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All Your Evil Things
Songs like
All Your Evil Things
by
Psyched Up Janis
Based on a tempo of (+/- 10%) and a similar genre
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Placebo
Allergic (To Thoughts of Mother Earth)
118 bpm • G# Maj • 03:49 • -6.77db
39% Popularity • 31% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Psyched Up Janis
New 5
117 bpm • E min • 03:09 • -6.12db
16% Popularity • 40% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Adorable
Kangaroo Court
117 bpm • A Maj • 03:22 • -6.56db
8% Popularity • 29% Danceability • 96% Energy • 54% Liveness
57% Instrumentalness • 36% Positiveness
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Electrafixion
Feel My Pulse
119 bpm • A min • 04:24 • -6.94db
12% Popularity • 25% Danceability • 83% Energy • 14% Liveness
1% Instrumentalness • 16% Positiveness
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Gay Dad
My Son Mystic
117 bpm • C Maj • 03:25 • -6.08db
10% Popularity • 51% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Saybia
Brilliant Sky
119 bpm • F Maj • 03:46 • -5db
27% Popularity • 52% Danceability • 84% Energy • 17% Liveness
32% Instrumentalness • 17% Positiveness
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Hedda Wesley
Weekend Night
117 bpm • D Maj • 03:40 • -11.98db
22% Popularity • 58% Danceability • 68% Energy • 23% Liveness
2% Instrumentalness • 60% Positiveness
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Psyched Up Janis
New
117 bpm • D# min • 03:15 • -6.69db
12% Popularity • 35% Danceability • 98% Energy • 100% Liveness
16% Instrumentalness • 39% Positiveness
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The Afghan Whigs
My Curse - Remastered
117 bpm • G Maj • 05:45 • -7db
25% Popularity • 35% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Euroboys
Crystal Pipeline
116 bpm • G Maj • 07:01 • -6.58db
9% Popularity • 39% Danceability • 64% Energy • 27% Liveness
62% Instrumentalness • 28% Positiveness
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Supergrass
In It for the Money
116 bpm • G Maj • 03:05 • -6.32db
29% Popularity • 17% Danceability • 63% Energy • 55% Liveness
36% Instrumentalness • 6% Positiveness
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The Verve
All In The Mind - 2004 Digital Remaster
120 bpm • G Maj • 04:17 • -6.98db
24% Popularity • 25% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Kliché
Bag de røde bjerge - 2011 Digital Remas...
120 bpm • C Maj • 04:04 • -7.66db
15% Popularity • 62% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Psyched Up Janis
Inch
117 bpm • E Maj • 03:47 • -8.83db
10% Popularity • 47% Danceability • 57% Energy • 22% Liveness
70% Instrumentalness • 49% Positiveness
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Spids Nøgenhat
Lever vi nu?
116 bpm • E min • 03:10 • -4.43db
21% Popularity • 29% Danceability • 90% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Superheroes
Someone Else
120 bpm • A# Maj • 03:20 • -3db
21% Popularity • 51% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Johnny Boo
Roll Over
120 bpm • A min • 02:16 • -3.02db
8% Popularity • 44% Danceability • 97% Energy • 13% Liveness
63% Instrumentalness • 22% Positiveness
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The Cooper Temple Clause
Music Box
120 bpm • B min • 06:24 • -10.65db
11% Popularity • 51% Danceability • 42% Energy • 18% Liveness
74% Instrumentalness • 2% Positiveness
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Doping The Void
Whispers of Downtown Bigfoot
120 bpm • D# Maj • 03:18 • -9.27db
10% Popularity • 40% Danceability • 59% Energy • 13% Liveness
93% Instrumentalness • 24% Positiveness
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Sort Sol
Rhinestone
120 bpm • D min • 03:58 • -5db
30% Popularity • 56% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Psyched Up Janis
I Feel Lost
116 bpm • E min • 04:22 • -7.97db
11% Popularity • 45% Danceability • 85% Energy • 16% Liveness
6% Instrumentalness • 16% Positiveness
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Murder
When the Bees Are Sleeping
120 bpm • E Maj • 03:42 • -7db
15% Popularity • 63% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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EnsÃmi
Lynch thirst
120 bpm • D# Maj • 02:20 • -7.09db
8% Popularity • 61% Danceability • 88% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
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Placebo
Teenage Angst
120 bpm • F min • 02:42 • -7.72db
46% Popularity • 49% Danceability • 92% Energy • 22% Liveness
26% Instrumentalness • 75% Positiveness
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The Gutter Twins
