Songs like Almost Was Good Enough by Magnolia Electric Co.
Based on a tempo of (+/- 10%) and a similar genre
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Mark Kozelek & Jimmy LaValle
Gustavo
140 bpm • F Maj • 07:11 • -13.89db
28% Popularity • 74% Danceability • 24% Energy • 8% Liveness
12% Instrumentalness • 19% Positiveness
28% Popularity • 74% Danceability • 24% Energy • 8% Liveness
12% Instrumentalness • 19% Positiveness
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Magnolia Electric Co.
Almost Was Good Enough
140 bpm • F# min • 09:13 • -9.71db
32% Popularity • 47% Danceability • 62% Energy • 69% Liveness
1% Instrumentalness • 62% Positiveness
32% Popularity • 47% Danceability • 62% Energy • 69% Liveness
1% Instrumentalness • 62% Positiveness
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Centro-matic
Fidgeting Wildly
140 bpm • C# Maj • 02:29 • -6.16db
14% Popularity • 40% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 40% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Built To Spill
Gone
140 bpm • D min • 05:41 • -7.6db
4% Popularity • 28% Danceability • 64% Energy • 26% Liveness
57% Instrumentalness • 20% Positiveness
4% Popularity • 28% Danceability • 64% Energy • 26% Liveness
57% Instrumentalness • 20% Positiveness
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Giant Sand
Wind Blown Waltz
140 bpm • C Maj • 03:21 • -15db
30% Popularity • 52% Danceability • 30% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
30% Popularity • 52% Danceability • 30% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
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The Felice Brothers
Don't Wake the Scarecrow
141 bpm • D Maj • 04:56 • -10.91db
16% Popularity • 45% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
16% Popularity • 45% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Phosphorescent
Los Angeles
140 bpm • F Maj • 08:48 • -9.17db
21% Popularity • 24% Danceability • 43% Energy • 15% Liveness
52% Instrumentalness • 28% Positiveness
21% Popularity • 24% Danceability • 43% Energy • 15% Liveness
52% Instrumentalness • 28% Positiveness
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My Morning Jacket
At Dawn
139 bpm • C# Maj • 03:49 • -10.12db
23% Popularity • 39% Danceability • 42% Energy • 10% Liveness
44% Instrumentalness • 7% Positiveness
23% Popularity • 39% Danceability • 42% Energy • 10% Liveness
44% Instrumentalness • 7% Positiveness
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Calexico
Crooked Road and The Briar
139 bpm • D min • 04:27 • -8.31db
12% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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The Dutchess & The Duke
Hands
141 bpm • A min • 03:47 • -8.75db
12% Popularity • 59% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 59% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Evan Dando
In the Grass All Wine Colored
141 bpm • G Maj • 03:29 • -15.21db
16% Popularity • 41% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 41% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Gram Parsons
November Nights
139 bpm • B Maj • 03:38 • -11.33db
29% Popularity • 38% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 38% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Steve Gunn
Lurker
142 bpm • F Maj • 07:42 • -12.89db
26% Popularity • 41% Danceability • 41% Energy • 11% Liveness
71% Instrumentalness • 28% Positiveness
26% Popularity • 41% Danceability • 41% Energy • 11% Liveness
71% Instrumentalness • 28% Positiveness
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My Morning Jacket
Death Is My Sleezy Pay
139 bpm • G Maj • 05:28 • -9.36db
19% Popularity • 31% Danceability • 33% Energy • 8% Liveness
14% Instrumentalness • 25% Positiveness
19% Popularity • 31% Danceability • 33% Energy • 8% Liveness
14% Instrumentalness • 25% Positiveness
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Jason Molina
Don't It Look Like Rain
138 bpm • A Maj • 03:48 • -20.55db
20% Popularity • 42% Danceability • 3% Energy • 11% Liveness
7% Instrumentalness • 7% Positiveness
20% Popularity • 42% Danceability • 3% Energy • 11% Liveness
7% Instrumentalness • 7% Positiveness
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Loose Fur
Wanted
138 bpm • G Maj • 03:00 • -13.06db
20% Popularity • 60% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
20% Popularity • 60% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 61% Positiveness
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The Felice Brothers
Days of the Years
142 bpm • A Maj • 03:58 • -10db
33% Popularity • 45% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
33% Popularity • 45% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
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Sun Kil Moon
The Light
138 bpm • D min • 07:49 • -12.82db
22% Popularity • 49% Danceability • 45% Energy • 11% Liveness
33% Instrumentalness • 35% Positiveness
22% Popularity • 49% Danceability • 45% Energy • 11% Liveness
33% Instrumentalness • 35% Positiveness
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Songs: Ohia
Just Be Simple
137 bpm • B min • 04:20 • -9.55db
41% Popularity • 50% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
