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Alone
Songs like
Alone
by
Irya Gmeyner
Based on a tempo of (+/- 10%) and a similar genre
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Illuminine
Wander, Rise
76 bpm • A min • 05:05 • -15.81db
10% Popularity • 8% Danceability • 17% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Irya Gmeyner
Morning
76 bpm • F# min • 01:54 • -26.8db
0% Popularity • 60% Danceability • 15% Energy • 14% Liveness
94% Instrumentalness • 65% Positiveness
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Chris Warner
Under A Gibbous Moon
76 bpm • A Maj • 02:43 • -16.56db
8% Popularity • 36% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 7% Positiveness
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Anne Nikitin
Sunny and Elizabeth
76 bpm • F Maj • 01:21 • -23.09db
26% Popularity • 32% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Ryan Taubert
Signal Lost
76 bpm • F min • 02:25 • -28db
14% Popularity • 7% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Natalia Tsupryk
Five Spikelets
76 bpm • F Maj • 06:33 • -24.27db
10% Popularity • 13% Danceability • 6% Energy • 17% Liveness
88% Instrumentalness • 3% Positiveness
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Stefan Nilsson
Avfärd - from Juloratoriet
76 bpm • F# Maj • 02:48 • -19.98db
16% Popularity • 7% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Irya Gmeyner
Alone
76 bpm • A min • 01:16 • -14.35db
14% Popularity • 22% Danceability • 20% Energy • 27% Liveness
83% Instrumentalness • 6% Positiveness
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Max Richter
Little Requiems
75 bpm • F Maj • 07:44 • -23.58db
13% Popularity • 15% Danceability • 5% Energy • 18% Liveness
22% Instrumentalness • 4% Positiveness
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Martin Hederos
Tillbaka!
77 bpm • G Maj • 02:04 • -21.41db
6% Popularity • 48% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
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Angus MacRae
Plyve Kacha
77 bpm • D# Maj • 04:56 • -18.67db
18% Popularity • 7% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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ARY
For Evig
77 bpm • A min • 02:43 • -23.23db
19% Popularity • 19% Danceability • 9% Energy • 4% Liveness
85% Instrumentalness • 4% Positiveness
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Jack Bartman
Not Afraid To Die
77 bpm • D min • 02:09 • -21.26db
28% Popularity • 17% Danceability • 26% Energy • 8% Liveness
69% Instrumentalness • 3% Positiveness
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Borrtex
Pleasure
77 bpm • G Maj • 04:22 • -23.05db
32% Popularity • 14% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Marc Canham
14 Years
77 bpm • D# min • 03:39 • -20.97db
21% Popularity • 7% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Irya Gmeyner
Urban City Morning
75 bpm • G min • 02:42 • -16.04db
14% Popularity • 29% Danceability • 36% Energy • 10% Liveness
81% Instrumentalness • 5% Positiveness
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Solomon Grey
Clouds Are Not Spheres
75 bpm • A# min • 02:17 • -17.05db
19% Popularity • 15% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Ryan Taubert
Unseen
75 bpm • A min • 03:28 • -28.75db
11% Popularity • 18% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Stephen Rennicks
Cáit's Theme
77 bpm • F# min • 01:22 • -41.93db
26% Popularity • 8% Danceability • 0% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
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Bengt Nilsson
Ramzan (Pavane)
75 bpm • F min • 02:27 • -27.18db
8% Popularity • 11% Danceability • 4% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
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Mogwai
The Bike
75 bpm • G Maj • 03:41 • -17.83db
13% Popularity • 18% Danceability • 21% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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JUNG
Det Susar I Säven - Part I
75 bpm • B Maj • 01:45 • -11.47db
20% Popularity • 46% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 21% Positiveness
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Adam Nordén
Vackert Piano, Pt. 1
75 bpm • D min • 00:55 • -20.52db
23% Popularity • 38% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Lasse Enersen
White Church
77 bpm • G min • 01:29 • -26.61db
24% Popularity • 12% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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GÃsli Gunnarsson
Lifeling
75 bpm • C# Maj • 04:42 • -22.07db
24% Popularity • 30% Danceability • 21% Energy • 8% Liveness
98% Instrumentalness • 8% Positiveness
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Hania Rani
Hospital to Thornfield
75 bpm • C min • 03:30 • -26.99db
24% Popularity • 14% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Nuage II
77 bpm • F Maj • 01:18 • -14.07db
46% Popularity • 16% Danceability • 10% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
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Kevin Smuts
Cape of Storms
75 bpm • B Maj • 01:31 • -30.1db
37% Popularity • 22% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Adam Nordén
Ny Tid
75 bpm • D min • 02:01 • -22.33db
15% Popularity • 44% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Patrik Berg Almkvisth
The day she left
77 bpm • D# Maj • 03:59 • -18.72db
12% Popularity • 7% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Irya Gmeyner
Insight
75 bpm • F# min • 01:31 • -15.45db
0% Popularity • 15% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 12% Positiveness