Deep Hit of Morning Sun
120 bpm • C min • 04:43 • -6.74db
12% Popularity • 61% Danceability • 73% Energy • 9% Liveness
68% Instrumentalness • 32% Positiveness
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Whale
I Miss Me
120 bpm • C min • 04:11 • -6.73db
11% Popularity • 48% Danceability • 95% Energy • 13% Liveness
88% Instrumentalness • 83% Positiveness
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Psyched Up Janis
I Think You Suck
116 bpm • A Maj • 04:29 • -12.75db
12% Popularity • 56% Danceability • 71% Energy • 11% Liveness
80% Instrumentalness • 64% Positiveness
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Scars on Radio
Buffalo
120 bpm • D Maj • 04:33 • -9.67db
19% Popularity • 53% Danceability • 70% Energy • 18% Liveness
1% Instrumentalness • 60% Positiveness
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Lance Gibson
Here Come
116 bpm • F# Maj • 05:03 • -5.02db
20% Popularity • 39% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Adorable
Homeboy
116 bpm • A Maj • 04:30 • -7.53db
22% Popularity • 56% Danceability • 66% Energy • 12% Liveness
62% Instrumentalness • 34% Positiveness
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Swervedriver
Bring Me the Head of the Fortune Teller ...
116 bpm • E min • 04:45 • -6.87db
12% Popularity • 21% Danceability • 83% Energy • 20% Liveness
13% Instrumentalness • 44% Positiveness
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Garageland
Love Song
115 bpm • E Maj • 04:12 • -8.1db
9% Popularity • 60% Danceability • 79% Energy • 15% Liveness
15% Instrumentalness • 63% Positiveness
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The Sheila Divine
Automatic Buffalo
115 bpm • B Maj • 05:08 • -8.95db
16% Popularity • 45% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Zebulon Beerbohm
Girl Who Stole My Motorcycle
121 bpm • C# Maj • 04:01 • -5.64db
22% Popularity • 38% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 53% Positiveness
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Psyched Up Janis
They
121 bpm • E min • 02:57 • -7.79db
11% Popularity • 28% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Adorable
Feed Me
120 bpm • D Maj • 03:30 • -7.47db
9% Popularity • 52% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Lusk
Backworlds
115 bpm • A Maj • 04:49 • -3.89db
8% Popularity • 47% Danceability • 84% Energy • 16% Liveness
1% Instrumentalness • 49% Positiveness
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Nathaniel Montero
Matilda
121 bpm • D min • 04:27 • -8.29db
22% Popularity • 51% Danceability • 53% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Mew
Apocalypso
121 bpm • F# min • 04:46 • -5.03db
30% Popularity • 50% Danceability • 92% Energy • 36% Liveness
12% Instrumentalness • 15% Positiveness
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Zebulon Beerbohm
Turning On
115 bpm • F Maj • 03:11 • -6.96db
22% Popularity • 45% Danceability • 88% Energy • 21% Liveness
56% Instrumentalness • 65% Positiveness
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food bed gospel
Janet
121 bpm • C Maj • 01:56 • -10.33db
10% Popularity • 87% Danceability • 51% Energy • 11% Liveness
94% Instrumentalness • 93% Positiveness
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The Matt Eckberg Band
They Said
115 bpm • E min • 04:08 • -10.28db
15% Popularity • 48% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Whipping Boy
Blinded
121 bpm • D Maj • 03:54 • -5.15db
14% Popularity • 28% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Girls Against Boys
Click Click
121 bpm • D Maj • 03:21 • -7.29db
11% Popularity • 40% Danceability • 88% Energy • 35% Liveness
83% Instrumentalness • 59% Positiveness
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Mew
Special
121 bpm • G min • 03:13 • -5.34db
38% Popularity • 54% Danceability • 91% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Love Shop
Kraemersjael
115 bpm • B min • 04:09 • -3.95db
15% Popularity • 57% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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food bed gospel
cat jumpers
121 bpm • C Maj • 02:25 • -6.31db
9% Popularity • 44% Danceability • 62% Energy • 4% Liveness
94% Instrumentalness • 46% Positiveness
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Grant Lee Buffalo
Homespun
115 bpm • F min • 05:35 • -4.45db
24% Popularity • 52% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Whipping Boy
Twinkle
121 bpm • G Maj • 05:01 • -7.7db
26% Popularity • 22% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Longpigs
Sally Dances
115 bpm • C Maj • 03:44 • -10db
21% Popularity • 35% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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Mew