41% Popularity • 50% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Deer Tick
When She Comes Home
137 bpm • G Maj • 03:53 • -5.84db
20% Popularity • 40% Danceability • 64% Energy • 33% Liveness
2% Instrumentalness • 47% Positiveness
20% Popularity • 40% Danceability • 64% Energy • 33% Liveness
2% Instrumentalness • 47% Positiveness
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Richmond Fontaine
The Water Wars
143 bpm • A min • 03:21 • -7.71db
12% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Neko Case
Ghost Wiring
143 bpm • A Maj • 03:54 • -8.5db
21% Popularity • 34% Danceability • 3% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 34% Danceability • 3% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
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Jason Molina
It Must Be Raining There Forever
143 bpm • C# min • 03:32 • -16.13db
17% Popularity • 43% Danceability • 4% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 43% Danceability • 4% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
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Sun Kil Moon
Lost Verses
143 bpm • E Maj • 09:43 • -13.38db
27% Popularity • 44% Danceability • 37% Energy • 63% Liveness
23% Instrumentalness • 28% Positiveness
27% Popularity • 44% Danceability • 37% Energy • 63% Liveness
23% Instrumentalness • 28% Positiveness
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Blitzen Trapper
Texaco
144 bpm • C# Maj • 03:56 • -6.88db
16% Popularity • 54% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 54% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Hiss Golden Messenger
Jesus Shot Me in the Head
136 bpm • B Maj • 05:07 • -9.81db
11% Popularity • 54% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 54% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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Neil Young
Bandit
144 bpm • A# Maj • 05:11 • -14.84db
27% Popularity • 48% Danceability • 33% Energy • 33% Liveness
6% Instrumentalness • 40% Positiveness
27% Popularity • 48% Danceability • 33% Energy • 33% Liveness
6% Instrumentalness • 40% Positiveness
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Evan Dando
Hard Drive
136 bpm • G min • 03:14 • -20.33db
33% Popularity • 54% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 54% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Son Volt
Mystifies Me - 2015 Remaster
136 bpm • G# Maj • 04:12 • -9.56db
21% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 58% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jim White
Borrowed Wings
136 bpm • E min • 04:34 • -9.18db
14% Popularity • 62% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 62% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Richmond Fontaine
Post To Wire
145 bpm • F min • 02:13 • -7.88db
24% Popularity • 59% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
24% Popularity • 59% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Paul Westerberg
Got You Down
145 bpm • G# Maj • 03:10 • -8.28db
14% Popularity • 29% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 29% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Hiss Golden Messenger
No Lord Is Free
135 bpm • F min • 05:04 • -15.74db
11% Popularity • 64% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
11% Popularity • 64% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Stephen Malkmus
Can't Leave Her Behind
145 bpm • F Maj • 01:55 • -10.68db
20% Popularity • 35% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 35% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Son Volt
Mystifies Me
136 bpm • G# Maj • 04:12 • -15db
28% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Magnolia Electric Co.
Blackbird
135 bpm • D Maj • 03:54 • -6.63db
11% Popularity • 34% Danceability • 45% Energy • 8% Liveness
58% Instrumentalness • 31% Positiveness
11% Popularity • 34% Danceability • 45% Energy • 8% Liveness
58% Instrumentalness • 31% Positiveness
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Low
I Hear... Goodnight
146 bpm • A Maj • 03:10 • -13.53db
22% Popularity • 23% Danceability • 10% Energy • 11% Liveness
42% Instrumentalness • 9% Positiveness
22% Popularity • 23% Danceability • 10% Energy • 11% Liveness
42% Instrumentalness • 9% Positiveness
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Blake Mills
History of My Life
134 bpm • F Maj • 03:54 • -11.67db
20% Popularity • 52% Danceability • 44% Energy • 61% Liveness
1% Instrumentalness • 38% Positiveness
20% Popularity • 52% Danceability • 44% Energy • 61% Liveness
1% Instrumentalness • 38% Positiveness
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Deer Tick
The Sad Sun
146 bpm • A Maj • 04:34 • -10.69db
16% Popularity • 47% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 47% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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The Felice Brothers
Wonderful Life
134 bpm • C Maj • 04:02 • -11.29db
28% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Loudon Wainwright III
Hollywood Hopeful
146 bpm • G Maj • 02:39 • -12.12db
35% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Magnolia Electric Co.
