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All We've Done (Lost Recording #9)
Songs like
All We've Done (Lost Recording #9)
by
Mark Diamond
Based on a tempo of (+/- 10%) and a similar genre
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Kevin Garrett
Coloring
76 bpm • C Maj • 03:39 • -10db
40% Popularity • 63% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Juke Ross
Keep You Dry
76 bpm • F# Maj • 03:11 • -10.64db
43% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Mark Diamond
All We've Done (Lost Recording #9)
76 bpm • F min • 04:06 • -11db
30% Popularity • 38% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Corey Kilgannon
Bleeding out Slow
76 bpm • C Maj • 05:46 • -18.11db
15% Popularity • 27% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Tyne
I'd Like That
76 bpm • G Maj • 03:31 • -8.2db
15% Popularity • 40% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ethan DeRose
What Do I Say
76 bpm • A Maj • 03:58 • -15.48db
27% Popularity • 61% Danceability • 29% Energy • 37% Liveness
15% Instrumentalness • 7% Positiveness
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The Careful Ones
Turn to You
77 bpm • A min • 04:19 • -13.57db
23% Popularity • 32% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Billy Lockett
Who I Am
75 bpm • E Maj • 03:05 • -8db
28% Popularity • 34% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Dean Lewis
Chemicals - Acoustic
76 bpm • F# Maj • 03:54 • -11.09db
40% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Oliver Riot
Tired and Awake
77 bpm • G Maj • 03:38 • -13.55db
35% Popularity • 29% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Marc Scibilia
Over You (Acoustic)
77 bpm • A min • 03:36 • -9.01db
21% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Mark Diamond
Life Is About
75 bpm • A Maj • 03:09 • -13.6db
4% Popularity • 62% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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James Arthur
At My Weakest
75 bpm • A# Maj • 03:37 • -8db
53% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Beach
Bridge Back to Your Heart
75 bpm • F# min • 04:21 • -9.57db
39% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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James Quick
Ten & True
75 bpm • F min • 04:17 • -11db
15% Popularity • 61% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Prides
Are You Ready? - Acoustic
75 bpm • C min • 04:30 • -13db
23% Popularity • 56% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Mayries
Back to You
77 bpm • F Maj • 03:39 • -10.17db
32% Popularity • 45% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mark Diamond
Happen In The World
75 bpm • C# min • 02:34 • -9.48db
4% Popularity • 58% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Crywolf
Weight
75 bpm • D Maj • 04:05 • -9.25db
30% Popularity • 24% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Sam Smith
Scars
77 bpm • D Maj • 03:03 • -10.39db
47% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan McNulty
If Your Mind Should Change
77 bpm • A# Maj • 03:24 • -17db
28% Popularity • 72% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 27% Positiveness
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JT Roach
Tipsy Love
77 bpm • D# Maj • 03:01 • -13.71db
24% Popularity • 65% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ruel
Don't Tell Me
77 bpm • E min • 04:01 • -9.14db
33% Popularity • 56% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Dean Lewis
Lose My Mind - Acoustic
74 bpm • G# Maj • 03:13 • -10.87db
59% Popularity • 52% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Dylan Reynolds
No Control
74 bpm • B Maj • 03:12 • -9.82db
28% Popularity • 67% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tatiana Manaois
She Don't Know
78 bpm • E Maj • 04:28 • -18.59db
20% Popularity • 67% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Oliver Riot
Neurosis
78 bpm • A# min • 03:15 • -13.83db
40% Popularity • 45% Danceability • 37% Energy • 73% Liveness
0% Instrumentalness • 22% Positiveness
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Glen Wee
Send Me An Angel
74 bpm • A Maj • 04:03 • -11.02db
9% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ruel
Don't Tell Me - Acoustic
78 bpm • E min • 04:01 • -10.07db
22% Popularity • 38% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Anson Seabra
Robin Hood
78 bpm • E Maj • 03:41 • -14.41db
58% Popularity • 73% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Harrison Storm
Old and Grey
78 bpm • C# Maj • 04:15 • -13.35db
32% Popularity • 44% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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MyKey
Maybe I Was the One
78 bpm • F# Maj • 04:27 • -11.25db
30% Popularity • 54% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Kevin Garrett
Never Knock
74 bpm • G Maj • 04:35 • -13.36db
27% Popularity • 23% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Bruno Major
On Our Own
78 bpm • C Maj • 03:09 • -11.94db
44% Popularity • 44% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Michl
I’d Do It All Again
79 bpm • A Maj • 02:25 • -7.28db
22% Popularity • 31% Danceability • 34% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Corey Kilgannon
Unable
79 bpm • A Maj • 03:29 • -9.99db
15% Popularity • 26% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Christian Leave
Hope
79 bpm • F# min • 02:13 • -4.84db
