Songs like All Your Reasons by Jake Bugg
Based on a tempo of (+/- 10%) and a similar genre
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Jake Bugg
All Your Reasons
149 bpm • F Maj • 05:08 • -3.45db
25% Popularity • 37% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 37% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Spector
Celestine
149 bpm • F Maj • 03:42 • -4db
32% Popularity • 49% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 49% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Reverend And The Makers
Sundown on the Empire
148 bpm • E min • 04:00 • -4.44db
17% Popularity • 44% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 44% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Blur
Under the Westway
150 bpm • C Maj • 04:16 • -9db
37% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Catfish and the Bottlemen
Pacifier - Jim Eno Sessions
148 bpm • A Maj • 04:03 • -6.75db
25% Popularity • 49% Danceability • 88% Energy • 9% Liveness
62% Instrumentalness • 40% Positiveness
25% Popularity • 49% Danceability • 88% Energy • 9% Liveness
62% Instrumentalness • 40% Positiveness
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Mystery Jets
Half in Love with Elizabeth
147 bpm • A min • 03:19 • -3db
30% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Liam Gallagher
For What It's Worth
146 bpm • C Maj • 04:11 • -4.45db
56% Popularity • 49% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
56% Popularity • 49% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Spector
Don't Make Me Try
150 bpm • G Maj • 02:45 • -6.23db
13% Popularity • 56% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 56% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Alex Turner
It's hard to get around the wind
145 bpm • C Maj • 04:07 • -19db
53% Popularity • 44% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 44% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jake Bugg
Burn Alone
153 bpm • D Maj • 02:40 • -6.86db
24% Popularity • 53% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 53% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Catfish and the Bottlemen
Rango
146 bpm • C# Maj • 02:57 • -5.12db
51% Popularity • 43% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 43% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Marr
Generate! Generate!
153 bpm • B min • 04:21 • -6.66db
25% Popularity • 24% Danceability • 74% Energy • 12% Liveness
9% Instrumentalness • 39% Positiveness
25% Popularity • 24% Danceability • 74% Energy • 12% Liveness
9% Instrumentalness • 39% Positiveness
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Editors
Formaldehyde
153 bpm • A min • 03:50 • -6db
43% Popularity • 52% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
43% Popularity • 52% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 70% Positiveness
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Little Comets
Coalition of One
145 bpm • A Maj • 02:54 • -9.47db
22% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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The Sherlocks
Escapade
145 bpm • A min • 03:41 • -4.18db
15% Popularity • 25% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 25% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Foals
Balloons - Single version
154 bpm • A min • 03:00 • -1.96db
14% Popularity • 58% Danceability • 98% Energy • 7% Liveness
15% Instrumentalness • 77% Positiveness
14% Popularity • 58% Danceability • 98% Energy • 7% Liveness
15% Instrumentalness • 77% Positiveness
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Catfish and the Bottlemen
Fallout
146 bpm • G# Maj • 03:30 • -3.76db
58% Popularity • 36% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 36% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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CamelPhat
Love Is Something
154 bpm • B Maj • 03:45 • -6.39db
33% Popularity • 56% Danceability • 65% Energy • 13% Liveness
9% Instrumentalness • 32% Positiveness
33% Popularity • 56% Danceability • 65% Energy • 13% Liveness
9% Instrumentalness • 32% Positiveness
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Spector
No Adventure
144 bpm • G min • 03:36 • -3.19db
15% Popularity • 31% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 31% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 18% Positiveness
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Delorentos
Sanctuary
143 bpm • A Maj • 04:01 • -4.22db
11% Popularity • 41% Danceability • 93% Energy • 37% Liveness
22% Instrumentalness • 34% Positiveness
11% Popularity • 41% Danceability • 93% Energy • 37% Liveness
22% Instrumentalness • 34% Positiveness
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Mystery Jets
Alice Springs
155 bpm • A Maj • 05:17 • -6.14db
19% Popularity • 39% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 39% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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The Cribs
Leather Jacket Love Song
143 bpm • D# Maj • 03:06 • -4.02db
23% Popularity • 38% Danceability • 93% Energy • 8% Liveness
16% Instrumentalness • 41% Positiveness
23% Popularity • 38% Danceability • 93% Energy • 8% Liveness
16% Instrumentalness • 41% Positiveness
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Catfish and the Bottlemen
7
155 bpm • A# Maj • 04:16 • -4.93db
67% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Enemy
Don't Break the Red Tape
142 bpm • G Maj • 03:42 • -4.7db
28% Popularity • 47% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 47% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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Noah And The Whale
All Through The Night
142 bpm • A# Maj • 03:18 • -4.9db
