Songs like All to Pieces by Jeanine Tesori
Based on a tempo of (+/- 10%) and a similar genre
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Micaela Diamond
Do It Alone
122 bpm • B min • 02:18 • -9.34db
26% Popularity • 38% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 38% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Lilli Cooper
There Was John
122 bpm • E Maj • 04:07 • -15db
23% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jeanine Tesori
All to Pieces
122 bpm • D Maj • 04:52 • -10.57db
14% Popularity • 65% Danceability • 43% Energy • 61% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 65% Danceability • 43% Energy • 61% Liveness
0% Instrumentalness • 38% Positiveness
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Brian D'Arcy James
Overture/Big Bright Beautiful World
122 bpm • D Maj • 05:43 • -6.97db
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Makké
Inside / Outside
122 bpm • C Maj • 01:25 • -9.19db
7% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 63% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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The Original Broadway Cast Of 'Curtains'
He Did It
122 bpm • C# Maj • 03:07 • -18.32db
19% Popularity • 65% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 65% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Shuler Hensley
Shipoopi
123 bpm • F min • 04:49 • -10.16db
20% Popularity • 55% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 55% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Kate Wetherhead
Dear Professor Thompson (Pt. 1)
121 bpm • G Maj • 02:01 • -13.31db
22% Popularity • 72% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 72% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Miller
Passing Tracy
123 bpm • A Maj • 03:36 • -8.28db
11% Popularity • 60% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 60% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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John Tartaglia
Story Of My Life
122 bpm • A Maj • 03:10 • -6db
45% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
28% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Caissie Levy
Long Distance
122 bpm • G Maj • 02:47 • -11.08db
5% Popularity • 68% Danceability • 25% Energy • 64% Liveness
0% Instrumentalness • 25% Positiveness
5% Popularity • 68% Danceability • 25% Energy • 64% Liveness
0% Instrumentalness • 25% Positiveness
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Joshua Henry
The Highest Judge Of All
121 bpm • F# Maj • 01:42 • -10.25db
15% Popularity • 47% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 47% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Norbert Leo Butz
If I Didn't Believe in You
121 bpm • A# Maj • 04:59 • -13.07db
29% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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James Moye
That Face
123 bpm • A Maj • 03:11 • -6.65db
26% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Daniel Breaker
Donkey Pot Pie
120 bpm • G Maj • 02:42 • -6.68db
39% Popularity • 66% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 66% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Bell Bundy
Cooties
120 bpm • D Maj • 01:31 • -6.23db
30% Popularity • 86% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 86% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Carmen Cusack
Unsuspecting Hearts
120 bpm • C# Maj • 03:11 • -5.9db
28% Popularity • 45% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 45% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Joshua Henry
Can't Nobody Tell Us Nothin'
120 bpm • C# min • 03:02 • -7.63db
6% Popularity • 55% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 55% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It Ain't No Thing
120 bpm • F Maj • 03:42 • -4.01db
36% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Patti LuPone
Time Stood Still
120 bpm • F Maj • 03:22 • -10.99db
16% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Sutton Foster
I Think I Got You Beat
120 bpm • E Maj • 04:37 • -8db
43% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 79% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Santino Fontana
Who Are You?
124 bpm • C# Maj • 03:22 • -14.08db
14% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 43% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Keala Settle
I Didn't Plan It
120 bpm • F# Maj • 02:39 • -3.94db
47% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
47% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Krysta Rodriguez
Pulled
125 bpm • C Maj • 02:59 • -7.96db
51% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 51% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Jeanine Tesori
Maps
125 bpm • G Maj • 02:32 • -15db
28% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Jay Armstrong Johnson
Real Big News
124 bpm • A min • 03:16 • -4.11db
27% Popularity • 53% Danceability • 72% Energy • 61% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 53% Danceability • 72% Energy • 61% Liveness
0% Instrumentalness • 87% Positiveness
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Dick Scanlan
The Girl in 14g
125 bpm • C Maj • 04:14 • -11.02db
4% Popularity • 50% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 50% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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'Legally Blonde' Ensemble
Whipped into Shape
119 bpm • F# Maj • 04:20 • -9.88db
49% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Lea Michele
Rat-Tat-Tat-Tat
125 bpm • C# Maj • 05:15 • -8.43db
21% Popularity • 89% Danceability • 69% Energy • 78% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 89% Danceability • 69% Energy • 78% Liveness
0% Instrumentalness • 66% Positiveness
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Linda Mugleston
Pick-A-Little, Talk-A-Little / Goodnight...
