Songs like All the Wasted Time by Brent Carver
Based on a tempo of (+/- 10%) and a similar genre
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Brent Carver
All the Wasted Time
62 bpm • A# Maj • 04:41 • -12.01db
23% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ricky Ian Gordon
Sad Balbec
63 bpm • G Maj • 00:47 • -19.88db
0% Popularity • 54% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 54% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Adam Jacobs
Proud of Your Boy
62 bpm • D Maj • 02:21 • -8.91db
43% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Steven Pasquale
It All Fades Away
61 bpm • D Maj • 04:55 • -8db
33% Popularity • 40% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 40% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Heidi Blickenstaff
I Am Playing Me
63 bpm • C Maj • 01:40 • -13db
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Kate Reinders
I Love the Way
63 bpm • G Maj • 02:49 • -8.47db
37% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Andrew Keenan-Bolger
Seventeen
64 bpm • G Maj • 02:03 • -12db
28% Popularity • 30% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 30% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Original Broadway Cast
Come Whatever May (Reprise)
65 bpm • G min • 01:22 • -6.21db
0% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Jimmy Roberts
Single Man Drought
67 bpm • A# Maj • 04:09 • -10db
17% Popularity • 57% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 57% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Marcia Lewis
Here's That Rainy Day / In the Wee Small...
68 bpm • F Maj • 03:13 • -11.97db
12% Popularity • 29% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 29% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Carolee Carmello
Maybe This Time
67 bpm • C# Maj • 03:30 • -11.85db
6% Popularity • 22% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 22% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Chess In Concert
Someone Else's Story
68 bpm • C# Maj • 03:39 • -12db
30% Popularity • 24% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 24% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Groban
The Great Comet of 1812
69 bpm • D Maj • 05:02 • -11.8db
33% Popularity • 34% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
33% Popularity • 34% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
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Derek Klena
Come Back
56 bpm • C Maj • 02:50 • -6db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Anthony Warlow
The Engagement Party
69 bpm • D Maj • 01:19 • -12.47db
29% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Lea Michele
Mama Who Bore Me - Original Broadway Cas...
69 bpm • D Maj • 02:20 • -10db
46% Popularity • 32% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
46% Popularity • 32% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Carolee Carmello
The Wheel - Finale
65 bpm • F Maj • 01:17 • -11.39db
23% Popularity • 33% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 33% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jennifer Damiano
Everything Else
69 bpm • C Maj • 01:49 • -12db
37% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Brent Carver
How Can I Call This Home?
69 bpm • D Maj • 02:51 • -11db
20% Popularity • 47% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 47% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Lindsay Mendez
Pretty Funny
70 bpm • G Maj • 04:49 • -10db
38% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Bay Jones
I Guess I'll Miss the Man
55 bpm • C Maj • 02:06 • -14.11db
31% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
27% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Linda Eder
Symphathy-Tenderness
71 bpm • B min • 01:42 • -22.53db
28% Popularity • 16% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 16% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Idina Menzel
What If?
71 bpm • A Maj • 04:43 • -9.97db
24% Popularity • 46% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 46% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Christian Borle
Peggy Hewitt & Mysty Del Giorno
72 bpm • E Maj • 02:50 • -13db
8% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Sherie Rene Scott
I Can Do Better Than That
73 bpm • A Maj • 05:11 • -11db
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
24% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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John Hickok
Another Pyramid
73 bpm • F Maj • 03:35 • -7.9db
28% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 62% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
24% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Original Broadway Cast
You Have a Fire
74 bpm • A# min • 01:55 • -9.1db
0% Popularity • 34% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 34% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
30% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Corey Cott
This Is Life
75 bpm • G# Maj • 02:55 • -12.16db
20% Popularity • 34% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 34% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Emma
Once Upon a Dream
75 bpm • B Maj • 02:49 • -17db
28% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Heather Headley
Easy As Life
73 bpm • G# Maj • 04:13 • -8.52db
33% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Alice Ripley
Make up Your Mind / Catch Me I'm Falling
75 bpm • F# Maj • 03:58 • -10.01db
32% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Groban
Pierre & Anatole
75 bpm • C# min • 03:56 • -7.22db
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Keenan-Bolger
Prologue
76 bpm • D Maj • 00:57 • -11db
25% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
29% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Perfect Strangers
76 bpm • A Maj • 02:30 • -11.8db
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Sherie Rene Scott
I Know The Truth
75 bpm • G Maj • 03:36 • -12.42db
