Songs like All We Have To Say by Ryan I
Based on a tempo of (+/- 10%) and a similar genre
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Feli Ika
Healing Water
139 bpm • F Maj • 03:45 • -5.92db
28% Popularity • 60% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 60% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan I
All We Have To Say
139 bpm • B Maj • 05:22 • -6.61db
0% Popularity • 49% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 49% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Rasmussen Family
My Worth Is Not in What I Own
139 bpm • B Maj • 03:26 • -15.53db
13% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Kristyn Getty
See What A Morning (Resurrection Hymn)
139 bpm • D Maj • 03:42 • -5.85db
22% Popularity • 61% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 61% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Zac Love
This Season
139 bpm • C Maj • 03:27 • -8.23db
19% Popularity • 47% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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![Glorioso [Spanish Version of Glorious] cover art](https://i.scdn.co/image/ab67616d00001e02599e62ff23abff5a58d29f3a)
Elenyi
Glorioso [Spanish Version of Glorious]
139 bpm • G Maj • 04:08 • -12db
22% Popularity • 33% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Reese Oliveira
I Know That My Savior Loves Me
139 bpm • D# Maj • 02:55 • -9.75db
35% Popularity • 44% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 44% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Julie Rose
Lay It Down
138 bpm • D Maj • 04:35 • -11.09db
24% Popularity • 34% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 34% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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McKenna Hixson
Peace in Christ
140 bpm • D# Maj • 03:36 • -7db
49% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Dan Truman
Farewell Nauvoo
138 bpm • C Maj • 02:44 • -16db
13% Popularity • 48% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
13% Popularity • 48% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Strive to Be
Free My Soul
140 bpm • D Maj • 03:45 • -6.3db
41% Popularity • 45% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 45% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Elenyi
I Believe in Christ / You Raise Me Up
140 bpm • C Maj • 04:20 • -20db
37% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Claire Quigley
He Will Never Change
140 bpm • D Maj • 03:20 • -7.77db
30% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Reese Oliveira
Gethsemane
140 bpm • D# Maj • 02:56 • -11db
42% Popularity • 29% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 29% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Zac Love
Dare to Stand Alone
140 bpm • A Maj • 03:16 • -7.15db
29% Popularity • 51% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 51% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Otavio Tobias
Empty
140 bpm • G Maj • 03:43 • -5.53db
28% Popularity • 59% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 59% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan I
The Sweetheart of the Lamb
138 bpm • C Maj • 05:34 • -7.91db
0% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Jenn B
Change Your Heart
138 bpm • C# Maj • 03:34 • -5.97db
21% Popularity • 39% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 39% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Cherie Call
Where Faith Lives
140 bpm • D Maj • 03:50 • -8.1db
11% Popularity • 61% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 61% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Robert Allen Elliott
As Sisters in Zion
138 bpm • F Maj • 02:57 • -11.08db
14% Popularity • 38% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 38% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Ball Brothers
It's About the Cross
140 bpm • F Maj • 04:11 • -5.97db
40% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Jaeden Vaifanua
What Family Means to Me
140 bpm • F Maj • 03:09 • -6db
29% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Mercy River
Through All of It
138 bpm • F Maj • 03:54 • -10db
15% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Scott Krippayne
New Song
140 bpm • B Maj • 03:25 • -4db
22% Popularity • 60% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 60% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Maddie Wilson
One Day at a Time
140 bpm • A# Maj • 03:43 • -6.54db
21% Popularity • 50% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 50% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Strive to Be
Look to You
140 bpm • A# min • 02:52 • -6.14db
32% Popularity • 66% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 66% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Ball Brothers
Sometimes He Calms the Storm
140 bpm • G# Maj • 03:52 • -5.94db
31% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Gaither Vocal Band
We Are All God's Children
140 bpm • G Maj • 03:46 • -8.08db
16% Popularity • 64% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 64% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Ryan I
All These Dark Clouds
140 bpm • D min • 04:20 • -6.87db
0% Popularity • 50% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 50% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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MacKenzie Turley
A Moment Just for Me
140 bpm • A# Maj • 05:30 • -12db
11% Popularity • 29% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 29% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Cayson Renshaw
Answers
137 bpm • D# Maj • 04:09 • -7.36db
26% Popularity • 56% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 56% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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The Collingsworth Family
Your Ways Are Higher Than Mine
137 bpm • G# Maj • 04:00 • -13.56db
38% Popularity • 33% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 33% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Anna Richey
Real to Me
137 bpm • A# Maj • 04:21 • -9.1db
20% Popularity • 38% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 38% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Katherine Nelson
Soldier Girls
137 bpm • D Maj • 04:36 • -9db
12% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Ryan I
Set Us All On Fire
138 bpm • B Maj • 03:51 • -4.02db
0% Popularity • 40% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 40% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Vocal Point
I Stand All Amazed
137 bpm • F# Maj • 05:08 • -13db
34% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Curtis Stephan
Miracle of Grace (Bread of Life)
142 bpm • A# Maj • 04:06 • -8db
26% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dallyn Vail Bayles
Breathe In Me
142 bpm • F# Maj • 04:35 • -10db
14% Popularity • 31% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 31% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Elenyi
Come Thou Fount of Every Blessing / If Y...
