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Alone
Songs like
Alone
by
Harry Gregson-Williams
Based on a tempo of (+/- 10%) and a similar genre
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Harry Gregson-Williams
A Quiet Voice
160 bpm • D Maj • 03:39 • -21.12db
24% Popularity • 18% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Tom Howe
Professor Marston and The Wonder Women
160 bpm • A min • 01:58 • -14.67db
8% Popularity • 33% Danceability • 23% Energy • 9% Liveness
79% Instrumentalness • 6% Positiveness
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Jeff Russo
Hugh’s Log
160 bpm • D min • 02:15 • -16.57db
12% Popularity • 38% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Mychael Danna
Beachum
156 bpm • G# Maj • 01:51 • -20.5db
9% Popularity • 40% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Mark Petrie
An Instant Moment
156 bpm • F min • 03:28 • -13.48db
17% Popularity • 29% Danceability • 48% Energy • 21% Liveness
86% Instrumentalness • 12% Positiveness
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Terry Devine-King
Solar Orbiter
155 bpm • C Maj • 03:17 • -14.18db
12% Popularity • 35% Danceability • 63% Energy • 7% Liveness
93% Instrumentalness • 12% Positiveness
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Harry Gregson-Williams
Dazzle Me - Score
160 bpm • C# min • 02:25 • -18.74db
13% Popularity • 37% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Christopher Deighton
Fortitude and Valour
166 bpm • F Maj • 02:29 • -17db
20% Popularity • 15% Danceability • 36% Energy • 14% Liveness
82% Instrumentalness • 15% Positiveness
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Nathan Furst
African Recon
166 bpm • F Maj • 06:02 • -13db
9% Popularity • 32% Danceability • 43% Energy • 12% Liveness
80% Instrumentalness • 12% Positiveness
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Mychael Danna
It All Looks Different To Me
154 bpm • C Maj • 01:29 • -15.49db
29% Popularity • 18% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Bonnie Grace
Ushoraga
154 bpm • C min • 02:21 • -13.79db
27% Popularity • 26% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Blake Neely
Off the Case
154 bpm • B min • 03:45 • -23.3db
12% Popularity • 30% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Alone
160 bpm • B Maj • 04:09 • -19.52db
36% Popularity • 30% Danceability • 22% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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Abel Korzeniowski
Maybe We Are Only Two People
168 bpm • C min • 04:40 • -13.4db
25% Popularity • 9% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Christopher Young
The Apple
168 bpm • C# Maj • 01:14 • -19db
38% Popularity • 8% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Brad Fiedel
Love Scene
168 bpm • D min • 02:29 • -23db
32% Popularity • 18% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Martin Phipps
New Queen
169 bpm • A# Maj • 03:56 • -27db
41% Popularity • 12% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Éric Serra
Settling in Another Grey Box
169 bpm • A min • 01:13 • -25.2db
25% Popularity • 36% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Harry Gregson-Williams
Boston by Day
160 bpm • F min • 01:19 • -25.02db
23% Popularity • 21% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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e-soundtrax
Tears in Moldova
152 bpm • C Maj • 02:42 • -12.37db
11% Popularity • 50% Danceability • 40% Energy • 8% Liveness
94% Instrumentalness • 40% Positiveness
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Bonnie Grace
Leave Nothing Behind
151 bpm • F min • 02:20 • -14.75db
23% Popularity • 44% Danceability • 45% Energy • 21% Liveness
70% Instrumentalness • 28% Positiveness
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Christopher Lennertz
Main Titles
170 bpm • C Maj • 01:11 • -12db
25% Popularity • 10% Danceability • 47% Energy • 12% Liveness
70% Instrumentalness • 8% Positiveness
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Hampus Naeselius
Signal to Noise
170 bpm • D min • 03:35 • -13.97db
30% Popularity • 10% Danceability • 33% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Jeff Russo
For All Mankind Main Title
150 bpm • A# Maj • 01:20 • -19.77db
29% Popularity • 19% Danceability • 22% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
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Harry Gregson-Williams
Humvee Chase - Score
160 bpm • G# Maj • 06:03 • -23.22db
8% Popularity • 18% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 3% Positiveness
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Atli Örvarsson
Flight To Nome
150 bpm • F Maj • 03:07 • -18.22db
13% Popularity • 15% Danceability • 45% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Antonio Pinto
Self/Less
150 bpm • B min • 04:40 • -13.24db
14% Popularity • 29% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Mychael Danna
More
150 bpm • F Maj • 01:37 • -22db
39% Popularity • 61% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
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Bear McCreary
Ava
172 bpm • D Maj • 04:11 • -14db
12% Popularity • 44% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Jo Blankenburg
Voyager
149 bpm • F min • 03:28 • -11.04db
29% Popularity • 40% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Harry Gregson-Williams
Sanchez Family
159 bpm • G# Maj • 04:47 • -16.49db
13% Popularity • 34% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Don't Talk About the Boat
150 bpm • E min • 01:39 • -31db
43% Popularity • 30% Danceability • 3% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Theodore Shapiro
The Dream and the Letters