30% Popularity • 33% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 33% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Douglas Sills
She Was There
76 bpm • B Maj • 03:07 • -11db
21% Popularity • 32% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 32% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Santino Fontana
"Ten Minutes Ago"
76 bpm • G Maj • 02:52 • -11.5db
39% Popularity • 43% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 43% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony Warlow
The Wedding Reception
77 bpm • B Maj • 04:16 • -10.88db
28% Popularity • 30% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 30% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Mandy Gonzalez
When the Sun Goes Down
77 bpm • C min • 02:32 • -14db
34% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
34% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jeanine Tesori
Changing My Major
77 bpm • A# Maj • 04:22 • -11.02db
31% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Brent Carver
Michael's Song
77 bpm • G min • 03:13 • -12.72db
0% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Carolee Carmello
Sleuth in Duluth (Reprise)
78 bpm • E min • 01:39 • -11db
4% Popularity • 59% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
4% Popularity • 59% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Mel Brooks
The King of Broadway
78 bpm • C# Maj • 05:09 • -11.4db
10% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Anthony Warlow
Take Me as I Am
78 bpm • A# Maj • 03:16 • -10.3db
31% Popularity • 14% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 14% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Laura Osnes
"He Was Tall"
78 bpm • D Maj • 01:30 • -12.12db
26% Popularity • 33% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 33% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Carolee Carmello
Boom! Shout! Reprise!
78 bpm • B min • 01:27 • -11db
6% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Jimmy Roberts
I Will Be Loved Tonight
78 bpm • G# Maj • 02:55 • -11.11db
16% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Josh Groban
Pierre & Natasha
78 bpm • D Maj • 07:50 • -18db
32% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 52% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Phillipa Soo
On The Steps Of The Palace
78 bpm • D Maj • 02:26 • -11.72db
40% Popularity • 59% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 59% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Barbra Streisand
Don't Rain On My Parade
79 bpm • A# Maj • 02:44 • -7.71db
36% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Original Broadway Cast
He Will Be My Home
79 bpm • G# Maj • 04:59 • -7db
1% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
7% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
24% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Brent Carver
Her Name Is Aurora
79 bpm • G Maj • 04:33 • -19.72db
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Anthony Warlow
Streak of Madness
79 bpm • D# Maj • 03:37 • -19.87db
28% Popularity • 37% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 37% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Sarah Charles Lewis
Live Like This
80 bpm • C Maj • 06:01 • -9db
30% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
25% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
41% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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![Silent Night (Arr. D. Riley for Voice & Cello) [Live] cover art](https://i.scdn.co/image/ab67616d00001e0284cb3296a68cd80ca19aa27a)
Franz Xaver Gruber
Silent Night (Arr. D. Riley for Voice & ...
80 bpm • C Maj • 03:38 • -26.84db
0% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
0% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
25% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
31% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Santino Fontana
"Do I Love You Because You're Beautiful?...
80 bpm • G Maj • 02:37 • -8.77db
32% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Christine Andreas
Only Love
81 bpm • G# Maj • 04:08 • -11.22db
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 23% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
22% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
22% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
30% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Brent Carver
She's A Woman
81 bpm • C Maj • 02:40 • -18db
14% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
16% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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James Snyder
Hey, Kid
81 bpm • F Maj • 03:38 • -11.83db
16% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Original Broadway Cast
Follow Me (Part One)
81 bpm • E Maj • 04:39 • -4.74db
1% Popularity • 44% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 44% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Lea Michele
Whispering - Original Broadway Cast Reco...
81 bpm • E min • 03:35 • -16.06db
33% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 36% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Phillipa Soo
No One Is Alone
82 bpm • C# Maj • 03:43 • -13.48db
41% Popularity • 33% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 33% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Laura Osnes
Love Will Come and Find Me Again
82 bpm • D Maj • 03:02 • -8.49db
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Merle Louise
You Could Never Shame Me
82 bpm • A# Maj • 02:59 • -21.48db
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
35% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jeremy Jordan
Nobody Needs to Know
83 bpm • G# Maj • 07:07 • -11.79db
33% Popularity • 23% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 23% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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Original Broadway Cast
What Does It Profit?
83 bpm • C min • 02:25 • -7.25db
0% Popularity • 29% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
