Songs like Alles zieht vorbei - Salt & Waves Remix by LOTTE
Based on a tempo of (+/- 10%) and a similar genre
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Jan-Marten
Los
120 bpm • A# Maj • 02:51 • -3.91db
10% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Marie Bothmer
Ich dein Alles, du mein Nichts - Ãœberni...
120 bpm • E min • 03:32 • -12db
14% Popularity • 75% Danceability • 53% Energy • 17% Liveness
6% Instrumentalness • 21% Positiveness
14% Popularity • 75% Danceability • 53% Energy • 17% Liveness
6% Instrumentalness • 21% Positiveness
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LOTTE
Wenn Liebe kommt
120 bpm • G Maj • 03:36 • -5db
35% Popularity • 82% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 82% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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PAMO
Step by Step
120 bpm • C# min • 02:44 • -6.3db
22% Popularity • 82% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 82% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Gregor Hägele
Bitte hass uns nicht
120 bpm • G# Maj • 03:37 • -9.5db
35% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 72% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mandy Capristo
13 Schritte
120 bpm • C min • 02:30 • -7.11db
25% Popularity • 82% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
25% Popularity • 82% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Lu-key
Dieses Lied
120 bpm • G# Maj • 02:18 • -6.83db
17% Popularity • 85% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 85% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Julita
Wenn du tanzt
120 bpm • A min • 02:37 • -14db
33% Popularity • 85% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 85% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Rico Bernasconi
La Vida Loca - Rico & Rico Edit
120 bpm • C Maj • 03:03 • -5.84db
13% Popularity • 70% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 70% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Fynn Kliemann
Alles nur geliehen
120 bpm • F min • 03:13 • -5.45db
35% Popularity • 69% Danceability • 46% Energy • 55% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 69% Danceability • 46% Energy • 55% Liveness
0% Instrumentalness • 40% Positiveness
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Moritz Garth
Bumerang
120 bpm • B min • 03:13 • -8.28db
39% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tonbandgerät
Bacardi Breezer
120 bpm • C Maj • 03:06 • -5.91db
16% Popularity • 64% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 64% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Phil Praise
Wenn ich spring
120 bpm • A Maj • 03:14 • -7.64db
10% Popularity • 68% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 68% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Voice Generations
Niemals alleine
120 bpm • D Maj • 03:57 • -4db
22% Popularity • 58% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 58% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Wilhelmine
Solange du dich bewegst
120 bpm • A# Maj • 03:31 • -10.06db
48% Popularity • 66% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 66% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Robert Redweik
Was kümmert uns die Zeit (Die Zeit)
120 bpm • C Maj • 02:50 • -10db
51% Popularity • 77% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 77% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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LOTTE
Alles zieht vorbei - Salt & Waves Remix
120 bpm • C# min • 04:02 • -7.27db
13% Popularity • 76% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 76% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Nico Rosseburg
Magnetisch
120 bpm • B min • 02:35 • -6.55db
21% Popularity • 74% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 74% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Batomae
Für den Anfang
119 bpm • G min • 02:51 • -5.83db
11% Popularity • 70% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 70% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Xavi
Analoge Liebe
121 bpm • C# Maj • 02:23 • -6.58db
34% Popularity • 92% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 92% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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HERBSTBRÃœDER
Im Vorbeigehen geliebt
119 bpm • C Maj • 02:49 • -13.23db
8% Popularity • 65% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 65% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Robert Redweik
Neuer Mensch
120 bpm • G Maj • 02:34 • -11.77db
43% Popularity • 68% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 68% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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LOTTE
Auf das, was da noch kommt
120 bpm • F# min • 03:29 • -4.66db
46% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Florian Künstler
Wovor hast du Angst
121 bpm • A Maj • 02:35 • -7db
47% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Estefania
Keine Liebeslieder
119 bpm • B Maj • 03:23 • -6.87db
25% Popularity • 70% Danceability • 65% Energy • 23% Liveness
16% Instrumentalness • 57% Positiveness
25% Popularity • 70% Danceability • 65% Energy • 23% Liveness
16% Instrumentalness • 57% Positiveness
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Gregor Hägele
Paracetamol
118 bpm • B Maj • 02:45 • -6.74db
48% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Georg Stengel
Höher, weiter, schneller
122 bpm • G# Maj • 03:22 • -6db
29% Popularity • 77% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 77% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Zweikanalton
Rosen, Alles Gut - Radio Edit
122 bpm • C Maj • 02:43 • -5.24db
15% Popularity • 73% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 73% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Wilhelmine
an all diesen Tagen
118 bpm • F# Maj • 02:44 • -7db
43% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 74% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Benne
3000 Umwege
118 bpm • F# min • 03:16 • -9.27db
36% Popularity • 68% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 68% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Estefania
Keine Liebeslieder (Wedding Edition)
119 bpm • B Maj • 03:40 • -7.86db
26% Popularity • 55% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 55% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Moritz Garth
Blick nach vorn
122 bpm • G min • 03:13 • -10.03db
28% Popularity • 69% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 69% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Rockstroh
Schmetterlinge - Original Mix
122 bpm • G min • 03:14 • -4db
12% Popularity • 75% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 75% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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LOTTE
Ruf einfach an
122 bpm • G# Maj • 03:24 • -5.42db
25% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Franzi Harmsen
Ich wär so gern
118 bpm • F# min • 02:15 • -7db
37% Popularity • 81% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 81% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Gregor Hägele
Paracetamol - Salt & Waves Remix