What's Broken Becomes Better
135 bpm • D Maj • 03:30 • -6.52db
12% Popularity • 32% Danceability • 46% Energy • 15% Liveness
6% Instrumentalness • 42% Positiveness
12% Popularity • 32% Danceability • 46% Energy • 15% Liveness
6% Instrumentalness • 42% Positiveness
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Loose Fur
Laminated Cat
134 bpm • D Maj • 07:18 • -17.53db
22% Popularity • 53% Danceability • 42% Energy • 9% Liveness
54% Instrumentalness • 38% Positiveness
22% Popularity • 53% Danceability • 42% Energy • 9% Liveness
54% Instrumentalness • 38% Positiveness
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Blake Mills
Women Know
146 bpm • D Maj • 04:33 • -10.37db
19% Popularity • 33% Danceability • 36% Energy • 30% Liveness
28% Instrumentalness • 14% Positiveness
19% Popularity • 33% Danceability • 36% Energy • 30% Liveness
28% Instrumentalness • 14% Positiveness
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Peggy Honeywell
Sing Sung Saing
134 bpm • A# Maj • 02:26 • -10.6db
14% Popularity • 33% Danceability • 40% Energy • 12% Liveness
12% Instrumentalness • 82% Positiveness
14% Popularity • 33% Danceability • 40% Energy • 12% Liveness
12% Instrumentalness • 82% Positiveness
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The Felice Brothers
Copperstown
134 bpm • D Maj • 06:13 • -13.04db
1% Popularity • 50% Danceability • 30% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
1% Popularity • 50% Danceability • 30% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
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Silver Jews
Trains Across The Sea
134 bpm • C Maj • 03:15 • -12.45db
46% Popularity • 49% Danceability • 48% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
46% Popularity • 49% Danceability • 48% Energy • 11% Liveness
39% Instrumentalness • 38% Positiveness
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Built To Spill
You Are
134 bpm • G Maj • 03:50 • -5.97db
24% Popularity • 29% Danceability • 67% Energy • 9% Liveness
76% Instrumentalness • 40% Positiveness
24% Popularity • 29% Danceability • 67% Energy • 9% Liveness
76% Instrumentalness • 40% Positiveness
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Okkervil River
Omie Wise
133 bpm • E min • 05:04 • -11.88db
15% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Richmond Fontaine
I Fell into Painting Houses in Phoenix, ...
133 bpm • C Maj • 03:27 • -11.34db
12% Popularity • 34% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
12% Popularity • 34% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Golden Smog
Jennifer Save Me
147 bpm • E Maj • 04:48 • -6.88db
14% Popularity • 28% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 28% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 33% Positiveness
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Jason Molina
34 Blues
133 bpm • F# Maj • 02:52 • -16.16db
17% Popularity • 49% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
17% Popularity • 49% Danceability • 8% Energy • 11% Liveness
7% Instrumentalness • 15% Positiveness
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Songs: Ohia
Farewell Transmission
148 bpm • B Maj • 07:22 • -8.15db
50% Popularity • 43% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
50% Popularity • 43% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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Built To Spill
Nowhere Lullaby
133 bpm • C Maj • 03:59 • -11.08db
3% Popularity • 48% Danceability • 41% Energy • 10% Liveness
9% Instrumentalness • 51% Positiveness
3% Popularity • 48% Danceability • 41% Energy • 10% Liveness
9% Instrumentalness • 51% Positiveness
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Micah P. Hinson
Tell Me It Ain't So
132 bpm • C# Maj • 04:09 • -12.59db
26% Popularity • 45% Danceability • 27% Energy • 30% Liveness
18% Instrumentalness • 24% Positiveness
26% Popularity • 45% Danceability • 27% Energy • 30% Liveness
18% Instrumentalness • 24% Positiveness
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Okkervil River
A Girl In Port
147 bpm • E Maj • 06:36 • -7db
24% Popularity • 44% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 44% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Calexico
Not Even Stevie Nicks…
132 bpm • A Maj • 02:43 • -8.76db
23% Popularity • 52% Danceability • 39% Energy • 10% Liveness
8% Instrumentalness • 19% Positiveness
23% Popularity • 52% Danceability • 39% Energy • 10% Liveness
8% Instrumentalness • 19% Positiveness
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Richmond Fontaine
Winner's Casino
132 bpm • G Maj • 04:06 • -9.94db
6% Popularity • 50% Danceability • 58% Energy • 14% Liveness
8% Instrumentalness • 21% Positiveness
6% Popularity • 50% Danceability • 58% Energy • 14% Liveness
8% Instrumentalness • 21% Positiveness
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Jason Molina
Alone With The Owl
131 bpm • E Maj • 02:24 • -13db
29% Popularity • 60% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 60% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Magnolia Electric Co.