142 bpm • C Maj • 05:55 • -17.75db
45% Popularity • 39% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 39% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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West Coast Baptist College
Nothing Ever Can, Nothing Ever Will
136 bpm • A# Maj • 05:29 • -9.92db
30% Popularity • 29% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 29% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Ryan I
Got So Much
137 bpm • E min • 04:06 • -7.27db
0% Popularity • 58% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 58% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Jenessa Buttars
The Girl I Am
142 bpm • C Maj • 02:33 • -13db
33% Popularity • 43% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 43% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Stephen Brown
Legacy
142 bpm • A# Maj • 04:01 • -7.98db
22% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Jessica Frech
When I Go
142 bpm • F# Maj • 03:47 • -10.93db
21% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Shawna Edwards
The Miracle (Recomposed)
136 bpm • A# Maj • 04:59 • -10.93db
31% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Matthew West
Hold You Up
142 bpm • G Maj • 03:59 • -7.46db
22% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 56% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Josh Blakesley
We Come to You
142 bpm • F# Maj • 04:29 • -8db
15% Popularity • 53% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 53% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Hymns of the People
To God Be the Glory
136 bpm • D Maj • 04:23 • -11db
31% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ryan I
We Live Here
136 bpm • A Maj • 03:44 • -6.56db
0% Popularity • 46% Danceability • 69% Energy • 32% Liveness
1% Instrumentalness • 26% Positiveness
0% Popularity • 46% Danceability • 69% Energy • 32% Liveness
1% Instrumentalness • 26% Positiveness
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Colton A.
Listen
142 bpm • C Maj • 03:44 • -9.09db
28% Popularity • 64% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 64% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Victory Worship
Make Room (Unplugged)
136 bpm • B Maj • 04:42 • -6.11db
37% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Stephanie Hill
Sometimes He Lets It Rain
136 bpm • C# min • 04:57 • -9db
7% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Shawna Edwards
Always Be My Savior
136 bpm • D Maj • 04:25 • -7db
29% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Alyssa Crockett
Right Here
136 bpm • G Maj • 03:11 • -5db
18% Popularity • 70% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 70% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Wayne Burton
Waiting for Me
136 bpm • G Maj • 03:24 • -11db
8% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Ryan I
Blessed Turnaround
142 bpm • A# Maj • 06:16 • -8.39db
0% Popularity • 49% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 49% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jessie Clark Funk
Jesus, Once of Humble Birth
142 bpm • A# Maj • 05:38 • -15.84db
14% Popularity • 16% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Abigail Miller
I Can Go In
136 bpm • G Maj • 06:46 • -10.35db
21% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Marshall Hall
There Is Nothing Greater Than Grace
136 bpm • G# Maj • 04:43 • -12.18db
30% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Shawna Edwards
The Miracle
136 bpm • A# Maj • 03:22 • -10db
43% Popularity • 48% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 48% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Wayne Burton
Press Forward
136 bpm • C Maj • 03:59 • -10db
11% Popularity • 54% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 54% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Katherine Nelson
What's Mine Is Yours
136 bpm • F Maj • 04:46 • -10.93db
9% Popularity • 38% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 38% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Erin O'Donnell
Hold On To Jesus - Sing Over Me Album Ve...
136 bpm • G# Maj • 03:27 • -14.83db
33% Popularity • 44% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 44% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Patch Crowe
Evidence (Demo Version)
143 bpm • D# Maj • 04:20 • -9.32db
22% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jen Butikofer & Malinda Debry
My Heavently Father Loves Me/ I Am a Chi...
