Songs like All the Things You Are - Remastered by Glenn Miller
Based on a tempo of (+/- 10%) and a similar genre
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Nat King Cole Trio
Who Do You Know In Heaven (That Made You...
91 bpm • D Maj • 02:38 • -16.77db
45% Popularity • 56% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 56% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
36% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
36% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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![A Little Bird Told Me (with The Stardusters) [1948 Single Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e075d261d3faa028fd34d444)
Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Bob Crosby
Happy Times
91 bpm • A min • 02:45 • -13.36db
37% Popularity • 49% Danceability • 12% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
37% Popularity • 49% Danceability • 12% Energy • 21% Liveness
8% Instrumentalness • 28% Positiveness
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Cab Calloway & His Orchestra
Jumpin Jive
91 bpm • G# Maj • 02:49 • -10.89db
22% Popularity • 68% Danceability • 47% Energy • 14% Liveness
5% Instrumentalness • 87% Positiveness
22% Popularity • 68% Danceability • 47% Energy • 14% Liveness
5% Instrumentalness • 87% Positiveness
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Cab Calloway
Blues In The Night
91 bpm • C Maj • 03:09 • -15.81db
23% Popularity • 59% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 59% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Jimmie Lunceford
Uptown Blues
90 bpm • C Maj • 02:57 • -9.38db
19% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
19% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Fats Waller
Squeeze Me
92 bpm • D Maj • 03:07 • -21.62db
26% Popularity • 62% Danceability • 8% Energy • 11% Liveness
8% Instrumentalness • 52% Positiveness
26% Popularity • 62% Danceability • 8% Energy • 11% Liveness
8% Instrumentalness • 52% Positiveness
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The Merry Macs
The Way You Look Tonight
90 bpm • G# Maj • 02:58 • -18db
29% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 13% Liveness
66% Instrumentalness • 13% Positiveness
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Benny Carter
Nightfall
90 bpm • C Maj • 03:13 • -17.28db
23% Popularity • 52% Danceability • 13% Energy • 9% Liveness
36% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 13% Energy • 9% Liveness
36% Instrumentalness • 31% Positiveness
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Sid Phillips
Rock Cake
92 bpm • A# Maj • 02:42 • -11.05db
28% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
28% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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The Ink Spots
Maybe
92 bpm • F Maj • 03:02 • -17.81db
53% Popularity • 41% Danceability • 9% Energy • 10% Liveness
61% Instrumentalness • 20% Positiveness
53% Popularity • 41% Danceability • 9% Energy • 10% Liveness
61% Instrumentalness • 20% Positiveness
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Glenn Miller
American Patrol
92 bpm • A# Maj • 03:16 • -9db
36% Popularity • 65% Danceability • 45% Energy • 12% Liveness
56% Instrumentalness • 84% Positiveness
36% Popularity • 65% Danceability • 45% Energy • 12% Liveness
56% Instrumentalness • 84% Positiveness
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Dorothy Lamour
Moon over Burma
93 bpm • G Maj • 03:43 • -18db
22% Popularity • 21% Danceability • 16% Energy • 30% Liveness
10% Instrumentalness • 34% Positiveness
22% Popularity • 21% Danceability • 16% Energy • 30% Liveness
10% Instrumentalness • 34% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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The Warner Bros. Studio Orchestra
Knock On Wood
89 bpm • F Maj • 01:16 • -10db
21% Popularity • 68% Danceability • 61% Energy • 84% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 68% Danceability • 61% Energy • 84% Liveness
0% Instrumentalness • 83% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Harry
Take the A Train
93 bpm • C# Maj • 03:03 • -17.73db
31% Popularity • 56% Danceability • 30% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
31% Popularity • 56% Danceability • 30% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
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Glenn Miller
At Last - Remastered
92 bpm • A Maj • 03:03 • -12.83db
24% Popularity • 30% Danceability • 17% Energy • 18% Liveness
30% Instrumentalness • 18% Positiveness
24% Popularity • 30% Danceability • 17% Energy • 18% Liveness
30% Instrumentalness • 18% Positiveness
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Larry Clinton
True Confession
89 bpm • A# min • 02:59 • -20.79db
26% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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The Boswell Sisters
That's What I Like About You
94 bpm • G# Maj • 02:53 • -11.34db
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
17% Popularity • 69% Danceability • 28% Energy • 14% Liveness
68% Instrumentalness • 81% Positiveness
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Wayne Newton
Wives And Lovers - Remastered
94 bpm • G min • 02:06 • -13.21db
33% Popularity • 59% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 59% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Harry Roy and His Orchestra
La Cucaracha
94 bpm • G# Maj • 03:08 • -13db
14% Popularity • 68% Danceability • 52% Energy • 31% Liveness
84% Instrumentalness • 92% Positiveness
14% Popularity • 68% Danceability • 52% Energy • 31% Liveness
84% Instrumentalness • 92% Positiveness
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Pete Fountain
For Pete's Sake
94 bpm • A# Maj • 02:13 • -12.92db
20% Popularity • 74% Danceability • 38% Energy • 11% Liveness
36% Instrumentalness • 95% Positiveness
20% Popularity • 74% Danceability • 38% Energy • 11% Liveness
36% Instrumentalness • 95% Positiveness
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Glenn Miller
Serenade In Blue - Remastered 2002
89 bpm • A# Maj • 03:25 • -14.54db
25% Popularity • 37% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 37% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Louis Armstrong
A Kiss To Build A Dream On - Single Vers...
