Songs like All Things Together by Björn Olsson
Based on a tempo of (+/- 10%) and a similar genre
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bob hund
Det skulle vara lätt för mig att säga...
136 bpm • G Maj • 09:19 • -6db
27% Popularity • 21% Danceability • 84% Energy • 35% Liveness
30% Instrumentalness • 23% Positiveness
27% Popularity • 21% Danceability • 84% Energy • 35% Liveness
30% Instrumentalness • 23% Positiveness
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Freddie Wadling
Det sitter i dig
136 bpm • D min • 04:23 • -20.59db
18% Popularity • 41% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
18% Popularity • 41% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Joel Alme
Aldrig bra på livet
136 bpm • E Maj • 03:46 • -11.24db
27% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Vit Päls
På nätterna drömmer jag
137 bpm • E Maj • 03:00 • -16.48db
23% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 69% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Doktor Kosmos
HÃ¥lla Din Hand
135 bpm • G Maj • 03:59 • -8.69db
26% Popularity • 76% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 76% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Les Big Byrd
Geräusche
137 bpm • C Maj • 06:03 • -6.79db
20% Popularity • 62% Danceability • 74% Energy • 37% Liveness
44% Instrumentalness • 13% Positiveness
20% Popularity • 62% Danceability • 74% Energy • 37% Liveness
44% Instrumentalness • 13% Positiveness
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1900
En gång ägde vi hela jorden
137 bpm • A min • 03:40 • -11db
23% Popularity • 26% Danceability • 23% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
23% Popularity • 26% Danceability • 23% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
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Johan Airijoki
Krossen
137 bpm • G Maj • 03:03 • -13db
30% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 55% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Skator
(Inte) hem
137 bpm • A Maj • 05:06 • -16.35db
16% Popularity • 54% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 34% Positiveness
16% Popularity • 54% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 34% Positiveness
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Skriet
Ben & Hjärtan
134 bpm • E min • 07:37 • -11.7db
10% Popularity • 37% Danceability • 31% Energy • 17% Liveness
38% Instrumentalness • 15% Positiveness
10% Popularity • 37% Danceability • 31% Energy • 17% Liveness
38% Instrumentalness • 15% Positiveness
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Björn Olsson
Anna Norling 2015
134 bpm • D Maj • 02:31 • -8.61db
14% Popularity • 57% Danceability • 72% Energy • 14% Liveness
92% Instrumentalness • 82% Positiveness
14% Popularity • 57% Danceability • 72% Energy • 14% Liveness
92% Instrumentalness • 82% Positiveness
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El Rojo Adios
On a Train
134 bpm • F Maj • 03:24 • -12.02db
16% Popularity • 68% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
16% Popularity • 68% Danceability • 44% Energy • 11% Liveness
67% Instrumentalness • 52% Positiveness
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Dungen
Solen stiger upp (Del 1 & 2)
138 bpm • A# min • 04:06 • -3.75db
15% Popularity • 28% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 28% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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The Soundtrack Of Our Lives
Grand Canaria
138 bpm • E min • 02:40 • -8db
30% Popularity • 36% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 36% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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Vasas flora och fauna
Leevi & the Leavings
138 bpm • B Maj • 03:59 • -5db
35% Popularity • 71% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 71% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Vit Päls
Bättre hemma
134 bpm • B Maj • 04:05 • -9db
14% Popularity • 47% Danceability • 43% Energy • 30% Liveness
19% Instrumentalness • 40% Positiveness
14% Popularity • 47% Danceability • 43% Energy • 30% Liveness
19% Instrumentalness • 40% Positiveness
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Björn Olsson
anna norling
134 bpm • G# Maj • 02:31 • -12.79db
14% Popularity • 60% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
14% Popularity • 60% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
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Emil Jensen
Vinden bär oss
134 bpm • A Maj • 03:28 • -16.19db
12% Popularity • 50% Danceability • 27% Energy • 14% Liveness
6% Instrumentalness • 40% Positiveness
12% Popularity • 50% Danceability • 27% Energy • 14% Liveness
6% Instrumentalness • 40% Positiveness
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James & Karin
Den dan då skogen brann
134 bpm • C Maj • 04:06 • -8.43db
18% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Klara Keller
Rovdjursvilt
138 bpm • D Maj • 04:06 • -7.09db
20% Popularity • 48% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 48% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Linus Hasselberg
Granada, Granada
134 bpm • C Maj • 06:09 • -9db
12% Popularity • 42% Danceability • 56% Energy • 5% Liveness
76% Instrumentalness • 60% Positiveness
12% Popularity • 42% Danceability • 56% Energy • 5% Liveness
76% Instrumentalness • 60% Positiveness
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Joel Alme
SÃ¥ kanske vinden
134 bpm • E Maj • 01:53 • -10db
36% Popularity • 48% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
36% Popularity • 48% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Vit Päls
Ägd
133 bpm • C Maj • 03:08 • -7.17db
20% Popularity • 55% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
20% Popularity • 55% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