34% Popularity • 44% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Wolf and Willow
Throwing Stones
79 bpm • E Maj • 05:48 • -12.71db
17% Popularity • 50% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Charlie Brennan
Comfortable
73 bpm • C Maj • 02:53 • -7.66db
9% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Kevin Garrett
It Don't Bother Me At All
79 bpm • B Maj • 04:07 • -13db
25% Popularity • 33% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Lockett
Empty House - Acoustic
73 bpm • C# Maj • 02:57 • -8.87db
12% Popularity • 40% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Camryn Leigh Smith
Anything to Make You Stay - Acoustic
73 bpm • G min • 04:46 • -10.4db
16% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jaymes Young
Moondust - Stripped
73 bpm • F# min • 03:36 • -13.38db
47% Popularity • 56% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Ryan Amador
Instead
79 bpm • C# Maj • 05:55 • -9.52db
37% Popularity • 34% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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SYML
Hurt for Me
73 bpm • B min • 03:39 • -18db
47% Popularity • 55% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Preston
The Light Was Already Here
79 bpm • F# Maj • 03:42 • -12db
16% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Diamond
What Could I Do
79 bpm • C Maj • 02:52 • -9.57db
6% Popularity • 29% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Michl
Fight It Rough04
80 bpm • E Maj • 02:25 • -13.67db
24% Popularity • 29% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Jason Reeves
Bourdain
80 bpm • A# Maj • 04:32 • -7db
17% Popularity • 52% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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James Arthur
Remember Who I Was
80 bpm • G# Maj • 02:57 • -9.12db
43% Popularity • 35% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Martin Luke Brown
Into Yellow - Piano Version
72 bpm • D# Maj • 02:43 • -11.92db
13% Popularity • 52% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Jeremy Zucker
end (stripped.)
80 bpm • B min • 03:54 • -13db
39% Popularity • 53% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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RKCB
Ignite
80 bpm • F Maj • 03:38 • -10.73db
26% Popularity • 37% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
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Harry Hudson
Love, Dad
80 bpm • F# min • 04:34 • -8db
35% Popularity • 34% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 19% Positiveness
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Handsome Ghost
Better Off
80 bpm • D Maj • 03:44 • -10.52db
16% Popularity • 52% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Oliver Riot
Alcatraz
80 bpm • E min • 04:28 • -10.04db
45% Popularity • 59% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Trevor Myall
All the Things
80 bpm • A Maj • 04:35 • -8.48db
27% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Ethan DeRose
Since You
72 bpm • B min • 04:08 • -14.12db
23% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Ryan O'Shaughnessy
No Need to Worry
80 bpm • G# min • 05:28 • -13.64db
11% Popularity • 58% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lostboycrow
Since the Day I Was Born
80 bpm • F Maj • 03:37 • -8db
25% Popularity • 59% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Rhys Lewis
Be Your Man - Acoustic
80 bpm • A min • 03:24 • -10.01db
40% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jake Etheridge
You Found Me First
80 bpm • F Maj • 04:15 • -12db
26% Popularity • 45% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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Axel Flóvent
Years
80 bpm • E Maj • 03:53 • -13.1db
17% Popularity • 31% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Majik
Real - Skeleton Mix
80 bpm • B min • 03:25 • -17db
17% Popularity • 66% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Tatiana Manaois
Summer Marie
72 bpm • C# Maj • 03:55 • -13.54db
14% Popularity • 46% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Lockett
Empty House
80 bpm • F# Maj • 02:49 • -7.3db
35% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Sleeping At Last
Body
81 bpm • F# Maj • 03:56 • -10.14db
33% Popularity • 21% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Aisha Badru
Bridges - Stripped
81 bpm • C# Maj • 03:08 • -9.27db
21% Popularity • 31% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Mark Diamond
Road
71 bpm • B Maj • 03:39 • -6db
16% Popularity • 65% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Lilla Vargen
The One Who Truly Loves Me
71 bpm • E Maj • 03:51 • -14.83db
24% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ethan DeRose
Perfume - Acoustic
81 bpm • D# Maj • 03:25 • -10.81db
19% Popularity • 70% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Ricky Manning
LA Is Lonely
81 bpm • D# Maj • 05:01 • -11db
31% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Dean Lewis
Let Go - Acoustic
71 bpm • A# Maj • 02:45 • -11.78db
39% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Noah Mac
The Soliloquy
81 bpm • A min • 03:13 • -9.74db
18% Popularity • 39% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Katie Buxton
You Flew
82 bpm • D Maj • 03:08 • -9.54db
9% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jeremy Zucker
talk is overrated (stripped.)