88 bpm • C Maj • 03:01 • -14.11db
63% Popularity • 72% Danceability • 8% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
63% Popularity • 72% Danceability • 8% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
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King Oliver's Creole Jazz Band
Dippermouth Blues
94 bpm • C Maj • 02:26 • -12.98db
32% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
32% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
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Members Of The Glenn Miller Orchestra
Moonlight Cocktail
88 bpm • C min • 01:47 • -21.82db
38% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
38% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
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Woody Herman
LAURA
88 bpm • D# Maj • 03:16 • -14.08db
14% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
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Glenn Miller
(There'll Be Blue Birds Over) The White ...
93 bpm • C min • 02:52 • -13.02db
16% Popularity • 28% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
16% Popularity • 28% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Bix Beiderbecke
I Like That
88 bpm • D# Maj • 03:02 • -15.06db
37% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
37% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
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Perry Como
Chi-Baba, Chi-Baba (My Bambino Go To Sle...
88 bpm • A# Maj • 02:56 • -15.95db
23% Popularity • 60% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 60% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Wayne Newton
Volare
88 bpm • F Maj • 02:00 • -7.2db
43% Popularity • 54% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 54% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Lionel Hampton
Rag Mop
95 bpm • C Maj • 02:49 • -11.61db
35% Popularity • 72% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 72% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Glenn Miller
Little Brown Jug - Remastered 2002
94 bpm • C# Maj • 02:48 • -13.92db
30% Popularity • 68% Danceability • 47% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
30% Popularity • 68% Danceability • 47% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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Fats Waller
Two Sleepy People
87 bpm • F Maj • 03:03 • -18.88db
44% Popularity • 65% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 65% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Coleman Hawkins
Body and Soul
95 bpm • A# min • 03:02 • -16.76db
53% Popularity • 66% Danceability • 11% Energy • 18% Liveness
88% Instrumentalness • 74% Positiveness
53% Popularity • 66% Danceability • 11% Energy • 18% Liveness
88% Instrumentalness • 74% Positiveness
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Rudy Vallee
A Pretty Girl Is Like a Melody
87 bpm • D# Maj • 03:04 • -11.8db
22% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 57% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Members Of The Glenn Miller Orchestra
Swingin' At the Ritz
87 bpm • G# Maj • 02:53 • -18.23db
23% Popularity • 58% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 59% Positiveness
23% Popularity • 58% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 59% Positiveness
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Gene Krupa
How High The Moon
95 bpm • C Maj • 03:16 • -16.14db
28% Popularity • 50% Danceability • 27% Energy • 25% Liveness
7% Instrumentalness • 73% Positiveness
28% Popularity • 50% Danceability • 27% Energy • 25% Liveness
7% Instrumentalness • 73% Positiveness
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Glenn Miller
It's a Blue World
87 bpm • G min • 01:54 • -12.72db
37% Popularity • 30% Danceability • 22% Energy • 93% Liveness
14% Instrumentalness • 8% Positiveness
37% Popularity • 30% Danceability • 22% Energy • 93% Liveness
14% Instrumentalness • 8% Positiveness
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Fats Waller
I Can't Give You Anything but Love
95 bpm • F min • 02:56 • -23.1db
33% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 65% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Bob Crosby & The Bob Cats
Don't Call Me Boy
96 bpm • D# Maj • 03:03 • -11.78db
34% Popularity • 63% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 88% Positiveness
34% Popularity • 63% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 88% Positiveness
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Les Brown & His Orchestra
Leap Frog - Remastered
96 bpm • G# Maj • 02:35 • -11.01db
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
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Jack Jones