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Den Stora Vilan
Djuret
134 bpm • G Maj • 05:04 • -5.44db
11% Popularity • 39% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 39% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Solen
Inne i mitt huvud
133 bpm • D# Maj • 03:00 • -10db
24% Popularity • 31% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 31% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jonas Lundqvist
Vissa nätter
139 bpm • F# min • 04:24 • -4.93db
26% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Gregory Allan FitzPatrick
Befria Norden
139 bpm • G# Maj • 09:01 • -10db
9% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 66% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Tvärvägen
Känslan Efter Gråten
139 bpm • D Maj • 01:59 • -14.12db
13% Popularity • 48% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
13% Popularity • 48% Danceability • 31% Energy • 10% Liveness
90% Instrumentalness • 49% Positiveness
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Sagor & Swing
Grottmusik
139 bpm • C min • 02:22 • -12.05db
18% Popularity • 44% Danceability • 24% Energy • 29% Liveness
81% Instrumentalness • 30% Positiveness
18% Popularity • 44% Danceability • 24% Energy • 29% Liveness
81% Instrumentalness • 30% Positiveness
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Björn Olsson
pianomelodi i e-moll
139 bpm • E min • 01:22 • -17.51db
21% Popularity • 35% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
21% Popularity • 35% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Vit Päls
Vackert Väder
139 bpm • G Maj • 02:03 • -6.49db
18% Popularity • 61% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 61% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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John Holm
Ett enskilt rum på Sabbatsberg
140 bpm • C min • 04:47 • -16db
22% Popularity • 36% Danceability • 24% Energy • 14% Liveness
6% Instrumentalness • 11% Positiveness
22% Popularity • 36% Danceability • 24% Energy • 14% Liveness
6% Instrumentalness • 11% Positiveness
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Pugh Rogefeldt
Små lätta moln
133 bpm • G Maj • 04:37 • -14.86db
36% Popularity • 41% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
36% Popularity • 41% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Folke Nikanor
Stannar du kvar?
140 bpm • C# Maj • 03:23 • -13.6db
34% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Tiger Tape
Om jag går sönder
132 bpm • G Maj • 03:20 • -7db
31% Popularity • 29% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
31% Popularity • 29% Danceability • 70% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Det Stora Monstret
Kolibrins Vingar
140 bpm • F Maj • 03:23 • -10.48db
18% Popularity • 61% Danceability • 44% Energy • 11% Liveness
50% Instrumentalness • 51% Positiveness
18% Popularity • 61% Danceability • 44% Energy • 11% Liveness
50% Instrumentalness • 51% Positiveness
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Björn Olsson
Bruce Emms
132 bpm • A# Maj • 01:46 • -5.62db
7% Popularity • 67% Danceability • 93% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
7% Popularity • 67% Danceability • 93% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
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Amanda Bergman
Sitting By the River
132 bpm • A# Maj • 03:44 • -9.48db
30% Popularity • 59% Danceability • 64% Energy • 28% Liveness
32% Instrumentalness • 31% Positiveness
30% Popularity • 59% Danceability • 64% Energy • 28% Liveness
32% Instrumentalness • 31% Positiveness
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Anna Ahnlund
Varulv
140 bpm • F min • 03:45 • -4.05db
16% Popularity • 43% Danceability • 84% Energy • 21% Liveness
1% Instrumentalness • 65% Positiveness
16% Popularity • 43% Danceability • 84% Energy • 21% Liveness
1% Instrumentalness • 65% Positiveness
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Sara Parkman
Ing-Maries vals
132 bpm • G Maj • 04:00 • -12.32db
35% Popularity • 39% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 39% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Allan Edwall
Vaggvisa
141 bpm • G Maj • 03:31 • -12.42db
33% Popularity • 32% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 32% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Det Stora Monstret
Manifest
132 bpm • A# Maj • 03:15 • -7.34db
15% Popularity • 49% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 49% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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bob hund
Düsseldorf
131 bpm • D Maj • 03:53 • -6.88db
26% Popularity • 44% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 44% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Klara Keller
Hjärtansfröjd
141 bpm • D Maj • 03:14 • -5.96db
22% Popularity • 43% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 43% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Ebbot Lundberg
Coming Down Cold
141 bpm • F Maj • 03:09 • -12.08db
20% Popularity • 54% Danceability • 31% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
20% Popularity • 54% Danceability • 31% Energy • 8% Liveness
2% Instrumentalness • 42% Positiveness
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Steget
SÃ¥na som du
131 bpm • A# Maj • 04:29 • -7.86db
38% Popularity • 43% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 43% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Kebnekajse
Barkbrödslåten
141 bpm • A min • 04:36 • -11.02db
29% Popularity • 57% Danceability • 60% Energy • 44% Liveness
87% Instrumentalness • 43% Positiveness
29% Popularity • 57% Danceability • 60% Energy • 44% Liveness
87% Instrumentalness • 43% Positiveness
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Säkert!