119 bpm • G Maj • 02:51 • -11.56db
20% Popularity • 84% Danceability • 42% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 84% Danceability • 42% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Jeanine Tesori
"There's Your First Miracle..."
119 bpm • D Maj • 00:43 • -13.11db
10% Popularity • 73% Danceability • 32% Energy • 68% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 73% Danceability • 32% Energy • 68% Liveness
0% Instrumentalness • 64% Positiveness
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Harper Miles
The Dryer
119 bpm • C Maj • 01:20 • -6.34db
6% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
6% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
Ever After
125 bpm • D Maj • 02:25 • -9.07db
35% Popularity • 64% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 64% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 92% Positiveness
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Troy Britton Johnson
Accident Waiting to Happen
119 bpm • F Maj • 03:05 • -11db
26% Popularity • 51% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 51% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Victoria Clark
Our Disease
119 bpm • F Maj • 05:59 • -9.27db
24% Popularity • 54% Danceability • 33% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 54% Danceability • 33% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
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Bring It On: The Musical - Original Broadway Cast
We Ain't No Cheerleaders
126 bpm • C# Maj • 02:18 • -6.13db
34% Popularity • 85% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 85% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Jeanine Tesori
Let It Sing
119 bpm • G Maj • 03:33 • -10.3db
20% Popularity • 50% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 50% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Rachel De Benedet
Don't Be a Stranger
126 bpm • F# min • 04:52 • -10.94db
25% Popularity • 54% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 54% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Christopher Sieber
The Ballad Of Farquaad
126 bpm • C# Maj • 03:32 • -6.8db
37% Popularity • 56% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 56% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Victoria Clark
Fable
126 bpm • C# Maj • 04:23 • -13.73db
18% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 33% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jayne Houdyshell
Pick-A-Little, Talk-A-Little - Reprise
118 bpm • G Maj • 00:58 • -13.41db
15% Popularity • 86% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 86% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Sara Bareilles
A Very Nice Prince
126 bpm • C# Maj • 01:09 • -10.73db
36% Popularity • 54% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 54% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 58% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
35% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
35% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Eddie Korbich
George's Triumph
118 bpm • G# Maj • 02:00 • -9db
22% Popularity • 69% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 69% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
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Daniel Breaker
Don't Let Me Go
127 bpm • D Maj • 02:49 • -6.14db
46% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Jeanine Tesori
Moon Trio
127 bpm • G Maj • 01:44 • -8.05db
4% Popularity • 36% Danceability • 41% Energy • 78% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 36% Danceability • 41% Energy • 78% Liveness
0% Instrumentalness • 30% Positiveness
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Julia Murney
Queenie Was a Blonde
127 bpm • C min • 05:58 • -7.07db
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 51% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I'm Not That Smart
117 bpm • A Maj • 02:39 • -10db
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 66% Danceability • 37% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Hugh Jackman
Marian the Librarian
117 bpm • C# Maj • 06:29 • -12.39db
23% Popularity • 54% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 54% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Georgia Engel
I Remember Love
127 bpm • G Maj • 02:41 • -11.45db
20% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 65% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Jane Krakowski
I Resolve
128 bpm • A# Maj • 02:16 • -8.01db
26% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Alli Mauzey
Hello, Darling #2
117 bpm • C Maj • 00:36 • -14.23db
25% Popularity • 76% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 76% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Hedwig And The Angry Inch - Original Broadway Cast
Hedwig's Lament
128 bpm • B min • 01:52 • -15.42db
17% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Pandemonium / My Favorite Moment of the ...
