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All The Ways To Say Goodbye
Songs like
All The Ways To Say Goodbye
by
Mitch James
Based on a tempo of (+/- 10%) and a similar genre
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Jake Austin Walker
Rolling Stones
102 bpm • G Maj • 03:25 • -9.32db
18% Popularity • 65% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 45% Positiveness
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Mike Posner
Move On
102 bpm • D Maj • 02:58 • -5.74db
49% Popularity • 74% Danceability • 69% Energy • 40% Liveness
50% Instrumentalness • 36% Positiveness
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Josh Gray
Cut Loose
102 bpm • G Maj • 02:42 • -7.03db
17% Popularity • 72% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Tyler Shaw
To the Man Who Let Her Go - Radio Mix
102 bpm • F# Maj • 03:05 • -7.83db
13% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Mitch James
Saving Time
102 bpm • G Maj • 02:50 • -7.4db
17% Popularity • 67% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jasmine Thompson
Someone's Somebody
102 bpm • F# min • 03:36 • -7.41db
25% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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CAGGIE
Here We Are Again
102 bpm • C# Maj • 03:29 • -6.87db
16% Popularity • 70% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Maisie Peters
Worst of You
102 bpm • E Maj • 03:17 • -7.26db
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Rozzi
Never Over You
102 bpm • C# Maj • 03:07 • -5db
24% Popularity • 65% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Illy
Lean On Me
101 bpm • C Maj • 03:47 • -8db
23% Popularity • 71% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Mitch James
All The Ways To Say Goodbye
102 bpm • A# min • 03:05 • -8.1db
32% Popularity • 74% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Clinton Washington
Give It Up
101 bpm • C# Maj • 04:00 • -6db
16% Popularity • 76% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Human Nature
Nobody Just Like You
101 bpm • G Maj • 02:44 • -4.32db
32% Popularity • 78% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Chelsea Cutler
Lonely Alone
101 bpm • D Maj • 03:13 • -14.12db
42% Popularity • 86% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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MNEK
Colour
101 bpm • C Maj • 03:21 • -2.99db
50% Popularity • 68% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Reuben Gray
Till the Lights Go Out
101 bpm • G# min • 03:37 • -7db
24% Popularity • 38% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Mitch James
Sunday Morning - Unplugged
102 bpm • A Maj • 03:31 • -8.34db
11% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Anne-Marie
Heavy - Acoustic
101 bpm • F Maj • 02:52 • -8.63db
23% Popularity • 58% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Dean Lewis
Let Go
103 bpm • A# Maj • 02:54 • -8db
52% Popularity • 57% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Erin Bloomer
Right Love, Wrong Time
101 bpm • C# Maj • 03:07 • -6.39db
24% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ivy Adara
Rebels
104 bpm • F# Maj • 02:56 • -6.09db
41% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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GRAACE
SOS
100 bpm • D# Maj • 03:07 • -9.04db
24% Popularity • 57% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Mitch James
bulletholes - commentary
102 bpm • D min • 01:42 • -26.85db
1% Popularity • 69% Danceability • 5% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
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Quinn Lewis
In Between
104 bpm • G Maj • 03:00 • -7db
14% Popularity • 83% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Cody Simpson
Sun Go Down
104 bpm • C Maj • 03:07 • -8.94db
16% Popularity • 65% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Sons of Zion
Drift Away
100 bpm • C# Maj • 02:59 • -11.6db
44% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Naughty Boy
One Chance To Dance
104 bpm • D Maj • 03:24 • -3.17db
38% Popularity • 61% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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John K
Wrong
104 bpm • A min • 03:00 • -8db
23% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Mitch James
stuck in denial
103 bpm • B Maj • 03:10 • -5.75db
15% Popularity • 71% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Olivia Noelle
High for Me
100 bpm • F Maj • 03:34 • -2.35db
23% Popularity • 74% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Nick Broadhurst
Just Us
100 bpm • F# Maj • 03:05 • -6.72db
15% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Abby Wolfe
Lonely in Company
104 bpm • E min • 03:47 • -4.56db
12% Popularity • 76% Danceability • 65% Energy • 54% Liveness
0% Instrumentalness • 42% Positiveness