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Snorri HallgrÃmsson
Behind the Sun
77 bpm • A Maj • 06:36 • -19.83db
13% Popularity • 7% Danceability • 11% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Alex Somers
Between Us
74 bpm • D# Maj • 05:19 • -20.29db
13% Popularity • 38% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Atli Örvarsson
Anka Surrenders
78 bpm • G min • 04:04 • -20.04db
9% Popularity • 12% Danceability • 18% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Adam Nordén
Vår tid är Nu (Vinjett)
75 bpm • D min • 01:02 • -19db
27% Popularity • 35% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Gavin Luke
Muddy Waters
78 bpm • C# min • 02:28 • -19.67db
21% Popularity • 30% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
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Irya Gmeyner
Lashing Out
78 bpm • C Maj • 00:53 • -26.06db
1% Popularity • 14% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 2% Positiveness
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Doug Kaufman
Songbird
78 bpm • F Maj • 03:03 • -16.03db
18% Popularity • 7% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Rob
Strate 34 Long
78 bpm • D min • 02:46 • -21.29db
12% Popularity • 16% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Felix Rösch
Clouds
78 bpm • C min • 02:46 • -13.81db
27% Popularity • 15% Danceability • 34% Energy • 21% Liveness
82% Instrumentalness • 16% Positiveness
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Tony Anderson
Eschaton - Tony Anderson Rework
74 bpm • D min • 03:43 • -15.56db
25% Popularity • 7% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
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Sebastian Plano
Liv
74 bpm • C# min • 05:57 • -18.66db
18% Popularity • 15% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Irya Gmeyner
Malmö Melancholy
78 bpm • C# min • 01:19 • -27.38db
15% Popularity • 31% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Autumn Creatures
Eternal Daydream
74 bpm • C Maj • 05:20 • -15.19db
24% Popularity • 21% Danceability • 32% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Will Bates
This Is Real Life
78 bpm • D# Maj • 02:30 • -26.94db
8% Popularity • 16% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Illuminine
Take 4 - Echo
74 bpm • B min • 03:33 • -23.41db
14% Popularity • 26% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Angus MacRae
Imaginarium
73 bpm • D min • 02:53 • -21db
33% Popularity • 15% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 3% Positiveness
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Max Richter
Richter: This Picture Of Us. P.
73 bpm • G min • 01:38 • -12.95db
20% Popularity • 17% Danceability • 27% Energy • 21% Liveness
42% Instrumentalness • 3% Positiveness
► Preview
Irya Gmeyner
Brighter Days
78 bpm • E min • 02:21 • -12.57db
1% Popularity • 26% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Jay Wadley
Messages / I Drifted
79 bpm • A Maj • 02:23 • -25.09db
8% Popularity • 16% Danceability • 6% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Ross Lara
Sawatch
79 bpm • B min • 03:33 • -16.96db
18% Popularity • 8% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Martin Hederos
Brudmarsch från Norra Råda
73 bpm • D min • 02:20 • -17.73db
5% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Tristan Barton
Reverie
73 bpm • D Maj • 02:19 • -19.4db
23% Popularity • 25% Danceability • 14% Energy • 12% Liveness
66% Instrumentalness • 3% Positiveness
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Tom Ashbrook
Seance
73 bpm • G# min • 04:44 • -20db
16% Popularity • 29% Danceability • 26% Energy • 19% Liveness
88% Instrumentalness • 15% Positiveness
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Irya Gmeyner
The Loss
78 bpm • F min • 02:12 • -16.71db
13% Popularity • 30% Danceability • 18% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
Adam Nordén
Riddarfjärden
73 bpm • F Maj • 01:42 • -18.99db
16% Popularity • 50% Danceability • 16% Energy • 37% Liveness
95% Instrumentalness • 10% Positiveness
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Mark Bradshaw
The Burning
73 bpm • F Maj • 01:38 • -28.68db
33% Popularity • 14% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 4% Positiveness
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Solomon Grey
Sky
79 bpm • G# Maj • 02:07 • -13.78db
11% Popularity • 14% Danceability • 25% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Tony Anderson
Debris
79 bpm • C Maj • 08:39 • -20.73db
21% Popularity • 7% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Fort Nowhere
Aspect
80 bpm • E Maj • 02:41 • -20.48db
12% Popularity • 14% Danceability • 18% Energy • 9% Liveness
98% Instrumentalness • 9% Positiveness
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Irya Gmeyner
Lacrimosa
79 bpm • C min • 02:07 • -28.07db
9% Popularity • 21% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Adam Nordén
Fredsdagen
73 bpm • F Maj • 02:19 • -17.28db
20% Popularity • 23% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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The Irrepressibles
The Child Inside Falls in Love
80 bpm • C Maj • 04:39 • -21.77db
14% Popularity • 13% Danceability • 11% Energy • 20% Liveness
94% Instrumentalness • 4% Positiveness
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Stephen Rennicks
End
73 bpm • D# Maj • 02:32 • -30.06db
22% Popularity • 24% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Moddi
Drømmen
80 bpm • D Maj • 00:59 • -18db