172 bpm • C min • 02:36 • -24.83db
27% Popularity • 8% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Matt Scudder
173 bpm • B min • 00:57 • -19.5db
10% Popularity • 32% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Bonnie Grace
In the Red Soil
148 bpm • D min • 02:35 • -13db
23% Popularity • 48% Danceability • 46% Energy • 8% Liveness
85% Instrumentalness • 37% Positiveness
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Ralf Wengenmayr
Ballon
173 bpm • F min • 02:52 • -15.16db
9% Popularity • 37% Danceability • 56% Energy • 8% Liveness
84% Instrumentalness • 18% Positiveness
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Harry Gregson-Williams
Boston by Night
163 bpm • A min • 01:24 • -22.08db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
49% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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John Powell
Tangiers
174 bpm • C Maj • 07:40 • -9.43db
25% Popularity • 53% Danceability • 87% Energy • 16% Liveness
95% Instrumentalness • 31% Positiveness
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Mark Petrie
Ignition
146 bpm • C# Maj • 03:15 • -14.57db
15% Popularity • 39% Danceability • 47% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Thomas Wander
Midway Main Theme
175 bpm • G Maj • 05:17 • -21db
21% Popularity • 8% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Tyler Bates
Deconsecrated
175 bpm • F Maj • 03:18 • -7.52db
36% Popularity • 51% Danceability • 71% Energy • 11% Liveness
83% Instrumentalness • 29% Positiveness
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Harry Gregson-Williams
McCall's Return
163 bpm • B Maj • 04:39 • -24.16db
26% Popularity • 12% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Trevor Rabin
I Am The Clock (12 Monkeys Suite)
145 bpm • D min • 04:44 • -18db
22% Popularity • 47% Danceability • 30% Energy • 8% Liveness
47% Instrumentalness • 9% Positiveness
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Ryan Amon
Heaven And Earth
145 bpm • G# Maj • 04:25 • -26db
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Johnny Klimek
The Suitcase
145 bpm • C min • 04:04 • -17db
8% Popularity • 13% Danceability • 31% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Christopher Tyng
Suits Theme
145 bpm • G min • 02:04 • -19.55db
36% Popularity • 56% Danceability • 26% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Tyler Bates
Really Pissed Off (End Credits)
175 bpm • G Maj • 01:37 • -5.94db
35% Popularity • 46% Danceability • 72% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Harry Gregson-Williams
"My Name Is Tom" - Original Motion Pictu...
145 bpm • B min • 02:41 • -29.19db
28% Popularity • 13% Danceability • 3% Energy • 12% Liveness
41% Instrumentalness • 3% Positiveness
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Theodore Shapiro
Love Visit #2
145 bpm • F Maj • 01:23 • -21.74db
17% Popularity • 13% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Nathan Furst
California Crossing
144 bpm • D# Maj • 03:40 • -14.5db
27% Popularity • 21% Danceability • 34% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
46% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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Mychael Danna
It's a Process
144 bpm • F Maj • 01:52 • -22.57db
47% Popularity • 14% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Tyler Bates
La Vendetta
175 bpm • D min • 03:40 • -8.98db
34% Popularity • 49% Danceability • 64% Energy • 4% Liveness
88% Instrumentalness • 22% Positiveness
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Alexandre Desplat
Maya on Plane
144 bpm • A min • 03:59 • -22.66db
18% Popularity • 30% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Harry Gregson-Williams
Taxi
154 bpm • F Maj • 00:53 • -21db
26% Popularity • 53% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Matthew Margeson
Eddie Jumps The 90M
143 bpm • C Maj • 03:33 • -9.57db
20% Popularity • 28% Danceability • 57% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
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Marcelo Zarvos
First Walk
180 bpm • C# Maj • 01:18 • -26.44db
24% Popularity • 7% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Christopher Salt
Infinite Horizons
180 bpm • B Maj • 03:00 • -13db
13% Popularity • 26% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Tyler Bates
John Wick Reckoning
176 bpm • D min • 03:02 • -8.09db
41% Popularity • 42% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 32% Positiveness
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Cliff Martinez
Landscape Gardener - OMPS Edit
180 bpm • D Maj • 02:53 • -12db
14% Popularity • 42% Danceability • 55% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Bullet Tells The Truth
172 bpm • A Maj • 01:38 • -26.93db
20% Popularity • 8% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Istanbul
142 bpm • A min • 01:45 • -26.85db
13% Popularity • 47% Danceability • 17% Energy • 8% Liveness
72% Instrumentalness • 12% Positiveness
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Randy Edelman
Daylight - Daylight/Soundtrack Version
142 bpm • C min • 03:32 • -12.38db
11% Popularity • 47% Danceability • 59% Energy • 13% Liveness
91% Instrumentalness • 32% Positiveness
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Epic Soul Factory
Hero Memories
181 bpm • G min • 03:30 • -13.43db
39% Popularity • 21% Danceability • 52% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
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Christoffer Moe Ditlevsen
The Great Ascension
141 bpm • A# min • 03:04 • -16.09db
12% Popularity • 17% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Atli Örvarsson
Aurora's Theme (Agnus Dei)