Snooza
131 bpm • F Maj • 03:42 • -10db
32% Popularity • 34% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
32% Popularity • 34% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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bob hund
Hjärtskärande rätt
141 bpm • D Maj • 03:40 • -5db
34% Popularity • 54% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 54% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Katharina Nuttall
Falling Down
142 bpm • D min • 03:08 • -12.19db
32% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Björn Olsson
Liseberg
131 bpm • A Maj • 04:20 • -6.23db
9% Popularity • 58% Danceability • 93% Energy • 75% Liveness
94% Instrumentalness • 81% Positiveness
9% Popularity • 58% Danceability • 93% Energy • 75% Liveness
94% Instrumentalness • 81% Positiveness
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Dina Ögon
Dina Ögon
142 bpm • C Maj • 01:32 • -13.04db
38% Popularity • 50% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
38% Popularity • 50% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Contact
Jag är lite ledsen ikväll
130 bpm • G Maj • 02:56 • -4.57db
23% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Victor Furbacken
Call (Original)
130 bpm • A# min • 02:38 • -6.04db
32% Popularity • 50% Danceability • 81% Energy • 12% Liveness
36% Instrumentalness • 52% Positiveness
32% Popularity • 50% Danceability • 81% Energy • 12% Liveness
36% Instrumentalness • 52% Positiveness
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bob hund
Den ensamme sjömannens födelsedag
130 bpm • C# Maj • 03:11 • -16.69db
17% Popularity • 82% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
17% Popularity • 82% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
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Frida Hyvönen
Vänner i vardagen
130 bpm • F Maj • 03:43 • -8.13db
21% Popularity • 52% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 52% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Erik Enocksson
The Lingering Procession
130 bpm • G Maj • 04:00 • -9.92db
8% Popularity • 40% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
8% Popularity • 40% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Les Big Byrd
Two Man Gang
130 bpm • A Maj • 05:42 • -5.67db
37% Popularity • 59% Danceability • 89% Energy • 13% Liveness
4% Instrumentalness • 32% Positiveness
37% Popularity • 59% Danceability • 89% Energy • 13% Liveness
4% Instrumentalness • 32% Positiveness
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Vasas flora och fauna
Stängningsdax
130 bpm • A min • 04:08 • -8.73db
20% Popularity • 45% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 45% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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1900
S:t Frances
130 bpm • F Maj • 03:32 • -9.08db
20% Popularity • 35% Danceability • 38% Energy • 26% Liveness
96% Instrumentalness • 6% Positiveness
20% Popularity • 35% Danceability • 38% Energy • 26% Liveness
96% Instrumentalness • 6% Positiveness
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Riga Tiger
Fuck you, New York
129 bpm • A# Maj • 04:23 • -9.68db
29% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Fred Åkerström
Två tungor
129 bpm • B Maj • 01:59 • -23.01db
36% Popularity • 55% Danceability • 10% Energy • 32% Liveness
66% Instrumentalness • 53% Positiveness
36% Popularity • 55% Danceability • 10% Energy • 32% Liveness
66% Instrumentalness • 53% Positiveness
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Björn Olsson
Instrumental
129 bpm • F# Maj • 03:28 • -8.94db
11% Popularity • 36% Danceability • 68% Energy • 11% Liveness
98% Instrumentalness • 52% Positiveness
11% Popularity • 36% Danceability • 68% Energy • 11% Liveness
98% Instrumentalness • 52% Positiveness
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Bäddat För Trubbel
Fakta och nostalgi