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Loote
High Without Your Love - Acoustic
100 bpm • F Maj • 02:55 • -4.66db
20% Popularity • 88% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Folly Rae
You Don't Love Me
100 bpm • C# min • 03:24 • -5.85db
27% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Mitch James
Old News
101 bpm • F Maj • 03:50 • -7.4db
38% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Clara Mae
I Forgot
100 bpm • F# Maj • 03:04 • -7db
32% Popularity • 72% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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PRETTYMUCH
Summer on You
100 bpm • E Maj • 03:25 • -6.55db
54% Popularity • 81% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
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Cyrus Villanueva
Don't Let Me Know
100 bpm • G min • 03:00 • -5.16db
7% Popularity • 60% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Theia
Roam
100 bpm • A min • 03:47 • -6.44db
21% Popularity • 60% Danceability • 64% Energy • 36% Liveness
3% Instrumentalness • 41% Positiveness
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Chelsea Cutler
Snow In October
100 bpm • A min • 03:19 • -10.24db
31% Popularity • 64% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Mitch James
Apologise
100 bpm • E Maj • 03:54 • -8.79db
20% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jordie Ireland
One In A Million
104 bpm • F Maj • 02:58 • -5.77db
21% Popularity • 75% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Youngr
'93 - Acoustic
100 bpm • E Maj • 03:14 • -18.29db
15% Popularity • 79% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Busby Marou
Sound of Summer
104 bpm • B Maj • 03:06 • -6.03db
32% Popularity • 47% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Nathanson
Long Distance Runner
99 bpm • C Maj • 02:53 • -3.65db
30% Popularity • 71% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Foley
Talk About It
105 bpm • C Maj • 03:43 • -6.38db
20% Popularity • 79% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Mitch James
Won't Bother Me
104 bpm • C Maj • 03:12 • -6db
19% Popularity • 84% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Reuben Koops
Two Little Words (I Do)
99 bpm • F# Maj • 03:13 • -10.13db
24% Popularity • 63% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Pete Murray
Heartbeats
105 bpm • F# Maj • 04:01 • -8.98db
25% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Cody Simpson
Pirates Dream
105 bpm • G# Maj • 02:23 • -14db
22% Popularity • 65% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Dean Lewis
7 Minutes
105 bpm • A# Maj • 03:31 • -6.48db
61% Popularity • 61% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Taylor Henderson
Love Somebody
105 bpm • C# Maj • 03:05 • -9.66db
33% Popularity • 88% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Mitch James
Lay It On The Line
100 bpm • C# Maj • 03:05 • -7.71db
21% Popularity • 76% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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MOZA
Right Words
105 bpm • D# Maj • 03:30 • -7.19db
22% Popularity • 60% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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LANY
I Don't Wanna Love You Anymore
105 bpm • C Maj • 03:21 • -8.36db
63% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Flynn
My Gold
105 bpm • G# Maj • 03:17 • -6.24db
24% Popularity • 70% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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SIX60
Sundown
105 bpm • E min • 02:57 • -7.3db
47% Popularity • 79% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Benjamin Roustaing
Old Days
105 bpm • C min • 03:16 • -9.87db
23% Popularity • 94% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mitch James
Sunday Morning
104 bpm • G# min • 03:23 • -5.75db
43% Popularity • 69% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Clean Bandit
I Miss You
105 bpm • C min • 03:25 • -7.48db
67% Popularity • 69% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Tyron Hapi
About You
105 bpm • G# Maj • 02:40 • -5.56db
29% Popularity • 74% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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MAX
Lights Down Low - Riddler Remix
105 bpm • C min • 03:44 • -6db
25% Popularity • 67% Danceability • 70% Energy • 69% Liveness
0% Instrumentalness • 64% Positiveness
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Dylan J
Hollering Love
99 bpm • C# min • 02:43 • -5.88db
8% Popularity • 48% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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MKTO
How Can I Forget
105 bpm • G# Maj • 02:57 • -5.97db
56% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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The Chainsmokers
This Feeling
105 bpm • C# Maj • 03:17 • -7.91db
70% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Zak Abel
Beautiful Life
105 bpm • F Maj • 03:29 • -3.1db
30% Popularity • 48% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Jordie Ireland
Throw Away My Number
105 bpm • F Maj • 03:29 • -6.85db
25% Popularity • 60% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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MAX
Still New York
99 bpm • C# min • 03:44 • -6.37db
42% Popularity • 66% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Jack Gray
My Hands
99 bpm • C Maj • 03:20 • -6db
20% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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MKTO
Monaco
99 bpm • B Maj • 03:47 • -5.13db
48% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Scott Helman
Hang Ups
105 bpm • D# Maj • 02:55 • -6.16db
37% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Mitch James
stuck in denial - commentary
98 bpm • D Maj • 01:23 • -22db
6% Popularity • 68% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Cody Simpson
Daybreak - Acoustic
98 bpm • D min • 03:22 • -15.93db
17% Popularity • 46% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Dean Lewis
Stay Awake
106 bpm • B min • 03:05 • -7.12db
60% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Julia Michaels
Worst In Me
106 bpm • F# Maj • 03:22 • -8db
49% Popularity • 65% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Drax Project
Toto
106 bpm • A# Maj • 03:08 • -4.89db
32% Popularity • 78% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Robinson
Karma
98 bpm • G Maj • 03:08 • -6db
30% Popularity • 76% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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gnash
that one song
98 bpm • D# Maj • 03:13 • -8.46db
35% Popularity • 83% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Andy Kong
Harbor in a Hurricane
98 bpm • D# Maj • 03:54 • -8.57db
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Dean Lewis
Stay Awake - Guitar Acoustic
106 bpm • D Maj • 03:01 • -7.59db
27% Popularity • 76% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Mitch James
Bright Blue Skies
98 bpm • G Maj • 03:02 • -9db
48% Popularity • 80% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Dylan Jordan
Like Me
98 bpm • A# min • 03:20 • -5.45db
17% Popularity • 76% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Jamie Lawson
Can't See Straight
98 bpm • A Maj • 03:06 • -4.81db
23% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Dylan J
Run to the River
98 bpm • C# Maj • 03:28 • -7db
17% Popularity • 77% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Gray
Red Rental Car
106 bpm • D Maj • 03:52 • -7.39db
15% Popularity • 44% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Kodaline
Worth It
98 bpm • B min • 04:01 • -4.75db
35% Popularity • 44% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Ansel Elgort
All I Think About Is You
98 bpm • C# Maj • 03:08 • -5db
44% Popularity • 46% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Chelsea Cutler
You Make Me
98 bpm • C Maj • 03:34 • -6.38db
35% Popularity • 58% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Trey Kennedy
Amy
98 bpm • A min • 03:12 • -7.45db
22% Popularity • 71% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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The Script
Love Not Lovers
98 bpm • G Maj • 03:44 • -7.76db
34% Popularity • 66% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Josh Tobias
Losing Sleep
97 bpm • B min • 03:14 • -7.13db
14% Popularity • 74% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Sons of Zion
Come Home
107 bpm • A Maj • 03:14 • -8.35db
24% Popularity • 87% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Loote
Your Side Of The Bed - Acoustic
107 bpm • G# Maj • 03:22 • -7.08db
28% Popularity • 81% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Calum Scott
Stop Myself (Only Human)
107 bpm • G# min • 03:27 • -3.36db
39% Popularity • 58% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Glades
Do Right
107 bpm • D# Maj • 03:17 • -6db
34% Popularity • 75% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Jocelyn Alice
Still Wondering
107 bpm • C Maj • 02:55 • -4.29db
21% Popularity • 52% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Johnny Balik
My Perfect
97 bpm • A Maj • 03:16 • -7.6db
14% Popularity • 65% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Denny White
Carried Away
97 bpm • C# Maj • 03:29 • -7db
24% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Alae
Too Strung Up
107 bpm • C Maj • 02:37 • -8.93db
29% Popularity • 73% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Ezra Jordan
Lonely Now
97 bpm • A# min • 03:32 • -7.4db
17% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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All The Ways To Say Goodbye