Songs like All-night Vigil, Op. 37, "Vespers": Hail, O Virgin Mother (Ave Maria) by Sergei Rachmaninoff
Based on a tempo of (+/- 10%) and a similar genre
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
139 bpm • G min • 06:33 • -29.37db
10% Popularity • 15% Danceability • 2% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 2% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Carlo Gesualdo
Moro, lasso, al mio duolo
139 bpm • F Maj • 05:35 • -21db
14% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Kyrie. Kyrie e...
138 bpm • A# min • 10:39 • -20.19db
26% Popularity • 16% Danceability • 12% Energy • 34% Liveness
71% Instrumentalness • 7% Positiveness
26% Popularity • 16% Danceability • 12% Energy • 34% Liveness
71% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
17% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
13% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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The King's Singers
Spem In Alium (Tallis)
138 bpm • A# Maj • 08:31 • -18.66db
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: III. Blessed is...
140 bpm • E Maj • 06:37 • -29.54db
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Anna Thorvaldsdottir
Heyr þú oss himnum á
138 bpm • D min • 04:22 • -27.71db
12% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
137 bpm • D# Maj • 03:38 • -23db
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Vasara (Summer)
137 bpm • A min • 04:22 • -26.33db
15% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Jordi Savall
Officium Defunctorum - Ad Matutinum
137 bpm • D# Maj • 01:59 • -20.76db
16% Popularity • 15% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Ä’riks EÅ¡envalds
Northern Lights
136 bpm • D min • 06:19 • -21.7db
12% Popularity • 18% Danceability • 8% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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Franz Schubert
Lacrimosa son io, D. 131b
136 bpm • D min • 04:20 • -26.94db
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Now let Thy Servant Dep...
136 bpm • B min • 03:56 • -24.74db
8% Popularity • 18% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Kerensa Briggs
Media Vita
143 bpm • B min • 03:00 • -25.74db
36% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Owain Park
Phos hilaron: II. Phos hilaron
144 bpm • E min • 02:12 • -34.55db
33% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: IV. Gladsome Li...
134 bpm • C min • 04:07 • -23.68db
14% Popularity • 16% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: V. "Nyne otpushchayeshi...
135 bpm • F# Maj • 03:43 • -35db
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Rudolf Mauersberger
Wie liegt die Stadt so wust
145 bpm • A# min • 06:34 • -28.67db
14% Popularity • 13% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
145 bpm • A Maj • 04:33 • -29.86db
14% Popularity • 16% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
134 bpm • C Maj • 03:32 • -24.89db
15% Popularity • 16% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
32% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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BYU Singers
Cloudburst
132 bpm • E min • 08:25 • -24db
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Than...
132 bpm • C Maj • 01:34 • -16.66db
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Valentin Silvestrov
2 Sacred Chants: No. 1, Mercy of Peace
132 bpm • E Maj • 05:03 • -32db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
► Preview
Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
132 bpm • D min • 05:17 • -24.56db
14% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
12% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Moro, lasso, al mio duolo, madrigal for ...
130 bpm • F min • 04:10 • -23.4db
7% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
130 bpm • A Maj • 11:35 • -25.06db
9% Popularity • 17% Danceability • 12% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Anton Bruckner
Vexilla regis, WAB 51
130 bpm • F Maj • 04:55 • -27.43db
11% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Sfogava con le stelle un infermo d'amore...
129 bpm • D min • 03:06 • -21db
8% Popularity • 23% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Klusas dziemas (silent songs): I. Nosapi...
129 bpm • F min • 03:38 • -31.84db
14% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Jonathan Dove
Into Thy Hands
129 bpm • E Maj • 05:44 • -23.15db
11% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
22% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Grea...
129 bpm • C min • 08:30 • -24.09db
15% Popularity • 19% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 2. Gloria
128 bpm • D Maj • 08:39 • -19.93db
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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John Bennet
Weep, O mine eyes
127 bpm • G# min • 02:44 • -25.16db
21% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Paul Mealor
Locus Iste
127 bpm • D# Maj • 04:19 • -25db
25% Popularity • 17% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 3% Energy • 11% Liveness
75% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
128 bpm • D min • 01:35 • -22.99db
26% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