129 bpm • C Maj • 02:06 • -8.57db
28% Popularity • 61% Danceability • 41% Energy • 10% Liveness
16% Instrumentalness • 58% Positiveness
28% Popularity • 61% Danceability • 41% Energy • 10% Liveness
16% Instrumentalness • 58% Positiveness
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Sara Parkman
Vreden
144 bpm • D# Maj • 03:21 • -9.62db
38% Popularity • 36% Danceability • 65% Energy • 15% Liveness
50% Instrumentalness • 30% Positiveness
38% Popularity • 36% Danceability • 65% Energy • 15% Liveness
50% Instrumentalness • 30% Positiveness
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Kenta
Morgon
129 bpm • D Maj • 05:16 • -10.71db
17% Popularity • 65% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
17% Popularity • 65% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Steget
Kom Igen
129 bpm • D# Maj • 03:51 • -6db
19% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Christina Hellström
Se Vad Som Händer Sen
144 bpm • F Maj • 04:12 • -13.4db
1% Popularity • 37% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 37% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Riga Tiger
Tack och hej
144 bpm • C# min • 01:44 • -28.17db
37% Popularity • 39% Danceability • 4% Energy • 15% Liveness
85% Instrumentalness • 19% Positiveness
37% Popularity • 39% Danceability • 4% Energy • 15% Liveness
85% Instrumentalness • 19% Positiveness
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Sagor & Swing
In i skogen
128 bpm • A min • 04:52 • -19.8db
31% Popularity • 41% Danceability • 18% Energy • 28% Liveness
90% Instrumentalness • 13% Positiveness
31% Popularity • 41% Danceability • 18% Energy • 28% Liveness
90% Instrumentalness • 13% Positiveness
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Björn Olsson
Björn Olsson 2016
128 bpm • C Maj • 02:23 • -6.45db
6% Popularity • 50% Danceability • 79% Energy • 10% Liveness
65% Instrumentalness • 74% Positiveness
6% Popularity • 50% Danceability • 79% Energy • 10% Liveness
65% Instrumentalness • 74% Positiveness
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Säkert!
FÃ¥r jag
128 bpm • A Maj • 03:10 • -13.13db
35% Popularity • 66% Danceability • 39% Energy • 11% Liveness
6% Instrumentalness • 48% Positiveness
35% Popularity • 66% Danceability • 39% Energy • 11% Liveness
6% Instrumentalness • 48% Positiveness
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Amason
Yellow Moon
128 bpm • G Maj • 04:27 • -7.73db
27% Popularity • 65% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 65% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Mattias Bärjed
Stjärnberg
128 bpm • A min • 03:00 • -7.55db
21% Popularity • 30% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 19% Positiveness
21% Popularity • 30% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 19% Positiveness
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Mattias Alkberg
Relativt Norrbotten
145 bpm • E Maj • 04:41 • -12.77db
20% Popularity • 34% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 34% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Stefan Missios
Gamla Kläder
145 bpm • D Maj • 03:39 • -7.31db
15% Popularity • 42% Danceability • 61% Energy • 46% Liveness
7% Instrumentalness • 34% Positiveness
15% Popularity • 42% Danceability • 61% Energy • 46% Liveness
7% Instrumentalness • 34% Positiveness
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Björn Olsson
låt i d
128 bpm • D Maj • 02:22 • -12.22db
2% Popularity • 48% Danceability • 32% Energy • 19% Liveness
91% Instrumentalness • 39% Positiveness
2% Popularity • 48% Danceability • 32% Energy • 19% Liveness
91% Instrumentalness • 39% Positiveness
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Steget
Hela Gråbo e sån ångest
128 bpm • D Maj • 04:13 • -10db
26% Popularity • 40% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 40% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Säkert!