28% Popularity • 53% Danceability • 80% Energy • 17% Liveness
5% Instrumentalness • 21% Positiveness
28% Popularity • 53% Danceability • 80% Energy • 17% Liveness
5% Instrumentalness • 21% Positiveness
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Spector
Upset Boulevard
156 bpm • A min • 03:45 • -2.5db
16% Popularity • 30% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 30% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Reverend And The Makers
18-30
142 bpm • A Maj • 03:14 • -4.69db
22% Popularity • 64% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 64% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 82% Positiveness
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The Strypes
What The People Don't See
142 bpm • F Maj • 02:56 • -4.04db
10% Popularity • 34% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 34% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Catfish and the Bottlemen
Homesick
142 bpm • C# Maj • 02:28 • -6.33db
62% Popularity • 70% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
62% Popularity • 70% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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The Magic Numbers
Accidental Song
142 bpm • G Maj • 04:32 • -8.06db
12% Popularity • 38% Danceability • 62% Energy • 13% Liveness
16% Instrumentalness • 27% Positiveness
12% Popularity • 38% Danceability • 62% Energy • 13% Liveness
16% Instrumentalness • 27% Positiveness
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The Enemy
Be Somebody
155 bpm • C# Maj • 03:04 • -4db
34% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 44% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Enemy
This Is Real
141 bpm • F# Maj • 04:38 • -4.02db
14% Popularity • 23% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 23% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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The Sherlocks
Was It Really Worth It?
158 bpm • G Maj • 03:44 • -5db
26% Popularity • 40% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 40% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Strypes
She's So Fine
157 bpm • C Maj • 02:19 • -4.83db
11% Popularity • 18% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
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The Crookes
Maybe in the Dark
158 bpm • B Maj • 02:28 • -3.7db
14% Popularity • 48% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 48% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Bombay Bicycle Club
Autumn
140 bpm • A min • 03:35 • -7.4db
31% Popularity • 42% Danceability • 72% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
31% Popularity • 42% Danceability • 72% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
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The Enemy
Away from Here - US Version
158 bpm • C# Maj • 03:00 • -5db
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 50% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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The Enemy
2 Kids
140 bpm • B Maj • 03:56 • -3.23db
16% Popularity • 50% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 50% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Noah And The Whale
There Will Come A Time
140 bpm • D Maj • 03:37 • -5.06db
31% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 67% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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The Strypes
What A Shame
158 bpm • D# min • 02:24 • -4.98db
23% Popularity • 37% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 37% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Viola Beach
Drunk
140 bpm • E min • 04:09 • -6.52db
44% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Bombay Bicycle Club
Magnet
140 bpm • E Maj • 04:50 • -5.82db
33% Popularity • 54% Danceability • 86% Energy • 7% Liveness
71% Instrumentalness • 32% Positiveness
33% Popularity • 54% Danceability • 86% Energy • 7% Liveness
71% Instrumentalness • 32% Positiveness
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Little Man Tate
Man I Hate Your Band
140 bpm • F Maj • 03:36 • -3.91db
26% Popularity • 47% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 47% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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The Enemy
Like a Dancer
140 bpm • C# Maj • 03:09 • -1.92db
17% Popularity • 47% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 47% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jake Bugg
Man On The Moon - Remastered 2022
140 bpm • D Maj • 02:38 • -10.85db
28% Popularity • 42% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
28% Popularity • 42% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Little Comets
Isles
159 bpm • B Maj • 02:43 • -5db
26% Popularity • 52% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 52% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Spector
Twenty Nothing
159 bpm • D Maj • 03:25 • -3.29db
25% Popularity • 53% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 53% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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The Sherlocks
Live for the Moment (Demo)
160 bpm • D min • 03:19 • -1.22db
22% Popularity • 23% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 23% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Reverend And The Makers
The Machine
160 bpm • F# min • 03:50 • -3.38db
22% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 60% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Editors
When Anger Shows
139 bpm • E min • 05:45 • -4.94db
32% Popularity • 40% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 40% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Enemy
Away from Here - BBC Radio 1 Live Versio...