Wives And Lovers
96 bpm • F min • 02:29 • -13.22db
47% Popularity • 35% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 35% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Glenn Miller
Indian Summer
87 bpm • A min • 03:01 • -11.18db
35% Popularity • 44% Danceability • 21% Energy • 64% Liveness
13% Instrumentalness • 27% Positiveness
35% Popularity • 44% Danceability • 21% Energy • 64% Liveness
13% Instrumentalness • 27% Positiveness
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Eartha Kitt
Let's Do It
97 bpm • G# Maj • 03:05 • -20db
52% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 65% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Jimmy Durante
Don't Lose Your Sense of Humor
86 bpm • C Maj • 02:56 • -9db
26% Popularity • 37% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 37% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Bob Crosby & The Bob Cats
When My Dream Boat Comes Home
86 bpm • A# Maj • 02:29 • -11.96db
26% Popularity • 68% Danceability • 25% Energy • 28% Liveness
34% Instrumentalness • 62% Positiveness
26% Popularity • 68% Danceability • 25% Energy • 28% Liveness
34% Instrumentalness • 62% Positiveness
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Lionel Hampton
Flying Home
97 bpm • C# Maj • 03:10 • -9.79db
18% Popularity • 74% Danceability • 53% Energy • 16% Liveness
86% Instrumentalness • 81% Positiveness
18% Popularity • 74% Danceability • 53% Energy • 16% Liveness
86% Instrumentalness • 81% Positiveness
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Perry Como
Til The End Of Time
85 bpm • G# Maj • 03:11 • -12.56db
31% Popularity • 36% Danceability • 24% Energy • 12% Liveness
5% Instrumentalness • 32% Positiveness
31% Popularity • 36% Danceability • 24% Energy • 12% Liveness
5% Instrumentalness • 32% Positiveness
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Glenn Miller
Blue Orchids - Remastered 2002
85 bpm • F min • 02:52 • -15.1db
20% Popularity • 52% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 52% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Betty Hutton
It Had To Be You
97 bpm • A# min • 03:11 • -14.99db
34% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 54% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Artie Shaw
Stardust
85 bpm • F Maj • 03:34 • -14.49db
40% Popularity • 37% Danceability • 21% Energy • 26% Liveness
77% Instrumentalness • 10% Positiveness
40% Popularity • 37% Danceability • 21% Energy • 26% Liveness
77% Instrumentalness • 10% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Herb Alpert & The Tijuana Brass
I'm Getting Sentimental Over You
97 bpm • A min • 02:10 • -11.52db
34% Popularity • 64% Danceability • 49% Energy • 15% Liveness
59% Instrumentalness • 68% Positiveness
34% Popularity • 64% Danceability • 49% Energy • 15% Liveness
59% Instrumentalness • 68% Positiveness
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Lionel Hampton
Jivin' the Vibres
98 bpm • D# Maj • 02:21 • -11.08db
26% Popularity • 72% Danceability • 56% Energy • 12% Liveness
65% Instrumentalness • 82% Positiveness
26% Popularity • 72% Danceability • 56% Energy • 12% Liveness
65% Instrumentalness • 82% Positiveness
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Glenn Miller & The Army Air Force Band
Along The Santa Fe Trail - Remastered 20...
85 bpm • A# Maj • 03:18 • -13.76db
14% Popularity • 36% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
14% Popularity • 36% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Vince Giordano And The Nighthawks
Everybody Loves My Baby
98 bpm • G Maj • 03:08 • -8.54db
30% Popularity • 83% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
30% Popularity • 83% Danceability • 46% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
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Fats Waller
Jitterbug Waltz
98 bpm • C min • 03:20 • -11db
30% Popularity • 36% Danceability • 31% Energy • 16% Liveness
41% Instrumentalness • 32% Positiveness
30% Popularity • 36% Danceability • 31% Energy • 16% Liveness
41% Instrumentalness • 32% Positiveness
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Reg Owen
Manhattan Spiritual
98 bpm • G# Maj • 02:45 • -14.89db
18% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
18% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
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Russ Morgan and His Orchestra
You're Nobody 'Til Somebody Loves You
85 bpm • C# Maj • 03:17 • -11.67db
12% Popularity • 34% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 34% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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The Boswell Sisters
That's How Rhythm Was Born - 78rpm Versi...