71 bpm • G Maj • 02:21 • -12.83db
42% Popularity • 57% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Plested
Easier Said Than Done
82 bpm • A Maj • 03:21 • -9.68db
26% Popularity • 56% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Stimson
I'll Be Fine
82 bpm • E Maj • 03:08 • -10db
28% Popularity • 44% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Corey Kilgannon
I Still See Ghosts / The Hollow II
70 bpm • F Maj • 06:15 • -15.46db
18% Popularity • 35% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Danny Padilla
Too Bad
82 bpm • F Maj • 03:22 • -6.8db
15% Popularity • 61% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Oliver Riot
Hallucinate
82 bpm • G Maj • 03:26 • -14db
41% Popularity • 53% Danceability • 30% Energy • 8% Liveness
50% Instrumentalness • 10% Positiveness
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Bipolar Sunshine
Tears
82 bpm • F min • 03:16 • -12db
23% Popularity • 52% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Mayries
Waterfall
82 bpm • G min • 03:01 • -9.32db
26% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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James TW
Black & Blue
82 bpm • G Maj • 02:54 • -8.32db
41% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Toby Johnson
Sleepy Head
70 bpm • G Maj • 03:57 • -20.52db
20% Popularity • 49% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ruth B.
In My Dreams
82 bpm • E Maj • 04:09 • -8.16db
40% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Rayvon Owen
Can't Fight It (Stripped)
82 bpm • F Maj • 04:10 • -8.46db
19% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Will Killen
In My Arms
82 bpm • E Maj • 02:54 • -11.37db
29% Popularity • 52% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Om Shankar
Flower Line
82 bpm • F Maj • 03:17 • -10db
18% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Xenia
Postcards from Eden
70 bpm • C# Maj • 03:01 • -20.63db
16% Popularity • 68% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Ella Vos
Words I Never Said, Pt. 1
83 bpm • F# Maj • 01:47 • -7.61db
15% Popularity • 40% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Bea Miller
i can't breathe
83 bpm • B Maj • 03:33 • -11.15db
52% Popularity • 35% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Mark Diamond
Something About You
83 bpm • A Maj • 03:31 • -13.27db
4% Popularity • 38% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Lauren Giraldo
So Cool (Acoustic)
83 bpm • D Maj • 03:26 • -10.22db
11% Popularity • 42% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Corey Kilgannon
Hallway Hymn
84 bpm • B min • 01:54 • -11.35db
13% Popularity • 36% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Dean Lewis
Adore
69 bpm • A Maj • 02:59 • -6.07db
50% Popularity • 48% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Clara McHugh
The Rush
84 bpm • D Maj • 03:06 • -15.4db
27% Popularity • 55% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Laura Marano
When You Wake Up - Remix
84 bpm • C# Maj • 03:10 • -10.35db
5% Popularity • 41% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Goody Grace
Rest Your Eyes
84 bpm • D Maj • 02:31 • -9.07db
20% Popularity • 56% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Handsome Ghost
Soft - Acoustic
84 bpm • C# Maj • 03:07 • -11.15db
9% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Back to
All We've Done (Lost Recording #9)