160 bpm • C Maj • 02:59 • -8.27db
28% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 55% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Family Rain
Feel Better (FRANK)
138 bpm • B min • 03:15 • -2.58db
9% Popularity • 32% Danceability • 93% Energy • 14% Liveness
5% Instrumentalness • 30% Positiveness
9% Popularity • 32% Danceability • 93% Energy • 14% Liveness
5% Instrumentalness • 30% Positiveness
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The Strypes
Hard To Say No
160 bpm • F min • 03:24 • -6db
13% Popularity • 30% Danceability • 91% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 30% Danceability • 91% Energy • 64% Liveness
0% Instrumentalness • 57% Positiveness
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Cherry Ghost
Roses
138 bpm • F# min • 03:48 • -8.29db
20% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
20% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Catfish and the Bottlemen
Postpone
138 bpm • A Maj • 04:05 • -3.86db
52% Popularity • 53% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 53% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Cajun Dance Party
Amylase
161 bpm • F Maj • 03:41 • -2db
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 10% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Reverend And The Makers
The State of Things
138 bpm • D Maj • 03:01 • -4.86db
30% Popularity • 51% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 51% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Editors
Honesty
161 bpm • E min • 04:49 • -5.19db
37% Popularity • 38% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 38% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jake Bugg
Storm Passes Away
137 bpm • F Maj • 02:55 • -6.19db
24% Popularity • 59% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 59% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Ocean Colour Scene
It's A Beautiful Thing
137 bpm • D Maj • 06:30 • -9.07db
31% Popularity • 35% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 35% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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Catfish and the Bottlemen
Kathleen
138 bpm • B min • 02:40 • -4.76db
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 49% Danceability • 89% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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The Enemy
Gimme the Sign
162 bpm • C# Maj • 03:09 • -3.01db
17% Popularity • 29% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 29% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Cherry Ghost
Here Come the Romans
137 bpm • D Maj • 04:00 • -4.51db
13% Popularity • 46% Danceability • 84% Energy • 14% Liveness
8% Instrumentalness • 54% Positiveness
13% Popularity • 46% Danceability • 84% Energy • 14% Liveness
8% Instrumentalness • 54% Positiveness
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The Magic Numbers
The Mule
136 bpm • C# min • 05:11 • -6.76db
20% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jake Bugg
Strange Creatures
136 bpm • D# min • 03:34 • -10.07db
28% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Carl Barât
A Storm Is Coming
136 bpm • A# Maj • 03:59 • -5.01db
12% Popularity • 48% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 48% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Ocean Colour Scene
Travellers Tune
137 bpm • G# Maj • 03:40 • -6db
42% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Catfish and the Bottlemen
Twice
137 bpm • C Maj • 03:16 • -5db
55% Popularity • 41% Danceability • 82% Energy • 40% Liveness
3% Instrumentalness • 29% Positiveness
55% Popularity • 41% Danceability • 82% Energy • 40% Liveness
3% Instrumentalness • 29% Positiveness
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All The Young
The First Time
136 bpm • C Maj • 04:49 • -4db
9% Popularity • 49% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 49% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Elbow
Colour Fields
136 bpm • A Maj • 03:42 • -12.73db
29% Popularity • 84% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 84% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Jake Bugg
A Change In The Air
136 bpm • C min • 03:22 • -3.95db
15% Popularity • 44% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 44% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Tribes
Bad Apple
136 bpm • A Maj • 03:49 • -4.6db
9% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Strypes
You Can't Judge A Book By The Cover
136 bpm • G Maj • 02:16 • -5.82db
19% Popularity • 46% Danceability • 94% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 46% Danceability • 94% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
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Catfish and the Bottlemen
Tyrants
136 bpm • C# Maj • 04:39 • -5.55db
52% Popularity • 32% Danceability • 70% Energy • 61% Liveness
8% Instrumentalness • 33% Positiveness