136 bpm • G Maj • 03:05 • -16db
9% Popularity • 26% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 21% Positiveness
9% Popularity • 26% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 21% Positiveness
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Tyler Castleton and Wayne Burton
Look to Him
136 bpm • A Maj • 04:04 • -14db
16% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Ball Brothers
Mercy Said No
136 bpm • C# Maj • 04:38 • -7db
28% Popularity • 41% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 41% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Elenyi
Glorious
143 bpm • G Maj • 04:08 • -19.21db
34% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ron Hamilton
Bow the Knee
143 bpm • C Maj • 03:59 • -11.08db
26% Popularity • 21% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 21% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Lauryn Judd
Living Water
135 bpm • C# Maj • 04:04 • -8.21db
27% Popularity • 57% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 57% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Rasmussen Family
As the Deer
143 bpm • A Maj • 04:36 • -9.73db
13% Popularity • 33% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 33% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Katy Kinard
The Love Of God
143 bpm • G Maj • 05:09 • -15.09db
32% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Nik Day
Who Am I
135 bpm • G# Maj • 04:09 • -11.14db
29% Popularity • 34% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 34% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Rupp
Lift High the Cross
135 bpm • D Maj • 03:44 • -7.42db
10% Popularity • 48% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 48% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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The Clark Family
Big Enough
135 bpm • C Maj • 04:11 • -6.44db
35% Popularity • 58% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 58% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan I
Who is this King
134 bpm • D Maj • 05:29 • -9.89db
0% Popularity • 29% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Linda Rowberry
I Know That My Redeemer Lives
135 bpm • B Maj • 06:05 • -15db
36% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Katherine Nelson
Emma
144 bpm • G Maj • 03:41 • -9.42db
19% Popularity • 45% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 45% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Dallyn Vail Bayles
Bring Him Home
144 bpm • F# min • 04:10 • -11.23db
17% Popularity • 23% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Strive to Be
All My Heart
144 bpm • C Maj • 03:13 • -7.19db
32% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Dan Truman
Come, Come Ye Saints / My People
134 bpm • F Maj • 02:30 • -19.04db
11% Popularity • 54% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
11% Popularity • 54% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
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Eric Michels
Real Man
144 bpm • F# Maj • 03:50 • -4.96db
20% Popularity • 65% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 65% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Wayne Burton
Ask in Faith
134 bpm • D# Maj • 04:53 • -8.6db
19% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Elenyi
Fear Is a Liar
144 bpm • B Maj • 04:10 • -7.28db
30% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Nik Day
Not so Little
134 bpm • G Maj • 03:23 • -6.88db
25% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Strive to Be
He Reigns
144 bpm • C# min • 03:26 • -4.41db
34% Popularity • 62% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 62% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Michael O'Brien
Safe in the Arms of Jesus
134 bpm • G# Maj • 04:00 • -8.97db
30% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Blake Gillette
Behold Your Little Ones
144 bpm • C Maj • 02:40 • -7.05db
24% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Hilary Weeks
There Is One
144 bpm • A# Maj • 03:34 • -8.13db
23% Popularity • 39% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 39% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Steven Curtis Chapman
With Hope
144 bpm • B Maj • 05:12 • -12.54db
21% Popularity • 45% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 45% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Chris Tenbau
Right Where I Belong
134 bpm • E Maj • 03:23 • -10.1db
25% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ginger Fairbanks
Reverently and Meekly Now
134 bpm • C min • 04:24 • -14db
20% Popularity • 36% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
20% Popularity • 36% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Aaliyah Rose
Like Him
145 bpm • D min • 03:43 • -6.14db
34% Popularity • 47% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 47% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Praise and Harmony
In Need
133 bpm • E Maj • 02:44 • -11.09db
35% Popularity • 26% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 26% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Melynda Brimhall
Joy to the World
133 bpm • C Maj • 06:50 • -14.41db
8% Popularity • 31% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 31% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Jake Garrett
O Lord My Redeemer
145 bpm • E Maj • 05:52 • -10.69db
18% Popularity • 26% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 26% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Rupp
Crown Him with Many Crowns
145 bpm • D# Maj • 02:50 • -6.39db
18% Popularity • 43% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 43% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Joseph Habedank
What a Day That Will Be
133 bpm • A min • 03:40 • -7.59db
13% Popularity • 41% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 41% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
