Paul Banks
Young Again
99 bpm • D Maj • 03:51 • -6db
32% Popularity • 55% Danceability • 76% Energy • 4% Liveness
60% Instrumentalness • 62% Positiveness
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Pixies
Hey
100 bpm • G Maj • 03:30 • -12.37db
67% Popularity • 59% Danceability • 37% Energy • 32% Liveness
1% Instrumentalness • 31% Positiveness
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The Twilight Sad
There's a Girl in the Corner
100 bpm • D min • 03:50 • -6.39db
40% Popularity • 51% Danceability • 67% Energy • 8% Liveness
93% Instrumentalness • 32% Positiveness
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Arcade Fire
Sprawl II (Mountains Beyond Mountains)
100 bpm • G# Maj • 05:25 • -6.43db
56% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Drums
Heart Basel
100 bpm • A Maj • 04:42 • -7db
41% Popularity • 66% Danceability • 65% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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Thom Yorke
Analyse
100 bpm • C# Maj • 04:02 • -8.39db
47% Popularity • 56% Danceability • 85% Energy • 13% Liveness
2% Instrumentalness • 45% Positiveness
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The Voidz
Lazy Boy
101 bpm • G# Maj • 03:31 • -4db
43% Popularity • 62% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Tame Impala
It Is Not Meant To Be
102 bpm • C Maj • 05:21 • -4.68db
55% Popularity • 43% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 46% Positiveness
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Muzz
All Is Dead To Me
103 bpm • E Maj • 03:35 • -6.23db
19% Popularity • 44% Danceability • 68% Energy • 7% Liveness
3% Instrumentalness • 26% Positiveness
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White Lies
Getting Even
102 bpm • G# Maj • 04:56 • -4.98db
43% Popularity • 50% Danceability • 91% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Radiohead
I Might Be Wrong
103 bpm • G min • 04:53 • -8.32db
58% Popularity • 60% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 50% Positiveness
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Thom Yorke
Black Swan
101 bpm • C Maj • 04:49 • -7.29db
55% Popularity • 62% Danceability • 80% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
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Interpol
Say Hello to the Angels
103 bpm • A min • 04:28 • -5.65db
54% Popularity • 32% Danceability • 88% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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The Voidz
QYURRYUS
104 bpm • C# Maj • 02:52 • -4db
42% Popularity • 64% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 60% Positiveness
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The Strokes
Last Nite
104 bpm • C Maj • 03:13 • -5.7db
75% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Sunny Day Real Estate
Faces In Disguise
105 bpm • A Maj • 06:02 • -7db
36% Popularity • 49% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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The Drums
What You Were
105 bpm • G Maj • 03:15 • -5.47db
55% Popularity • 62% Danceability • 83% Energy • 32% Liveness
50% Instrumentalness • 24% Positiveness
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Black Rebel Motorcycle Club
Red Eyes And Tears
105 bpm • G# min • 04:00 • -5db
44% Popularity • 44% Danceability • 71% Energy • 12% Liveness
15% Instrumentalness • 11% Positiveness
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Interpol
Say Hello to the Angels - 2012 Remaster
104 bpm • A min • 04:28 • -6db
38% Popularity • 32% Danceability • 88% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Pixies
Ana
106 bpm • G# min • 02:09 • -14.32db
58% Popularity • 66% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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The Strokes
Machu Picchu
105 bpm • C# Maj • 03:29 • -5.29db
65% Popularity • 70% Danceability • 82% Energy • 6% Liveness
10% Instrumentalness • 87% Positiveness
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Alex Turner
Piledriver waltz
106 bpm • C# Maj • 03:24 • -7.86db
59% Popularity • 53% Danceability • 75% Energy • 32% Liveness
61% Instrumentalness • 34% Positiveness
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The Mars Volta
The Widow
106 bpm • A min • 05:50 • -6.06db
48% Popularity • 24% Danceability • 66% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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The Vines
Winning Days
106 bpm • C Maj • 03:33 • -5.03db
19% Popularity • 44% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Interpol
Pioneer To The Falls
107 bpm • D Maj • 05:42 • -4.74db
54% Popularity • 46% Danceability • 74% Energy • 10% Liveness
13% Instrumentalness • 8% Positiveness
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Arctic Monkeys
Crying Lightning
107 bpm • E min • 03:44 • -4.42db
70% Popularity • 50% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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The Strokes
Automatic Stop
106 bpm • C# Maj • 03:27 • -6.11db
62% Popularity • 68% Danceability • 54% Energy • 10% Liveness
72% Instrumentalness • 91% Positiveness
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The Voidz
Dare I Care
107 bpm • B min • 06:25 • -5.3db
38% Popularity • 23% Danceability • 92% Energy • 18% Liveness
8% Instrumentalness • 30% Positiveness
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Slowdive
No Longer Making Time
107 bpm • F# Maj • 05:48 • -7.6db
49% Popularity • 56% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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Queens of the Stone Age
First It Giveth
107 bpm • F# Maj • 03:18 • -4.02db
58% Popularity • 46% Danceability • 96% Energy • 25% Liveness