Almunecar
128 bpm • E min • 03:03 • -10.74db
21% Popularity • 46% Danceability • 26% Energy • 16% Liveness
40% Instrumentalness • 12% Positiveness
21% Popularity • 46% Danceability • 26% Energy • 16% Liveness
40% Instrumentalness • 12% Positiveness
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The Bear Quartet
Put Me Back Together
128 bpm • A Maj • 05:05 • -4.46db
16% Popularity • 41% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 41% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Råå
Allt vi passerar är på väg hem
145 bpm • B min • 04:09 • -13.72db
13% Popularity • 76% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 65% Positiveness
13% Popularity • 76% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 65% Positiveness
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Pascal
Längtar efter dig
145 bpm • G Maj • 01:58 • -4.71db
24% Popularity • 42% Danceability • 84% Energy • 17% Liveness
4% Instrumentalness • 35% Positiveness
24% Popularity • 42% Danceability • 84% Energy • 17% Liveness
4% Instrumentalness • 35% Positiveness
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Lars Hollmer
Boeves Psalm
145 bpm • F# Maj • 02:30 • -12db
32% Popularity • 49% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 83% Positiveness
32% Popularity • 49% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 83% Positiveness
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Den Stora Vilan
Ge Dig Inte Av
127 bpm • B Maj • 08:01 • -12.17db
10% Popularity • 38% Danceability • 34% Energy • 11% Liveness
46% Instrumentalness • 15% Positiveness
10% Popularity • 38% Danceability • 34% Energy • 11% Liveness
46% Instrumentalness • 15% Positiveness
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Vit Päls
Mina moves - Edit 2013
127 bpm • F Maj • 03:06 • -7.97db
12% Popularity • 45% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 45% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Havet
Somna aldrig osams
127 bpm • G min • 01:05 • -16.68db
42% Popularity • 41% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 41% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Henning
Galileo
146 bpm • C# min • 04:07 • -12.54db
27% Popularity • 63% Danceability • 56% Energy • 36% Liveness
23% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 56% Energy • 36% Liveness
23% Instrumentalness • 85% Positiveness
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Christina Hellström
Land Och Hav
127 bpm • B Maj • 05:00 • -15.74db
2% Popularity • 29% Danceability • 16% Energy • 9% Liveness
26% Instrumentalness • 20% Positiveness
2% Popularity • 29% Danceability • 16% Energy • 9% Liveness
26% Instrumentalness • 20% Positiveness
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Christian Kjellvander
Portugal
127 bpm • B min • 03:30 • -8.58db
28% Popularity • 38% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
28% Popularity • 38% Danceability • 48% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Säkert!
Tjacket
126 bpm • E Maj • 01:28 • -14.19db
33% Popularity • 55% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 55% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Amason
Taxi
146 bpm • E Maj • 02:27 • -13.78db
36% Popularity • 62% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
36% Popularity • 62% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Markus Krunegård
Stjärnfallet
146 bpm • G Maj • 03:07 • -12.87db
38% Popularity • 36% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 36% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Hästpojken
Utan personlig insats
147 bpm • D Maj • 04:02 • -8db
30% Popularity • 29% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
30% Popularity • 29% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
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Björn Olsson
Tjörn
126 bpm • A min • 03:14 • -7.82db
31% Popularity • 51% Danceability • 77% Energy • 9% Liveness
84% Instrumentalness • 60% Positiveness
31% Popularity • 51% Danceability • 77% Energy • 9% Liveness
84% Instrumentalness • 60% Positiveness
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Folke Nikanor
Blå Donau
126 bpm • G Maj • 04:20 • -9db
25% Popularity • 78% Danceability • 46% Energy • 11% Liveness
15% Instrumentalness • 54% Positiveness
25% Popularity • 78% Danceability • 46% Energy • 11% Liveness
15% Instrumentalness • 54% Positiveness
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Jonas Lundqvist
Purpur och smaragd
126 bpm • E Maj • 04:16 • -8.45db
16% Popularity • 34% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 34% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Kal P. Dal
Om ja'va'en slashas/Jag vill leva fri
126 bpm • G Maj • 03:36 • -5.76db
37% Popularity • 58% Danceability • 69% Energy • 95% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 58% Danceability • 69% Energy • 95% Liveness
0% Instrumentalness • 52% Positiveness
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Nicolai Dunger
Lyckokatt
147 bpm • G Maj • 02:53 • -9db
15% Popularity • 50% Danceability • 50% Energy • 13% Liveness
62% Instrumentalness • 80% Positiveness
15% Popularity • 50% Danceability • 50% Energy • 13% Liveness
62% Instrumentalness • 80% Positiveness