The Zookeeper's Boy
121 bpm • F min • 04:43 • -6.92db
36% Popularity • 54% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Euroboys
Sleep 'Til Tomorrow
121 bpm • B Maj • 05:22 • -6.63db
16% Popularity • 36% Danceability • 47% Energy • 14% Liveness
38% Instrumentalness • 36% Positiveness
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The Sheila Divine
I'm a Believer
121 bpm • E Maj • 02:43 • -7.23db
12% Popularity • 35% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Marine Grandperrin
Never Lose The Feeling
121 bpm • C Maj • 04:32 • -16.43db
27% Popularity • 52% Danceability • 50% Energy • 15% Liveness
22% Instrumentalness • 37% Positiveness
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Psyched Up Janis
They'll Come for Me
121 bpm • F min • 04:08 • -4.66db
7% Popularity • 29% Danceability • 75% Energy • 34% Liveness
92% Instrumentalness • 32% Positiveness
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The Tears
Refugees
115 bpm • C Maj • 02:51 • -5db
25% Popularity • 35% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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The Afghan Whigs
Going to Town
115 bpm • A Maj • 03:16 • -4.98db
21% Popularity • 58% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Come
Recidivist
114 bpm • D# min • 03:58 • -5.34db
8% Popularity • 20% Danceability • 79% Energy • 9% Liveness
86% Instrumentalness • 66% Positiveness
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Greg Dulli
Cigarettes
114 bpm • A min • 03:34 • -5.55db
9% Popularity • 55% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Girls Against Boys
Basstation
122 bpm • D min • 03:44 • -5.55db
13% Popularity • 49% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Fortune Faded
After All
122 bpm • A Maj • 03:59 • -6.14db
8% Popularity • 49% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Psyched Up Janis
Shoot the Breeze
122 bpm • D# min • 04:11 • -9.08db
9% Popularity • 43% Danceability • 90% Energy • 92% Liveness
4% Instrumentalness • 15% Positiveness
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The Gutter Twins
Idle Hands
122 bpm • D Maj • 04:37 • -5.03db
28% Popularity • 44% Danceability • 96% Energy • 9% Liveness
25% Instrumentalness • 20% Positiveness
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The Sheila Divine
Hum
122 bpm • E Maj • 02:38 • -6.47db
25% Popularity • 48% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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J Mascis + The Fog
Waistin
114 bpm • F Maj • 03:42 • -7db
12% Popularity • 32% Danceability • 77% Energy • 18% Liveness
1% Instrumentalness • 65% Positiveness
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Six by Seven
Candlelight
114 bpm • A Maj • 04:06 • -8.57db
11% Popularity • 51% Danceability • 78% Energy • 12% Liveness
91% Instrumentalness • 45% Positiveness
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The Veils
More Heat Than Light
122 bpm • D Maj • 04:06 • -8.44db
18% Popularity • 48% Danceability • 84% Energy • 20% Liveness
68% Instrumentalness • 11% Positiveness
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Psyched Up Janis
Special One
114 bpm • F Maj • 03:03 • -6.98db
19% Popularity • 30% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 28% Positiveness
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Saybia
Bend the Rules
122 bpm • E min • 03:26 • -5.97db
29% Popularity • 37% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
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The Afghan Whigs
Be Sweet - Remastered
114 bpm • F Maj • 03:36 • -7.92db
27% Popularity • 59% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Hubery Frederick
A Strange Companion
122 bpm • G Maj • 03:17 • -4.84db
24% Popularity • 51% Danceability • 90% Energy • 34% Liveness
13% Instrumentalness • 36% Positiveness
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Hannah Stark
Young
123 bpm • C Maj • 04:03 • -13.49db
19% Popularity • 64% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Wendell Noyes
Poor Touch
123 bpm • G Maj • 02:43 • -2.73db
20% Popularity • 27% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Hurricane #1
Chain Reaction
123 bpm • G Maj • 03:41 • -7db
12% Popularity • 44% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Rudimentary Paste
Windows
123 bpm • C Maj • 01:54 • -8.29db
11% Popularity • 45% Danceability • 36% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Angelo Terrero Band
So Deep
113 bpm • C# min • 04:17 • -13.63db
13% Popularity • 35% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Drugstore
Devil
113 bpm • C Maj • 02:35 • -8.42db