122 bpm • B Maj • 02:26 • -4.99db
28% Popularity • 72% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 72% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Wilhelmine
Komm wie du bist
118 bpm • G# min • 03:13 • -7.32db
48% Popularity • 77% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 77% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Nick March
Honigkuchenpferde
122 bpm • A# Maj • 03:51 • -10.21db
8% Popularity • 87% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 87% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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CELINA
Sekunde 1
122 bpm • F# Maj • 03:11 • -5.48db
8% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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LOTTE
LASS DIE MUSIK AN
122 bpm • B min • 02:47 • -8.71db
26% Popularity • 74% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 74% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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Oh Brother
Schon klar
118 bpm • G# Maj • 03:36 • -4.76db
25% Popularity • 73% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 73% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Julia Beautx
Immer du
118 bpm • A Maj • 03:31 • -8db
33% Popularity • 81% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 81% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Otto Normal
Eins Eins Null
123 bpm • E min • 03:41 • -9db
19% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Simon Will
Einsam zu zweit
118 bpm • G Maj • 03:03 • -6.76db
22% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Tom Beck
360 Grad - Gestört aber GeiL Remix
123 bpm • A min • 02:42 • -7.29db
22% Popularity • 76% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 76% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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LOTTE
Bleib nochn Tag (Ladadi)
118 bpm • C Maj • 02:33 • -4.34db
29% Popularity • 84% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 84% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Leon Brooks
Bester Fehler - Club Mix
123 bpm • F# Maj • 02:50 • -8db
8% Popularity • 80% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 80% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bosse
Dein Hurra
117 bpm • G Maj • 03:17 • -6db
48% Popularity • 65% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 65% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Deist & Brandenburg
Herzchen
123 bpm • C# min • 04:52 • -6db
17% Popularity • 78% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 78% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Lupid
Lieb mich jetzt
123 bpm • F# Maj • 04:07 • -11db
13% Popularity • 74% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 74% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Leolixl
Song für dich
123 bpm • F Maj • 02:57 • -6db
20% Popularity • 83% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 83% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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LOTTE
VIEL ZU VIEL (NICHT GENUG) - Akustik Ver...
118 bpm • A# Maj • 02:47 • -12.1db
34% Popularity • 63% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 63% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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CELINA
Nochmal zurück
117 bpm • A# Maj • 03:17 • -4.7db
11% Popularity • 78% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 78% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Robert Redweik
Warum nicht - Charming Horses Remix
117 bpm • B min • 02:54 • -7.64db
32% Popularity • 72% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 72% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Benne
Nordlichter
117 bpm • D Maj • 02:45 • -6.56db
37% Popularity • 71% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 71% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Elen
Raus hier
117 bpm • D Maj • 03:13 • -6.15db
16% Popularity • 61% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 61% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Lukas Hellenthal
24 Zoll
123 bpm • D Maj • 03:34 • -8.82db
15% Popularity • 66% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 66% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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LOTTE
Alles zieht vorbei
117 bpm • E Maj • 03:37 • -8.66db
25% Popularity • 69% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 69% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Franzi Harmsen
Vielleicht ist nicht genug
117 bpm • D# Maj • 02:56 • -4.36db
27% Popularity • 93% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 93% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Clara Louise
Was wir waren
124 bpm • F# min • 03:08 • -6.77db
20% Popularity • 68% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 68% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 9% Positiveness
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Anna Trümner
Weg von mir - Radio Edit
124 bpm • C# min • 03:23 • -5.42db
10% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Batomae
Nur bei dir
124 bpm • G# min • 03:18 • -8.86db
14% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Joseph Westphal
Phönix
124 bpm • G# Maj • 02:56 • -6.31db
10% Popularity • 74% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 74% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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LOTTE
VIEL ZU VIEL (NICHT GENUG)
123 bpm • G# Maj • 02:59 • -8.75db
23% Popularity • 90% Danceability • 60% Energy • 8% Liveness
12% Instrumentalness • 94% Positiveness
23% Popularity • 90% Danceability • 60% Energy • 8% Liveness
12% Instrumentalness • 94% Positiveness
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Franzi Harmsen
Dein Shirt
124 bpm • A# min • 02:45 • -7db
23% Popularity • 86% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 86% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Zweikanalton
Ey Katharina
124 bpm • A Maj • 02:40 • -6.49db
24% Popularity • 66% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 66% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Leolixl
Schnee von gestern
116 bpm • C# Maj • 03:15 • -7db
16% Popularity • 68% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 68% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Lys
Diese eine Melodie
124 bpm • G# min • 02:55 • -6.17db
22% Popularity • 83% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 83% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Joseph Westphal
Barfuß über Glas
124 bpm • E Maj • 03:21 • -6db
28% Popularity • 71% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 71% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Parallel
10 Sekunden
116 bpm • F Maj • 03:51 • -6db
10% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 72% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Philipp Dittberner
In deiner kleinen Welt (Marv Edit)
116 bpm • G# Maj • 03:13 • -7.07db
53% Popularity • 77% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
53% Popularity • 77% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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LOTTE
WAS MACHST DU?