141 bpm • A min • 04:07 • -23.98db
11% Popularity • 14% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
The Bridge
174 bpm • G Maj • 02:43 • -17.35db
14% Popularity • 39% Danceability • 45% Energy • 8% Liveness
87% Instrumentalness • 10% Positiveness
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Alexandre Desplat
Back to Base
141 bpm • A min • 02:41 • -24.06db
19% Popularity • 14% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Roque Baños
A Commuter's Trip
141 bpm • G min • 05:03 • -18db
22% Popularity • 38% Danceability • 31% Energy • 13% Liveness
52% Instrumentalness • 6% Positiveness
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Matthias Weber
Main Title - Das Boot - Series 2018
140 bpm • D Maj • 01:23 • -25db
22% Popularity • 29% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Mark Petrie
Aeons
140 bpm • B min • 03:21 • -14.87db
28% Popularity • 31% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Borrtex
Enjoy the Game
140 bpm • F min • 02:53 • -13db
18% Popularity • 30% Danceability • 38% Energy • 12% Liveness
66% Instrumentalness • 11% Positiveness
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Harry Gregson-Williams
Behind the Bookcase
174 bpm • G Maj • 04:25 • -28db
14% Popularity • 12% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Make It 48 Degrees
140 bpm • G min • 02:55 • -16.1db
8% Popularity • 32% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 17% Positiveness
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Ryan Amon
New Heaven, New Earth
140 bpm • C min • 02:22 • -15db
24% Popularity • 34% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Epic Score
Time Will Remember Us
140 bpm • B min • 02:45 • -8db
44% Popularity • 44% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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SATV Music
Finals Day
140 bpm • D Maj • 02:08 • -11.24db
11% Popularity • 45% Danceability • 48% Energy • 24% Liveness
93% Instrumentalness • 34% Positiveness
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Trevor Rabin
The Last Car
140 bpm • A Maj • 04:50 • -9.36db
31% Popularity • 36% Danceability • 88% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Harry Gregson-Williams
Return To The Cabin
175 bpm • E min • 01:17 • -29.59db
25% Popularity • 25% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Patrick Doyle
Justice
140 bpm • D Maj • 09:29 • -15.69db
37% Popularity • 14% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Meeting the Others
139 bpm • D# min • 03:38 • -23db
31% Popularity • 14% Danceability • 14% Energy • 27% Liveness
71% Instrumentalness • 6% Positiveness
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Atli Örvarsson
Amazing Adventures
140 bpm • A Maj • 02:13 • -17.99db
22% Popularity • 14% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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David A. Molina
A Thousand Years
139 bpm • A min • 03:22 • -10db
32% Popularity • 37% Danceability • 55% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Christian Wilckens
Suzuka 2000
138 bpm • B Maj • 04:47 • -16.55db
21% Popularity • 22% Danceability • 39% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Torturing Frank
146 bpm • A# min • 03:44 • -17db
18% Popularity • 31% Danceability • 41% Energy • 15% Liveness
87% Instrumentalness • 9% Positiveness
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Roya
Penitence
138 bpm • A min • 03:29 • -13.24db
31% Popularity • 17% Danceability • 37% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Mika And Kai
138 bpm • D min • 02:45 • -27.63db
48% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Chris Benstead
Wrath of Man
137 bpm • C# Maj • 02:14 • -12.95db
34% Popularity • 45% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
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David Arnold
The Name's Bond... James Bond
137 bpm • E min • 02:49 • -6.3db
44% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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Martin Phipps
Daggers
136 bpm • A min • 02:33 • -16.6db
33% Popularity • 18% Danceability • 32% Energy • 7% Liveness
58% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
McCall Mourns Susan
142 bpm • D# Maj • 01:56 • -29.85db
19% Popularity • 14% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Mychael Danna
Training
136 bpm • E min • 02:08 • -21.53db
24% Popularity • 57% Danceability • 15% Energy • 14% Liveness
76% Instrumentalness • 19% Positiveness
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Johan Söderqvist
Kimmie's Theme
136 bpm • E Maj • 02:19 • -21.42db
17% Popularity • 15% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Roque Baños
End Credits - Alternate Version; Bonus T...
191 bpm • D Maj • 01:17 • -9.61db
24% Popularity • 18% Danceability • 75% Energy • 14% Liveness
96% Instrumentalness • 24% Positiveness
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Sarah Class
Baptism of Fire
192 bpm • C# Maj • 02:40 • -14.82db
8% Popularity • 33% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 11% Positiveness
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Simon Franglen
Sanctuary
198 bpm • D min • 02:55 • -17.54db
30% Popularity • 10% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
McCall's Decision
140 bpm • G Maj • 04:10 • -18.15db
24% Popularity • 18% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Mark Reeder
Tragic - Push the Button mix
200 bpm • A min • 04:30 • -19.63db
14% Popularity • 23% Danceability • 15% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Concerned Citizen
140 bpm • G# Maj • 02:44 • -16.27db
22% Popularity • 57% Danceability • 30% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Alone