12% Popularity • 36% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Blue Aeroplanes
What It Is - 2006 Remaster
123 bpm • G Maj • 06:19 • -7.9db
14% Popularity • 35% Danceability • 58% Energy • 11% Liveness
30% Instrumentalness • 40% Positiveness
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The Smashing Pumpkins
Wound
123 bpm • F# min • 03:58 • -5.89db
31% Popularity • 45% Danceability • 92% Energy • 9% Liveness
84% Instrumentalness • 32% Positiveness
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The Jesus and Mary Chain
I Love Rock 'N' Roll
123 bpm • C# Maj • 02:37 • -6.14db
28% Popularity • 36% Danceability • 78% Energy • 30% Liveness
87% Instrumentalness • 52% Positiveness
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The Wannadies
Someone Somewhere
124 bpm • G Maj • 04:49 • -4.35db
20% Popularity • 34% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Buffalo Tom
Summer
124 bpm • A# Maj • 04:02 • -5db
28% Popularity • 39% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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moi Caprice
To The Lighthouse
124 bpm • D# Maj • 05:20 • -5.92db
29% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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I Got You On Tape
Doctor Watching
112 bpm • F min • 04:04 • -9.18db
15% Popularity • 62% Danceability • 63% Energy • 11% Liveness
11% Instrumentalness • 70% Positiveness
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The Twilight Sad
I Became a Prostitute
124 bpm • A# min • 05:20 • -5.54db
27% Popularity • 51% Danceability • 91% Energy • 12% Liveness
11% Instrumentalness • 40% Positiveness
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dEUS
Nightshopping
112 bpm • A min • 04:03 • -3.54db
20% Popularity • 55% Danceability • 95% Energy • 19% Liveness
33% Instrumentalness • 83% Positiveness
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garutti is trying
I Am Sorry
112 bpm • C Maj • 02:47 • -7.25db
21% Popularity • 47% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 58% Positiveness
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Sort Sol
Daughter Of Sad - Remastered
112 bpm • A Maj • 03:14 • -6.67db
20% Popularity • 53% Danceability • 68% Energy • 29% Liveness
22% Instrumentalness • 54% Positiveness
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The Bicycle Thief
Song for a Kevin Spacey Movie
124 bpm • E min • 03:04 • -5.51db
9% Popularity • 48% Danceability • 81% Energy • 13% Liveness
6% Instrumentalness • 34% Positiveness
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I Got You On Tape
Beggars and Bangers
112 bpm • G min • 03:24 • -12.21db
11% Popularity • 55% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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The Auteurs
1967
112 bpm • B Maj • 02:42 • -9.18db
8% Popularity • 55% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 50% Positiveness
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Adorable
Road Movie
125 bpm • C# min • 04:17 • -7.08db
8% Popularity • 46% Danceability • 90% Energy • 7% Liveness
66% Instrumentalness • 44% Positiveness
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Feeder
My Perfect Day
112 bpm • D Maj • 04:25 • -6.57db
27% Popularity • 52% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Manic Street Preachers
She Is Suffering - Remastered
112 bpm • E Maj • 04:42 • -6db
30% Popularity • 56% Danceability • 67% Energy • 27% Liveness
2% Instrumentalness • 21% Positiveness
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moi Caprice
Artboy Meets Artgirl
125 bpm • G Maj • 04:44 • -6db
14% Popularity • 62% Danceability • 77% Energy • 71% Liveness
0% Instrumentalness • 85% Positiveness
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Saucin Trippie
Go And Go
125 bpm • D Maj • 03:13 • -4.84db
12% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Gutter Twins
Each To Each
125 bpm • A min • 04:48 • -6.12db
16% Popularity • 60% Danceability • 90% Energy • 19% Liveness
91% Instrumentalness • 67% Positiveness
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Babylon Zoo
Caffeine
125 bpm • A Maj • 06:34 • -7.39db
13% Popularity • 52% Danceability • 67% Energy • 56% Liveness
1% Instrumentalness • 28% Positiveness
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Aereogramme
Black Path
125 bpm • D Maj • 03:53 • -8.42db
9% Popularity • 38% Danceability • 47% Energy • 14% Liveness
90% Instrumentalness • 18% Positiveness
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Manic Street Preachers
Yourself
125 bpm • F min • 04:09 • -8.78db
20% Popularity • 32% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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All Your Evil Things