Leave the City
131 bpm • G Maj • 06:21 • -13.3db
17% Popularity • 45% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
17% Popularity • 45% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Vic Chesnutt
Sad Peter Pan
149 bpm • F Maj • 03:30 • -11.85db
15% Popularity • 62% Danceability • 36% Energy • 12% Liveness
16% Instrumentalness • 22% Positiveness
15% Popularity • 62% Danceability • 36% Energy • 12% Liveness
16% Instrumentalness • 22% Positiveness
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Ugly Casanova
Hotcha Girls
131 bpm • C Maj • 04:58 • -12db
32% Popularity • 54% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 54% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Songs: Ohia
Two Blue Lights
150 bpm • E min • 02:15 • -11.91db
35% Popularity • 49% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
35% Popularity • 49% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Cass McCombs
Name Written in Water
131 bpm • C Maj • 02:52 • -14.83db
31% Popularity • 82% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
31% Popularity • 82% Danceability • 42% Energy • 12% Liveness
2% Instrumentalness • 96% Positiveness
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Grant Lee Buffalo
Last Days of Tecumseh
150 bpm • F# Maj • 01:02 • -21.65db
33% Popularity • 55% Danceability • 12% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
33% Popularity • 55% Danceability • 12% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
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The Felice Brothers
Tip Your Way
131 bpm • E Maj • 05:22 • -10db
16% Popularity • 42% Danceability • 41% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
16% Popularity • 42% Danceability • 41% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
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Luna
Most of the Time
150 bpm • C Maj • 04:42 • -10.3db
22% Popularity • 44% Danceability • 46% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
22% Popularity • 44% Danceability • 46% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
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Califone
3Leged Animal
131 bpm • D Maj • 04:08 • -9.51db
8% Popularity • 58% Danceability • 65% Energy • 45% Liveness
1% Instrumentalness • 58% Positiveness
8% Popularity • 58% Danceability • 65% Energy • 45% Liveness
1% Instrumentalness • 58% Positiveness
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The Sadies
Tell Her What I Said
150 bpm • G Maj • 04:53 • -7.16db
17% Popularity • 21% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 21% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Palace Brothers
Pushkin
130 bpm • C min • 02:52 • -17.24db
15% Popularity • 45% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 45% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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Papa M
Roses In The Snow
150 bpm • D Maj • 03:44 • -11.71db
22% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Loudon Wainwright III
The Man Who Couldn't Cry
130 bpm • D Maj • 06:15 • -13.96db
28% Popularity • 69% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 69% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Glands
fortress
130 bpm • G Maj • 03:51 • -5.87db
6% Popularity • 49% Danceability • 58% Energy • 12% Liveness
5% Instrumentalness • 34% Positiveness
6% Popularity • 49% Danceability • 58% Energy • 12% Liveness
5% Instrumentalness • 34% Positiveness
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The Felice Brothers
Boy From Lawrence County
130 bpm • E Maj • 05:21 • -10.89db
1% Popularity • 38% Danceability • 40% Energy • 31% Liveness
1% Instrumentalness • 49% Positiveness
1% Popularity • 38% Danceability • 40% Energy • 31% Liveness
1% Instrumentalness • 49% Positiveness
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South San Gabriel
I Am Six Pounds of Dynamite
130 bpm • G Maj • 05:36 • -10.14db
10% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Phosphorescent
The Mermaid Parade
130 bpm • F Maj • 04:22 • -10db
25% Popularity • 33% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 33% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Richmond Fontaine
Always On The Ride
130 bpm • C Maj • 03:36 • -9.58db
7% Popularity • 63% Danceability • 61% Energy • 11% Liveness
7% Instrumentalness • 53% Positiveness
7% Popularity • 63% Danceability • 61% Energy • 11% Liveness
7% Instrumentalness • 53% Positiveness
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Loudon Wainwright III
New Paint
130 bpm • G Maj • 03:00 • -17.72db
27% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Hiss Golden Messenger
Straw Man Red Sun River Gold
130 bpm • F# Maj • 04:01 • -12.1db
11% Popularity • 72% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
11% Popularity • 72% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
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Giant Sand
Without a Word
151 bpm • A# min • 03:39 • -9.95db