33% Popularity • 47% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Solomon Grey
Irish Sea
80 bpm • A# Maj • 02:06 • -21.17db
15% Popularity • 11% Danceability • 26% Energy • 38% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Irya Gmeyner
Pressure Point Theme
73 bpm • B min • 01:20 • -18.11db
1% Popularity • 17% Danceability • 18% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Adam Nordén
Choral
72 bpm • F Maj • 01:08 • -28.03db
12% Popularity • 18% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Phoria
River Oblivion
80 bpm • E min • 04:50 • -11.84db
31% Popularity • 12% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Jacob Mühlrad
The Lie - Music For Theatre
80 bpm • A min • 03:19 • -32.07db
22% Popularity • 24% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Anton Belov
Pass Through
80 bpm • E min • 03:39 • -20.2db
16% Popularity • 43% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Ralf Hildenbeutel
Ease - Maltese Edit
80 bpm • G min • 02:51 • -15.72db
32% Popularity • 44% Danceability • 39% Energy • 22% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Irya Gmeyner
The Blue Cello
79 bpm • A# min • 00:55 • -15db
24% Popularity • 28% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Tom Hodge
Mohamedou's Theme
80 bpm • C min • 01:01 • -26.24db
30% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Vanbur
Threads
80 bpm • B Maj • 03:14 • -20.97db
32% Popularity • 51% Danceability • 9% Energy • 9% Liveness
81% Instrumentalness • 14% Positiveness
► Preview
Adam Nordén
Pianokärlek
72 bpm • D min • 01:03 • -21.77db
11% Popularity • 20% Danceability • 10% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
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Borrtex
Light
72 bpm • B min • 02:44 • -26.45db
13% Popularity • 18% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Atticus Ross
Memory to Media
80 bpm • G Maj • 04:16 • -11.43db
16% Popularity • 37% Danceability • 24% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Sergey Cheremisinov
The Signals
80 bpm • G min • 03:18 • -20.64db
12% Popularity • 38% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Mattias Bärjed
Förlora sig själv
80 bpm • A# Maj • 02:32 • -13.37db
3% Popularity • 52% Danceability • 54% Energy • 11% Liveness
64% Instrumentalness • 6% Positiveness
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Keegan DeWitt
The Beginning
72 bpm • E min • 03:40 • -21.71db
14% Popularity • 23% Danceability • 9% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Snorri HallgrÃmsson
Suffering
80 bpm • F min • 02:31 • -43.51db
21% Popularity • 16% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Alex Somers
Following After
72 bpm • G# Maj • 05:22 • -14.13db
7% Popularity • 16% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Dead People
The Staircase
80 bpm • D Maj • 01:17 • -28.24db
17% Popularity • 22% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Illuminine
Take 2 - Traces
72 bpm • C# Maj • 03:05 • -21.55db
19% Popularity • 16% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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James Edward Barker
Burns
72 bpm • E min • 04:01 • -30.17db
15% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Freya Arde
Life On Tape
81 bpm • A Maj • 02:15 • -29db
27% Popularity • 18% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Irya Gmeyner
Pauses
71 bpm • B min • 01:54 • -25.6db
0% Popularity • 44% Danceability • 17% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Keegan DeWitt
The Letter
71 bpm • B Maj • 02:43 • -19.36db
15% Popularity • 11% Danceability • 13% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Martin Hederos
Slottskogen Revisited
71 bpm • C# Maj • 01:50 • -29.73db
6% Popularity • 42% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 22% Positiveness
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Hugar
A New Renaissance
71 bpm • G Maj • 03:13 • -30.31db
33% Popularity • 14% Danceability • 4% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Will Bates
Making My Way Back To You
71 bpm • C min • 02:12 • -36.18db
16% Popularity • 19% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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David Celeste
The Elusive
81 bpm • A# min • 01:45 • -26.32db
37% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Alex Somers
Let You Down
81 bpm • D Maj • 02:14 • -15.97db
17% Popularity • 18% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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1900
1900 - Fältinspelad
81 bpm • G Maj • 03:33 • -13.42db
8% Popularity • 46% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
► Preview
Cliff Martinez
Just Another Conversation
82 bpm • C# Maj • 02:16 • -26.81db
8% Popularity • 10% Danceability • 4% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Vanbur
In Cold Light (Alexandra Hamilton-Ayres ...
82 bpm • F# min • 04:37 • -13.14db
34% Popularity • 10% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Daniel L.K. Caldwell
Prospect
81 bpm • D# Maj • 04:10 • -22.49db
27% Popularity • 16% Danceability • 11% Energy • 13% Liveness
76% Instrumentalness • 7% Positiveness
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Gavin Luke
Ocean of Tears
71 bpm • D min • 03:57 • -15.83db
9% Popularity • 6% Danceability • 17% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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Rob Simonsen
The Way Back Main Title
71 bpm • F Maj • 02:43 • -30.59db
27% Popularity • 23% Danceability • 2% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
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Alone