115 bpm • A# min • 02:35 • -6.86db
23% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Benne
3 Küsse
116 bpm • A Maj • 03:28 • -9.3db
34% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Julia Engelmann
Kein Modelmädchen
125 bpm • A# Maj • 03:26 • -8.79db
44% Popularity • 79% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 79% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Julita
24/7
125 bpm • C# Maj • 02:12 • -7db
32% Popularity • 75% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 75% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Prince Damien
Easy Breezy - Deutsche Version
125 bpm • E Maj • 03:17 • -6.19db
17% Popularity • 65% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 65% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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John Riot
Allergrößter Fan - Radio Edit
125 bpm • C Maj • 02:24 • -6db
12% Popularity • 89% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 89% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Jenny Frankhauser
Zwischen zwei Stühlen
125 bpm • G min • 03:17 • -8db
10% Popularity • 74% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 74% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Nico Rosseburg
Du.
125 bpm • C# min • 02:31 • -7db
12% Popularity • 72% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 72% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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SEELEMANN
Gäng für die Ewigkeit - Edit
125 bpm • C min • 02:54 • -7db
11% Popularity • 77% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 77% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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LOTTE
Schau mich nicht so an
125 bpm • C# Maj • 03:15 • -5.7db
45% Popularity • 72% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 72% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Luca Noel
Wenn Ich Fall'
125 bpm • D Maj • 02:54 • -6.59db
11% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 81% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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John Riot
Allergrößter Fan
125 bpm • C Maj • 03:58 • -7db
7% Popularity • 87% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 87% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Wilhelmine
Drip
125 bpm • D Maj • 03:03 • -4.81db
34% Popularity • 89% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 89% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Caro Conrad
Schachmatt
115 bpm • C# Maj • 03:51 • -10.19db
10% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Franzi Harmsen
Schönster Fehler
115 bpm • C# min • 02:51 • -5.2db
35% Popularity • 79% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 79% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Voyce
Alles was wir brauchen
115 bpm • G min • 03:04 • -4.45db
18% Popularity • 80% Danceability • 81% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
18% Popularity • 80% Danceability • 81% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Luano
Kopf frei
115 bpm • E Maj • 03:01 • -15db
26% Popularity • 82% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 82% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Xavi
Wissen wofür
126 bpm • D Maj • 02:58 • -10.02db
27% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Good Kidz
Tunnelblick
126 bpm • A# Maj • 03:33 • -6db
21% Popularity • 78% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 78% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Sarah Connor
Sind wir bereit?
126 bpm • A min • 03:05 • -7.4db
21% Popularity • 74% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 74% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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LOTTE
Zuhause für mich
126 bpm • B Maj • 03:29 • -5.88db
34% Popularity • 75% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 75% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Max Herre
Das Wenigste - Biztram Version
126 bpm • F# Maj • 04:04 • -6.58db
25% Popularity • 76% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 76% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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DJ Bonzay
Mon amour - Radio Edit
126 bpm • G Maj • 02:49 • -5.4db
22% Popularity • 70% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 70% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Franzi Harmsen
Zweieinhalb Sekunden
126 bpm • B min • 02:57 • -7.13db
22% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Oh Brother
Hoff du bist ok
114 bpm • D Maj • 02:44 • -5.83db
23% Popularity • 81% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 81% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Lupid
Träum mich zurück
114 bpm • E Maj • 03:32 • -7.85db
13% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jellina
Alles
114 bpm • D Maj • 02:39 • -7.57db
35% Popularity • 81% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 81% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