21% Popularity • 60% Danceability • 81% Energy • 9% Liveness
4% Instrumentalness • 66% Positiveness
21% Popularity • 60% Danceability • 81% Energy • 9% Liveness
4% Instrumentalness • 66% Positiveness
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Silver Jews
Friday Night Fever
130 bpm • A Maj • 02:44 • -10.66db
29% Popularity • 44% Danceability • 43% Energy • 21% Liveness
1% Instrumentalness • 23% Positiveness
29% Popularity • 44% Danceability • 43% Energy • 21% Liveness
1% Instrumentalness • 23% Positiveness
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Jay Farrar
Fly High
129 bpm • F# min • 03:45 • -13db
30% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Ranaldo
Mountains of the Moon
152 bpm • C Maj • 03:53 • -7.78db
19% Popularity • 48% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 48% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Richmond Fontaine
You Can Move Back Here
129 bpm • G Maj • 02:46 • -8.56db
12% Popularity • 50% Danceability • 64% Energy • 13% Liveness
44% Instrumentalness • 33% Positiveness
12% Popularity • 50% Danceability • 64% Energy • 13% Liveness
44% Instrumentalness • 33% Positiveness
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Crooked Fingers
Weary Arms
128 bpm • F Maj • 02:29 • -7.33db
13% Popularity • 41% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 41% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Sun Kil Moon
Neverending Math Equation
153 bpm • E Maj • 02:53 • -8.73db
43% Popularity • 50% Danceability • 50% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
43% Popularity • 50% Danceability • 50% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
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Silver Jews
What Is Not But Could Be If
129 bpm • G Maj • 03:07 • -12.78db
28% Popularity • 49% Danceability • 40% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
28% Popularity • 49% Danceability • 40% Energy • 12% Liveness
7% Instrumentalness • 27% Positiveness
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Clem Snide
Moment in the Sun
153 bpm • B Maj • 05:31 • -7.07db
20% Popularity • 30% Danceability • 63% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
20% Popularity • 30% Danceability • 63% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
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Jay Farrar
No Rolling Back
129 bpm • D Maj • 03:13 • -9.85db
25% Popularity • 67% Danceability • 39% Energy • 12% Liveness
15% Instrumentalness • 28% Positiveness
25% Popularity • 67% Danceability • 39% Energy • 12% Liveness
15% Instrumentalness • 28% Positiveness
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Jason Molina
Shadow Answers the Wall
154 bpm • A Maj • 02:36 • -11.5db
24% Popularity • 64% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
24% Popularity • 64% Danceability • 38% Energy • 7% Liveness
4% Instrumentalness • 16% Positiveness
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Purple Mountains
Margaritas At The Mall
127 bpm • A min • 03:54 • -7db
15% Popularity • 48% Danceability • 74% Energy • 28% Liveness
2% Instrumentalness • 63% Positiveness
15% Popularity • 48% Danceability • 74% Energy • 28% Liveness
2% Instrumentalness • 63% Positiveness
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Palace Brothers
Meaulnes
155 bpm • G Maj • 02:27 • -18.13db
13% Popularity • 39% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 39% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Silver Jews
Suffering Jukebox
128 bpm • G Maj • 04:21 • -10.86db
42% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
42% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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Richmond Fontaine
The Longer You Wait
127 bpm • F# Maj • 02:38 • -9.14db
10% Popularity • 46% Danceability • 72% Energy • 11% Liveness
83% Instrumentalness • 65% Positiveness
10% Popularity • 46% Danceability • 72% Energy • 11% Liveness
83% Instrumentalness • 65% Positiveness
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Hiss Golden Messenger
Jesus Shot Me in the Head
127 bpm • F# Maj • 05:15 • -12db
12% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Giant Sand
Red Right Hand
126 bpm • E min • 04:40 • -9.54db
27% Popularity • 40% Danceability • 57% Energy • 7% Liveness
19% Instrumentalness • 26% Positiveness
27% Popularity • 40% Danceability • 57% Energy • 7% Liveness
19% Instrumentalness • 26% Positiveness
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Whiskeytown
The Ballad Of Carol Lynn
126 bpm • C Maj • 03:04 • -10db
33% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 58% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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The Felice Brothers
Katie Dear
126 bpm • E Maj • 03:58 • -13.47db
3% Popularity • 50% Danceability • 19% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
3% Popularity • 50% Danceability • 19% Energy • 10% Liveness
25% Instrumentalness • 19% Positiveness