98 bpm • G# Maj • 02:53 • -13.61db
13% Popularity • 83% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 83% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Chris Barber
Magnolia's Wedding Day
99 bpm • D# Maj • 04:37 • -6.55db
19% Popularity • 60% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
19% Popularity • 60% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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John Vincent's Californians
Loving You the Way I Do
84 bpm • D min • 02:49 • -11.73db
23% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
23% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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Fats Waller
Ain't Misbehavin'
98 bpm • C min • 03:57 • -16.92db
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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The Merry Macs
La Paloma
84 bpm • D Maj • 02:21 • -16db
30% Popularity • 69% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
30% Popularity • 69% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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Jack Jones
Real Live Girl
84 bpm • D Maj • 02:12 • -12db
35% Popularity • 42% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 42% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Benny Goodman Quartet
Whispering
99 bpm • D# Maj • 03:23 • -15.83db
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
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Lionel Hampton
When Lights Are Low
99 bpm • C# Maj • 02:14 • -9.3db
28% Popularity • 87% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
28% Popularity • 87% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
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The Ink Spots
My Prayer
99 bpm • C min • 03:13 • -15.93db
35% Popularity • 43% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
35% Popularity • 43% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Members Of The Glenn Miller Orchestra
Gypsy Dance
83 bpm • E Maj • 02:37 • -14.91db
13% Popularity • 52% Danceability • 49% Energy • 20% Liveness
27% Instrumentalness • 36% Positiveness
13% Popularity • 52% Danceability • 49% Energy • 20% Liveness
27% Instrumentalness • 36% Positiveness
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Fats Waller
Until the Real Thing Comes Along
99 bpm • G min • 03:22 • -14.33db
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
36% Popularity • 68% Danceability • 21% Energy • 17% Liveness
14% Instrumentalness • 49% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Cab Calloway & His Orchestra
Minnie the Moocher
100 bpm • E min • 03:14 • -10.54db
29% Popularity • 55% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 55% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 45% Positiveness
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Ray Charles
It Had to Be You
83 bpm • D# Maj • 02:44 • -13db
52% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 50% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Tommy Dorsey
Polka Dots and Moonbeams
83 bpm • D Maj • 03:19 • -23.7db
51% Popularity • 46% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 46% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Members Of The Glenn Miller Orchestra
Gypsy Dance
83 bpm • E Maj • 02:37 • -17db
34% Popularity • 50% Danceability • 44% Energy • 36% Liveness
7% Instrumentalness • 50% Positiveness
34% Popularity • 50% Danceability • 44% Energy • 36% Liveness
7% Instrumentalness • 50% Positiveness
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New Orleans 1920s Jazz
1920s Dixieland Jazz Background
100 bpm • G# Maj • 01:24 • -19db
37% Popularity • 86% Danceability • 38% Energy • 10% Liveness
73% Instrumentalness • 98% Positiveness
37% Popularity • 86% Danceability • 38% Energy • 10% Liveness
73% Instrumentalness • 98% Positiveness
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Glenn Miller
The Nearness Of You - Remastered
83 bpm • A# min • 03:11 • -18.79db
19% Popularity • 30% Danceability • 7% Energy • 11% Liveness
6% Instrumentalness • 22% Positiveness
19% Popularity • 30% Danceability • 7% Energy • 11% Liveness
6% Instrumentalness • 22% Positiveness
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Harry James and His Orchestra, Vocals by Helen Humes
It's The Dreamer In Me
100 bpm • C Maj • 02:56 • -7.92db
8% Popularity • 54% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 54% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Jelly Roll Morton
Doctor Jazz
100 bpm • B Maj • 03:28 • -7.99db
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Members Of The Glenn Miller Orchestra
Pennsylvania 6-5000
83 bpm • G# Maj • 02:55 • -12.21db
25% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Bob Crosby & The Bob Cats
Can't We Be Friends?
101 bpm • D min • 02:57 • -13.15db
40% Popularity • 61% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 60% Positiveness
40% Popularity • 61% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 60% Positiveness
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Eddy Howard
I Married an Angel
101 bpm • F Maj • 02:27 • -9db
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
22% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Mathis
Misty
82 bpm • G# Maj • 03:36 • -13.56db
55% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Glenn Miller
Fools Rush In (Where Angels Fear To Trea...
101 bpm • F min • 02:31 • -14.36db
27% Popularity • 41% Danceability • 12% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
27% Popularity • 41% Danceability • 12% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Glenn Miller & His Orchestra; Vocal by Smith Ballew
A Blues Serenade - 78rpm Version
82 bpm • G# Maj • 02:49 • -20db
21% Popularity • 45% Danceability • 11% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
21% Popularity • 45% Danceability • 11% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
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Original Memphis Five
Fireworks
101 bpm • G# Maj • 02:31 • -7db
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Tex Beneke
Give Me Five Minutes More
82 bpm • F Maj • 02:35 • -4db
29% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Crosby
Did Anyone Ever Tell You Mrs Murphy
101 bpm • C# Maj • 01:29 • -21db
39% Popularity • 78% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
39% Popularity • 78% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
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Harry Connick, Jr.
He Is They Are
81 bpm • G Maj • 04:11 • -13.96db
36% Popularity • 58% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 58% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Glenn Miller
Blueberry Hill - 2002 Remastered
102 bpm • D# Maj • 02:51 • -12.68db
26% Popularity • 52% Danceability • 7% Energy • 24% Liveness
7% Instrumentalness • 40% Positiveness
26% Popularity • 52% Danceability • 7% Energy • 24% Liveness
7% Instrumentalness • 40% Positiveness