52% Popularity • 32% Danceability • 70% Energy • 61% Liveness
8% Instrumentalness • 33% Positiveness
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The Crookes
Sofie
136 bpm • B Maj • 03:50 • -2.43db
10% Popularity • 50% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 50% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Babyshambles
Pipedown
136 bpm • A Maj • 02:35 • -3.62db
31% Popularity • 40% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 40% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Bugg
Slide
136 bpm • B Maj • 03:08 • -7db
42% Popularity • 40% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 40% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Little Comets
Joanna
136 bpm • A Maj • 03:09 • -5.59db
28% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Viola Beach
Boys That Sing
136 bpm • B min • 03:16 • -6.46db
53% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
53% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Reverend And The Makers
Bandits
164 bpm • F# min • 02:37 • -4.42db
26% Popularity • 57% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 57% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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The Family Rain
Trust Me... I'm A Genius
164 bpm • D Maj • 02:15 • -9.23db
8% Popularity • 37% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 37% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Enemy
1-2-3-4
164 bpm • F# Maj • 02:59 • -2.15db
13% Popularity • 41% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 41% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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Mystery Jets
Someone Purer
164 bpm • A# min • 05:18 • -5.05db
33% Popularity • 48% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 48% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Peter Doherty
The Whole World Is Our Playground
135 bpm • G Maj • 02:48 • -8.4db
24% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Tribes
Sons and Daughters
135 bpm • E Maj • 03:03 • -5db
8% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Southern
Cool Kid
135 bpm • A# min • 02:54 • -4db
8% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Catfish and the Bottlemen
Soundcheck
135 bpm • D Maj • 04:21 • -5.79db
58% Popularity • 60% Danceability • 76% Energy • 41% Liveness
8% Instrumentalness • 65% Positiveness
58% Popularity • 60% Danceability • 76% Energy • 41% Liveness
8% Instrumentalness • 65% Positiveness
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The Libertines
Can't Stand Me Now
164 bpm • E Maj • 03:23 • -3.21db
61% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 37% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Noah And The Whale
Now Is Exactly The Time
135 bpm • F Maj • 03:40 • -5.46db
27% Popularity • 71% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 71% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Peter Doherty
The Ballad of Grimaldi
165 bpm • E min • 04:07 • -10.72db
22% Popularity • 44% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 44% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Tribes
When My Day Comes
135 bpm • C# Maj • 02:53 • -1.56db
15% Popularity • 42% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 42% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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The Lathums
I Know That Much
134 bpm • B min • 03:21 • -4db
42% Popularity • 50% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 50% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Viola Beach
Like A Fool
134 bpm • G Maj • 02:51 • -6.56db
35% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Sherlocks
Last Night
166 bpm • F Maj • 03:12 • -4db
24% Popularity • 18% Danceability • 93% Energy • 35% Liveness
1% Instrumentalness • 50% Positiveness
24% Popularity • 18% Danceability • 93% Energy • 35% Liveness
1% Instrumentalness • 50% Positiveness
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Jake Bugg
Seen It All
167 bpm • D Maj • 02:51 • -5.86db
58% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 38% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Catfish and the Bottlemen
Cocoon - Jim Eno Sessions
133 bpm • G min • 04:04 • -6.46db
26% Popularity • 54% Danceability • 93% Energy • 18% Liveness
13% Instrumentalness • 53% Positiveness
26% Popularity • 54% Danceability • 93% Energy • 18% Liveness
13% Instrumentalness • 53% Positiveness
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Tribes
We Were Children
166 bpm • E Maj • 03:00 • -3.72db
31% Popularity • 21% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 21% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Spector
Friday Night, Don't Ever Let It End
167 bpm • F Maj • 03:49 • -3.05db
27% Popularity • 37% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 37% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