117 bpm • D Maj • 01:48 • -7.43db
30% Popularity • 57% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 57% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Jeanine Tesori
"Read a Book..."
128 bpm • D Maj • 01:00 • -19.9db
21% Popularity • 60% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 60% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Lauren Kennedy
Fly into the Future
128 bpm • C# Maj • 03:53 • -10.58db
17% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 59% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Carmen Cusack
Unsuspecting Hearts - Reprise
116 bpm • D min • 01:52 • -10.54db
22% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
53% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Megan Hilty, Marc Kudisch and Ensemble
Cowgirl's Revenge
128 bpm • C# Maj • 02:03 • -7.72db
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 68% Danceability • 59% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
34% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Original Cast of Amélie
The Commute
129 bpm • G Maj • 01:16 • -11.2db
19% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Anneliese Van Der Pol
Cute Boys with Short Haircuts
128 bpm • E Maj • 04:20 • -10db
17% Popularity • 41% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 41% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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H.E.R.
Belle
129 bpm • C Maj • 05:18 • -9.76db
24% Popularity • 51% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 51% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
Overture / Prologue: A Warning to the Au...
115 bpm • A Maj • 01:20 • -8db
23% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Brian D'Arcy James
When Words Fail
115 bpm • G Maj • 03:09 • -10.66db
41% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Heidi Blickenstaff
Today and Ev'ry Day
129 bpm • A Maj • 06:57 • -8db
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Harriet Harris
Muqin
115 bpm • D Maj • 02:17 • -11.84db
18% Popularity • 49% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 49% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
26% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It's All Happening
130 bpm • F# Maj • 05:45 • -4.34db
39% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
35% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Andrew Garfield
Johnny Can't Decide
115 bpm • G# Maj • 03:30 • -7.46db
48% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jeanine Tesori
"It Was Great to Have You Home..."
130 bpm • B min • 00:51 • -14.29db
21% Popularity • 47% Danceability • 27% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 47% Danceability • 27% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Original Cast of Amélie
Halfway (reprise)
130 bpm • B Maj • 01:03 • -18.8db
18% Popularity • 38% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
18% Popularity • 38% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Chris Miller
Shine
130 bpm • G# Maj • 04:52 • -7.92db
10% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Lynn Ahrens
Notice Me, Horton
114 bpm • F Maj • 03:07 • -14.52db
36% Popularity • 46% Danceability • 21% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 46% Danceability • 21% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
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Josh Groban
Find Anatole
114 bpm • C# Maj • 02:10 • -8db
34% Popularity • 71% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 71% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Jeanine Tesori
On My Way
130 bpm • G Maj • 04:18 • -8.24db
26% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Julia Lester
I Know Things Now
131 bpm • C Maj • 01:55 • -10.42db
34% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Tommy Hollis
Look What You've Done
131 bpm • F# min • 06:01 • -11.6db
17% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Shoshana Bean
Maybe It Starts With Me
131 bpm • G# Maj • 02:50 • -6db
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jeanine Tesori
Dotty and Caroline
114 bpm • C Maj • 04:46 • -9.07db
4% Popularity • 68% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 68% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
20% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Orfeh
Ireland
113 bpm • C# Maj • 03:14 • -13.76db
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Joshua Henry
Finale: You'll Never Walk Alone - Repris...
113 bpm • F Maj • 02:13 • -11.33db
25% Popularity • 25% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 25% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Jeanine Tesori
Who'll Be the One (If Not Me)
113 bpm • B Maj • 02:56 • -14.79db
10% Popularity • 59% Danceability • 17% Energy • 56% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 59% Danceability • 17% Energy • 56% Liveness
0% Instrumentalness • 46% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Mindi Dickstein
Could You?
112 bpm • G# Maj • 03:17 • -8.96db
25% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Bring It On: The Musical - Original Broadway Cast
One Perfect Moment
112 bpm • C Maj • 03:54 • -5.96db
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