11% Instrumentalness • 36% Positiveness
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Ride
Vapour Trail - 2001 Remaster
108 bpm • E Maj • 04:17 • -5.68db
50% Popularity • 43% Danceability • 80% Energy • 9% Liveness
78% Instrumentalness • 43% Positiveness
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Yeah Yeah Yeahs
Pin
108 bpm • G Maj • 02:00 • -4.83db
46% Popularity • 68% Danceability • 99% Energy • 15% Liveness
57% Instrumentalness • 77% Positiveness
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The Strokes
Someday
106 bpm • A Maj • 03:03 • -7.48db
72% Popularity • 54% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Interpol
Leif Erikson
109 bpm • G Maj • 04:00 • -8db
55% Popularity • 52% Danceability • 74% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
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The Smashing Pumpkins
Try, Try, Try
108 bpm • D Maj • 05:09 • -6db
45% Popularity • 54% Danceability • 85% Energy • 10% Liveness
88% Instrumentalness • 39% Positiveness
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The Last Shadow Puppets
Used To Be My Girl
109 bpm • A min • 02:55 • -7db
54% Popularity • 59% Danceability • 80% Energy • 7% Liveness
16% Instrumentalness • 75% Positiveness
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Pixies
The Thing
110 bpm • C min • 01:58 • -9.05db
64% Popularity • 73% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Doves
There Goes The Fear
110 bpm • F Maj • 06:54 • -4.5db
47% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
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The Strokes
Why Are Sundays So Depressing
110 bpm • C Maj • 04:35 • -4.46db
66% Popularity • 58% Danceability • 71% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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The Voidz
Wink
110 bpm • G Maj • 04:00 • -4.82db
41% Popularity • 56% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Interpol
Song Seven
110 bpm • B min • 04:52 • -3db
44% Popularity • 36% Danceability • 92% Energy • 11% Liveness
81% Instrumentalness • 50% Positiveness
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Paul Banks
Arise, Awake
110 bpm • F min • 04:17 • -8.05db
20% Popularity • 35% Danceability • 65% Energy • 65% Liveness
11% Instrumentalness • 25% Positiveness
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MGMT
The Youth
111 bpm • F Maj • 03:48 • -5.89db
51% Popularity • 48% Danceability • 80% Energy • 33% Liveness
1% Instrumentalness • 47% Positiveness
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The Libertines
Music When The Lights Go Out
111 bpm • C Maj • 03:02 • -6db
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Pulp
Like A Friend
111 bpm • F Maj • 04:31 • -8.96db
46% Popularity • 30% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Arcade Fire
Reflektor
112 bpm • B min • 07:30 • -8.38db
55% Popularity • 58% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
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Interpol
Specialist - B-Side - 2012 Remaster
111 bpm • A min • 06:39 • -7.52db
44% Popularity • 35% Danceability • 84% Energy • 9% Liveness
4% Instrumentalness • 55% Positiveness
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The Cribs
Things You Should Be Knowing
112 bpm • G Maj • 02:33 • -5db
29% Popularity • 37% Danceability • 93% Energy • 11% Liveness
2% Instrumentalness • 79% Positiveness
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Julian Casablancas
Out of the Blue
112 bpm • G# Maj • 04:41 • -3db
43% Popularity • 45% Danceability • 89% Energy • 6% Liveness
94% Instrumentalness • 57% Positiveness
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Radiohead
House Of Cards
112 bpm • F Maj • 05:28 • -9.64db
66% Popularity • 71% Danceability • 50% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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Queens of the Stone Age
If I Had a Tail
112 bpm • B Maj • 04:55 • -6.6db
56% Popularity • 60% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 34% Positiveness
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The Last Shadow Puppets
Sweet Dreams, TN
112 bpm • B min • 03:56 • -7db
65% Popularity • 28% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Interpol
Pace Is The Trick
111 bpm • D min • 04:37 • -5db
50% Popularity • 47% Danceability • 88% Energy • 16% Liveness
88% Instrumentalness • 30% Positiveness
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Black Kids
Hurricane Jane
113 bpm • C# min • 04:32 • -5db
35% Popularity • 68% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Phoenix
Fences
113 bpm • D min • 03:44 • -7.12db
52% Popularity • 59% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Supergrass
Mary
113 bpm • C min • 03:59 • -6.79db
40% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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The Killers
Jenny Was A Friend Of Mine
114 bpm • B Maj • 04:03 • -5.61db
61% Popularity • 54% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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The Last Shadow Puppets
Miracle Aligner
113 bpm • F# min • 04:05 • -9db
61% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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The Smashing Pumpkins
Perfect
114 bpm • G Maj • 03:22 • -6.33db
60% Popularity • 64% Danceability • 91% Energy • 45% Liveness
65% Instrumentalness • 54% Positiveness
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Interpol
The New
113 bpm • G Maj • 06:07 • -6.83db
50% Popularity • 35% Danceability • 81% Energy • 25% Liveness
85% Instrumentalness • 27% Positiveness
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